Tootsie in 35mm

The Hireling in 35mm

Sanjuro in 35mm

Star Wars: Episode V – The Empire Strikes Back with Billy Dee Williams

Academy Museum

### **ABOUT THE FILM:**

*In French and Polish with English subtitles.*

Krzysztof Kieślowski’s international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. Irène Jacob is incandescent as both Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. Though unknown to each other, the two women share an enigmatic, emotional bond, which Kieślowski details in gorgeous reflections, colors, and movements. Aided by Slawomir Idziak’s shimmering cinematography and Zbigniew Preisner’s haunting, operatic score, Kieślowski creates one of cinema’s most purely metaphysical works. THE DOUBLE LIFE OF VÉRONIQUE is an unforgettable symphony of feeling.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: France/Poland/Norway

Introduction by Annette Insdorf, Columbia University Film Professor and author of Double Lives, Second Chances: The Cinema of Krzysztof Kieślowski 35th Anniversary Co-presented with the Polish Cultural Institute New York ‘Transcendental Appointments’ and ‘Krzysztof Kieślowski: An American Cinematheque Retrospective’

THE DOUBLE LIFE OF VÉRONIQUE

### **ABOUT THE FILM:**

Brian De Palma invites you to witness a seduction…a mystery… a murder. It’s BODY DOUBLE, a spine-tingling look at voyeurism and sexuality from the modern master of suspense. Jake Scully (Craig Wasson), an unemployed actor, is asked to house-sit at a luxurious hillside apartment. As a bonus, the home offers Jake a telescopic peek into the bedroom of Gloria Revelle (Deborah Shelton), who performs an arousing striptease. When Jake discovers another man is also spying on Gloria, he begins an obsessive surveillance of her. Soon a grisly murder leads him into the world of X-rated films where he meets sexy porn queen Holly Body (Melanie Griffith), who is a key to the crime.

FORMAT: DCP

DISTRIBUTOR: Sony Pictures Entertaiment

COUNTRY: USA

BODY DOUBLE

Aero Theatre

May 3 · 6pm–10pm at Brain Dead Studios.

50/50 Comedy is a one-night international short film festival dedicated to platforming and connecting the next generation of comedic talent.

Past editions have brought together filmmakers and industry guests from CAA, UTA, WME, 3 Arts and more.

Each ticket includes entry + food + popcorn & soda.

Our last Comedy Festival honored Kyle Mooney with the first ever 50/50 Achievement Award.

Parking is limited and Uber/Lyft is recommended.

50/50 Comedy

Brain Dead Studios

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

Pre-teen boys who love Universal monsters form a fan club called the Monster Squad and end up fighting the monsters to save their town.

THE MONSTER SQUAD (1987)(PG-13) Special Guests In-Person 7:00pm

Gardena Cinema

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

The incomparable Toshiro Mifune stars in Akira Kurosawa’s visually stunning and darkly comic YOJIMBO. To rid a terror-stricken village of corruption, wily masterless samurai Sanjuro turns a range war between two evil clans to his own advantage. Remade twice, by Sergio Leone and Walter Hill, this exhilarating genre-twister remains one of the most influential and entertaining films of all time.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

Introduction by filmmaker Athina Rachel Tsangari ‘Sunday Print Edition’

Athina Rachel Tsangari Presents YOJIMBO

### **ABOUT THE FILMS:**

Join us for an afternoon to celebrate the films of Max Fleischer with new restorations of Koko the Clown and Gabby cartoons along with Betty Boop, Popeye and more! Max’s great-granddaughter, Claire Fleischer, will be joining Fabulous Fleischer Cartoons Restored producer Mauricio Alvarado and for a Q&A to discuss the legacy of Fleischer Studios.

*See the following cartoons!*

*Out of the Inkwell – “Koko Gets Egg Cited,” New Restoration*

*Talkartoons – “Noah’s Lark”*

*Gabby – “Two For the Zoo,” New Restoration*

*Talkartoons – “Hot Dog”*

*Superman – “Billion Dollar Limited”*

*Talkartoons – “Bimbos Express”*

*Talkartoons – “Wise Flies”*

*Color Classic – “Greedy Humpty Dumpty”*

*“Betty Boop For President”*

*“Popeye the Sailor Meets Sindbad the Sailor”*

FORMAT: DCP

Q&A with great-granddaughter of filmmaker Max Fleischer, Claire Fleischer and producer Mauricio Alvarado. Moderated by Justin Humphreys. New Restorations ‘Sunday “Rest”orations’

The Cartoons of Max Fleischer

### **ABOUT THE FILM:**

*In English and Spanish with English subtitles.*

In a tight knit Dominican American community in The Bronx, Rico (Juan Collado) is hustling his way through the summer, selling bootleg “nutcracker” cocktails out of a beach cooler and chasing girls without a care in the world. But when his teenage girlfriend, Destiny (Destiny Checo), begins crashing at his place with his family, turning their small apartment into a stage for their messy, complicated young love, it’s only a matter of time before they’re hit with the sobering reality of growing up too fast in a city that waits for no one. 

FORMAT: DCP

DISTRIBUTOR: Oscilloscope Laboratories

COUNTRY: USA

Q&A with filmmaker Joel Alfonso Vargas. Moderated by Pasqual Gutierrez.

MAD BILLS TO PAY (OR DESTINY, DILE QUE NO SOY MALO)

### **ABOUT THE FILM:**

*In English and Polish with English subtitles.*

A romantic vacation goes awry when a volcanic eruption strands Bethany (Charli XCX) and her soon-to-be fiancé, Rob (Will Madden) in Warsaw, Poland. Bethany takes the explosive event as a sign to ditch her baggage, reunite with childhood friend Nel (Lena Góra) and traipse across lofts, clubs and back alleys, all the while becoming entangled in an emotional web that challenges her sense of self.

From American maverick Pete Ohs, who wrote, directed, edited, photographed and produced this dizzyingly charming European postcard, comes ERUPCJA, a delightful anti-romantic comedy about the pains and pleasures of being in love.

FORMAT: DCP

DISTRIBUTOR: 1-2 Special

COUNTRY: USA/Poland

Q&A with actors and screenwriters Jeremy O. Harris and Will Madden Limited Engagement Yuri manga comic giveaway

ERUPCJA

Los Feliz Theatre

Indiana Jones and the Temple of Doom

Unstoppable / The Taking of Pelham 123

New Beverly Cinema

**Screenwriters**: John Lasseter, Dan Fogelman, Daniel Gerson, Joe Ranft, Kiel Murray, Phil Lorin, Jørgen Klubien

**Producer**: Darla K. Anderson

Start your engines for this high-octane animated comedy. Lightning McQueen, a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. On route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town&#8217;s offbeat characters. Drive your little auto-enthusiasts to Vidiots for this vehicular delight!

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Cars

**Screenwriter**: François Ozon from the novel by Albert Camus

**Producer**: François Ozon

Nihilism has never looked so good as in François Ozon&#8217;s stunning and sensual adaptation of Albert Camus&#8217;s existential classic. Meursault (Benjamin Voisin) works as a clerk at an office in Algiers during the French colonial occupation. A modest man who keeps to himself, Meursault finds his routine upended by the sudden death of his mother. At her funeral, he faces scrutiny from all corners for his failure to perform his grief. This reputation for otherworldly detachment follows Meursault back toAlgiers, where his tentative romance with Marie (Rebecca Marder) and his indifference to professional advancement frustrate those around him. As Meursault gets swept up in a cycle of escalating reprisals among his neighbors, tensions come to a head when he murders an Arab man on the beach. A Frenchman may offer many defenses for shooting an Arab in Algeria, but Meursault’s refusal of excuse or remorse shakes colonial society to its core. Photographed in sterling, sensuous black-and-white, François Ozon’s new take on Albert Camus’s classic novel of existentialist ennui is a landmark of adaptation, simultaneously faithful to the text and dedicated to discovering fresh perspectives in the margins.

**Accessibility Options**: Open Captions

The Stranger

**Screenwriter**: Tom Schulman

**Producers**: Steven Haft,  Paul Junger Witt,  Tony Thomas

*Carpe diem, seize the day!* You’ll want to stand up and cheer for this inspirational coming-of-age drama about life, art, and the struggle to think for oneself. Set at a prestigious all-male boarding school in 1959, the film stars Robin Williams as an unorthodox English teacher who pushes his students (among them, future stars like Ethan Hawke and Josh Charles) to appreciate poetry and not give in to conformity. The boys soon create their own secret society for reading poems, but their free-thinking ways bring them into conflict with their parents and the school’s stern headmaster. Nominated for four Oscars — and winner for Best Original Screenplay — *Dead Poets Society* remains a stirring plea to live life to the fullest, no matter what the cost.

**Picks from the Video Store**

Take home more of Peter Weir&#8217;s filmography from his director&#8217;s section tonight!

*Picnic at Hanging Rock, The Last Wave, The Cars That Ate Paris*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Dead Poets Society

**Screenwriter**: Taratoa Stappard

**Producers**: Sharlene George,  RickyLee Waipuka-Russell,  Rouzie Hassanova,  Paraone Gloyne

Join us in the microcinema for Taratoa Stappard&#8217;s stunning anti-colonial Māori gothic story of retribution, *Mārama*. 1859, North Yorkshire. When young Māori woman Mary arrives from New Zealand, she’ strapped as governess to a wealthy whaler’s granddaughter. Living among her ancestors’ stolen artefacts, she uncovers Sir Cole’s horrific crimes. Embracing her Matakite powers, Mary becomes Mārama and must save Anne and avenge her family by destroying him. With gorgeous set and costume design and a ferocious performance by Ariaana Osborne, *Mārama *is a breathtaking gothic feast as well as an important statement in feminism and decolonization.

Mārama

**Screenwriter**: Emilio Fernández from the novella by John Steinbeck

**Producer**: Óscar Dancigers

Co-presented by Community Partners **El Cine **with a special introduction by **Gilbert Trejo.**

Join us for a rare treat of Emilio Fernández&#8217;s stunning John Steinbeck adaptation *La Perla*; a 1947 Mexican–American cinematic gem that demands to be seen in community on the big screen. Made in both Spanish and English versions, this timeless treasure has been living between languages for nearly 80 years, in a way that feels especially resonant. The film follows Kino, a pearl diver whose life shifts after discovering a rare pearl, bringing both hope and consequences. With stunning cinematography by Gabriel Figueroa and a powerful performance by Pedro Armendáriz, *La Perla* remains a defining work of Mexican cinema and is preserved by the United States National Film Registry.

**Picks from the Video Store**

Take home more Mexican masterpieces on Blu-Ray and DVD today!

*Deep Crimson, Dona Herlinda and her Son, Cabeza de Vaca*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

The Pearl (La Perla)

Vidiots

The Absent-Minded Professor

RZA’s One Spoon of Chocolate

Vista Theatre

Frequently throughout the year we will be highlighting a few titles that are considered to be "stuck" on VHS, with no physical releases since the format (discounting video transfers on DVDs, etc.) for various reasons, i.e. legal ownership disputes, music licensing issues, or perhaps just perceived lack of interest.

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STUCK ON VHS returns with HIGH SCHOOL GHOSTHUSTLERS (also known as High School Ghost Busters), a horny comedic direct to video horror movie with lots of practical FX!

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## From the back of the box:

" "Erotomaniac Spirits" have possessed the girls at Joblo High and they are on a mission to satisfy their unearthly desires. You know what they say, "Ghouls just want to have fun!"

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Here come the HIGH SCHOOL GHOSTHUSTLERS - saving the world from creatures that go hump in the night. Kyoko, Mayu, and Emi (played by Japanese supermodels Senna Matsuda, Yuko Kitamura, and Yuka Nakamori) are a band of tough-as-nails schoolgirls with psychic powers, paranormal weapons, and most importantly - killer bodies.

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Do they have what it takes to exorcise the school of all the horny spooks? Will they become part of the spirits' insatiable masses? Can they rid the world of legions of slimy Dick Monsters (um yeah, you read right!)? The fate of morality is in their hands. "

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**dir. Yoshinori Nishikiori, 1995***Japan, VHS projection*74 min

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## SUNDAY, 5/37:30P DOORS8:00P SCREENING

Special ticket prices! $6 general admission, $5 members.

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*This screening is available to attendees ages 18 and over only.*

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*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*

Stuck on VHS: High School Ghosthustlers (1995) (18+)

WHAMMY!

### **ABOUT THE EPISODES:**

**Episode 506, 35 Mins**

FORMAT: DCP

**Episode 507, 37 Mins**

FORMAT: DCP

### **ABOUT THE SERIES:**

**HACKS, 2021, HBO Max, USA**

In the aftermath of mistaken and unflattering news reports that she passed away, Deborah Vance (Jean Smart) and Ava (Hannah Einbinder) return to Las Vegas more determined than ever to secure Deborah’s legacy as a comedian. 

The fifth and final season of HACKS debuts new episodes every Thursday on HBO Max.

HACKS is created and showrun by Emmy winners Paul W. Downs, Lucia Aniello and Jen Statsky, who direct, write and executive produce the series as well. Paul also stars as Jimmy.

Introduction by creators and showrunners Paul W. Downs, Lucia Aniello and Jen Statsky Advance Screening of Episodes 506 & 507 Popcorn & soda courtesy of HBO Max T-shirt giveaway

HACKS

Princess Leia is captured and held hostage by the evil Imperial forces in their effort to take over the galactic Empire. Venturesome Luke Skywalker and dashing captain Han Solo team together with the loveable robot duo R2-D2 and C-3PO to rescue the beautiful princess and restore peace and justice in the Empire.

This screening is FREE! General admissi0n, first come first serve. Members receive priority admission.

Star Wars

The epic saga continues as Luke Skywalker, in hopes of defeating the evil Galactic Empire, learns the ways of the Jedi from aging master Yoda. But Darth Vader is more determined than ever to capture Luke. Meanwhile, rebel leader Princess Leia, cocky Han Solo, Chewbacca, and droids C-3PO and R2-D2 are thrown into various stages of capture, betrayal and despair.

This screening is FREE! General admissi0n, first come first serve. Members receive priority admission.

The Empire Strikes Back

Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, the Emperor prepares to crush the Rebellion with a more powerful Death Star, and the Rebel fleet mounts a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel before the evil Emperor.

This screening is FREE! General admissi0n, first come first serve. Members receive priority admission.

Return of the Jedi

### **ABOUT THE FILM:**

The legendary midnight movie sensation that firmly embedded samurai mythology within American pop culture consciousness, this English-dubbed reedit of the first two films in the classic Japanese *chanbara* series LONE WOLF AND CUB is a giddily entertaining, mesmerisingly gory classic of East-meets-West grindhouse mayhem. Following the murder of his wife at the hands of an evil shogun, an avenging ronin (Tomisaburo Wakayama) roams the countryside with his young son—and the boy’s sword-shooting baby carriage—in tow, dispatching ninja assassins with steely resolve in operatically stylized flurries of hallucinatory violence. With its pulsing synth soundtrack and delirious action set pieces—kinetically edited whirlwinds of flashing blades, spurting blood, and severed limbs—SHOGUN ASSASSIN proved an instant cult favorite that has bubbled its way up from the underground to the mainstream thanks to its influence on artists ranging from the Wu-Tang Clan to Quentin Tarantino.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan/USA

Co-presented by 36 Cinema Special thanks to Harry Guerro for the print ‘Cinematic Void’

Cinematic Void Presents SHOGUN ASSASSIN

You’re Not So Tough / Hit the Road

The Wages of Fear in 4K

An Evening of Short Films from Asian American Filmmakers

### **ABOUT THE EPISODES:**

**Episode 107, Dir. Alice Seabright**

FORMAT: DCP

**Episode 108, Dir. Dearbhla Walsh**

FORMAT: DCP

### **ABOUT THE SERIES:**

**MARGO’S GOT MONEY TROUBLES, 2026, Apple TV, USA**

The daughter of a former Hooters waitress and an ex-pro wrestler, Margo is a recent college dropout and aspiring writer. Faced with a new baby, mounting pile of bills and dwindling number of ways to pay them, Margo must find a way forward.

Q&A with executive producer and actor Michelle Pfeiffer, actor Greg Kinnear and co-showrunners David E. Kelley and Eva Anderson. Moderated by Debra Birnbaum. Screening of Episode 107 and Advance Screening of Finale

MARGO'S GOT MONEY TROUBLES

### **ABOUT THE FILMS:**

**A SHORT FILM ABOUT LOVE, 1988, Dir. Krzysztof Kieślowski, 87 Mins, Janus Films, Poland**

*In Polish with English subtitles.*

An expanded version of episode VI in Kieślowski’s legendary DEKALOG, this film examines love, longing and sex through the story of a young postal worker who spies on a promiscuous woman in an adjacent housing project.

FORMAT: DCP

**A SHORT FILM ABOUT KILLING, 1988, Dir. Krzysztof Kieślowski, 85 Mins, Janus Films, Poland**

*In Polish with English subtitles.*

A shocking, powerful film expanded from episode V of Kieślowski’s legendary DEKALOG, A SHORT FILM ABOUT KILLING considers societal violence in its many forms through the story of an idealistic young lawyer and the brutal murderer he is called to defend.

FORMAT: DCP

Co-presented with the Polish Cultural Institute New York ‘Krzysztof Kieślowski: An American Cinematheque Retrospective’

A SHORT FILM ABOUT LOVE / A SHORT FILM ABOUT KILLING

Antenna Releasing and Pure Cinema Podcast present “Weird, Wild, and Wonderful Wednesdays” at Braindead Studios, a collaboration between the newest indie distributor on the block and the official podcast of Quentin Tarantino’s New Beverly Cinema &#8211; invading the coolest spot to see underground movies on the West Side. First up: Bruce Toscano’s 1984 underground classic, The Jar.

Join Pure Cinema hosts Elric Kane and Brian Saur as they present this newly restored oddity from the fine folks at Terror Vision. Synopsis: A motorist who comes upon an auto accident finds a bottle at the scene. The bottle contains a demon who proceeds to possess him. That’s all you need to know, and the less you know the better!

The Jar (aka Charon) was released by Magnum Entertainment in 1984 and was omnipresent in video rental stores. While the film was shot in scope, the distributor released it in a butchered cropped presentation cutting out about half of the intended frame in a murky VHS transfer. Terror Vision has restored Charon/The Jar using a partial camera negative along with a print to finally offer director Bruce Toscano’s unique vision in all its beautiful, color drenched glory. Accompanied by a stunning synth score.

The Jar

### **ABOUT THE FILM:**

In Miami, siblings Raymond and Coco Zhang’s art forgery ring flourishes when they encounter a disgraced millionaire in need of their expertise. Meanwhile, FBI Art Crimes agent Emily Lee moves to Miami to investigate a series of mysterious paintings.

FORMAT: DCP

DISTRIBUTOR: Utopia Distribution

COUNTRY: USA

Q&A with filmmaker Jing Ai Ng and actors Andie Ju and Brandon Soo Hoo. Moderated by Lorraine Ali. Co-presented by CAPE ‘Women Wednesday’

FORGE

### **ABOUT THE FILM:**

A producer monkey pitches a fairytale extravaganza to a skeptical financier. A psychedelic meta-comedy that mixes animation with excerpts from a Soviet science-fiction fantasy spectacle. A group of monkeys, including a director loosely inspired by Dennis Hopper’s EASY RIDER persona, struggle through various trials and tribulations while making an epic adventure film in this psychedelic and satirical look at the Hollywood counterculture of the early ’70s. An unlikely hybrid of analogue animation and live action Soviet fantasy film, TIKI TIKI repurposes extended passages from Rolan Bykov’s eye-popping 1967 phantasmagoria AYBOLIT-66 as the film within the film, adding irreverent comic dubbing and cutting to subvert the original intent. An unapologetically eccentric experience that has earned comparisons to H.C. Potter’s HELLZAPOPPIN’, TIKI TIKI remains one of the most sought-after animated enigmas of its era. New 4K restoration from the original a/b negatives by Canadian International Pictures with funding from Telefilm Canada.

FORMAT: DCP

DISTRIBUTOR: Canadian International Pictures

COUNTRY: Canada

TIKI TIKI

The Groundstar Conspiracy / P.J.

**Screenwriter**: Shatara Michelle Ford

**Producers**: Pin-Chun Liu,  Shatara Michelle Ford,  Naima Abed,  Adam Wyatt Tate,  Josh Peters, Robina Riccitiello,  Ben Stillman,  Ana Leocha,  Tyler Bagley,  Chris Quintos Cathcart

Featuring a post-screening conversation with filmmaker **Shatara Michelle Ford **and cast members** Sasha Compère **and **Denée Benton**!

Three black queer femmes in their mid 30s take a road trip across the Midwestern United States in search of their friend who has seemingly disappeared off the grid. With their sophomore feature, Shatara Michelle Ford (*Test Pattern*) puts their singular stamp on the American road movie. After an unceremonious layoff, Z (Denée Benton, *The Gilded Age*) embarks on a trip across the Midwestern United States in search of a friend that has seemingly disappeared off the grid. Traveling with her two closest friends, these three queer black femmes find their priorities tested as shapeshifting threats in each city expose (inter)personal and ideological fractures. Tender and expansive, Ford has created an ode to chosen family and the radical act of claiming space to dream —and exist— beyond the systems of an increasingly fraught country.

*Part of The Future of Film is Female&#8217;s [THREE FILMS, FIVE CITIES](https://www.futureoffilmisfemale.com/three-films-five-cities) project.*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Dreams in Nightmares

VEERANA follows Jasmin, a bloodsucking seductress who leads men to their doom after being possessed by the spirit of a witch. Unless Jasmin's family can find a way to break the curse, she'll be used in a Satanic ritual to raise the real witch from her tomb. A kaleidoscopic dream zone full of Bava-esque lightning, gloopy monsters, and a killer synth score, this is the most extravagant production from the Ramsay family—India's most popular and successful horror filmmakers.

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**dirs. Tulsi & Shyam Ramsay, 1988***India, digital projection*135 min

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## WEDNESDAY, 5/137:30 DOORS8:00 SCREENING

$8 general admission, $7 for members.

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*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*

VEERANA (1988)

Altered Innocence + Dirty Looks present *Something Must Break.*

Ester Martin Bergsmark, *Something Must Break* (*Nånting måste gå sönder*), Swedish (with English subtitles), 85min., 2014

Author Eli Levén in person.

~

Dirty Looks presents the long-overdue U.S. release of Swedish trans-punk modern classic, *Something Must Break* (*Nånting måste gå sönder*), 2014, distributed by Altered Innocence. A fraught romance traces the transition of androgynous teen Sebastian (Saga Becker) and her crust punk boyfriend Andreas (Iggy Malmborg). Shot in gritty relief against the industrial edges of Stockholm. Andreas grows volatile, as this love stresses his het identity and Sebastian slips deeper into gender play. Written by Eli Levén and directed by Ester Martin Bergsmark (*She Male Snails*), this Golden Tiger-winning film is a bold work of contemporary Scandinavian queer cinema and based off the 2010 novel, *You Are the Roots That Sleep at My Feet and Keep the Earth in Place*.

Dirty Looks: Something Must Break

2220 Arts + Archives

Night and the City in 35mm nitrate

### **ABOUT THE FILM:**

Launched in 1974 in Los Angeles, Z Channel was one of the United States’ first pay cable stations. Z Channel’s prominence was solidified in 1980 when maverick programmer Jerry Harvey took over as head of programming. Z’s uniqueness was attributed to Harvey and his staff’s determination, diverse taste and encyclopedic knowledge of cinema. Harvey’s programming showcased a combination of classic, international, independent and Hollywood films. Z was the network first to develop programming innovations such as ‘director’s cuts’ and uniquely themed on-air festivals, while also airing many rare and never before seen exclusives and critically acclaimed films not in the mainstream.

FORMAT: DCP

DISTRIBUTOR: Soraya Releases LLC

COUNTRY: USA

Panel with filmmakers Xan Cassavetes, Stuart Cooper and Vera Anderson, producers Rick Ross and Marshall Persinger and Z programmer Tim Ryerson ‘Watch Local: Z Channel’

Z CHANNEL: A MAGNIFICENT OBSESSION

Join us for an evening of chess and community at Heavy Manners Library. Play against friends and strangers, with all skill levels welcome. Free donuts will also be provided!

Echo Park Chess Club at Heavy Manners Library (5/14)

Heavy Manners Library

### **ABOUT THE EVENT:**

Sergei Eisenstein travelled to Mexico December 1930 to experience firsthand its “geographical, ethnological, cultural and historical diversity” and to make a feature film. After shooting tons of beautiful 35mm footage, drawing hundreds of sketches and writing volumes of critical texts, he departed April 1932 without a completed project. This digital edition explores his unfinished cinema work available in partially edited fragments realized by others. The content and quality of the different releases vary greatly due to many factors none of which reflect poorly on Eisenstein. Viewed together with newly created interviews and reflections, the short and long films form a magnificent magical testament dedicated to the spirit of unbound creativity.

*Film notes by Ian Christie and Bruce Posner*

### **ABOUT THE FILMS:**

**“Time in the Sun,” 1940, Dir. Sergei Eisenstein, Grigori Alexandrov and Eduard Tissé, 61 Mins, Kino Lorber**

After Sol Lesser’s early compilations carved from the Mexican footage, “Time in the Sun” was a first attempt to do justice to what its director, Marie Seton, believed was Eisenstein’s vision. Having spent time with him in Yalta in 1934 and heard his rapturously account of the group’s experiences in Mexico, she resolved in 1938 “to reconstruct the dream in order that it might not be entirely lost.” Seton and her collaborators effectively molded the material into a conventional ethnographic documentary that foregrounded the exotic customs and costumes which Eisenstein had Tissé and Alexandrov film copiously. “Time in the Sun” largely follows the sequence of “novellas” or episodes set in different regions and eras that he had sketched for the benefit of his sponsors and the Mexican Government. Seton’s commentary also draws heavily on one of his key inspirations, Anita Brenner’s “Idols Behind Altars,” emphasizing the “Indian spirit” that had survived Spanish invasion and dictatorship. But with its conventional music, and tentative dramatization in the marriage sequence set in Tehuantepec and the climactic revenge drama at Tetlapayac Hacienda, it hardly seems to fulfill Eisenstein’s aspirations. We know he was bitterly disappointed when he finally saw it in 1946, but we are no closer to knowing what he might have created from this spectacular material. Based on Anita Brenner’s “Idols Behind Altars” (1929), Franz Blom’s “The Conquest of Yucatan” (1936), and writings researched by Samuel A. Datlowe and Marie Seton.

FORMAT: DCP

**Mexican Symphony: “Zapotec Village” / “Idol Of Hope” / “The Conquering Cross,” 1941, Dir. Sergei Eisenstein, 45 Mins, Kino Lorber**

Three rare travelogues “Zapotec Village,” “The Conquering Cross” and “Idol of Hope” are presented in the projection order indicated by Bell & Howell Filmosound Library in 1941. Missing are “Mexican Marches,” “Spaniard and Indian” and “Land and Freedom.” The entire series of six short, one-reel and two-reel, nonfiction ethnographic films were edited with footage recycled from the earlier THUNDER OVER MEXICO, EISENSTEIN IN MEXICO, “Death Day” and “Time in the Sun.” The travelogues were shaped into dapper and informative educational compilations, heavy on voice-over narration, that report on Mexican Indian life, cultural and historic backgrounds, and exotic scenic locations. Equally apparent throughout, and incorporated to great effect, appears much footage shot by Eisenstein but not previously seen or currently possible to view elsewhere. The hybrids could be projected, grouped together one-after-the-other, to form a composite feature-length documentary “Mexican Symphony.” The newly minted Eisenstein films play benignly symphonic in form and presentation.

FORMAT: DCP

**“The Disaster in Oaxaca,” 1931, Dir. Sergei Eisenstein, 16 Mins, Kino Lorber**

A month after Eisenstein’s group had entered Mexico in December 1930, the southern province of Oaxaca was devastated by a magnitude 8 earthquake which destroyed its capital. The Russians hired a plane to fly to Oaxaca, to film the damage and its aftermath, apparently hoping to capture material ahead of newsreel companies. The footage of shattered buildings, displaced inhabitants and the funeral of a child eloquently documented the scale of the disaster that killed over one hundred people. Quickly edited by Eisenstein, it was shown in Mexican theaters, and a copy was sent to the USSR, no doubt to prove that the Russians were gainfully employed after their fruitless year in Hollywood. Tissé’s filming may be largely functional, but Eisenstein’s montage pointedly contrasts the ruined houses of the rich with those of the poor, and includes several sequences that anticipate the religious themes which would preoccupy him during his time in Mexico: notably life-size religious statues being rescued from a ruined church, as if emphasizing their powerlessness, and a silhouetted angel sculpture hanging over a jagged void captioned “the angel of death.”

FORMAT: DCP

Advance Screening of New Restorations Films courtesy of British Film Institute, Cineric, Inc., Indiana University Libraries Moving Image Archive and Gosfilmofond of Russia Photo courtesy of Kino Classics, Gosfilmofond, Filmmakers Showcase Restorations by Bruce Posner ‘Sergei Eisenstein Restorations’

¡SERGEI EISENSTEIN MÉXICO! Exotic Travelogues

### **ABOUT THE EPISODES:**

**Season 2, Episode 17, “Wounds and Scars,” Dir. James Foley, 46 Mins**

Norma’s sister, Annie, arrives in Twin Peaks.

FORMAT: DCP

**Season 2, Episode 18, “On the Wings of Love,” Dir. Duwayne Dunham, 46 Mins**

Cooper is reinstated at the FBI.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Wounds and Scars” and “On the Wings of Love” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 17 & 18

A Woman of Affairs / The Single Standard

**Screenwriter**: Ed Solomon

**Producers**: Iain Canning,  Jim Parks

Join us in the microcinema for Steven Soderbergh&#8217;s latest triumph, a brilliant artistic character study with phenomenal performances from Ian McKellen and Michaela Coel. A mainstay of the London art scene since his starry breakout in the creative explosion of the 1960’s, Julian Sklar (Ian McKellen) has drifted into a cluttered, self-imposed seclusion. His two estranged children (James Corden, Jessica Gunning) enlist Lori (Michaela Coel), a young painter and sometime-forger, to pose as a prospective assistant and gain access to a fabled series of unfinished canvases Julian has buried deep in his home studio, in a deceptive bid to secure an inheritance for themselves.

The Christophers

**Screenwriters**: Guillermo Ríos,  Leticia Lopez Margalli,  Eugenio Derbez

**Producers**: Eugenio Derbez,  Lorenzo O&#8217;Brien

Vidiots is thrilled to welcome Writer/Producer/Director and Star **Eugenio Derbez** for a special screening of his hilariously sweet comedy ***Instructions Not Included**!*

A hilarious and heartfelt mix of wacky comedy and tearjerker drama, *Instructions Not Included* has more than earned its success as Mexico’s biggest hit movie and the highest-grossing Spanish-language film at the U.S. box office. Talented multi-hyphenate Eugenio Derbez directs, produces, co-writes, and stars as Valentin, the biggest womanizer in Acapulco, whose life changes forever when a former lover drops off a baby at his doorstep. Soon, Valentin is working in Hollywood as a stuntman while doing his best to raise his precocious daughter, but challenges loom in the form of a custody battle with his ex and a mysterious medical ailment. You’ll laugh and cry along with Derbez as his character slowly but surely learns how to become a better man!

**Picks from the Video Store**

Take home more Eugenio Derbez tonight on glorious physical media!

*How to Be a Latin Lover, CODA, Overboard*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Instructions Not Included

I Know Where I’m Going!

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

American Psycho

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

**

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!

Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Writing Gets Lonely: Open Writing Studio (5/15)

### **ABOUT THE FILMS:**

**“Pay Day,” 1922, Dir. Charlie Chaplin, 22 Mins, Janus Films, USA**

Charlie is a bricklayer who sets off to celebrate payday with his pals. But his wife is waiting with the rolling pin.

FORMAT: 35mm

**“Shoulder Arms,” 1918, Dir. Charlie Chaplin, 38 Mins, Janus Films, USA**

Enlisted during the First World War, Charlie discovers the hard life of the trenches and the dangers of combat.

FORMAT: 35mm

Get your ticket for just $5.40 at the box office! ‘Film by the Foot’

"Pay Day" / "Shoulder Arms"

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Based on a children’s essay adapted by famed Japanese screenwriter Yoko Mizuki in her first work for Naruse, Mother stars the legendary actress-director Kinuyo Tanaka as a beleaguered working class matron, whose self-sacrificing efforts to maintain her family during Tokyo’s postwar reconstruction make her a paragon of maternal virtue in the eyes of her teenage daughter Toshiko (Kyoko Kagawa). Toshiko idealizes her mother and the value system she embodies, a naive perspective that pleasantly lifts what in fact unfurls as a bitterly sad, episodic tale of slow-burn economic emmiseration. Anticipating the films of Hou Hsiao-hsien in its ironically sentimental vision of Confucian dissolution, Naruse’s film is a melodramatic tearjerker for the ages.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

MOTHER

### **ABOUT THE FILM:**

*In French with English subtitles.*

One evening Nelly meets Loulou, a down-and-out young man. After her husband kicks her out, she goes off to live with Loulou. She is soon with child, but Loulou doesn’t change his wayward life, spending time with his pals and pulling off small-time robberies. Deeply hurt by his attitude, Nelly decides not to keep the baby. 

FORMAT: DCP

DISTRIBUTOR: Cohen Media Group

COUNTRY: France

‘Maurice Pialat: An American Cinematheque Retrospective’

LOULOU

Django Unchained

The electrifying Cuban/Soviet masterpiece—a monumental socio-political work and one of cinema's most visually revolutionary films

SOY CUBA  ("I AM CUBA," 1964)  co-presented by EL CINE UNDERGROUND PODCAST

Philosophical Research Society

This is an Elliott Smith tribute night produced by North Star Sessions featuring over 20 local songwriters.

$15

Advance tickets available  here !

Ballads of Big Nothing

Scribble

**Screenwriter**: Helen Childress

**Producers**: Danny DeVito,  Michael Shamberg

Dust off your flannels and Doc Martens and join us for the ultimate Gen X hang! Part post-collegiate ensemble dramedy, part love triangle romance, and all the epitome of mid-90s fashion and vibes, Ben Stiller&#8217;s *Reality Bites* is one of the defining films of a generation. Winona Ryder is a documentary filmmaker navigating jobs, life, and relationships alongside her best friends &#8211; played brilliantly by Janeane Garofalo and Steve Zahn. When she starts dating a yuppie who offers her a shot at broadcast television (AKA early reality TV), will she sell out or go for the disaffected hottie that&#8217;s been there the whole time? Somebody call the cinema police, because Janeane Garofolo truly *steals* the whole show as one of the coolest women characters in film of the decade!

**Picks from the Video Store**

Pocket more Winona Ryder on DVD and Blu-Ray tonight!

*Lucas, Heathers, Night on Earth*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Reality Bites

**Screenwriters**: James Dearden,  Nicholas Meyer

**Producers**: Stanley R. Jaffe,  Sherry Lansing

A blockbuster of lust and obsession that set the world on fire, Adrian Lyne&#8217;s *Fatal Attraction* is the ultimate scorned female revenge tale, or every unfaithful man&#8217;s worst nightmare; depending on how you look at this killer erotic thriller. When New York lawyer Dan Gallagher uses his wife&#8217;s absence to hook up with a scorching book publisher, he could never imagine the spiral of madness he would create. Now, his fling actually expects things from him, and trying to keep his family together, he leaves her to unravel, demanding to be seen as a human being and not an expendable fling. But when her justifiable frustration ratchets up to violence, now even Dan&#8217;s wife, child, and bunny rabbit are in danger. With an ending essentially rewritten by a focus group, this complicated thriller is still one hell of a watch!

**Picks from the Video Store**

Did you know we have a section for Erotic Thrillers? Take home more sizzling smoke-shows tonight!

*Poison Ivy, Single White Female, Disclosure*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Fatal Attraction

**Screenwriter**: Graham Yost

**Producers**: Mark Gordon,  Bill Badalato,  Terence Chang

John Woo&#8217;s underrated American follow-up to *Hard Target* is a thermonuclear blast! In Woo and John Travolta&#8217;s first collaboration, they plant the seeds for *Face/Off* as Travolta deploys his first scenery-chewing, gonzo villain, playing an eccentric US Air Force Major who steals a nuclear weapon. The only thing he didn&#8217;t count on was Christian Slater, the one Captain who knows how to stop him. Co-starring Samantha Mathis and a murderers&#8217; row of character actors, including Delroy Lindo, Frank Whaley, Bob Gunton, Vondie Curtis-Hall, and Kurtwood Smith, *Broken Arrow* is an outlandishly action-packed thrill ride, filled with the double-gunning fun Woo&#8217;s fans crave.

**Picks from the Video Store**

We&#8217;ve got all the 1980s Christian Slater classics you crave!

*The Legend of Billie Jean, Pump Up the Volume, The Wizard, Heathers*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Broken Arrow

Harold & Kumar Go to White Castle

Howl’s Moving Castle

Robin and Marian in 4K

Odd Man Out

### **ABOUT THE FILM:**

*In French and English with English subtitles.*

Small-time crook Michel (Jean-Paul Belmondo) steals a car and murders a policeman. While on the run, he reconnects with Patricia (Jean Seberg), a journalism student living in Paris, and tries to convince her to go on the lam with him.

FORMAT: 35mm

DISTRIBUTOR: Rialto Pictures

COUNTRY: France

BREATHLESS

### **ABOUT THE FILM:**

From the true story about a Brooklyn bank robbery gone haywire one hot August day comes a gripping, funny Oscar-winning movie capturing star Al Pacino and director Sidney Lumet at the top of their game. A desperate and crazed man, with the help of an accomplice (John Cazale), takes a local Brooklyn bank hostage with plans to rob it in order to pay for his lover’s sex-change operation.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

DOG DAY AFTERNOON

“After the Revolution, who’s going to pick up the garbage on Monday morning?” asked artist Mierle Laderman Ukeles in 1977. With that provocation, she shattered the divide between art and everyday labor, becoming the first artist in residence at New York City’s Department of Sanitation. Her collaborations with municipal workers injected art directly into the city’s bloodstream and redefined what creative practice could be. Inspired by Marcel Duchamp, Ukuleles pioneered the radical idea that routine maintenance—from changing diapers to picking up city trash to caring for the earth—could be acts of performance art.

Join us for a screening of *MAINTENANCE ARTIST*, the first feature documentary to explore this revolutionary public artist’s career. Featuring never-before-seen archival footage, the film traces a half-century of social and artistic upheaval through the lens of essential labor and public art. *MAINTENANCE ARTIST* celebrates Ukeles’s call for a “Maintenance Revolution,” honoring the workers who keep our world running and the artist who insisted that their labor deserves to be seen.

The screening will be introduced by multimedia artist Debra Scacco, the first civic-appointed artist in residence in the City of Santa Monica’s Water and Waste divisions (2023–25). 

DIRECTED BY: Toby Perl Freilich; PRODUCED BY: Toby Perl Freilich & Judith Mizrachy; EDITED BY: Anne Alvergue. 95 minutes, 2025.

This program is part of the [Art on Screen][1] series, which celebrates moving-image media and its intersection with art and art histories. The event is inspired by the Getty Research Institute’s collections of [feminist performance artists’ archives][2].

The conversation will be available on the [Getty Research Institute YouTube channel][3] following the event.

Visit the Getty Research Institute's [Exhibitions and Events page][4] for more free programs.


  [1]: https://www.getty.edu/whats-on/art-on-screen/
  [2]: https://www.getty.edu/projects/study_of_performance_woman_artists_archives/
  [3]: https://www.youtube.com/c/gettyresearch
  [4]: https://www.getty.edu/research/exhibitions_events/

Screening: *MAINTENANCE ARTIST*

Getty Center

Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of more than 150,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.

Presented in conjunction with [*Realms of the Dharma: Buddhist Art Across Asia*](https://www.lacma.org/art/exhibition/realms-dharma-buddhist-art-across-asia), Tenzin Phuntsog’s *Next Life* tells the story of a a Tibetan family in exile searches for moments of temporary happiness after their father is given an irrevocable diagnosis from a Tibetan doctor’s pulse reading. Through tender acts of care, quiet moments of intimacy, and memories of Tibet, the question of homeland surfaces: a place they cannot return to. *Next Life* moves through these moments gently, centering the Tibetan concept of Tse Chema—reincarnation—as a way of holding the cycle of life: birth, death, and rebirth and their karmic traces.

The program will begin with Phuntsog's new short work *Auras. *After *Next Life*, hear from Phuntsog in conversation with special guests and celebrate Tibetan Buddhist culture with offerings of Tibetan ceremonial practices from local Tibetan cultural practitioners.

***Next Life***
2026, 73 minutes
United States, Mexico
Tibetan, English, Mandarin
Shot on 35mm, DCP Projection

***Auras***
2026, 7 minutes
Tibet, India, United States, Mexico
Shot on 35mm, DCP Projection

**Tenzin Phuntsog** is a San Francisco–based artist and filmmaker. His work has been recently featured at the Berlinale Forum Expanded, IFFR Rotterdam, Edith Russ Haus, Redcat Los Angeles, EMAF, Seoul Media City Biennale, Experimenta, and the Tang Museum.

Tenzin Phuntsog’s Next Life

LACMA

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Facing pressures to marry and having witnessed her two sisters’ own marital struggles, sightseeing bus guide Kiyoko (Hideko Takamine) strives for her own solitary independence, resisting suitors and openly expressing a disdain for men. Through a family of four siblings, each from different fathers, Naruse explores the suffocating family life of Kiyoko’s *shitamachi* household and its surroundings. LIGHTNING is a buildup of vignettes, events and occurrences, as Kiyo experiences the world around her—misfortune, family tragedy, interpersonal quarrels and the vulgarities of men—trying to make sense of a modern existence where the promise of happiness still comes second for women.

FORMAT: 35mm

DISTRIBUTOR: Kadokawa

COUNTRY: Japan

LIGHTNING

### **ABOUT THE FILM:**

*“THE JOURNEY was born directly out of a collapsed project in 1982, when I tried to organize another antinuclear war film, to be funded by Central TV in England, and working with a number of peace groups across the UK. I felt that THE WAR GAME was out-of-date, and I was concerned about the escalating nuclear arms race, that was allied to the US foreign policy of a nuclear war that would be limited to Europe. My idea was to create a series of scenes, again depicting the consequences of a nuclear attack on Britain, on a larger scale than THE WAR GAME, that would allow citizens across Britain to express their concerns via their involvement in the production of this project. However, Central TV withdrew its funding, on the grounds that the budget was becoming too large, and the project collapsed. After rethinking the scale of the project into a more global film dealing with the general silence on the burgeoning nuclear arms race, I appealed for funding to a number of international TV channels. Without exception, every TV channel that I contacted refused, even though I was only requesting support for filming an ultra low-cost segment in each country, where I would ask local people what they knew and felt about the world arms race. *

*“During the time while I had no funding from the professional sector, I happened to be showing THE WAR GAME to the world’s oldest peace movement association, the Swedish Peace and Arbitration Society (SPAS), in Stockholm. In May 1983, during its 100th anniversary congress, SPAS unanimously decided to support fund-raising for a new film about the nuclear threat. Based in Stockholm, and with initial funding from SPAS, I immediately began to involve the network of friends and acquaintances that I had acquired over many years of travelling and lecturing, to build an international fund-raising drive for the new film, and to start research in those parts of the world where I would organize local productions groups for the actual filming.*

*“The film’s core concept started to emerge: I would visit families or groups of people in various countries, and interview them to find out what they knew about the state and consequences of the world arms race, and the effects of nuclear weapons. The interviews would also focus on the role that mass media and educational systems played in shaping a world view, and on the knowledge that these people had – or did not have – vis-à-vis these subjects.” – Peter Watkins*

FORMAT: DCP

COUNTRY: New Zealand/Australia/Canada/Denmark/Finland/Italy/Japan/Sweden/UK/Germany

‘Peter Watkins: An American Cinematheque Retrospective’

THE JOURNEY Parts 13-16

### **ABOUT THE FILM:**

Seamlessly interweaving archival war footage with a fictional narrative, this immersive account of one twenty-year-old’s journey from basic training to the front lines of D-day brings to life all the terrors and isolation of war with jolting authenticity. OVERLORD, directed by Stuart Cooper and impressionistically shot by Stanley Kubrick’s longtime cinematographer John Alcott, is both a document of World War II and a dreamlike meditation on human smallness in a large, incomprehensible machine.

FORMAT: Digital

DISTRIBUTOR: Janus Films

COUNTRY: UK

Q&A with filmmaker Stuart Cooper. Moderated by Rick Ross. ‘Watch Local: Z Channel’

OVERLORD

Frankenstein

Man on Fire

The Perks of Being a Wallflower

**Screenwriters**: Jerry Juhl, Kirk R. Thatcher, James V. Hart

**Producer**: Brian Henson

Join Captain Kermit on the poop deck as he and his seafaring puppet friends head out on the high seas to find a lost treasure of gold. Your friends the Muppets set sail for adventure with everyone&#8217;s favorite pirate &#8211; Tim Curry as Long John Silver &#8211; in this muppetty adaptation of the classic Robert Louis Stevenson novel.

**Picks from the Video Store**

Want more Jim Henson magic? We’ve got a section jam packed with every *Fraggle*, every *Muppet*, tons of *Sesame Street* and these deep cuts:

*The Storyteller, Mirrormask, Emmett Otter’s Jugband Christmas*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Muppet Treasure Island

**Producers**: George Zaloom,  Les Mayfield

The New 4K Restoration co-presented by **Women in Film **and **Lionsgate **with a special introduction from **Gia Coppola**!

One of the greatest documentaries about the passion, dedication, and insanity that goes into filmmaking, Eleanor Coppola&#8217;s *Hearts of Darkness* gives an intimate glimpse behind one camera and in front of another! In the late 1970s, as renegade filmmaker Francis Ford Coppola struggles to complete an epic allegory of the Vietnam War, *Apocalypse Now*, his wife, Eleanor, films his daily travails with a camera of her own. The documentary based on her footage details the difficulties of the large production &#8212; from weather-related delays in the Philippines to star Martin Sheen&#8217;s heart attack while filming &#8212; and it provides unprecedented behind-the-scenes clips of one of Hollywood&#8217;s most-acclaimed films.

**About the Restoration**:

“*In 1976, Eleanor Coppola shot behind-the-scenes footage of *Apocalypse Now* on 16mm. For the first time, we decided to return to all original sources and scan elements in 4K for this new release. What everyone has seen over the last 30 years has been three to four generations removed from the source elements. Additionally, we utilized the 2019 4K restoration of *Apocalypse Now* for this release, incorporating those elements into the documentary. For any clips pulled from *Apocalypse Now* and used in the documentary, we maintained the original aspect ratio of 2.40 instead of letterboxing it in a 4&#215;3 frame. Lastly, we remastered the soundtrack and created a new 5.1 mix. The film was restored at American Zoetrope and graded at Roundabout Entertainment in Burbank, California. The director, Fax Bahr, approved the grade.”*

– James T. Mockoski, Film Archivist/Restoration Supervisor for American Zoetrope

**Picks from the Video Store**

Looking for more cinema docs? We&#8217;ve got a whole section including these gems:

*My Best Fiend, Electric Boogaloo: The Wild, Untold Story of Cannon Films, From the Journals of Jean Seberg*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Hearts of Darkness: A Filmmaker’s Apocalypse

Join us in the microcinema for a special screening and discussion with director **Athina Rachel Tsangari** of her limited series ***Trigonometry***.

In crowded, expensive London, a cash-strapped couple open their small flat to a third person. Gemma is a chef who runs a café; her boyfriend Kieran is a paramedic – and Ray, who moves in with the young couple, is at a loss. Until recently, she was a world-class synchronised swimmer, but now she’s looking for a new direction, job and place in life. She discovers two people who love each other very much, but who don’t really know where they are going – in terms of the café, sex, or their lives. What commences is a modern-day love story that will change all of their lives forever.

Written and created by Duncan Macmillan and Effie Woods, *Trigonometry* is the first series project by Athina Rachel Tsangari (Attenberg, Chevalier). The Greek director and actress has directed five of the eight episodes, all of which will be screened at today&#8217;s event. While the rest of the world talks about identity politics, Trigonometry turns this into an intense, compelling, funny and intelligent drama about relationships and family. Can the three characters find a new way to love? And will the world let them?

5 Episodes, 235 minutes with 15 minute intermission and a conversation with director **Athina Rachel Tsangari**.

Part of &#8220;Worlds Apart: The Films of Athina Rachel Tsangari,&#8221; a retrospective of the Greek director&#8217;s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots, and the Los Feliz 3

Trigonometry

Having a Wild Weekend

Secrets & Lies

Black Sunday in 35mm

Pool of London

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

A couple at the table by the window look happier than anybody else in the restaurant. Hiroshi Eda, who works at a governmental office, has got a promotion and his wife, Yumiko, has been pregnant. Their happiness seems to last forever, but actually it ends that afternoon with a traffic accident that kills the husband. Shiro Mishima, the young man who has caused the accident, is a promising salaried-man of the Pacific Trading Company. He happens to meet Yumiko in the restaurant where she has last seen her husband alive. Shiro promises to give her fifteen thousand yen every month for compensation.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Transcendental Appointments’ and ‘Mikio Naruse: An American Cinematheque Retrospective’

SCATTERED CLOUDS

### **ABOUT THE EVENT:**

*“Between 2016-17, composer Michael Nyman and I collaborated on a massive multi-screen installation for The State Hermitage Museum, Saint Petersburg, and Dartmouth College, New Hampshire. The idea was to produce a mash-up of the raw unedited Mexican footage with Michael’s music. The experimental digital restoration of the combined sounds and images would extend alongside José Clemente Orozco’s *The Epic of American Civilization* (1932-34), a large, multi-panel horizontal mural at Dartmouth College, and also inhabit a rather small area by Hermitage standards, the Jordan “Kerensky” Staircase Eisenstein had filmed for October (1928). The weight of the enterprise was its undoing. The one “object” realized was the 2-screen IDOLS BEHIND ALTARS composed of footage used by Jay Leyda for his marvelous EISENSTEIN’S MEXICAN FILM, EPISODES FOR STUDY (1955-57). The music and films evoked a new language of non-editing, that is each spoke back and forth to one another revitalizing the enchantments captured by Eisenstein. The overall effect conveys the vivid curiosity and sense of wonder witnessed by the filmmakers as they sculpted moving images into a portrait of Mexico between 1930 and 1932. The new music composed and performed in 2026 by Paul D. Miller aka DJ Spooky is just that, a joyous new reunion invigorating the authentic sights and sounds witnessed by Eisenstein.” — Bruce Posner*

*“If 500 years from now the name ‘Bruce Posner’ is forgotten, future historians you will name you the Master of Moving Diptychs. Eisenstein spoke of ‘vertical montage.’ When he sees your brand-new Idols Behind Altars, he will theorize ‘lateral montage.’ The panel pairs talk to each other with precision — now conjuring phantom eyeline matches, now forming geometrical shapes. The whole is very convincing, and I am sure Eisen+Tissé would not be against experimenting with parallel paneling, reminds me of Eisen’s ‘dynamic square’ theory.” — Yuri Tsivian*

*“It’s all about perspective. What is film but a collision of angles? What is a film soundtrack but an invisible mirror to the cinematic imaginary? When I approached Eisenstein’s fractured Mexican masterpiece, I found myself drawn back to my conviction that cinema is not merely a medium of observation, but a revolutionary engine of thought. In the digital age, our relationship to the image is more ‘dialectical’ than ever. It’s all a mix. We live in a world of constant juxtaposition, a perpetual ‘overtonal montage’ of data and desire. My score is a reflection of that friction. The rest, as we say in DJ culture, is ‘a remix.'” — Paul D. Miller aka DJ Spooky*

FORMAT: DCP

DISTRIBUTOR: Kino Lorber

Advance Screening of New Restorations Films courtesy of British Film Institute, Cineric, Inc., Det Danske Filminstitut, Filmmakers Showcase, Gosfilmofond of Russia, Indiana University Libraries Moving Image Archive, Indiana University, Bloomington and Turner Classic Movies Photo courtesy of Kino Classics, Gosfilmofond and Filmmakers Showcase Restorations by Bruce Posner ‘Sergei Eisenstein Restorations’

¡SERGEI EISENSTEIN MÉXICO! IDOLS BEHIND ALTARS

### **ABOUT THE FILM:**

Jack Nicholson and Shelley Duvall star in director Stanley Kubrick’s disturbing adaptation of Stephen King’s blockbuster horror novel. When writer Jack Torrance (Nicholson)–who has a history of alcoholism and child abuse–takes a job as winter caretaker for a hotel high in the Rocky Mountains, he, his wife (Duvall) and their psychic young son will be isolated until spring. But once the first blizzard closes the road out, the accumulated power of evil deeds committed at the hotel begins to drive Jack mad. Now there may be no escape for his wife and son in this haunting madness, memory and family violence.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA/UK

THE SHINING

Picasso forger, fake author and magic tricks in a wild ride of a &#8220;factual&#8221; tale from Orson Welles. I&#8217;ll take the steak au poivre too!

F for Fake

The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.

Godzilla vs. Mechagodzilla II

LPS is a local poetry society dedicated to keeping poetry vibrant and accessible. Each 75-minute event features up to 21 randomly drawn readers sharing one poem each, creating a lively, democratic celebration of language and community. Join us & share a poem!

One poem per person (yours or one of your favorites!).

In-person signups open 1/2 hour prior to the event (limited to 21).

No sign-ups after the event begins.

Spirits of a future world unite!

LPS @ HML Poetry Open Mic (5/17)

As we count down to the upcoming World Cup, this outdoor screening invites audiences to revisit iconic moments from soccer history. Bring friends, family, and a picnic and experience the beautiful game on the big screen in a communal, joyful setting. Presented in conjunction with the exhibition [*Fútbol Is Life*](https://www.lacma.org/art/exhibition/futbol-life-animated-sportraits-lyndon-j-barrois-sr), this series highlights how transcendent moments on the pitch become lasting cultural memories that connect people across generations and borders.  

**Diego Maradona's "Hand of God" Match (1986 World Cup)**
Match: Argentina vs. England (Quarter-final)
Date: June 22, 1986

“A little with the head of Maradona, and a little with the hand of God.”

Diego Maradona’s enigmatic explanation about his infamous opener in Argentina’s 1986 FIFA World Cup Mexico™ quarter-final clash with England holds a place in football history alongside the goal itself and his mesmeric second, which followed just four minutes later. The meeting at Mexico City’s Estadio Azteca on June 22, 1986, will forever be remembered for Maradona’s moment of gamesmanship and then the flash of pure genius which provided a snapshot into the career and life of one of the greatest players of all time in under 300 seconds.

Fútbol on Film: Diego Maradona's "Hand of God" Match

### **ABOUT THE FILM:**

In a small New Hampshire town during the 1930s and ’40s, an African-American doctor and his family pass for white. Although successful and accepted in their community, they live a lie…in constant fear of being discovered in this riveting drama about racism in the United States before the Civil Rights Movement.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

LOST BOUNDARIES

### **ABOUT THE FILM:**

*In French with English subtitles.*

With his raw style of filmmaking, Maurice Pialat has been called the John Cassavetes of French cinema, and the scorching À NOS AMOURS is one of his greatest achievements. In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father (played with astonishing magnetism by Pialat himself), ineffectual mother and brutish brother. A tender character study that can erupt in startling violence, À NOS AMOURS is one of the high-water marks of eighties French cinema.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: France

À NOS AMOURS

### **ABOUT THE EVENT:**

Silverlake Scream Show is a 501(c)(3) nonprofit dedicated to championing bold new voices in horror and cultivating a passionate, engaged fan community. First Bite is a screening series focused on debut horror features, pairing each film with a candid Q&A about what it actually takes to get a first feature made. The series is designed to demystify the process, creating a filmmaker-first conversation around everything from financing and production to festivals and distribution.

### **ABOUT THE FILM:**

Traveling to Detroit for a job interview, a young woman books a rental home. But when she arrives late at night, she discovers that the house is double booked and a strange man is already staying there. Against her better judgement, she decides to spend the evening, but soon discovers that there’s a lot more to fear than just an unexpected house guest.

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: USA

Silverlake Scream Show Presents BARBARIAN

Acclaimed documentarian Raoul Peck's vital & unnervingly prescient documentary about the "1984" author & his lessons for our troubled times

Raoul Peck's ORWELL: 2+2=5 (2025)

**Screenwriter**: Thomas Schumacher

**Producers**: Jim Cox,  Karey Kirkpatrick,  Joe Ranft

The cutest secret agent mice are back to save yet another kiddo in distress in this massively fun and adorable Disney adventure all about saving endangered wildlife with all-star voice talent from Bob Newhart, Eva Gabor, John Candy and even George C. Scott. A lawless poacher wants to capture a majestic and rare golden eagle, so he kidnaps the boy who knows where to find the bird. Not to worry &#8212; the Rescue Aid Society&#8217;s top agents, heroic mice Miss Bianca and Bernard, fly to Australia to save the day. Accompanying the fearless duo are bumbling albatross Wilbur and local field operative Jake the Kangaroo Rat. Throw another shrimp on the barbie and head with us on an animated Australian adventure!

**Picks from the Video Store**

Take home more adorable animated mice!

*The Secret of NIMH, Ratatouille, Ralph S. Mouse*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Rescuers Down Under

Filmmaker **Athina Rachel Tsangari** in conversation with filmmaker/animator **Flóra Anna Buda **(*27*, Short Film Palme d&#8217;Or)!

Part of *Worlds Apart: The Films of Athina Rachel Tsangari,* a retrospective of the Greek director&#8217;s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots, and the Los Feliz 3.**

Featuring:

***FIT ***(Dir. Athina Rachel Tsangari, 1994, 8 min)

Lizzie discovers her inability to (and obsession with) fitting things inside of other things.

***Reflections*** (Dir. Athina Rachel Tsangari, 2009, 8 min)

Mapping projections of analogue and digital animations at Acropolis Museum Opening Ceremony, 2009.

***The Capsule*** (Dir. Athina Rachel Tsangari, 2012, 35 min)

Seven young women. A mansion perched on a Cycladic rock. A series of lessons on discipline, desire, discovery, and disappearance. A melancholy, inescapable cycle on the brink of womanhood &#8211; infinitely.

***24 Frames Per Century*** (Dir. Athina Rachel Tsangari, 2013, 2 min)

A pair of film projectors discuss their impending obsolescence.

**Plus! A Bonus Secret Film** (Dir. Athina Rachel Tsangari, ???)

Short Films by Athina Rachel Tsangari

**Screenwriter**: Becky Johnston

**Producers**: Robert Cavallo,  Joseph Ruffalo,  Steven Fargnoli

Icon of icons &#8211; the one and only Prince &#8211; directed and starred in this black and white cult classic musical gigolo fantasy. After the resounding success of *Purple Rain*, Prince cashed in his passion project chips on this fun and frivolous romp through the French Riviera. Prince and Jerome Benton play scammers and gigolos, out to con rich women out of their diamonds and pearls, but when he runs into a stunning heiress played by Kristin Scott Thomas, he&#8217;s got to choose between love and money. While not structured like the standard musical with diegetic musical numbers, you&#8217;ll be vibing to a fully Prince soundtrack as you watch the icon seduce, swindle, and goof around like a silent slapstick comedian. You won&#8217;t want to miss your chance to see it on the big screen and especially *hear* it through our killer speaker system!

**Picks from the Video Store**

Take home more Prince bangers from our video rental collection!

*Purple Rain, Graffiti Bridge, Prince: The Hits Collection*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Under the Cherry Moon

**Screenwriters**: Athina Rachel Tsangari,  Joslyn Barnes

**Producers**: Joslyn Barnes,  Viola Fügen,  Rebecca O&#8217;Brien,  Athina Rachel Tsangari, Michael Weber

With Writer/Director/Producer **Athina Rachel Tsangari** in conversation with filmmaker **Josephine Decker** after the screening!

Part of *Worlds Apart: The Films of Athina Rachel Tsangari,* a retrospective of the Greek director’s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots, and the Los Feliz 3.

Greek filmmaker Athina Rachel Tsangari, who deconstructed human behavior within bounded communities in *Attenberg* and *Chevalier*, sets her sights on entirely new environs in *Harvest*, which takes place in a remote village in medieval England. Adapted from the acclaimed novel by British writer Jim Crace, Tsangari’s film stars Caleb Landry Jones as Walter Thirsk, the former childhood friend and manservant of the village’s weak-willed landowner, Master Kent (Harry Melling). Marked by superstition and the scapegoating of outsiders, the town’s denizens fall under new threat after Kent’s iron-fisted city cousin comes into possession of the land, with new plans for agricultural profit. Shot in the sun-dappled Scottish countryside with natural light by cinematographer Sean Price Williams, Tsangari’s most ambitious work to date is both carnal and cerebral, a multifaceted reflection on man’s relationship to the land, rich in atmospherics and thematic resonance. (NYFF)

*&#8220;An audacious, savage carnival of a film.&#8221;* —Jonathan Romney, *The Financial Times*

*&#8220;[A] vigorous, yeasty period piece&#8230; transfixes as a whole-sackcloth immersion into another time and place.&#8221;* —Guy Lodge, *Variety*

*&#8220;Dreamy, hazy and phantasmic, vacillating between extreme beauty and something approaching folk horror.&#8221;* —Alissa Wilkinson, *The New York Times*

*&#8220;Stands strong and tall, a work solid as an oak. Full of a sensual love of nature and a distinctive vibe, it’s tangy like a home-brewed ale.&#8221;* —Leslie Felperin,* The Hollywood Reporter*

*&#8220;Fundamentally a work of political cinema, a social archeology of the emergence of capitalism—of the depravities of modern economics and the inherent injustices of its legal premises.&#8221;* —Richard Brody, *The New Yorker*

Tootsie in 35mm

2:00 PM

The Hireling in 35mm

2:30 PM

Sanjuro in 35mm

6:30 PM

Star Wars: Episode V – The Empire Strikes Back with Billy Dee Williams

7:00 PM

THE DOUBLE LIFE OF VÉRONIQUE

3:00 PM

BODY DOUBLE

7:30 PM

50/50 Comedy

6:00 PM

THE MONSTER SQUAD (1987)(PG-13) Special Guests In-Person 7:00pm

7:00 PM

Athina Rachel Tsangari Presents YOJIMBO

1:00 PM

The Cartoons of Max Fleischer

4:00 PM

MAD BILLS TO PAY (OR DESTINY, DILE QUE NO SOY MALO)

7:00 PM

ERUPCJA

10:00 PM

Indiana Jones and the Temple of Doom

2:00 PM

Unstoppable

The Taking of Pelham 123

6:30 PM

Cars

12:30 PM

The Stranger

Dead Poets Society

3:45 PM

Mārama

4:15 PM

The Pearl (La Perla)

7:00 PM

The Absent-Minded Professor

10:00 AM

RZA’s One Spoon of Chocolate

Stuck on VHS: High School Ghosthustlers (1995) (18+)

8:00 PM