### **ABOUT THE FILMS:**

**SHERMAN’S MARCH, 1985, Dir. Ross McElwee, 155 Mins, LittleField Films, USA**

After his girlfriend leaves him, McElwee takes a voyage along the original route followed by General William Sherman – but rather than cutting a swath of destruction designed to force the Confederate South into submission, as Sherman did, McElwee searches for love, camera in hand.

FORMAT: DCP

**PHOTOGRAPHIC MEMORY, 2011, Dir. Ross McElwee, 87 Mins, LittleField Films, USA/France**

*In English and French with English subtitles.*

The filmmaker finds himself in frequent conflict with his son, who is no longer the delightful child the father loved, but an argumentative young adult who inhabits virtual worlds available through the internet. To the father, the son seems to be addicted to and permanently distracted by those worlds. The filmmaker undertakes a journey to St. Quay-Portrieux in Brittany where he worked for a spring as a wedding photographer’s assistant at age 24 –slightly older than his son is now. He has not been back to St. Quay since that visit, and hopes to gain some perspective on what his own life was like when he was his son’s age. He also hopes to track down his former employer, a fascinating Frenchman named Maurice, and Maud, a woman with whom he was romantically involved during that spring 38 years ago. PHOTOGRAPHIC MEMORY is a meditation on the passing of time, the praxis of photography and film, digital versus analog, and the fractured love of a father for his son.

FORMAT: DCP

Q&A with filmmaker Ross McElwee West Coast Premiere of New Restoration of SHERMAN’S MARCH ‘This Is Not a Fiction 2026’ and ‘Three by Ross McElwee’

SHERMAN'S MARCH / PHOTOGRAPHIC MEMORY

Aero Theatre

**The Napa Boys Digital Release Party @ Brain Dead Studios with a special screening and Q&A**

Join the Cast and Special Guests to celebrate the digital release of THE NAPA BOYS, out on digital on 4/20! Pre-order now: http://apple.co/TheNapaBoys

**7PM:** pre-reception w/ free giveaways

**8PM:** screening + Q&A

**Synopsis:** A mysterious individual known as &#8220;The Sommelier&#8221; leads a group of friends on a raucous road trip through wine country. In the tradition of American Pie, The Lord of the Rings, and Wet Hot American Summer comes a new installment in a beloved IP franchise: The Napa Boys are back&#8230; and for the first time, in this anarchic alt-comedy spoof.

Starring Sarah Ramos (The Bear), Armen Weitzman (Silicon Valley), Nick Corirossi (What We Do In The Shadows), Mike Mitchell (The Doughboys), Chloe Cherry (Euphoria), Vanessa Chester (The Lost World: Jurassic Park), Paul Rust (Saturday Night), Jamar Neighbors (Keanu), Nelson Franklin (Scott Pilgrim vs. the World), David Wain (Wet Hot American Summer), Ray Wise (Twin Peaks), Riki Lindhome (Knives Out), Natasha Leggero (Burning Love), Ivy Wolk (If I Had Legs I’d Kick You), and Beth Dover (Orange Is the New Black). Executive Producer Jerrod Carmichael. Produced by Mike Rosenstein (The Eric Andre Show) and Sunset Rose Pictures. Distributed by Magnolia Pictures.

The Napa Boys @ Brain Dead Studios

Brain Dead Studios

A corporate troubleshooter survives a plane crash to spend five years seeking out an existence on a deserted island before returning to civilization with an altered view of his old life and values.

Cast Away

Deep into a solo voyage in the Indian Ocean, an unnamed man (Redford) wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner's intuition and a strength that belies his age, the man barely survives the tempest. Using only a sextant and nautical maps to chart his progress, he is forced to rely on ocean currents to carry him into a shipping lane in hopes of hailing a passing vessel. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face.

All Is Lost

On a harrowing weekend canoe trip, four city men pit their nerve and muscle against the churning white waters of a wild Georgia river, and the three who are "delivered" from the heart-pounding experience come to realize that "nobody ever beats a river." Based on the novel by James Dickey.

Deliverance

Additional Language: Pawnee

Leonardo DiCaprio gives an Oscar®-winning performance in Academy Award® winner Alejandro G. Iñárritu’s cinematic masterpiece. Inspired by true events and winner of three Oscars®, THE REVENANT follows the story of legendary explorer Hugh Glass (DiCaprio) on his quest for survival and justice. After a brutal bear attack, Glass is left for dead by a treacherous member of his hunting team (Tom Hardy). Against extraordinary odds and enduring unimaginable grief, Glass battles a relentless winter in uncharted terrain. This epic adventure captures the extraordinary power of the human spirit in an immersive and visceral experience unlike anything before.

The Revenant

Egyptian Theatre

### **ABOUT THE FILM:**

I DON’T HATE LAS VEGAS ANYMORE is a real-life documentary comedy about a filmmaker who takes a road trip to Las Vegas with his father and half-brother in an attempt to prove the existence of God. He posits that if God exists, and if God is indeed omniscient, omnipotent and omnibenevolent, then all the filmmaker has to do is roll the camera and let God direct the movie. But the movie isn’t going in the direction the filmmaker would like, and so the filmmaker attempts to force God’s hand by trying to persuade his father and half-brother to take Ecstasy with him. When they refuse, things quickly start to unravel.

FORMAT: DCP

DISTRIBUTOR: STATE8

COUNTRY: USA

Q&A with filmmaker Caveh Zahedi. Moderated by Tyler Taormina. ‘This Is Not a Fiction 2026’ and ‘Caveh Zahedi: An American Cinematheque Tribute’

I DON'T HATE LAS VEGAS ANYMORE

### **ABOUT THE FILM:**

*The film contains a small amount of Lao dialogue, but the film is presented without subtitles as an intentional artistic decision.*

Anong returned home to Laos, accompanied by Tsai Ming-liang. Herds wandered, the wind stirred the trees and lights flickered beneath the water. In this no man’s land, the abandoned houses stood silent—yet each seemed to bear a different face, quietly telling its own story. A camcorder. A camera. And a film was made.

FORMAT: DCP

DISTRIBUTOR: Homegreen Films

COUNTRY: Taiwan

L.A. Premiere ‘This Is Not a Fiction 2026’

Tsai Ming-liang's BACK HOME

Los Feliz Theatre

5 Card Stud  / Rough Night in Jericho

New Beverly Cinema

Bring a project you've been working on or try one of ours!

Presented by Sunday Scaries Art Club.

6-8pm

FREE! Some materials provided. First come, first serve.




Art Night at Scribble!

Scribble

**Screenwriter**: Grace Glowicki, Ben Petrie

**Producers**: Grace Glowicki,  Ben Petrie,  Yona Strauss

Presented in **Stink-O-Vision** on Sunday April 19th and Monday 4/20!

Join us in the microcinema for the funniest, stinkiest horror comedy of the year &#8211; Grace Glowicki&#8217;s supremely absurd, magnificently DIY, and laugh-so-hard-it-hurts *Dead Lover*. A lonely gravedigger who stinks of corpses finally meets her dream man, but their whirlwind affair is cut short when he tragically drowns at sea. Grief-stricken, she goes to morbid lengths to resurrect him through madcap scientific experiments, resulting in grave consequences and unlikely love. A painfully funny and odiferous low-budget masterpiece of gonzo proportions, this inventive gut-buster is one of the funniest, weirdest films you&#8217;ve ever seen AND smelled!

Dead Lover

**Screenwriters**: Dario Argento, Sergio Leone, Bernardo Bertolucci

**Producer**: Bino Cicogna

We&#8217;re heading to the Wild West for one of the best Spaghetti Westerns of all time from the great Sergio Leone with a script co-written by Dario Argento and Bernardo Bertolucci, a score by Ennio Morricone, and an all-star cast including Henry Fonda, Charles Bronson, and Claudia Cardinale! There&#8217;s a single piece of land around Flagstone with water on it, and rail baron Morton (Gabriele Ferzetti) aims to have it, knowing the new railroad will have to stop there. He sends his henchman Frank (Henry Fonda) to scare the land&#8217;s owner, McBain (Frank Wolff), but Frank kills him instead and pins it on a known bandit, Cheyenne (Jason Robards). Meanwhile, a mysterious gunslinger with a score to settle (Charles Bronson) and McBain&#8217;s new wife, Jill (Claudia Cardinale), arrive in town.

**Picks from the Video Store**

We&#8217;ve got a Spaghetti Western section with so many rough and tumble bangers! Check it out tonight!

*Adios, Sabata, Four of the Apocalypse, The Great Silence*, ALL the *Djangos*!

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Once Upon a Time in the West

Vidiots

Normal

Bowery Champs/Gas House Kids Go West

Vista Theatre

The Servant in 4K

The Warriors

Academy Museum

### **ABOUT THE FILM:**

Billie Jean King is a global icon whose impact on tennis and equality resonates around the world. But the personal turmoil behind this transformational figure has in many ways remained hidden from view. In GIVE ME THE BALL!, we come to understand the sacrifices King was forced to make behind the scenes, even as she fought high-profile battles for the professionalization of her sport and equal treatment for women. From struggling to escape an unhappy marriage and hiding her sexual orientation to facing an eating disorder and staring down misogyny at every turn, her march to triumph was a long and often lonely one. This is a woman whose saga cuts deeper than her victory in the “Battle of the Sexes” showdown, and the film showcases King like the persistent fighter she was forced to be. Through a trove of rarely seen archival material and powerfully honest interviews with King, this film explores the depths of agony she endured so that others might follow a less painful path. It is the story of selflessness, struggle, and triumph that shines an unforgettable light on a figure who is widely admired but, until now, never properly understood.

FORMAT: DCP

DISTRIBUTOR: ESPN

COUNTRY: USA

Q&A with filmmakers Liz Garbus and Elizabeth Wolff. Moderated by Scott Feinberg. Pre-recorded introduction by Billie Jean King. West Coast Premiere Popcorn and soda courtesy of ESPN ‘This Is Not a Fiction 2026’

GIVE ME THE BALL!

In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps; explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town, the police are pretty relaxed about it all. Despite everything, main rival (but sweet) Amber Atkins won&#8217;t give up without a fight.

Drop Dead Gorgeous

In 1845, the earliest days of the Oregon Trail, a wagon train of three families hires mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a shortcut, Meek leads the group on an unmarked path across the high plain desert. Over the coming days, lost in the heat, the settlers face hunger, thirst and a lack of faith in each person’s instincts for survival.

Meek's Cutoff

Movie theater chain established in 1938 showcasing the latest independent, foreign & art films.

This unique series is hosted by filmmaker Stanley Sheff, who worked closely with Welles as a collaborator, editor, and un-credited co-director on his unsold TV pilot The Orson Welles Show. Sheff will share stories from their professional collaboration and personal friendship, giving audiences a rare first-hand glimpse into the private world of Orson Welles.Doors at 7pm, show at 7:30pm and film at 8pm.

Tonight's show: LADY FROM SHANGHAI Michael O'Hara, against his better judgement, hires on as a crew member of Arthur Bannister's yacht, sailing to San Francisco. They pick up Grisby, Bannister's law partner, en route. Bannister has a wife, Elsa, who seems to like Michael much better than she likes her husband. After they dock in Sausalito, Michael goes along with Grisby's weird plan to fake his (Grisby's) murder so he can disappear untailed. He wants the $5000 Grisby has offered, so he can run off with Elsa. But Grisby turns up actually murdered, and Michael gets blamed for it. Somebody set him up, but it is not clear who or how. Bannister (the actual murderer?) defends Michael in court

LADY FROM SHANGHAI

Fine Arts Theatre

### **ABOUT THE FILM:**

In REMAKE, filmmaker Ross McElwee turns his lens on the passage of time and the uneasy space between documenting life and understanding it. The film traces McElwee’s relationship with his son Adrian, and the fragile bond the camera created between them while Adrian was alive, and now that he’s gone.

Drawing from decades of footage, some shot by Ross, some by Adrian, the film becomes a layered excavation of memory and image making. Threaded through is the ghost of another project: a stalled effort by Hollywood to fictionalize McElwee’s 1986 classic, SHERMAN’S MARCH. What emerges is a work shaped by absence and propelled forward by the urge to keep looking, even when there’s no clear story left to tell.

FORMAT: DCP

DISTRIBUTOR: MetFilm

COUNTRY: USA

Q&A with filmmaker Ross McElwee West Coast Premiere ‘This Is Not a Fiction 2026’ and ‘Three by Ross McElwee’

REMAKE

### **ABOUT THE EVENT:**

Following the event, a meet-and-greet with wrestling legend Mick Foley will take place at the Los Feliz 3. A separate fee will be charged for the meet-and-greet on-site.

### **ABOUT THE EPISODES:**

**Season 1, Episode 3: “The Killing of Bruiser Brody,” 2019, Dir. Jason Eisener, 44 Mins, Vice, Canada**

The premiere episode of DARK SIDE OF THE RING, narrated by Mick Foley, recounts the tragic 1988 locker room confrontation that led to the death of legendary wrestler Bruiser Brody, exploring the profoundly traumatizing impact it left on those who witnessed it, examining the man behind the myth, and investigating the injustice surrounding his death.

FORMAT: DCP

**Season 6, Episode 1: “Mick Foley: Hell in a Cell,” 2025, Dir. Jason Eisener, 44 Mins, Vice, Canada**

The season six premiere of DARK SIDE OF THE RING follows Mick Foley as he relives the infamous Hell in a Cell ’98 match moment by moment, from the first terrifying fall off the cage to the lasting physical and emotional impact he still carries today, examining both the spectacle and the human cost behind one of wrestling’s most iconic moments.

FORMAT: DCP

### **ABOUT THE SERIES:**

**DARK SIDE OF THE RING, 2019, Vice, Canada**

Finding truth at the intersection of fantasy and reality in the veiled world of professional wrestling.

Q&A with creators Jason Eisener and Evan Husney and wrestling legend Mick Foley Screening of Season 1 Ep. 3 “The Killing of Bruiser Brody” and Season 6 Ep. 1 “Mick Foley: Hell in a Cell” ‘This Is Not a Fiction 2026’ and ‘Cinematic Void’

Cinematic Void Presents DARK SIDE OF THE RING

Join us in the library at the Philosophical Research Society for an acoustic Earth Day Concert with Allie Crow Buckley!

Allie Crow Buckley Acoustic Earth Day Concert

Philosophical Research Society

Vidiots is thrilled to welcome the legendary and luminous filmmaker **Lucrecia Martel** for a very special evening featuring her newest documentary film ***Our Land (Nuestra Tierra)*** followed by a conversation about the film.

Acclaimed Argentinean filmmaker Lucrecia Martel (ZAMA, THE HEADLESS WOMAN) takes a sweeping approach to this tragic true story, triangulating the murder trial of three men, the lives of activist Chocobar and his fellow Chuchagasta people, and the centuries-old, colonialist legacy of land and property theft across Latin America.

This screening will be followed by a conversation with **Lucrecia Martel **and Director of Photography **Ernesto de Carvalho **moderated by film critic and journalist** Justin Chang**. Join us after at 9:30pm for a screening of her mesmerizing mystery [*The Headless Woman*](https://vidiotsfoundation.org/movies/the-headless-woman/) preceded by an introduction by Martel.

An Evening with Lucrecia Martel: Our Land (Nuestra Tierra)

**Screenwriter**: Lucrecia Martel

**Producers**: Agustín Almodóvar,  Pedro Almodóvar,  Tilde Corsi,  Verónica Cura

Vidiots is thrilled to welcome the legendary and luminous filmmaker **Lucrecia Martel** for a very special evening featuring the new 4K Restoration of her mesmerizing mystery *The Headless Woman*.

A bourgeois middle-aged dentist named Veronica (MARIA ONETTO) drives alone on a dirt road, becomes distracted, and runs over something.  Immediately she becomes disoriented, unmoored from her identity and reality, like a sleepwalker who’s actually awake.  As the week go on, she becomes obsessed with the possibility that she may have killed someone: a young boy whose body is found in a roadside canal.  Veronica tries to piece together what happened while her husband systematically erases her tracks.  A chilling parable about a woman in shock, Lucrecia Martel’s third feature explores the intricacies of class and the role of women in a male-dominated society.

This screening will be preceded by an introduction by **Lucrecia Martel**. Join us at 6:30pm for a screening of her newest film *[Our Land (Nuestra Tierra)](https://vidiotsfoundation.org/movies/our-land-nuestra-tierra/)* which will be followed by a conversation with Martel.

**About the Restoration:******

Restoration carried out from the 4K scan of the original 35 mm camera negative, a first-generation internegative, and the original digital sound mix. Reference elements included a duplicate negative and a vintage 35 mm release print. The process included digital cleaning to remove the imperfections of time and color correction to restore the original brightness, contrast, and chromatic values. Effects created in the digital intermediate were preserved.

Restoration produced by Rei Pictures, with the support of The Museum of Modern Art (MoMA) and the UCLA Film & Television Archive. Additional support and organization by Strand Releasing USA. Carried out at Cubic Restoration in Buenos Aires. Color grading was led by Gustavo Biazzi, under the consultation of cinematographer Bárbara Álvarez; digital image restoration by Margarita Moscoso; sound work by Federico Esquerro; and mastering by Julián Giulianelli. The project was coordinated by Fernando Madedo, and the entire process was supervised by director Lucrecia Martel.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

An Evening with Lucrecia Martel: The Headless Woman

Hold That Line/Mr. Hex

Marathon Man in 4K

### **ABOUT THE FILM:**

MODERN WHORE is a hybrid documentary that reimagines popular depictions of sex work through the lived experiences of writer, performer and sex worker Andrea Werhun. Based on her book *Modern Whore: A Memoir*, Andrea grapples with social stigma and reclaims her narrative in a series of funny, heartbreaking, and surprising stories.

FORMAT: DCP

DISTRIBUTOR: Quiver Distribution

COUNTRY: Canada

Q&A with filmmaker Nicole Bazuin (in-person) and subject, screenwriter and producer Andrea Werhun (virtual). Moderated by Casey Calvert. L.A. Premiere

MODERN WHORE

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

**

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!

Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Writing Gets Lonely: Open Writing Studio (5/1)

Heavy Manners Library

### **ABOUT THE FILM:**

Amid civil war in 1930s China, passengers board an express train from Peking to Shanghai. During the trip, British captain Dr. Donald Harvey unexpectedly reunites with his former lover, Madeline, now the infamous adventuress Shanghai Lily. When rebels seize the train and take hostages, Lily risks everything to save the man she loves. Starring Marlene Dietrich, Clive Brook and Anna May Wong,.

FORMAT: 35mm

DISTRIBUTOR: Universal Pictures

COUNTRY: USA

Get your ticket for just $7.20 at the box office ‘Film by the Foot’

SHANGHAI EXPRESS

### **ABOUT THE FILM:**

*“THE JOURNEY was born directly out of a collapsed project in 1982, when I tried to organize another antinuclear war film, to be funded by Central TV in England, and working with a number of peace groups across the UK. I felt that THE WAR GAME was out-of-date, and I was concerned about the escalating nuclear arms race, that was allied to the US foreign policy of a nuclear war that would be limited to Europe. My idea was to create a series of scenes, again depicting the consequences of a nuclear attack on Britain, on a larger scale than THE WAR GAME, that would allow citizens across Britain to express their concerns via their involvement in the production of this project. However, Central TV withdrew its funding, on the grounds that the budget was becoming too large, and the project collapsed. After rethinking the scale of the project into a more global film dealing with the general silence on the burgeoning nuclear arms race, I appealed for funding to a number of international TV channels. Without exception, every TV channel that I contacted refused, even though I was only requesting support for filming an ultra low-cost segment in each country, where I would ask local people what they knew and felt about the world arms race. *

*“During the time while I had no funding from the professional sector, I happened to be showing THE WAR GAME to the world’s oldest peace movement association, the Swedish Peace and Arbitration Society (SPAS), in Stockholm. In May 1983, during its 100th anniversary congress, SPAS unanimously decided to support fund-raising for a new film about the nuclear threat. Based in Stockholm, and with initial funding from SPAS, I immediately began to involve the network of friends and acquaintances that I had acquired over many years of travelling and lecturing, to build an international fund-raising drive for the new film, and to start research in those parts of the world where I would organize local productions groups for the actual filming.*

*“The film’s core concept started to emerge: I would visit families or groups of people in various countries, and interview them to find out what they knew about the state and consequences of the world arms race, and the effects of nuclear weapons. The interviews would also focus on the role that mass media and educational systems played in shaping a world view, and on the knowledge that these people had – or did not have – vis-à-vis these subjects.” – Peter Watkins*

FORMAT: DCP

COUNTRY: New Zealand/Australia/Canada/Denmark/Finland/Italy/Japan/Sweden/UK/Germany

‘Peter Watkins: An American Cinematheque Retrospective’

THE JOURNEY Parts 5-8

Parajanov’s iconic masterwork—an intimate, near-wordless portrait of Armenian cultural memory, rendered in pure visual poetry.

Sergei Parajanov’s THE COLOR OF POMEGRANATES (1969)

**Screenwriter**: François Ozon from the novel by Albert Camus

**Producer**: François Ozon

Nihilism has never looked so good as in François Ozon&#8217;s stunning and sensual adaptation of Albert Camus&#8217;s existential classic. Meursault (Benjamin Voisin) works as a clerk at an office in Algiers during the French colonial occupation. A modest man who keeps to himself, Meursault finds his routine upended by the sudden death of his mother. At her funeral, he faces scrutiny from all corners for his failure to perform his grief. This reputation for otherworldly detachment follows Meursault back toAlgiers, where his tentative romance with Marie (Rebecca Marder) and his indifference to professional advancement frustrate those around him. As Meursault gets swept up in a cycle of escalating reprisals among his neighbors, tensions come to a head when he murders an Arab man on the beach. A Frenchman may offer many defenses for shooting an Arab in Algeria, but Meursault’s refusal of excuse or remorse shakes colonial society to its core. Photographed in sterling, sensuous black-and-white, François Ozon’s new take on Albert Camus’s classic novel of existentialist ennui is a landmark of adaptation, simultaneously faithful to the text and dedicated to discovering fresh perspectives in the margins.

**Accessibility Options**: Open Captions

The Stranger

**Screenwriters**: Walter Hill, David Shaber, Sol Yurick

**Producer**: Lawrence Gordon

*Warriors, come out to Plaaaaaay!* Run for your life with the Warriors, a Coney Island gang falsely accused of the assassination of Cyrus &#8211; a gang leader with a plan to unify all the New York City gangs into an unstoppable force.  With the local radio station blasting their information along with the funkiest of tunes, every hyper-stylized gang in town is out the get the Warriors, including the Baseball Furies, the Orphans, and the Lizzies. Can they make it back to Coney Island safe? Can they clear their name and nail the real assassins? Will Michael Beck from *Xanadu* fall in love along the way? You&#8217;ll just have to throw on your leather vest and ride the subway down to Vidiots with your gang to find out in Walter Hill&#8217;s ultimate cult classic!

**Picks From the Video Store**

Bring home more Walter Hill bangers tonight!

*The Driver, Southern Comfort, Streets of Fire*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

**Screenwriters**: Rachel Wolther,  Alex Huston Fischer

**Producers**: Matt Day,  Anu Valia,  Jason Klorfein

Join us for a night of cinema, comedy, and dance when we bring you the absurd short film ***Snowy Bing Bongs Across the North Star Combat Zone** *preceded by live comedy sets from **Carmen Christopher**,** Aparna Nancherla**, and** Kyle Mooney** and followed by a conversation with the **filmmakers** and **Cocoon Central Dance Team** moderated by **The Daniels**!

This blissfully bonkers whatzit from unclassifiable dance-comedy trio Cocoon Central Dance Team &#8211; Sunita Mani (*GLOW*, *MR. Robot*), Tallie Medel (*Everything Everywhere All At Once*), and Eleanore Pienta (*A Different Man*) &#8211; is part psychotropic performance art spectacle, part absurdist sketch show. The three Bing Bongs lounge about, fight beachballs, and periodically break into wondrously strange dance routines, with outer space interludes, a serious consideration of doctor boners, and a 90s-style girl group meltdown along the way. It all plays like a live action cartoon piped in from a cotton-candy-colored alternate universe.

Produced by the Academy Award-winning Daniels (*Everything Everywhere All At Once*). Featuring Kate Berlant (*Would It Kill You To Laugh?*), Joe Pera (*Joe Pera Talks With You*), Keith Poulson (*I Blame Society*), and Reggie Watts (*Comedy Bang Bang*). Written and Directed by Rachel Wolther (*The French Italian*), and Alex H Fischer (*Save Yourselves!*) .

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Snowy Bing Bongs – Comedy, Dance, Cinema Spectacular!

**Screenwriter**: Taratoa Stappard

**Producers**: Sharlene George,  RickyLee Waipuka-Russell,  Rouzie Hassanova,  Paraone Gloyne

1859, North Yorkshire. When young Māori woman Mary arrives from New Zealand, she’ strapped as governess to a wealthy whaler’s granddaughter. Living among her ancestors’ stolen artefacts, she uncovers Sir Cole’s horrific crimes. Embracing her Matakite powers, Mary becomes Mārama and must save Anne and avenge her family by destroying him.

Mārama

Nausicaä of the Valley of the Wind

The Taking of Pelham One Two Three in 35mm

High and Low (Tengoku to jigoku) in 35mm

Calling all K–12 educators! Please join us for a relaxing day of wellness activities at the scenic Getty Center. Activities include a healing sound bath, artmaking, DIY air plant terrariums, botanical bath salts, yoga, gallery talks, improv comedy, guided breathwork, and free time to wander the garden and galleries.

Wellness Day for Educators

Getty Center

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Entrenched in the devastating reality of postwar Japan, Naruse’s masterpiece adapts Fumiko Hayashi’s final completed novel to trace the lives of two repatriated lovers reunited in the ruins of a defeated nation. The wartime affair of Tomioka, a married Forestry Ministry officer (Masayuki Mori) and typist Yukiko (Hideko Takamine) continues in the postwar rubble, but their bleak existence pales against the faraway romance that took place in French Indochina. Reluctant to leave his wife, the lecherous Tomioka comes and goes at his leisure to visit Yukiko, who clings to him desperately, propping up the vestiges of their long-lost passion over the course of years. Takamine’s heartbreaking performance is perhaps her finest hour, a role of sheer emotional magnitude that bears an agonizing love, drawn from the fading memory of what once was.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

FLOATING CLOUDS

### **ABOUT THE FILM:**

*In English and Spanish with English subtitles.*

In a tight knit Dominican American community in The Bronx, Rico (Juan Collado) is hustling his way through the summer, selling bootleg “nutcracker” cocktails out of a beach cooler and chasing girls without a care in the world. But when his teenage girlfriend, Destiny (Destiny Checo), begins crashing at his place with his family, turning their small apartment into a stage for their messy, complicated young love, it’s only a matter of time before they’re hit with the sobering reality of growing up too fast in a city that waits for no one. 

FORMAT: DCP

DISTRIBUTOR: Oscilloscope Laboratories

COUNTRY: USA

Q&A with filmmaker Joel Alfonso Vargas L.A. Premiere

MAD BILLS TO PAY (OR DESTINY, DILE QUE NO SOY MALO)

### **ABOUT THE FILMS:**

**“The Beloved Child, or I Play at Being a Married Woman,” 1971, Dir. Chantal Akerman, 32 Mins, Janus Films, Belgium**

*In French with English subtitles.*

Chantal Akerman somewhat disowned this unfinished film, in which the beautiful, lithe Claire Wauthion plays the mother of a sweet young girl, Daphné, with whom she reads Babar, prepares lunch and tries on dresses. Privately, with Akerman as a kind of mute but receptive presence, Wauthion confides her own sense of jealousy and disappointment toward her husband (“He really is such a baby”) and casts a critical eye on her body, citing a litany of physical shortcomings in a nearly five-minute single take that Akerman would repurpose for her 2007 video installation “In the Mirror.”

FORMAT: DCP

**LETTERS HOME, 1986, Dir. Chantal Akerman, 104 Mins, Centre audiovisuel Simone de Beauvoir, France**

*In French with English subtitles.*

In the brilliantly staged, heartbreaking Letters Home, based on a performance of Rose Leiman Goldemberg’s play at the Théâtre Moderne in Paris on November 27, 1984, the great Delphine Seyrig and her niece Coralie enact letters the poet Sylvia Plath wrote to her mother Aurelia from her teenage years until the week before her suicide in 1963 at the age of 30. 

FORMAT: DCP

40th Anniversary of LETTERS HOME ‘Chantal Akerman: An American Cinematheque Retrospective’

"The Beloved Child, or I Play at Being a Married Woman" / LETTERS HOME

**Screenwriters**: Dr. Seuss, Allan Scott

**Producer**: Stanley Kramer

Vidiots is Seussing out with one of the wildest and weirdest children&#8217;s movies of all time *The 5,000 Fingers of Dr. T*! Young Bart Collins lives with his widowed mother Heloise. The major blight on Bart&#8217;s existence is the hated piano lessons he is forced to endure under the tutelage of the autocratic Dr. Terwilliker. Bart feels that his mother has fallen under Terwilliker&#8217;s sinister influence, and gripes to visiting plumber August Zabladowski, without much result. While grimly hammering away at his lessons, Bart dozes off and enters a fantastical musical dream where the evil Dr. T threatens hundreds of boys with an eternity of piano lessons &#8211; on one giant piano! More hallucinatory than most children&#8217;s movies will allow, this one-of-a-kind Seussical is totally bonkers entertainment for your film nerd partner AND your five-year-old!

**Picks from the Video Store**

Looking for more imaginative films for the kiddos?

*The Phantom Tollbooth, The Boy with Green Hair, Little Nemo: Adventures in Slumberland*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The 5,000 Fingers of Dr. T.

**Screenwriter**: Satyajit Ray from the novel by Sunil Gangopadhyay

**Producer**: Asim Dutta, Nepal Dutta

With a special video introduction from Wes Anderson!

Adapted from Sunil Gangopadhyay’s celebrated 1968 novel, *Days and Nights in the Forest* is one of director Satyajit Ray’s greatest achievements, a modern search for connection that conjures the timeless resonance of a folktale. Desperate to flee Calcutta’s rat race, four friends—Ashim (Soumitra Chatterjee), Sanjoy (Subhendu Chatterjee), Hari (Samit Bhanja), and Shekhar (Rabi Ghosh)—drive to Palamu, one of India’s rural “tribal lands,” where they bribe a watchman into letting them stay at a sylvan guesthouse. Despite vowing to get away from it all, the crew soon mixes with the locals, including a woodland family: the soulful yet mischievous Aparna (Sharmila Tagore) takes to the overconfident Ashim, while her widowed sister-in-law Jaya (Kaberi Bose) grows closer to the bookish Sanjoy. At the same time, Hari, fresh off a break-up, woos a Santal girl named Duli (Simi Garewal); and Shekhar, despite his own penchant for gambling, tries to rein in his companions’ boozy hedonism. Filled with some of Ray’s most indelible characterizations and lavish images (shot by longtime cinematographer Soumendu Roy), *Days and Nights in the Forest*touches on masculine vulnerabilities and Indian class divisions with the graceful complexity of a master at his peak.

*Restored in 4K in 2025 by The Film Foundation’s World Cinema Project and Film Heritage Foundation in collaboration with Janus Films – The Criterion Collection at L’Immagine Ritrovata laboratory, from the original camera and sound negatives provided by Purnima Dutta and the magnetic track preserved by BFI National Archive. Funding provided by the Golden Globe Foundation. Special thanks to Wes Anderson and Sandip Ray.*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Days and Nights in the Forest

**Screenwriter**: Helen Childress

**Producers**: Danny DeVito,  Michael Shamberg

Dust off your flannels and Doc Martens and join us for the ultimate Gen X hang! Part post-collegiate ensemble dramedy, part love triangle romance, and all the epitome of mid-90s fashion and vibes, Ben Stiller&#8217;s *Reality Bites* is one of the defining films of a generation. Winona Ryder is a documentary filmmaker navigating jobs, life, and relationships alongside her best friends &#8211; played brilliantly by Janeane Garofalo and Steve Zahn. When she starts dating a yuppie who offers her a shot at broadcast television (AKA early reality TV), will she sell out or go for the disaffected hottie that&#8217;s been there the whole time? Somebody call the cinema police, because Janeane Garofolo truly *steals* the whole show as one of the coolest women characters in film of the decade!

**Picks from the Video Store**

Pocket more Winona Ryder on DVD and Blu-Ray tonight!

*Lucas, Heathers, Night on Earth*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Reality Bites

**Screenwriter**: Elliot Tuttle

**Producers**: Bijan Kazerooni, Will Youmans, Waylon Sall, Adam Kersh

Vidiots is so excited and proud to finally be able to share our friend and burgeoning new directing talent **Elliot Tuttle&#8217;s** provocative new film ***Blue Film*** on our big screen with you! This incendiary and singular vision has been buzzing around the festivals (that would dare to have it) and is finally receiving its theatrical release with its Los Angeles premiere at Vidiots!

When fetish camboy Aaron Eagle (Kieron Moore) visits a client in exchange for $50,000, he discovers a masked man (Reed Birney) with a camera and a series of increasingly probing questions. But when the man reveals a disturbing connection to Aaron’s past, the two drop their personas and gradually reveal their true desires in a seductive thriller being called &#8220;*one of the most daring American films of recent vintage*.”

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Blue Film

Tootsie in 35mm

The Hireling in 35mm

Sanjuro in 35mm

Star Wars: Episode V – The Empire Strikes Back with Billy Dee Williams

### **ABOUT THE FILM:**

*In French and Polish with English subtitles.*

Krzysztof Kieślowski’s international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. Irène Jacob is incandescent as both Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. Though unknown to each other, the two women share an enigmatic, emotional bond, which Kieślowski details in gorgeous reflections, colors, and movements. Aided by Slawomir Idziak’s shimmering cinematography and Zbigniew Preisner’s haunting, operatic score, Kieślowski creates one of cinema’s most purely metaphysical works. THE DOUBLE LIFE OF VÉRONIQUE is an unforgettable symphony of feeling.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: France/Poland/Norway

Introduction by Annette Insdorf, Columbia University Film Professor and author of Double Lives, Second Chances: The Cinema of Krzysztof Kieślowski 35th Anniversary Co-presented with the Polish Cultural Institute New York ‘Transcendental Appointments’ and ‘Krzysztof Kieślowski: An American Cinematheque Retrospective’

THE DOUBLE LIFE OF VÉRONIQUE

May 3 · 6pm–10pm at Brain Dead Studios.

50/50 Comedy is a one-night international short film festival dedicated to platforming and connecting the next generation of comedic talent.

Past editions have brought together filmmakers and industry guests from CAA, UTA, WME, 3 Arts and more.

Purchase of ticket will include entrance to the festival + meal & concessions are included.

Our last Comedy Festival honored Kyle Mooney with the first ever 50/50 Achievement Award.

Parking is limited and Uber/Lyft is recommended.

50/50 Comedy

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

The incomparable Toshiro Mifune stars in Akira Kurosawa’s visually stunning and darkly comic YOJIMBO. To rid a terror-stricken village of corruption, wily masterless samurai Sanjuro turns a range war between two evil clans to his own advantage. Remade twice, by Sergio Leone and Walter Hill, this exhilarating genre-twister remains one of the most influential and entertaining films of all time.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

Introduction by filmmaker Athina Rachel Tsangari ‘Sunday Print Edition’

Athina Rachel Tsangari Presents YOJIMBO

**Screenwriters**: John Lasseter, Dan Fogelman, Daniel Gerson, Joe Ranft, Kiel Murray, Phil Lorin, Jørgen Klubien

**Producer**: Darla K. Anderson

Start your engines for this high-octane animated comedy. Lightning McQueen, a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. On route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town&#8217;s offbeat characters. Drive your little auto-enthusiasts to Vidiots for this vehicular delight!

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Cars

**Screenwriter**: Tom Schulman

**Producers**: Steven Haft,  Paul Junger Witt,  Tony Thomas

*Carpe diem, seize the day!* You’ll want to stand up and cheer for this inspirational coming-of-age drama about life, art, and the struggle to think for oneself. Set at a prestigious all-male boarding school in 1959, the film stars Robin Williams as an unorthodox English teacher who pushes his students (among them, future stars like Ethan Hawke and Josh Charles) to appreciate poetry and not give in to conformity. The boys soon create their own secret society for reading poems, but their free-thinking ways bring them into conflict with their parents and the school’s stern headmaster. Nominated for four Oscars — and winner for Best Original Screenplay — *Dead Poets Society* remains a stirring plea to live life to the fullest, no matter what the cost.

**Picks from the Video Store**

Take home more of Peter Weir&#8217;s filmography from his director&#8217;s section tonight!

*Picnic at Hanging Rock, The Last Wave, The Cars That Ate Paris*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Dead Poets Society

**Screenwriter**: Emilio Fernández from the novella by John Steinbeck

**Producer**: Óscar Dancigers

Co-presented by Community Partners **El Cine **with a special introduction by **Gilbert Trejo.**

Join us for a rare treat of  Emilio Fernández&#8217;s stunning John Steinbeck adaptation *La Perla*; a 1947 Mexican–American cinematic gem that demands to be seen in community on the big screen. Made in both Spanish and English versions, this timeless treasure has been living between languages for nearly 80 years, in a way that feels especially resonant. The film follows Kino, a pearl diver whose life shifts after discovering a rare pearl, bringing both hope and consequences. With stunning cinematography by Gabriel Figueroa and a powerful performance by Pedro Armendáriz, *La Perla* remains a defining work of Mexican cinema and is preserved by the United States National Film Registry.

**Picks from the Video Store**

Take home more Mexican masterpieces on Blu-Ray and DVD today!

*Deep Crimson, Dona Herlinda and her Son, Cabeza de Vaca*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

The Pearl (La Perla)

### **ABOUT THE FILM:**

The legendary midnight movie sensation that firmly embedded samurai mythology within American pop culture consciousness, this English-dubbed reedit of the first two films in the classic Japanese *chanbara* series LONE WOLF AND CUB is a giddily entertaining, mesmerisingly gory classic of East-meets-West grindhouse mayhem. Following the murder of his wife at the hands of an evil shogun, an avenging ronin (Tomisaburo Wakayama) roams the countryside with his young son—and the boy’s sword-shooting baby carriage—in tow, dispatching ninja assassins with steely resolve in operatically stylized flurries of hallucinatory violence. With its pulsing synth soundtrack and delirious action set pieces—kinetically edited whirlwinds of flashing blades, spurting blood, and severed limbs—SHOGUN ASSASSIN proved an instant cult favorite that has bubbled its way up from the underground to the mainstream thanks to its influence on artists ranging from the Wu-Tang Clan to Quentin Tarantino.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan/USA

Co-presented by 36 Cinema Special thanks to Harry Guerro for the print ‘Cinematic Void’

Cinematic Void Presents SHOGUN ASSASSIN

Get ready for a night of pure, unfiltered absurdity as Netflix Is a Joke Fest presents a special screening of the original The Naked Gun: From the Files of Police Squad!—the film that redefined the spoof comedy genre and cemented Lt. Frank Drebin as an all-time cult hero.

Get ready for a night of pure, unfiltered absurdity as Netflix Is a Joke Fest presents a special screening of the original The Naked Gun: From the Files of Police Squad!—the film that redefined the spoof comedy genre and cemented Lt. Frank Drebin as an all-time cult hero.


The Naked Gun: From The Files of Police Squad!

### **ABOUT THE EPISODES:**

**Season 2, Episode 15, “Slaves and Masters,” Dir. Diane Keaton, 46 Mins**

Earle sends a “message” to Cooper.

FORMAT: DCP

**Season 2, Episode 16, “The Condemned Woman,” Dir. Lesli Linka Glatter, 47 Mins**

Albert reveals that it was Josie who shot Cooper.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Slaves and Masters” and “The Condemned Woman” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 15 and 16

### **ABOUT THE FILM:**

*In French with English subtitles.*

The exuberant enchantments of the singing, dancing musical meet the feminist, formalist sensibility of cinematic visionary Chantal Akerman in this uniquely captivating vision of love and survival in the age of late capitalism. Amid the consumerist wonderland of a shopping mall, a cadre of store employees bounce in and out of one another’s arms in a cycle of breakups, makeups, misunderstandings and reunions, their romantic roundelay punctuated by imaginatively stylized production numbers. Working with frequent star Delphine Seyrig and a remarkable team of writers—who between them penned everything from JULES AND JIM to DESPERATELY SEEKING SUSAN—Akerman deftly balances the shiny pop pleasures of the genre with piercing variations on her signature themes, including a startlingly moving reflection on Jewish resilience and the legacy of the Holocaust.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: Belgium/France/Switzerland

40th Anniversary ‘Chantal Akerman: An American Cinematheque Retrospective’

GOLDEN EIGHTIES

Seven in 4K

Join drawings curator Stephanie Schrader and Getty's sustainability director Camille Kirk for a behind-the-scenes experience in the private study room of Getty's drawings collection. Look closely and hear about works that depict nature and flowers in celebration of Mother Earth and Mother's Day. 

A Bouquet of Drawings

### **ABOUT THE FILM:**

*In Greek with English subtitles.*

In its irreverent use of (new) Nouvelle Vague, musical, melodrama and nature documentary, ATTENBERG symbolically visualizes a change in generation and perspective as a father and daughter gently negotiate their individual rites of passage. The film follows a visionary architect who has come home to die in the vanishing industrial town that is his legacy to his daughter. Meanwhile, his daughter (played by Ariane Labed, in a performance that won her the Best Actress award at the Venice Film Festival) is exploring the mysteries of kissing with her girlfriend, and the beyond with a visiting engineer. Tsangari’s film—with a soundtrack featuring Françoise Hardy and Suicide—is poised between sincerity and hilarity, tradition and experimentation.

DISTRIBUTOR: Strand Releasing

COUNTRY: Greece

Q&A with filmmaker Athina Rachel Tsangari. Moderated by Carson Lund. Part of “Worlds Apart: The Films of Athina Rachel Tsangari,” a retrospective of the Greek director’s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots and the Los Feliz 3

ATTENBERG

### **ABOUT THE FILM:**

*In Greek with English subtitles.*

Six men set out on the Aegean Sea aboard a yacht, and before long, male bonding and one-upmanship give way to a loosely defined yet hotly contested competition to determine which of them is “the best in general.” As the games and trials grow more elaborate and absurd—everything is up for judgment, from sleeping positions to cholesterol levels to furniture-assembly skills—insecurities emerge and power relations shift. As in her breakthrough ATTENBERG, Athina Rachel Tsangari balances anthropological precision with a wry and wholly original sense of humor. Impeccably staged, crisply photographed and buoyed by eclectic soundtrack choices (Petula Clark, Mark Lanegan), this maritime psychodrama becomes both funnier and richer in its implications as it progresses. What begins as a lampoon of bourgeois machismo and male anxiety develops into an incisive allegory for the state of contemporary Greece, and leaves a final impression as an empathetic, razor-sharp study of human nature itself.

FORMAT: DCP

DISTRIBUTOR: Strand Releasing

COUNTRY: Greece

Q&A with filmmaker Athina Rachel Tsangari Part of “Worlds Apart: The Films of Athina Rachel Tsangari,” a retrospective of the Greek director’s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots and the Los Feliz 3

CHEVALIER

We are here tonight! This is me!

I think I did it again.

Are you getting this?

It’s an honor to be drawn by you.

I think I might cry.

Do you ever get lonely in there?

I think you look really cute with your hair that short.

Makes me regret my haircut that I just got.

Good Modeling Picture!!

Now Instant Image Hall

**Screenwriter**: Anthony Weintraub from the manga by Taiyō Matsumoto

**Producers**: Masao Teshima, Ayao Ueda, Fumio Ueda, Eiichi Kamagata

An animated action adventure and manga-based marvel! Two penniless orphans, Black and White, struggle to survive on the mean streets of Treasure Town. When a megacorporation threatens to tear down the town to build an amusement park, Black and White engage in the fight of their life.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Tekkonkinkreet

We&#8217;re cranking up the Elmo 16CL projector for another round of obscure 16mm rarities, this time all from the late 1940s through the early 1960s with a slate of social engineering films designed to create model citizens and healthy adults. From strangers with candy to high school dropouts, to puberty&#8217;s pitfalls and civic responsibility, these largely forgotten gems are laughably out-of-date and teeming with an antiquated morality you can only find in yesteryear. Films include ***The Dangerous Stranger*** (1949) the stranger danger film that started it all from the king of the scare film Sid Davis, ***The Dropout** *(1962) for the ne&#8217;er-do-wells, ***Molly Grows Up*** (1953) menstrutainment at its finest, ***The Meaning of Adolescence*** (1953) to guide you through those awkward years, ***Responsibility*** (1953) from Herk Harvey &#8211; the director of *Carnival of Souls*, and the incredibly rare NFBC global responsibility primer ***Our Town is the World***  (1950s, Canada), plus more celluloid rarities and a surprise pre-show for the early birds! Everything screened on 16mm film.

Sweet 16mm: Mid-Century Social Guidance Classics

Join us for a screening of *Of Color and Ink*, a documentary about the remarkable journey of artist Chang Dai-chien (1899–1983), China’s foremost painter of the 20th century. Director Weimin Zhang documents her 12-year journey to unravel the mysteries and controversies surrounding Chang’s decades of exile in South America, Europe, and the United States. In the 1940s, Chang spent a formative period in Dunhuang, studying and copying the ancient Mogao Cave murals— [the subject of a 2016 Getty Research Institute exhibition][1]—which inspired renewed public interest in the murals and refined Chang’s techniques. *Of Color and Ink* offers an illuminating, revelatory, and entertaining exploration of one of the most influential giants of 20th-century art.

The film will be followed by a conversation with director and producer Weimin Zhang, writer Carl Nagin, director of the Chang Dai-chien Research Center Yudan Zhang, and USC professor Meiling Cheng.

After the screening, join us for a reception sponsored by the Getty Research Institute Council.

DIRECTED, PRODUCED and EDITED BY: Weimin Zhang. 102 minutes, 2024. Chinese with English subtitles.

This program is part of the [Art on Screen][2] series, which celebrates moving-image media and its intersection with art and art histories.

誠邀您參加紀錄片《萬里千尋》（Of Color and Ink）的放映及研討會。本片講述了從東方走向西方的藝術家張大千（1899–1983）的非凡人生歷程。作為20世紀中國最重要的畫家之一，張大千曾被譽為「五百年來第一人」 以及「東方的畢加索」。

導演張偉民歷時十二年，影片深入挖掘大量珍貴的歷史活動影像與文獻資料，真實呈現張大千鮮為人知的海外藝術生涯， 極具文獻價值。20世紀40年代，張大千曾在敦煌度過一段重要時期，潛心研究並臨摹莫高窟壁畫——這一主題亦成為2016年蓋蒂研究所展覽的焦點——不僅重新激發了世人對敦煌壁畫的關注，也進一步錘鍊並昇華了他的藝術技法。

透過創新的影像語言與視覺風格，《萬里千尋》通過對歷史影像的深入挖掘與分析，以及大量實地調研與紀錄拍攝，生動刻畫了一位東方藝術家對中國傳統文化理念的堅守與傳播，使當代觀眾得以感受這位具有全球影響力的藝術家的心路歷程。

放映結束後，將舉行映後對談。出席嘉賓包括導演兼製片人張偉民、作家 Carl Nagin、四川博物院張大千研究中心主任張玉丹，以及主持人——南加州大學戲劇批評研究教授鄭美玲。

The conversation will be available on the [Getty Research Institute YouTube channel][3] following the event.

Visit the Getty Research Institute's [Exhibitions and Events page][4] for more free programs.


  [1]: https://www.getty.edu/research/exhibitions_events/exhibitions/cave_temples_dunhuang/index.html
  [2]: https://www.getty.edu/whats-on/art-on-screen/
  [3]: https://www.youtube.com/c/gettyresearch
  [4]: https://www.getty.edu/research/exhibitions_events/

Screening: *Of Color and Ink*

Join us to celebrate the opening of a new art exhibition featuring the experimental and esoteric work of Harry Smith!

Brain Drawings: The Art of Harry Smith - Exhibition Opening Reception

Every 1st Thursday of the month we’ll be hosting a music open mic night for kids and teens.


Our intention is to create a supportive and joyful space where young people can come together, share their love of music, practice performing regularly, make mistakes, try again & grow!

All performers must be under 18 & guardians must be present.

5pm - 7pm

No cover charge

Please email info@scribblecommunity.com with any questions.




Glow Big: Youth Open Mic

North Star Sessions is a free showcase that strives to be a safe and inclusive place for artists and music lovers in the LA music scene. We will highlight the work of 3 musicians, and have an open mic draw between sets.

8pm

North Star Sessions

**Screenwriter**: David Cronenberg

**Producers**: David Cronenberg, András Hámori, Robert Lantos

One of David Cronenberg’s most prophetic and thrilling achievements!   Jennifer Jason Leigh, Jude Law, Willem Defoe, Sarah Polley, Ian Holm and Christopher Eccleston all collide in this epic take on the gaming era – one as important to Y2K as *Videodrome* is to the ‘80s.   The film’s many layers of sci-fi excellence feel ripped from the pages of Phillip K. Dick and William Burroughs.

In the terrifying near-future, game designer Allegra Geller (Leigh) and her mousy publicist (Law) disappear down the VR rabbit hole to fend off deadly assassins and repair her controversial game “eXistenZ” from the inside.  Cronenberg brilliantly gives this world the feel of video game cutscenes with a psychosexual edge: electronic umbilical cords, *Total Recall-*style reality shattering and other kinks.

*New 4K restoration by Vinegar Syndrome*.

**Picks from the Video Store**

Cronenberg is one of the all-time masters of horror, take home more morbid masterpieces tonight!

*Dead Ringers, Crash, Videodrome*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

eXistenZ

Red Beard (Akahige) in 35mm

Once Upon a Time in China with Jet Li

Commune with the birds and the bees, the flowers and the trees, in a living work of art created by Robert Irwin.  Experience the wonder of the spring garden through the eyes of an artist in this 45-minute tour led by Getty Horticulturist Jackie Flor. 

National Public Gardens Day

THE JOURNEY Parts 9-12

Michele O&#8217;Marah and Sarah Lehrer-Graiwer join Now Instant for a special presentation of O&#8217;Marah&#8217;s 2012 *Blow Me!*, followed by a conversation between the two.

Blow Me!

Mezzanine presents VAGABOND (Sans toit ni loi), a film by Agnes Varda. 1985, France, 105m, DCP.

Followed by a conversation with writer Megan O’Grady and Carolina A. Miranda.

On occasion of the release of her new book, *How It Feels to Be Alive*, we are thrilled to have celebrated art critic and essayist Megan O’Grady in person to present Agnès Varda’s masterpiece, starring Sandrine Bonnaire as a young female hitchhiker wandering aimlessly through the unearthly winter landscape of southern France.

Special thanks to Thora Siemsen and Brian Belovarac (Janus Films).

**Megan O’Grady** is a critic and essayist whose writing draws from history, memoir, and the lyric essay. Her magazine and newspaper journalism on contemporary art and literature are often extensions of larger inquiries into representation and identity, explored through immersive reading and looking. The personal and social contexts of art and the way in which it negotiates cultural conversations over time are ongoing preoccupations. A frequent contributor to The New York Times, where she created the Culture Therapist column, her work also appears in The New Yorker, The New York Review of Books, and Vogue, where she was once a contributing editor. Her book, How It Feels to Be Alive: Encounters with Art and Our Selves (Farrar, Straus & Giroux) considers the influence of books and art on our attention and imagination, their rippling impact on our self-conception and the way we move in the world.

**Carolina A. Miranda** is a writer in Los Angeles who covers the intersection of design and visual culture with politics and society. Until 2024, she was a columnist at the Los Angeles Times, where she reported on subjects such as museums and race, architecture and the pandemic, and the ways in which communities are rethinking the nature of monuments. She has produced stories for the Atlantic, the New York Review of Books, Artnews, Alta Journal and Fresh Air, and is a regular contributor for public radio station KCRW. She was a winner of the 2017 Rabkin Prize in Visual Arts Journalism and a recipient of the 2024 Andy Warhol Foundation Art Writers Grant. She is currently at work on a book about culture and authoritarianism in Chile.

Mezzanine: Agnès Varda's VAGABOND w/ Megan O'Grady

2220 Arts + Archives

Ponyo

Join us for a special Earth Day celebration featuring ecological artist and herbalist Paige Emery, which will include a talk and brunch inspired by historical cookbooks from the Getty Library collection.

While visitors enjoy select recipes, Paige will be joined in conversation with Melissa Goldstein—founder and editor of *Mother Tongue* magazine—to explore rituals of remembering the earth. Together, they will reflect on how art, healing practices, and ecological thought can reconnect us to ancestral memory and inspire more just and embodied futures. 

Following the talk, Emery will perform a sound piece in the Getty Central Garden, weaving together the healing arts and critical ecology, ecopoetics and socio-environmental practice, inviting us to imagine deeper relationships with the natural world.

This event is part of the Getty Research Institute’s [*Tastemakers*][1] series, featuring communal gatherings inspired by cookbooks from the Getty Library. 

Visit the Getty Research Institute's [Exhibitions and Events page][2] for more free programs.


  [1]: https://www.getty.edu/whats-on/tastemakers/
  [2]: https://www.getty.edu/research/exhibitions_events/

Tastemakers: Earth Mother with Paige Emery

Intro to Leatherworking

While making a small accessories pouch, learn the basics of working with leather. This will cover different types of leather, terms and tools for working with chrome tanned pieces. This is a hands class on with sharp tools and Sharpies and is intended for beginners 14 years and older. Leave the class with a new appreciation for leather and take home a small finished pouch and a pattern to make more if you fall in love with the craft!

For more work by C&J Goods visit...

[http://www.candjgoods.com](http://www.candjgoods.com/)

Intro to Leatherworking w/ C & J Goods (5/9)

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

REPAST

Jaromil Jireš’s mesmerizingly dreamlike Czech New Wave fantasy—a lush, surreal tale of transformation, enchantment, & dark fairytale wonder

Jaromil Jireš’s VALERIE AND HER WEEK OF WONDERS (1970)

Alexandre Estrela: *RedSkyFalls *is an installation that responds in real time to Earth’s internal rumblings – an artificial ecosystem with pre-digital sensibility. In *RedSkyFalls*, the mountainous landscape of a computer desktop serves as a habitat for aquatic plants and small luminous organisms with an animal intuition, the *Réplicas*, nestled inside the grooves of aluminium plates. Alexandre Estrela: *RedSkyFalls *is on view at the Portugal Pavilion of the 61st International Art Exhibition – La Biennale di Venezia from **May 9 to November 22**, and is curated by Ana Baliza and Ricardo Nicolau.

Built from a calibrated mix of animal parts drawn from a dark cauldron, each *Réplica* borrows its vital pulse from the beat of a heart in a fly’s leg, the wave of a fish larva’s tail, and the quiver of a rat’s whisker. This patchwork of movement engraves onto the metal plate a linear fossil, a path where light generates a figure that continuously fulfills its hollow-graphic fate.

From **May 9-July 5,** REDCAT hosts a reproduction of one of the *Réplicas* of *RedSkyFalls*. In Los Angeles, as in Venice, the piece reacts to live seismic activity worldwide. Other *Réplicas* will be installed in San Francisco, California (CCA Wattis Institute); Lima, Peru (Museo de Arte de Lima, MALI); and Lisbon, Portugal (Galeria Zé dos Bois). The piece is installed in highly seismic geographies, where it responds to tectonic events with higher synchronicity, building an extended relational infrastructure. 

[More about *RedSkyFalls*](http://www.redskyfalls.com) by Alexandre Estrela at the 61st International Art Exhibition – La Biennale di Venezia.

RedSkyFalls (Réplica): 61st La Biennale di Venezia – Portuguese Pavilion

REDCAT

**Screenwriters**: Jules Feiffer, E.C. Segar

**Producer**: Robert Evans

Vidiots is thrilled to welcome stars and comedic legends **Paul Dooley **and** Donovan Scott** for a post screening conversation! 

Robin Williams and Shelley Duvall exude overpowering charm in Robert Altman&#8217;s endearing tribute to the original Fleischer Brothers spinach-scarfing sailor man. Popeye goes searching for his father but washes ashore after a storm and winds up meeting his beloved Olive Oyl. But Olive&#8217;s fiancé, Bluto isn&#8217;t going to step aside without a fight. A delightful and quirky manic musical fantasy world from one of the great masters of American cinema.

**Picks from the Video Store**

Robert Altman was one of the best directors to ever live! Take home some of his many masterpieces tonight!

*3 Women, California Split, Nashville* (and dozens more!)

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Popeye

**Screenwriter**: Hiroshi Takahashi

**Producer**: Nobuhiro Iizuka

Kiyoshi Kurosawa&#8217;s dark gangland thriller with philosophical overtones. Obsessed with avenging his young daughter’s murder, yakuza subordinate Miyashita (Teruyuki Kagawa) recruits Nijima (Aikawa), a brilliant yet strangely detached math teacher, to help carry outcarry out a scheme to kidnap and torture the man allegedly responsible. But the plan goes awry when their target, Otsuki (Yurei Yanagi), fingers another mobster as the mastermind behind Miyashita’s tragedy. As the two partners ascend the yakuza chain of command in search of the true culprit, Miyashita and Nijima follow the cold, calculating logic of revenge, descending into a moral abyss from which they may never surface. Featuring Kurosawa’s patented long takes and his claustrophobic arrangement of space, *Serpent’s Path* is one of the legendary director’s most chilling investigations into the endless cycle of violence and the evil that lodges in every heart.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Serpent’s Path

Terms of Endearment in 35mm

### **ABOUT THE FILMS:**

**FLOWING, 1956, Dir. Mikio Naruse, 116 Mins, Janus Films, Japan**

*In Japanese with English subtitles.*

Three super-stars lead a great cast: head-of-the-geisha-house Isuzu Yamada looks on the bright side, while daughter Hideko Takamine works that sewing machine. But quietly observing maid Kinuyo Tanaka is the only one who actually realizes the inevitable end of their world in a harsh post-war Tokyo.

FORMAT: 35mm

**MOTHER, 1952, Dir. Mikio Naruse, 98 Mins, Janus Films, Japan**

*In Japanese with English subtitles.*

Based on a children’s essay adapted by famed Japanese screenwriter Yoko Mizuki in her first work for Naruse, Mother stars the legendary actress-director Kinuyo Tanaka as a beleaguered working class matron, whose self-sacrificing efforts to maintain her family during Tokyo’s postwar reconstruction make her a paragon of maternal virtue in the eyes of her teenage daughter Toshiko (Kyoko Kagawa). Toshiko idealizes her mother and the value system she embodies, a naive perspective that pleasantly lifts what in fact unfurls as a bitterly sad, episodic tale of slow-burn economic emmiseration. Anticipating the films of Hou Hsiao-hsien in its ironically sentimental vision of Confucian dissolution, Naruse’s film is a melodramatic tearjerker for the ages.

FORMAT: 35mm

Mother’s Day Screening 35mm prints courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

FLOWING / MOTHER

Screening of Fuck My Son! with special Mother&#8217;s Day Q+A

Synopsis: An X-Rated descent into demented comedy and maniacal horror, as a desperate mother drags an innocent stranger into an absurd, filthy nightmare beyond comprehension. An unflinchingly loyal adaptation of transgressive artist Johnny Ryan&#8217;s joyfully disgusting comic book.

Current Q&A confirmed:

Todd Rohal (Writer/Director)

Johnny Ryan (Comic Book Writer)

Tipper Newton (Actress)

Robert Longstreet (Actor)

Steve Little (Actor)

Johnny Ryan&#8217;s Biological Mother

Tipper Newton&#8217;s Biological Mother

Fuck My Son!

Hollywood Entertainment is proud to present the LA premiere of Doris Wishman’s final movie: *Dildo Heaven*, unreleased and unseen since its festival debut in 2002. This special Mother’s Day tribute will feature a conversation with filmmakers and former Wishman crew members Rodney Ascher and Syd Garon and Elizabeth Pauker, director of the forthcoming documentary *AKA Doris Wishman*. The feature will be preceded by Ascher’s 2020 short film *Doris Wishman Directs A Music Video*.

Roommates Lisa, Beth, and Tess are three young women who each share the same goal of hooking up with their respective male bosses. While their attempts at seduction get off to a rough start, their peeping tom neighbor Billy spends his days spying through keyholes and trying to get a piece of the action. Will these roommates finally make it with their managers? And what about Billy?

Octogenarian filmmaker and “Queen of Sexploitation” Doris Wishman was working at a sex shop in Miami in the early 90s when she met experimental musician Tom Smith (To Live and Shave in L.A.), spurring a full-blown career revival that saw her honored at film festivals around the world and featured on HBO’s *Real Sex* and *Late Night with Conan O’Brien*. Intended to be her comeback movie, Dildo Heaven premiered at the New York Underground Film Festival just months before her passing in 2002 and then was never officially widely released until now. A charming shot-on-video sex comedy that defies all description–and surely the only movie by a senior citizen to feature an original rap theme song–*Dildo Heaven* (also known as *Desperate Desires*) is a fitting swan song for one of the most beloved cult filmmakers of all time.

Dildo Heaven

### **ABOUT THE FILM:**

In this four-time Oscar nominated film (including Best Picture), Jason Robards stars as a nonconformist who is forced to find a conventional job.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

Introduction by filmmaker Chandler Levack ‘Sunday Print Edition’

SHERMAN’S MARCH,

PHOTOGRAPHIC MEMORY,

7:30 PM

The Napa Boys @ Brain Dead Studios

7:00 PM

Cast Away

12:30 PM

All Is Lost

4:00 PM

Deliverance

7:00 PM

The Revenant

9:45 PM

I DON'T HATE LAS VEGAS ANYMORE

7:00 PM

Tsai Ming-liang's BACK HOME

10:00 PM

5 Card Stud

Rough Night in Jericho

7:30 PM

Art Night at Scribble!

6:00 PM

Dead Lover

7:00 PM

Once Upon a Time in the West

7:30 PM

Normal

Bowery Champs/Gas House Kids Go West

2:00 PM