### **ABOUT THE FILM:**

Set in 1994, a record producer, Boogalow (Vladek Sheybal) seduces young folksinger duo Bibi (Catherine Mary Stewart) and Alphie (George Gilmour) into becoming part of his stable of musical stars kept in line with sex and drugs.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA/West Germany

Introduction by actor and fitness instructor Angie Shriner ‘Cinematic Void’

Cinematic Void Presents THE APPLE

### **ABOUT THE FILM:**

A BODY TO LIVE IN offers an uncompromising look at the rise of BDSM performance art, body modification and the ‘modern primitives’ cultural movement through the agonies and ecstasies of transgressive artist Fakir Musafar and the communities that surrounded him. Blending rare archival footage with the voices of queer and artistic trailblazers, the film shows how pain, ritual, and transformation became tools of identity, survival and self-expression. Weaving from early experiments and secret gatherings to the emergence of a global subculture shaped by the AIDS crisis and spiritual reinvention, director Angelo Madsen (NORTH BY CURRENT) reveals not just the story of one artist, but a collective history of bodies in revolt – asking what it truly means to live freely in one’s own skin.

FORMAT: DCP

DISTRIBUTOR: Altered Innocence

COUNTRY: USA

A BODY TO LIVE IN

Los Feliz Theatre

Venus in Furs / Succubus

New Beverly Cinema

**Screenwriters**: Meera Menon,  Paul Gleason

**Producers**: Erica Fishman,  Joe Camerota,  Luke Patton,  Meera Menon,  Paul Gleason

Join us in the microcinema for a tasty new zom com from Meera Menon. Set in the not-so-distant future, a young podcaster, Vinita (Kiran Deol), struggles to maintain her dwindling audience amidst the zombie apocalypse. To make matters worse, the zombies are beginning to mutate and become more powerful. So, when her ex-boyfriend shows up with an orphaned baby, it becomes all that much more important that Vinita and her family do what it takes to survive.

Didn’t Die

**Screenwriter**: Joseph Minion

**Producers**: Robert F. Colesberry, Griffin Dunne, Amy Robinson

Celebrating the life and career of the remarkable **Catherine O&#8217;Hara**!

How bad can one night get? Prepare yourself for a one-of-a-kind experience with *After Hours*, a dark comedy that somehow combines big laughs and a suffocating, terrifying mood of pure dread thanks to Martin Scorsese’s live-wire direction. Paul Hackett (Griffin Dunne) is an ordinary cubicle drone in New York City whose life takes an unexpected turn when he ventures to SoHo for a hot date with Marcy (Rosanna Arquette). Unfortunately for Paul, what seems at first like a simple trip to a different neighborhood soon becomes a demented odyssey. This insanely hilarious nightmare comedy has EVERYTHING. First dates with Wizard of Oz-themed sex talk. Horrifying burn stories. Punk clubs with Kafka-esque bouncers. Cheech and Chong as art burglars. And that thing where the late, great Catherine O&#8217;Hara reminds us how hysterically weird she could be by playing an ice-cream-truck driver leading a vengeful mob!

**Remembering Catherine O’Hara**

Catherine O’Hara, our scene stealing, impossibly funny, impeccably comically timed, deeply human, perfectly wigged icon, we will miss you so. Thank you for making us laugh til we cried and lighting up generations of artists to seize art and life with a vigor only you could inspire. We’ll be celebrating you in our video store and on our big screen always.

**Picks from the Video Store**

Need to bring more Catherine O’Hara brilliance home? Check out some of these delights on physical media:

*Beetlejuice, SCTV, Waiting for Guffman*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

After Hours

Vidiots

Porgy and Bess

Vista Theatre

In memoriam of actor, writer, and filmmaker **Tom Noonan**, whose striking and unmistakable presence—at once gentle, sharply observant, and quietly disarming—left an indelible mark on American independent cinema and theatre, The Philosophical Research Society's 7th House and 2220 Arts present **WHAT HAPPENED WAS…**, his 1994 directorial debut.

A towering performer and creator of rare sensitivity and precision, Noonan brought a deeply human attentiveness to every role and project, masterfully moving between vulnerability, humor, and unease. Winner of the Grand Jury Prize and Screenwriting Award at the 1994 Sundance Film Festival, his arresting two-hander is a darkly humorous portrait of dating dread. Featuring powerhouse performances by Noonan and Karen Sillas as two lonely hearts spending a claustrophobic Friday night together in an imposing apartment, the film exposes with startling clarity the fragile ways people struggle to connect. As the evening unravels, unsettling secrets and eccentricities are laid bare, and polite conversation gives way to something stranger, sadder, and more revealing.

Perhaps more resonant than ever in our age of strange and strained romantic connection, WHAT HAPPENED WAS… is presented in a pristine 4K restoration courtesy of Oscilloscope Laboratories, newly created from the original 35mm negative.

7th House: Tom Noonan's What Happened Was...

2220 Arts + Archives

Heroin Skateboards presents Mutate Or Die

MUTATE OR DIE SCREENING

Brain Dead Studios

At a Death Cafe people, often strangers, gather to share coffee and discuss death.

Our objective is to increase awareness of death with a view to helping people make the most of their finite lives. This is a group-directed discussion of death with no agenda, objectives, or themes. It is a discussion group rather than a grief support or counseling session.

[https://deathcafe.com/](https://deathcafe.com/)

This event will be facilitated by Emily Yacina. Donuts and coffee will be provided.

Death Cafe 3/17

Heavy Manners Library

### **ABOUT THE EPISODES:**

**Season 2, Episode 2, “Coma,” Dir. David Lynch, 46 Mins**

Agent Cooper learns that his former partner has escaped from a mental institution.

FORMAT: DCP

**Season 2, Episode 3, “The Man Behind The Glass,” Dir. Lesli Linka Glatter, 47 Mins**

Donna finds a diary that belonged to Laura Palmer.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Coma” and “The Man Behind The Glass” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 2 & 3

### **ABOUT THE FILM:**

There’s only one thing keeping aspiring executive Tim (Paul Rudd) from corporate success. He must find the perfect guest to bring to his boss’s monthly dinner party, where the winner of the evening is the one who arrives with the biggest buffoon. Luckily, Tim meets Barry (Steve Carell), a guy who re-creates famous works of art with stuffed mice. When the duo show up to dine, the lunacy kicks into high gear. It’s a hilarious feast about two unlikely friends and one outrageous dinner!

FORMAT: 35mm

DISTRIBUTOR: Paramount Pictures

COUNTRY: USA

Introduction by Kelly Goodner and Jim Hemphill St. Patrick’s Day Screening!

DINNER FOR SCHMUCKS

### **ABOUT THE FILM:**

A teenager with a death wish and a 79-year-old high on life find love in Hal Ashby’s cult black comedy. Deadpan rich boy Harold (Bud Cort) keeps staging elaborate suicide tableaux to get the attention of his mother (Vivian Pickles), but she keeps planning his brilliant future for him instead. Obsessed with the trappings of death, Harold freaks out his blind dates, modifies his new sports car to look like a mini-hearse, and attends funerals, where he meets the spirited Maude (Ruth Gordon). An eccentric to the core, Maude lives exactly as she pleases, with avid collecting and nude modeling among her many pursuits. To the disgust of Harold’s relatives and the befuddlement of Harold’s shrink, Harold falls in love with her. As lilting Cat Stevens tunes play on the soundtrack, Maude teaches Harold a valuable lesson about making the most of his time on earth.

FORMAT: 35mm

DISTRIBUTOR: Paramount Pictures

COUNTRY: USA

HAROLD AND MAUDE

A Woman in Flames / Belle de Jour

**Screenwriters**: Jon Huffman,  Doug Hall

**Producers**: Darin Spillman,  Mike Upton,  Bruce Eisen

If your dream blunt rotation includes Ice-T and Warwick Davis, you know just where to head on St. Patrick&#8217;s Day &#8211; the Vidiots microcinema for a beyond bonkers entry into one of horror&#8217;s luckiest franchises. When Butch, Postmaster P, and Stray Bullet loot the local hip-hop mogul&#8217;s studio to fund their demo album, the threesome unwittingly ends up with the secret of Mack Daddy&#8217;s success: a magical flute. Their gigs instantly turn golden but a blood-thristy Leprechaun and an angry Mack Daddy are hot on their trail, leaving a wake of destruction and dirty limericks.

Leprechaun in the Hood

**Screenwriter**: Lina Wertmüller

**Producer**: Arrigo Colombo, Lina Wertmüller

The first film to garner an Oscar nomination for a woman director, Lina Wertmüller&#8217;s masterful and provocative concentration camp sex comedy (yes, you read that right) is one of the director&#8217;s greatest works; magnificently weaving audaciousness and true human pathos into a masterpiece of world cinema. Wertmüller regular &#8211; the incredibly facile Giancarlo Giannini &#8211; plays Pasqualino Frafuso, known in Naples as &#8220;Pasqualino Seven Beauties,&#8221; a petty thief who lives off of the profits of his seven sisters while claiming to protect their honor at any cost. After a series of terrible choices and a stint in Mussolini&#8217;s army, he is eventually sent to a concentration camp where he plots to make his escape by seducing a German officer, played by Shirley Stoler (*The Honeymoon Killers*). Controversial from the jump, and funnier than any film about Nazis has a right to be &#8211; with absurdity at every corner along with staggering human truths &#8211; and stunning production design by Enrico Job, it&#8217;s the perfect time to rediscover this treasure of Italian cinema from one of the world&#8217;s greatest overlooked directors.

**Picks from the Video Store**:

Need more Lina? We&#8217;ve got a whole Lina Wertmüller director&#8217;s section with all of her most provocative films!

*The Seduction of Mimi, Love and Anarchy, Summer Night*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Seven Beauties

Leprechaun 3

Lightstruck is elated to present two full evenings of rarely screened animated shorts from one of the most significant centers of experimental animation production and creativity in the history of the medium: Poland. Spanning the early 1960s to the late 1980s, these two programs (March 26 and April 16) will showcase an incredibly eclectic selection focusing on little-known masterworks and deep-cut revelations, all screening in recent restorations.

Poland has an extraordinary animation history marked by radical experimentation in technique and texture, investigating dark and complex themes inspired by social critique and surrealist visions alike. Spanning stop motion, cutout, cel, paint on glass, and hand-drawn approaches, these programs extend to include exceptional techniques such as Zbig Rybczyński’s hyper-complex optical printing, Piotr Dumała’s exquisite renderings on plaster slabs, and Julian Antonisz’s unhinged cameraless animation produced on ingenious, visionary devices of his own making. A morbid and uneasy humor often punctuates these works, which pulse with rich, emotional, and dramatic narratives and themes matched only by the exceptional imagination and talents of their authors.

We selected the films for these programs with an emphasis on shorts not generally available on home media, and spanning a particularly diverse array of styles, aesthetics, techniques, and sensibilities. Widely celebrated artists like Rybczyński, Antonisz, Ryszard Czekała, and Jerzy Kucia will be represented by lesser known (but magnificent) offerings, while deeply memorable obscurities from Jacek Kasprzycki, Zofia Oraczewska, Ryszard Antoniszczak, and Ewa Bibańska will further illuminate Poland’s incredible spectrum of animation genius.

Programs by Zena Grey and Mark Toscano. Notes by Mark Toscano. Films courtesy of Wytwórnia Filmów Dokumentalnych i Fabularnych (+ thanks to Stanisław Bardadin) and Filmoteka Narodowa – Instytut Audiowizualny (+ thanks to Adrian Smykowski and Julia Bachman).

Polish Animation #1: Flames in Dark Places (1962-74)

Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.

The Juniper Tree

### **ABOUT THE FILM:**

A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of flesh-eating ghouls newly arisen from their graves, Romero’s claustrophobic vision of a late-sixties America (literally) tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in the lead role.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: USA

Introduction by author Daniel Kraus Book signing with Daniel Kraus for his new book, Partially Devoured: How Night of the Living Dead Saved My Life and Changed the World, prior to the screening at 6:30pm at the Los Feliz 3, in partnership with the Larry Edmunds Bookshop.

NIGHT OF THE LIVING DEAD

### **ABOUT THE FILM:**

*In Filipino with English subtitles.*

A coming-of-age story of college student Joey, who’s lost all sense of direction. His only inspiration is music, but he has yet to finish writing a song. His life changes when he meets Ana and his world is suddenly turned upside-down.

FORMAT: DCP

DISTRIBUTOR: ABS-CBN Film Productions

COUNTRY: Philippines

MOMENTS IN A STOLEN DREAM

Amuck! /

The Los Angeles premiere of the restoration of Robert Bresson&#8217;s *The Devil, Probably* is presented with an introduction from Writer and Film Critic A.S. Hamrah.

The Devil, Probably

Now Instant Image Hall

Join Titmouse for the **20th anniversary of 5 Second Day** at the LA premiere of their annual **5 Second Day… Night!!!** animation showcase, featuring a special introduction from studio co-founder **Chris Prynoski**.

This special anniversary edition will feature a unique, uncensored compilation of brand new short-form cartoons created by Titmouse animators and creative staff as part of the studio’s long-running *5 Second Day* tradition, alongside a curated selection of standout shorts from the past 20 years of the event, giving audiences a rare chance to revisit some of the weirdest, wildest, and most unforgettable cartoons from two decades of *5 Second Day*.

**About 5 Second Day: **

An annual tradition where Titmouse shuts down production for 24 hours across its Los Angeles, New York, Vancouver, and Paris studio locations, giving its artists a fully paid day to unleash their most quirky, beautiful, bizarre, and laugh-out-loud ideas. 

For more information, [https://5secondday.com](https://5secondday.com)

Titmouse Presents: 5 Second Day… Night!!!

Project Hail Mary 70mm

The Snow Woman/The Haunted Castle

### **ABOUT THE FILM:**

*In Georgian with English captions.*

Lisa, a sports photographer, vanishes off into the greener pastures of the Georgian countryside, traces of her passing embedded in the landscape like clues. Her father, Irakli (David Koberidze), picks up her scent in the ochre foliage and communal soccer fields she documented for her last assignment. His search-and-rescue trip defies her wishes not to be followed. With a disembodied voice in his passenger seat, he embarks on a winding pastoral picaresque, marked by the recurring gaggles of adolescents, wild dogs, and oral histories he encounters along the way. Undulating between impressionistic reverie and subversive detective story, Irakli’s near-fruitless search invites us to see—with renewed eyes—the quotidian elements which constitute both cinema and life.

Shot with a pixelated W595 Sony Ericsson phone camera, DRY LEAF stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life. Taking an audacious leap of faith after his breakthrough WHAT DO WE SEE WHEN WE LOOK AT THE SKY? and harkening back to his low-res debut LET THE SUMMER NEVER COME AGAIN, Koberidze reignites the threadbare wonders of cinematic language in spectacular, big-screen fashion.

FORMAT: DCP

DISTRIBUTOR: The Cinema Guild

COUNTRY: Georgia/Germany

Q&A with filmmaker Alexandre Koberidze and composer Giorgi Koberidze L.A. Premiere

DRY LEAF

Aero Theatre

**Please note**: This screening takes place at the Academy Museum, 6067 Wilshire Blvd., Los Angeles, CA 90036

Total runtime: 74 min.

This was the film that set everything in motion. *Schmeerguntz*, coined after Gunvor Nelson’s father’s nonsense word for “sandwich” (*smörgås* in Swedish), is a hilarious, grotesque and grave attack on the public ideal of the American housewife. Critic Ernest Callenbach wrote in excitement that “A society which hides its animal functions beneath a shiny public surface deserves to have such films as *Schmeerguntz* shown everywhere.”—*Professor John Sundholm, Stockholm University*

Director: Gunvor Nelson, Dorothy Wiley.

*My Name is Oona* was Nelson’s final breakthrough on the American avant-garde film scene. The sound consists of Nelson’s daughter, Oona, repeating the names of the days of the week and of her saying “my name is Oona.” The latter is edited into an expressive rhythmical structure that accompanies the visual structure of the film that plunges into the experience of a child where both bliss and fear reign. As so often in Nelson’s oeuvre, there is a female subtext too: it is male voices that execute their authority upon Oona, whereas as a girl she is still equal to boys of her own age.—*Professor John Sundholm, Stockholm University.* 

Director: Gunvor Nelson.

*Fog Pumas* is the second film that Gunvor Nelson and Dorothy Wiley shot together. It received one of the grand prizes at the Knokke Experimental Film Festival, EXPRMTL, in 1967-68. The film is a hilarious, liberating exploration of absurd imagery and situations in which Nelson and Wiley also make fun of some classical avant-garde film techniques. It is an empowering film, made in the spirit of exploring the potentialities of filmmaking and insisting upon having fun while doing it.—*Professor John Sundholm, Stockholm University*

Director: Gunvor Nelson.

*Moons Pool* marks a new path in Gunvor Nelson’s filmmaking in which she develops her interest in creating a weave of movements and superimpositions. The film that is mostly shot underwater, in a pool, begins with footage of water and a close-up of Nelson from which we move to her body immersed in water in a bathtub. Another transition occurs to a pool with male and female naked bodies swimming underwater. The latter part of the film is almost totally liberated from speech, and has a dreamlike, complex soundtrack consisting of sounds of waves, voices, water and music woven together into a seamless web of sounds.—*Professor John Sundholm, Stockholm University*

Director: Gunvor Nelson.

Movement begins and ends with snowflakes, fleeting, floating, whirling and dancing in constant restlessness. Sudden changes in direction, composition, background, density, color and contrast interrupt the perpetual flow.—*Professor John Sundholm, Stockholm University*

Director: Gunvor Nelson.

Off-site: Gunvor Nelson Tribute II: Moons Pool

Hammer Museum

Join us for a night of music featuring solo performances by Dustin Wong, thunderwerld, Randy Randall, and strangejane.

Dustin Wong, thunderwerld, Randy Randall, strangejane

### **ABOUT THE FILM: **

*In Nigerian Pidgin, Yoruba, and English with English subtitles.*

The UK’s Best International Feature Film entry to the 98th Academy Awards and recipient of the Caméra d’Or Special Mention at Cannes, Akinola Davies Jr.’s MY FATHER’S SHADOW is a poetic, tender portrait of father-son bonds. Framed by the political landscape of 1993 Lagos, the film follows a father and his two young sons as they journey into and around the vibrantly rendered Nigerian metropolis, quietly reckoning with their relationship while navigating a city on the precipice of democratic crisis. Brothers and collaborators Akinola Davies Jr. and Wale Davies bring us a groundbreaking feature debut – centering an award-winning performance by Sopé Dìrísù (SLOW HORSES, GANGS OF LONDON) – that reveals the profound depths of what families leave unspoken.

FORMAT: DCP

DISTRIBUTOR: MUBI

COUNTRY: UK/Nigeria

MY FATHER'S SHADOW

### **ABOUT THE FILM:**

Two codependent best friends become addicted to the heroin-like touch of an alien narcissist who may or may not be trying to take over the world.

FORMAT: 35mm

DISTRIBUTOR: Yellow Veil Pictures

COUNTRY: USA

Q&A with filmmaker Addison Heimann and actors Olivia Taylor Dudley, Jordan Gavaris and Marlene Forte L.A. Premiere

TOUCH ME

### **ABOUT THE FILM:**

Taking much of its inspiration from Homer’s* The Odyssey*, this Coen brothers comedy stars George Clooney, John Turturro and Tim Blake Nelson as escaped convicts in Depression-era Mississippi. On a wild goose chase for loot from a previous crime, the trio encounter bluesmen, bank robbers, Bible thumpers and politicos, and become unlikely hitmakers as the “Soggy Bottom Boys” (in real life, the film’s bluegrass-filled soundtrack topped charts and won three Grammys). Costarring John Goodman.

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: UK/USA/France

O BROTHER, WHERE ART THOU?

True Romance

Before his untimely death, William Pope.L was commissioned to make a new work for MONUMENTS. Though this never came to fruition, Pope.L’s 2012 film *Reenactor* engages with the Lost Cause leisure activity of battlefield re-enactments. In celebration of his life, The Brick is pleased to present two nights of Pope.L video works in partnership with Now Instant.

*Please note: seating is limited. Doors open thirty minutes prior to the listed showtime. Your RSVP does not guarantee you a seat. Seating is first-come, first-served. **This film is non-narrative and attendees are invited to come and go as they please.*

The Videos William Pope.L

The world premiere of an original program that explores Henson's formally inventive and philosophically probing early works!

JIM HENSON: EXPERIMENTS IN VISUAL THINKING feat. THE CUBE — World Premiere!

Philosophical Research Society

**Screenwriter**: Harry Lighton

**Producers**: Lee Groombridge,  Ed Guiney,  Andrew Lowe,  Emma Norton

Come for Alexander Skarsgård as a leather daddy, stay for the romance, laughter, and humanism of Harry Lighton&#8217;s sweet and kinky dom com! Colin, a timid man is swept off his feet when Ray, an enigmatic, impossibly handsome biker takes him on as his submissive. It&#8217;s got all the biker orgies and back alley b.j.s you would hope for, but it&#8217;s also truly a wonderfully universal triumph of warmth and humor for anyone &#8211; not just those in the kink community.

Pillion

**Screenwriter**: Albert Brooks

**Producer**: Michael Grillo

Join us in the afterlife for Albert Brooks&#8217; imaginative and hilarious take on life and love after death. After a sudden death, Daniel Miller, an unexceptional and hapless ad exec, ends up in a way station between life and ascendancy to a higher journey into the Universe. In this bureaucratic limbo, the newly deceased are treated to free buffets but unencumbered by calories, but also judged for their life on earth, a pressure the nebbishy Miller is not comfortable undertaking. When he meets Julia, a remarkable woman with a ticket to the next stage, he finally starts to feel alive for the first time. But is it enough to seal their fate into the universe, or will he be destined to return to Earth a loser again?

**Picks from the Video Store**

Looking for more life after death? Be the afterlife of the party with these gems

*After Life, A Matter of Life and Death, I Am a Ghost*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Defending Your Life

**Screenwriter:** Kaneto Shindō

**Producer:** Toshio Konya

A chilling and atmospheric slow burn from Kaneto Shindō, this dark and ghostly nightmare will sink into your subconscious with striking black and white cinematography, a frenetic sensuality, and a viscerally unnerving tone. In the wind-swept marshes of medieval Japan, a land ravaged by war and famine, two women wait for the return of their son and husband from the war as they exist by slaughtering samurai for their belongings. As word of their loved one&#8217;s demise in the war, the return of an enticing neighbor, and the mask of a demon threaten to plunge them all into a horrifying fate.

**Picks from the Video Store**

Looking for more 60s Japanese Horror? Visit our Asian Horror section for these creepfests and more!

*Jigoku, Blind Beast, Kuroneko, The Face of Another*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Onibaba

Rio Bravo

Super Fly

Acropolis Cinema screens *Falling Leaves* (Otar Iosseliani, 1968), in a new 4K restoration presented by Alexandre Koberidze.

Saturdays's event will feature an introduction and post-screening Q&A with *Dry Leaf* director Alexandre Koberidze and composer Giorgi Koberidze.

∆

First screened at the 1968 Cannes Film Festival, *Falling Leaves* tells the story of Nico, a technician starting out at a state-run wine collective. While his friend Otar adapts seamlessly, Nico refuses to pretend that bad wine can be bottled. He also falls for Otar’s girl. Iosseliani offers up poignant observations about the clash of generations, factory life, and romance in this witty and moral tale of an individual’s resistance to oppression.

~

Otar Iosseliani is one of Georgia’s most admired filmmakers who died two months before his 90th birthday in December 2023. His unconventional storytelling, anarchic style and underlying anti-authoritarianism did not suit the Soviet authorities and by 1982 Iosseliani had moved to Paris. His self-described “abstract comedies” explore human absurdity, observing behaviour rather than following a cohesive narrative. He didn’t like "intrusive" close-ups and his unique shooting style with complex movement of people, animals and objects led Ronald Bergan, writing in the Guardian, to describe him as the “true heir to Renoir, Tati and Buñuel.” (Institut français du Royaume-Uni)

TRT: 91 min

In person: Alexandre and Giorgi Koberidze

Alexandre Koberidze presents Falling Leaves (Otar Iosseliani, 1968)

### **ABOUT THE FILMS:**

**THE GODFATHER, 1972, Dir. Francis Ford Coppola, 175 Mins., Paramount, USA**

Francis Ford Coppola’s epic masterpiece features Marlon Brando in his Oscar-winning role as the patriarch of the Corleone family. Director Coppola paints a chilling portrait of the Sicilian clan’s rise and near fall from power in America, masterfully balancing the story between the Corleone’s family life and the ugly crime business in which they are engaged. Based on Mario Puxo’s best-selling novel and featuring career-making performances by Al Pacino, James Cann and Robert Duvall, this searing and brilliant film garnered ten Academy Award nominations, and won three including Best Picture of 1972.

FORMAT: 35mm

**THE GODFATHER PART II, 1974, Francis Ford Coppola, 200 Mins., Paramount, USA**

This brilliant companion piece to the original THE GODFATHER continues the saga of two generations of successive power within the Corleone family. Coppola tells two stories in Part II: the roots and rise of a young Don Vito, played with uncanny ability by Robert De Niro, and the ascension of Michael (Al Pacino) as the new Don. Reassembling many of the talents who helped make THE GODFATHER, Coppola has produced a movie of staggering magnitude and vision, and undeniably the best sequel ever made. Robert De Niro won an Oscar; the film received six Academy Awards, including Best Picture of 1974.

FORMAT: 35mm

THE GODFATHER / THE GODFATHER PART II

A double feature celebrating 1990s Shot-On-Video surreal horror, pairing Charles Pinion’s cult Cinema of Transgression landmark *Red Spirit Lake* with *Vick & Tarstar’s Scarecrow Factory*, a meta mumblegore nightmare from Brewce Longo of Blood Sick Productions. Both directors will be in attendance, followed by a Q&A hosted by Annie Rose Malamet of Girls, Guts, & Giallo.

### Red Spirit Lake (1993)

*Run Time:* 69 minutes

After a vengeful sorceress is tortured and killed by a corrupt industrialist seeking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow-covered Angel Falls to settle her aunt’s estate.

A warped meditation on *The Old Dark House*, *Red Spirit Lake* erupts into a delirious storm of UFO abductions, witchcraft, frank nudity, castration, fatal fistings, slaughterous saunas, and psychotic surrealism. A cacophony of subversive hyper-violence and salacious sexual chaos unfolds against picturesque winter vistas, featuring performances by Cinema of Transgression icons Richard Kern, Holly Adams, Kembra Pfahler, Tessa Hughes-Freeland, and Tommy Turner, alongside an insurgent soundtrack with music by Cop Shoot Cop, Lydia Lunch, Clint Ruin, and The Lunachicks.

[TRAILER](https://youtu.be/1BCnVc3-Rt4)

### Vick & Tarstar’s Scarecrow Factory (2025)

*Run Time:* 91 minutes

Vick and Tarstar are shooting their latest trash-horror epic, *Scarecrowed*, with a cast and crew of punks, drug addicts, fetish models, and dumpster divers. As extra-hairy relationship drama, homelessness, vanishing funds, and quitting collaborators threaten to derail the production, the duo remains committed to telling their story.

Set within a deranged consumer fantasy, *Scarecrow Factory* asks a simple question: with the right bucket, can you too buy your own hair-cutting scarecrow made by the animatronic Goo Guys? A Blood Sick mumblegore nightmare by Brewce Longo and Kasper Meltedhair, the film features Erin Caywood, Nicole Elyse, Janice.Click, and SOV legends Hugh Gallagher and Tina Krause.

Charles Pinion and Brewce Longo are currently in preproduction on an upcoming collaborative feature, *Thousand Eyes*. Directed by Pinion and produced by Longo, the film will shoot in Philadelphia in May 2026 and will feature a mix of regular Blood Sick players alongside classic SOV figures.

Red Spirit Lake + Vick & Tarstar’s Scarecrow Factory

### **ABOUT THE FILM:**

What if that date you thought would never end didn’t? When an uptown New Yorker innocently meets a downtown girl, he’s uncontrollably drawn into a vortex of wild, malevolent and paranoid adventures After Hours. Paul Hackett’s (Griffin Dunne) terrible night happens in the SoHo area of downtown Manhattan when he goes to keep a date with Marcy (Rosanna Arquette). Nothing in his humdrum life as a word processor has prepared him for his surreal encounters with Marcy; her far-out artist roommate Kiki (Linda Fiorentino); cocktail waitress Julie (Teri Garr); ice cream vendor Gail (Catherine O’Hara); and June (Verna Bloom), who lives in the basement of a nightclub. Now, Paul longs only for the safety of his upper-East Side apartment … but will he ever make it home?

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

AFTER HOURS

Egyptian Theatre

*Light Years Expanding* is a further elaboration of *Light Years*, Gunvor Nelson’s journey into the Swedish landscape in which she blends animation with live-action. Whereas movement was one of the prime characteristics of *Light Years*, *Light Years Expanding* revolves more around the image-work, foreshadowing her last and most complicated collage film *Natural Features*.—*Professor* *John Sundholm, Stockholm University*

Director: Gunvor Nelson.

“I was enormously impressed and bowled over by the beauty and artistry. It is one of the few films that I have ever seen that gave me the same feeling that I get when I see painting that I really respond to on a gut/heart level. The images are very powerful. The poetry and the subtlety of the content too. The editing/rhythms all seemed perfect. The sound track kept disappearing from consciousness (exactly right), but never stopped working with the pictures. Masterpiece.”—*filmmaker* *Robert Nelson*

Director: Gunvor Nelson.

*Field Study #2 *develops further Nelson’s painterly animation aesthetics. This time the imagery is not created by a recording camera after which they are reworked, but instead the images and sounds appear out of their own world. The soundtrack consists of animal sounds and a serious male voice reciting names of animals in Latin. It is a hilarious work that makes fun of the educational film and our expectations upon the film screen to constitute a window to an outer world.* Field Study #2* urges one to look and listen while emphasizing the comic and absurd, the latter a trait that runs through so much of Gunvor Nelson’s filmmaking and which was the impetus for her to start filming with Dorothy Wiley in the ’60s. The film ends with a thank you to Dorothy Wiley.—*Professor John Sundholm, Stockholm University*

Director: Gunvor Nelson.

“In *Natural Features*, Gunvor Nelson mingles hundreds of still images with 3-D objects and ‘real’ images photographed through glass layerings into a free-associative and playfully bizarre form of animation. Perhaps no film has more successfully blended an evident passion for painting with a sensitivity to filmmaking such as lush pigments alternate with and punctuate the different photographic layerings.”—*curator* *Steve Anker*

Director: Gunvor Nelson.

Gunvor Nelson Tribute III: Light Years Expanding

[$10 tickets](https://withfriends.events/event/62EWlmJC/shame/?utm_campaign=shame_62EWlmJC&utm_term=human_resources_la&utm_medium=organizer_site&utm_source=organizer_homepage&utm_content=link_on_your_website_119" data-type="link" data-id="https://withfriends.events/event/62EWlmJC/shame/?utm_campaign=shame_62EWlmJC&utm_term=human_resources_la&utm_medium=organizer_site&utm_source=organizer_homepage&utm_content=link_on_your_website_119)

		

	
		
	

	
		
			
				
					
						
	
	

						
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SHAME

Human Resources

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A WANDERER’S NOTEBOOK traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid) and her arduous, often humiliating attempts to get published in a male-dominated culture.

FORMAT: 35mm

DISTRIBUTOR: Toho

COUNTRY: Japan

35mm print courtesy of National Film Archive of Japan Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

A WANDERER'S NOTEBOOK

### **ABOUT THE FILM:**

*In Georgian with English subtitles.*

An enchanting love story suffused with magic, this amiably ambling fable is fit-to-burst with hope and wonder. Alexandre Koberidze’s generous ode to romance wanders the sun-dappled streets of Georgia’s ancient Kutaisi with open arms, inviting its inhabitants—and their mysteries—into a warm embrace.

FORMAT: DCP

DISTRIBUTOR: MUBI

COUNTRY: Georgia/Germany

Q&A with filmmaker Alexandre Koberidze and composer Giorgi Koberidze ’Alexandre Koberidze: An American Cinematheque Tribute’

WHAT DO WE SEE WHEN WE LOOK AT THE SKY?

The Hot Box / Terminal Island

Behind the Green Door

The Brick is pleased to present two nights of Pope.L video works in partnership with Now Instant.

*Program to be announced.*

*Please note: seating is limited. Doors open thirty minutes prior to the listed showtime. Your RSVP does not guarantee you a seat. Seating is first-come, first-served.*

The acclaimed collaborative artist duo Gibson + Recoder present the Los Angeles premiere of their most recent expanded cinema project, *The Changeover System: A Projection Performance Installation (2023–2025). *An ambitious live multi-projection based on Gibson + Recoder’s 20 years of experimentation with the projection of 35mm celluloid, *The Changeover System* repurposes film projectors from within the concealed projection booth in a practice they refer to as “prepared projection,” calling attention to the creative agency of the screening room itself.

*The Changeover System* was developed in close collaboration with sound artist Richard Garet. Whereas Gibson + Recoder disappear into the projection booth, Garet performs within the theater, amidst the audience, using amplified EMF emissions, modified audiocassettes, malfunctioning tape players, interactive circuit boards, sonification of light, and computer processing.

There will be a post-screening conversation with artists Gibson, Recoder, Garet and film programmer Jheanelle Brown.

*Please note: This program contains strobe and flashing lights.*

The Changeover System: A Projection Performance Installation

REDCAT

**Screenwriters**: Tom Patchett, Jay Tarses, Frank Oz

**Producers**: David Lazer

The gang is headed to Broadway in this toe-tapping installment of everyone&#8217;s favorite bunch of puppets. After they graduate college Kermie, Fozzie, Piggie and the rest of the gang want to take their musical review all the way to the Great White Way. Kermit heads out to find a producer and ends up slinging hash in a diner before a head injury and amnesia that lead him to big frog business. Will Kermit remember his friends in time for the show or end up a Wall Street Big Wig? Jam-packed with humor, thrills, puppets, toe-tapping tunes, and a slew of celebrity cameos from Gregory Hines to Joan Rivers, Elliot Gould, Brook Shields, and Liza Minelli, this is one Muppet adventure with Big Apple appeal!

**Picks from the Video Store**

Want more Jim Henson magic? We&#8217;ve got a section jam packed with every *Fraggle*, every *Muppet*, tons of *Sesame Street* and these deep cuts:

*The Storyteller, Mirrormask, Emmett Otter&#8217;s Jugband Christmas*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Muppets Take Manhattan

**Screenwriter**: Sooni Taraporevala

**Producer**: Mira Nair

A kaleidoscopic portrait of Bombay’s teeming street life, Mira Nair’s first narrative feature, *Salaam Bombay!, *combines a documentary-like sense of place with a poignant exploration of everyday resilience. After the young Krishna (Shafiq Syed) is cast out by his family, he makes his way to the city, where he encounters love, friendship, and tragedy in the face of extreme poverty. Drawing compellingly naturalistic performances from a cast consisting largely of children she met on the streets, Nair creates an intimate human drama that is by turns heartbreaking and life-affirming, an ode to childhood that overflows with colorful urban chaos and a deep compassion for those who live on society’s margins.

**Picks from the Video Store**

Take home more Mira Nair tonight &#8211; she&#8217;s got her own director&#8217;s section!

*Mississippi Masala, Monsoon Wedding, Hysterical Blindness*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Salaam Bombay!

**Screenwriter**: Cate Shortland

**Producer**: Anthony Anderson

Following a reckless encounter with her mother’s boyfriend, teenage Heidi is forced to flee home and restart her life, finding refuge at a motel in the icy ski town of Jindabyne. There, she lands a job at a petrol station, befriends her warm co-worker Bianca, and meets Joe, a young man grappling with his own emotional baggage. As Heidi and Joe pursue a shaky relationship and search for normalcy against a bleak winter backdrop, they must confront their vices, feelings of isolation, and need for love and belonging. Cate Shortland’s stunning feature debut is a “frank and visceral film that at the same time exudes an unexpected innocence” (Los Angeles Times). Featuring early performances from Abbie Cornish and Sam Worthington, sheds light on the complexity of growing up and the quiet ache of loneliness.

*Somersault* has been restored by Piccolo Films from the original 35mm master negative and final mix master audio components. Restoration by Ray Argall in consultation with Anthony Anderson, Robert Humphreys, Sam Patty and Cate Shortland.

Somersault

**Screenwriter**: Jason Reitman from the novel by Christopher Buckley

**Producer**: David Sacks

Vidiots is thrilled to welcome writer/director **Jason Reitman** for a special 20th Anniversary screening of his addictive satire *Thank You for Smoking*, followed by a conversation with Reitman!

Based on Christopher Buckley&#8217;s acclaimed 1994 novel of the same title and adapted for the screen by Jason Reitman, *Thank You for Smoking* is a fiercely satirical look at today&#8217;s culture of spin! Aaron Eckhart stars as Nick Naylor, a sexy, charismatic spin-doctor for Big Tobacco who&#8217;ll fight to protect America&#8217;s right to smoke &#8211; even if it kills him. When he incurs the wrath of a senator (William H. Macy) bent on snuffing out cigarettes, Nick&#8217;s powers of &#8220;filtering the truth&#8221; will be put to the test. With a smokin&#8217; all-star cast that includes Rob Lowe, Maria Bello, Katie Holmes, Adam Brody and Robert Duvall, this hilarious comedy will prove seriously addictive!

**Picks from the Video Store**

Bring home more of Jason Reitman&#8217;s films on glorious physical media tonight!

*Up in the Air, Saturday Night, Tully* and more!

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Thank You for Smoking

**Screenwriter**: Harmony Korine

**Producers**: Charles-Marie Anthonioz,  Jordan Gertner,  Chris Hanley,  David Zander

*Spriiiiing Breeeeak Forevaaaah!* Cinema provocateur Harmony Korine mixes exploitation, experimental film, and comedy to create one of the most exquisite blends of high and low brow art in cinema history and a film that influenced the cinematography and style of the last dozen years of filmmaking. Korine &#8211; one of America&#8217;s most singular auteurs &#8211; has spent the bulk of his career creating obtuse and difficult works of cinema art &#8211; and then came *Spring Breakers*. His highest budget with the most A-list talent, this girl gang goes on holiday candy-colored dreamscape is the most easily accessible of his films to date, while still experimenting with linear structure and pushing the limits of cinema (and good taste). With stunning visuals, a perfect soundtrack, and the best use of a Britney Spears song ever, this is more than just a spring break crime spree &#8211; it&#8217;s the best Art Trash film ever made!

**Picks from the Video Store**:

Harmony Korine is hard to come by streaming, but luckily we&#8217;ve got these gems (and more) on physical media!

*Gummo, Julien Donkey Boy, Beach Bum*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Spring Breakers

Who Done It?

Wizards/The Time Masters

### **ABOUT THE FILM:**

Frank and Eleanor Perry’s brilliant 1969 film LAST SUMMER has long been considered a lost classic – never released on DVD or Blu-ray and unseen in its controversial original form for over forty years. A boundary pushing teen film briefly slapped with an X rating, it opened to ecstatic reviews and garnered an Oscar nomination for actress Catherine Burns. Last seen at the Cinematheque in a cobbled together censored 16mm print, the new restoration is a revelation. Based on Evan Hunter’s bestselling novel staring Richard Thomas and Bruce Davison as teenage boys aimlessly spending the summer at the beach on Fire Island, N.Y. They fall under the spell of Barbara Hershey’s beautiful Sandy and the trio push each other into acts of cruelty against wallflower Cathy Burns. LAST SUMMER received four stars from critic Roger Ebert and this is a screening not to be missed.

FORMAT: DCP

DISTRIBUTOR: Warner Bros.

COUNTRY: USA

Q&A with actors Barbara Hershey and Bruce Davison. Moderated by Larry Karaszewski. World Premiere of New Restoration of Theatrical Version

LAST SUMMER

Free screening! First come first serve.

When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.

The Fly

When a Black middle-class family in South Los Angeles is visited by a mysterious old friend from the South (Danny Glover), his presence casts a spell over the previously calm household. As the inscrutable Harry, Glover flickers between menace and charm, using his commanding presence to dominate the frame. A singular work that explores how Southern folkloric traditions traveled north during the Great Migration, this intimate drama subtly announces director Charles Burnett’s mastery of his craft. In 2017, the film was named to the Library of Congress’ National Film Registry, and in 2026 was named one of the [best 101 films about L.A.](https://www.latimes.com/entertainment-arts/movies/list/best-los-angeles-movies#p=to-sleep-with-anger-1990) by the *Los Angeles Times*.*—author Ashley Clark and Public Programmer Beandrea July *

Director/Screenwriter: Charles Burnett. With: Danny Glover, Paul Butler, Mary Alice, Carl Lumbly, Vonetta McGee, Richard Brooks, Sheryl Lee Ralph.

To Sleep With Anger

### **ABOUT THE FILM: **

*In Korean with English subtitles.*

A film director who no longer makes films, Seongjun, arrives in Seoul to meet a close friend. When the friend doesn’t show up, Seongjun wanders the city aimlessly. He runs into an actress he used to know, shares a drink with some film students and against his better judgment, heads to his ex-girlfriend’s apartment. The next day goes very much like the last; Seongjun meets the actress, has drinks with friends, and falls for woman who looks remarkably like his ex-girlfriend. Each new day plays out like a flimsy copy of the previous one, but only Seongjun knows why.

FORMAT: 35mm

DISTRIBUTOR: The Cinema Guild

COUNTRY: South Korea

Introduction by filmmaker Alexandre Koberidze ‘Alexandre Koberidze: An American Cinematheque Tribute’ and ‘Sunday Print Edition’

Alexandre Koberidze Presents THE DAY HE ARRIVES

### **ABOUT THE FILM:**

His new assignment seems routine: protecting a star witness for an important trial. But before the night is out, the witness lies dying and cool, and no-nonsense Detective Frank Bullitt (Steve McQueen) won’t rest until the shooters and the kingpin pulling their strings are nailed. From opening shot to closing shoot-out, BULLITT crackles with authenticity: San Francisco locations, crisp dialogue and to-the-letter police, hospital and morgue procedures. An Oscar winner for Best Film Editing, this razor-edged 1968 thriller features one of cinema history’s most memorable car chases. Buckle up and brace for unbeatable action.

FORMAT: DCP

DISTRIBUTOR: Warner Bros.

COUNTRY: USA

Program begins with a live recording of the Greg Proops Film Club podcast. Feature starts at 4:30pm ‘The Greg Proops Film Club’

The Greg Proops Film Club Presents BULLITT

Suzuki's mesmeric, elegiac, and lyrical meditation on art, longing, and the restless currents of desire!

Seijun Suzuki's TAISHŌ TRILOGY:  YUMEJI (1991)

**Screenwriters**: Roald Dahl, Ken Hughes from the novel by Ian Fleming

**Producer**: Albert R. Broccoli

We&#8217;re soaring away in a flying car, and we saved you and your little ones the shotgun seat! The always magical Dick Van Dyke stars as a pie-in-the-sky inventor in this delightful musical romp. When he finally invents something useful &#8211; a flying car &#8211; he&#8217;s got to contend with an evil dictator who wants to steal the car for his own nefarious needs. Now his two kids and a lovely young woman are setting off for vehicular adventures in the sky! With a script from beloved children&#8217;s author Roald Dahl based on a book from *James Bond*&#8216;s Ian Fleming, and featuring lively songs, incredible set pieces, and a nostalgic joy throughout &#8211; this is one high-flying musical adventure that still bangs!

The screening will feature a 15 minute intermission.

**Picks from the Video Store**

We&#8217;ve got more great Roald Dahl classics to share with your littles on physical media tonight!

*The BFG, Matilda, Willy Wonka and the Chocolate Factory*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Chitty Chitty Bang Bang

**Writer + Producer**: Rainer Werner Fassbinder

A beautifully human film from German master Rainer Werner Fassbinder, *Ali: Fear Eats the Soul* explores loneliness, prejudice, and human connection through the unlikely romance between an elderly cleaning woman and a younger Moroccan immigrant. Inspired by Douglas Sirk&#8217;s *All That Heaven Allows*, Fassbinder expertly wields the emotional power of classic Hollywood melodrama to expose the racial tensions underlying contemporary German culture. Profound, funny, and rapturously human, now is your chance to watch this masterpiece of world cinema on the big screen in glorious celluloid!

**Picks from the Video Store**

Our Fassbinder director&#8217;s section is stocked with dozens of his extraordinary films!

*Fox and his Friends, The Bitter Tears of Petra von Kant, In a Year with 13 Moons*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Ali: Fear Eats the Soul on 35mm

**Screenwriter**: Mary Agnes Donoghue

**Producers**: Margaret South,  Bette Midler,  Bonnie Bruckheimer

Break out the tissues, we&#8217;re heading for a storm of feelings with Garry Marshall&#8217;s beloved tale of friendship, music, and heartache starring The Divine Miss M herself! A tearjerker about the bonds of friendship throughout life&#8217;s ups and downs, no one is leaving this theater with dry eyes. The kind of movie that critics dismissed as schmaltz while nearly 40 years of audiences beg to differ, this is cinematic comfort food at its best! Bring your lifelong bestie and let them know they&#8217;re *the wind beneath your wings*!

**Picks from the Video Store**

You know you want more Midler! Take home these gems (and more) tonight!

*Big Business, Ruthless People, Outrageous Fortune*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Beaches

### **ABOUT THE FILM:**

In this cult classic, sweethearts Brad (Barry Bostwick) and Janet (Susan Sarandon), stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter (Tim Curry), a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker (Meat Loaf) and a creepy butler (Richard O’Brien). Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.”

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: UK/USA

Cinematic Void Presents THE ROCKY HORROR PICTURE SHOW

### **ABOUT THE EPISODES:**

**Season 2, Episode 4, “Laura’s Secret Diary,” Dir. Todd Holland, 46 Mins**

Agent Cooper gets a strange request to save a life.

FORMAT: DCP

**Season 2, Episode 5, “The Orchids Curse,” Dir. Graeme Clifford, 47 Mins**

Agent Cooper and Truman lead a raid on One-Eyed Jacks.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Laura’s Secret Diary” and “The Orchids Curse” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 4 & 5

Last Tango in Paris

**Screenwriters**: Dudley Nichols, Hagar Wilde

**Producer**: Howard Hawks

One of the most hilarious films of all time, this classic screwball comedy from Howard Hawks starring screen icons Katharine Hepburn and Cary Grant will leave you growling for more! David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby. Leave your wildcats at home, but run to the theater to laugh your tail off!

**Movie Den** is a community initiative presented by Vidiots Foundation.

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

Bringing Up Baby

### **ABOUT THE EPISODES:**

**Season 2, Episode 6, “Demons,” Dir. Lesli Linka Glatter, 47 Mins**

Donna tries to convince Truman that Harold Smith has Laura’s secret diary.

FORMAT: DCP

**Season 2, Episode 7, “Lonely Souls,” Dir. David Lynch, 47 Mins**

Cooper and the One-Armed Man inspect guests at the Great Northern.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Demons” and “Lonely Souls” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 6 & 7

**Screenwriter**: Sean Wang

**Producers**: Carlos López Estrada,  Josh Peters,  Valerie Bush,  Sean Wang

On the cusp of high school, Chris Wang, a.k.a Wang Wang, is spending an aimless summer in his quiet Northern California hometown of Fremont. His mom, Chungsing, is the only person who sees and loves Dìdi (the affectionate term in Mandarin meaning “little brother”) for who he really is. Chris can’t stand it when she looks at him with the loving gaze of an immigrant mother whose greatest pride and most animated dreams rest in her child. He’s too busy watching skate videos on YouTube and scouring the Myspace page of his crush, Madi. When Chris, wielding the power of a well-deployed Paramore t-shirt and A Walk to Remember reference, finds a way to get close to Madi, he suddenly seems to be figuring things out.

But Dìdi (弟弟) isn’t the story of a teenage boy getting the girl. In Sean Wang’s telling, Chris doesn’t exactly come of age as much as trip and stumble his way through an endless teenage summer — and perhaps find a way to log off AIM and see his mother for the first time.

**Movie Den** is a community initiative presented by Vidiots Foundation.****

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

Dìdi (弟弟)

**Screenwriters**: Ted Allan,  John Cassavetes

**Producers**: Yoram Globus,  Menahem Golan

The electric filmmaking genius John Cassavetes and his brilliant wife and collaborator Gena Rowlands give luminous, fragile performances as two closely bound, emotionally wounded souls who reunite after years apart. Exhilarating and risky, mixing sober realism with surreal flourishes, *Love Streams* is a remarkable film that comes at the viewer in a torrent of beautiful, erratic feeling. This inquiry into the nature of love in all its forms was Cassavetes’s last truly personal work.

**Picks from the Video Store**

Bring home more Gena Rowlands treasures tonight on DVD and Blu-ray!

*The Neon Bible, Columbo: Playback (S4 D3), Hysterical Blindness*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Love Streams

**Screenwriters**: Jymn Magon, Chris Matheson, Brian Pimental

**Producer**: Dan Rounds

Head out on a road trip of goofing proportions in this very 90s animated dad joke! An endearing modern-day story about how the lovable Goof bonds with his teenage son Max on a hilarious cross-country road trip. En route to the ol&#8217; fishing hole, they find themselves up to their floppy ears in misadventure! A movie for the goofball in all of us!

**Movie Den** is a community initiative presented by Vidiots Foundation.

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

A Goofy Movie

**Screenwriter:** Ingmar Bergman

**Producer:** Allan Ekelund

Ingmar Bergman&#8217;s iconic and sublime parable of humanity&#8217;s search to cheat the inevitability of death. When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives. Stunning, philosophical, and groundbreaking, this existential essential requires big-screen viewing!

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

The Seventh Seal

**Screenwriter**: Paul Attanasio from the memoirs of Dick Goodwin

**Producers**: Robert Redford,  Michael Jacobs,  Julian Krainin,  Michael Nozik

Go behind the scandal that rocked television and the world with Robert Redford&#8217;s true-life story of the scam of the mid-century! John Turturro is magnificent as Queens-born Herbie Stempel becomes an unlikely hero after winning on America&#8217;s beloved game show, &#8220;Twenty One.&#8221; When the network decides to bring in a more telegenic contestant, the WASP-ish Charles Van Doren (Ralph Fiennes), Stempel decides to take the show down with him, announcing that the game is rigged. Now the show has got to answer for its misdeeds and a congressional investigator is brought it to discover the truth behind America&#8217;s favorite game. Engrossing from start to finish, with incredible performances from Turturro and Fienes, this Oscar-nominated winner is the real deal &#8211; no lie!

**Remembering Robert Redford**

Robert Redford&#8217;s legacy is not only in the films he made, but in the way he lived &#8211; committed to the power of human and earthly connection, to truth, storytelling, and showing us that championing artists and sharing stories is pivotal to a healthy, open society.  Off screen, he championed the environment, independent voices, and the radical idea that stories can change the world. All who love and make movies are forever indebted to Redford and the path he forged. We&#8217;ll remain ever mindful of his constant message that storytelling is activism and that movies are a powerful force for hope.

**Picks from the Video Store**

Need more Robert Redford? We’ve got tons, including these gems!

*The Electric Horseman, Downhill Racer, A Bridge Too Far*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Quiz Show

Like a pod of dolphins leaping harmoniously through the waves, the SoCal tour of ***JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE*** arrives April 2–5 through a collaboration between **Oscilloscope**, **Brain Dead Studios**, **7th House**, **Philosophical Research Society, **and **Ojai Playhouse****.**

Directed by **Michael Almereyda** and **Courtney Stephens**, this new documentary explores the life and work of the daring experimenter Dr. John C. Lilly, a scientist who dedicated his life to radical self-investigation and unlocking the mysteries of consciousness and communication. Lilly’s motto, “My body is my laboratory,” guided his pioneering and controversial research into the intelligence and language of dolphins and whales, as well as his explorations of psychedelics and sensory deprivation.

Alongside the documentary, 7th House and Brain Dead present two films shaped by his work: Mike Nichols’s DAY OF THE DOLPHIN (Saturday, 4/4 at Brain Dead Studios) and Ken Russell’s ALTERED STATES (Sunday, 4/5 at The Philosophical Research Society). Together, these films chart the strange and fascinating cultural wake of Lilly’s quest to understand the mind, the ocean, and the hidden systems that might connect them both.

John Lilly and the Earth Coincidence Control Office

501(c)3 arts organization in DTLA dedicated to experimental video, sound & performance art.

Thursday, April 2nd starting at 7PM, come out to Film & Fabric: Volume 8, the latest installment of the Short Film Screening Series hosted by Julian Vargas, now held at Coaxial Arts. This month we've got a thrilling/experimental/absurd lineup of films made by some of the most compelling Filmmakers in town. Our lineup features Films by: Guadalupe Arellanes, Jack Schurman, Finn Disharoon, Ian Riedel & Eamonn Wilcox, Sam Mandich, Julian Vargas, and a very special MYSTERY FILMMAKER.

Film&Fabric: Come for the movies, stay for the interstitial clips, leave with new friends.

@filmandfabric @jjjjjuliann

Sam Mandich (@sammymandich)
Guadalupe Arellanes (@gwadalinaaa)
Jack Schurman (@jackschurman)
Ian Riedel (@ianriedel_)
Eamonn Wilcox (@_unknownballers)
Finn Disharoon (@finn_dish)
Ryan Luis Fuller (@gh0sttaste)

Film & Fabric: Volume 8

Coaxial

### **ABOUT THE FILM:**

*In French with English subtitles.*

Rohmer, best known as the doyen of French naturalism, veered about as far as you could get from his signature style with this adaptation of Chrétien de Troyes’ 12th-century Arthurian romance *Perceval, the Story of the Grail*, in which Fabrice Luchini’s Perceval crosses a deliberately artificial landscape of cardboard castles and fiberglass rivers, all built in the Epinay Studios near Paris, in search of the Cup of Christ, his journey periodically described by a singing chorus.

FORMAT: DCP

DISTRIBUTOR: Les Films du Losange

COUNTRY: France/Italy/West Germany

PERCEVAL LE GALLOIS

**Screenwriters**: Katie Silberman,  Emily Halpern,  Sarah Haskins,  Susanna Fogel

**Producers**: Megan Ellison,  Jessica Elbaum,  Katie Silberman,  Chelsea Barnard, David Distenfeld

Academic overachievers Amy and Molly thought keeping their noses to the grindstone gave them a leg up on their high school peers. But on the eve of graduation, the best friends suddenly realize that they may have missed out on the special moments of their teenage years. Determined to make up for lost time, the girls decide to cram four years of not-to-be missed fun into one night &#8212; a chaotic adventure that no amount of book smarts could prepare them for.

Booksmart

**Screenwriters**: Spike Jonze, Dave Eggers

**Producers**: Tom Hanks, Gary Goetzman, Maurice Sendak, John B. Carls, Vincent Landay

Let your imagination run away with this innovative and breathtaking adaptation of the beloved Maurice Sendak book from the visionary mind of Spike Jonze. Max is a chaotic little boy in a wold suit, a 9-year-old destructive force acting out for his loneliness and familial strife. After an argument, he boards a boat and sails to an island of enormous talking beasts. Convincing them he has magical powers, Max becomes their king and they set out together to play rumpus, build forts, and discover secret hideaways. It&#8217;s a beautiful and artistic rendition of the power of the childhood imagination.

**Picks from the Video Store**

Looking for deep cut Spike Jonze? We&#8217;ve got that AND all the hits!

*Yeah Right!, Tell Them Anything You Want, Work of Director Spike Jonze*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Where the Wild Things Are

**Producers**: Mel Stuart, Larry Shaw

Remembering the life and legacy of **Reverend Jesse Jackson**.

One of the most electrifying music documentaries ever, the eternally funky *Wattstax* is part concert-film and part powerful document of the historic Watts neighborhood of 50 years ago. Known as &#8220;The Black Woodstock&#8221; Wattstax was held at the Los Angeles Memorial Coliseum to commemorate the seven-year anniversary of the Watts riots. Organized by legendary Stax Records, this monumental concert includes performances from soul superstars Isaac Hayes, The Staples Sisters, Carla and Rufus Thomas, The Bar-Kays and more, with speeches from Jesse Jackson and Melvin Van Peebles, and a comedy set from Richard Pryor. So join us as we get funk-adelic and blast this groovy classic on our killer speakers!

**Picks from the Video Store**

Need more Soul and Funk performances to take home?

*Don&#8217;t Forget the Motor City, Back to Stax, Marvin Gaye: The Real Thing*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Wattstax

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Entrenched in the devastating reality of postwar Japan, Naruse’s masterpiece adapts Fumiko Hayashi’s final completed novel to trace the lives of two repatriated lovers reunited in the ruins of a defeated nation. The wartime affair of Tomioka, a married Forestry Ministry officer (Masayuki Mori) and typist Yukiko (Hideko Takamine) continues in the postwar rubble, but their bleak existence pales against the faraway romance that took place in French Indochina. Reluctant to leave his wife, the lecherous Tomioka comes and goes at his leisure to visit Yukiko, who clings to him desperately, propping up the vestiges of their long-lost passion over the course of years. Takamine’s heartbreaking performance is perhaps her finest hour, a role of sheer emotional magnitude that bears an agonizing love, drawn from the fading memory of what once was.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

FLOATING CLOUDS

In the most commercially successful Black comedy feature of its era, Eddie Murphy stands at the center of the Black Pack as Prince Akeem, heir to the throne of Zamunda, who leaves royal luxury for Queens, New York, in search of love on his own terms.

Robert Townsend’s audacious directorial debut remains a razor-sharp satire of Hollywood’s degrading and limited roles for Black actors. Townsend stars as Bobby Taylor, an aspiring actor pressured to erase himself to fit an “Eddie Murphy type” while auditioning for an outlandish Blaxploitation knockoff. A foundational text of the Black Pack collective, the independently produced film insists on comedy as social critique — using satire not as escapism, but as a strategy to expose industry gatekeeping, reclaim authorship and speak truth to power.—*guest programmer Artel Great*

Director: Robert Townsend. Screenwriters: Keenen Ivory Wayans, Robert Townsend. With: Robert Townsend, Anne-Marie Johnson, Helen Martin.

Comedy as Resistance: Hollywood Shuffle

**Screenwriters**: Stanley Kubrick, Terry Southern, Peter George

**Producer**: Stanley Kubrick

Vidiots invites you to go off the rails with Stanley Kubrick&#8217;s unhinged dark comedy triumph. With a pitch-black satirical humor, and three phenomenal performances from the legendary Peter Sellers, *Dr. Strangelove* is often considered one of the best films ever made. After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike. Frenetic, chillingly hilarious, and perenially apropos to any epoch, it&#8217;s time to revel in this fascinating masterpiece all over again!

**Movie Den** is a community initiative presented by Vidiots Foundation.

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

**Screenwriters**: Melvyn Bragg, Norman Jewison, Tim Rice

**Producers**: Norman Jewison, Robert Stigwood

*What&#8217;s the buzz, tell me what&#8217;s a happenin&#8217;! *You know you can&#8217;t resist the most divine of Rock Operas from the pen of Andrew Lloyd Webber and Tim Rice and the direction of dearly departed Norman Jewison. Follow Jesus and his disciples in his last days as a theater troupe acts out (and sings) the final days of the Christian savior, from meetings with Pontius Pilate, to the Last Supper, and beyond. The biblical musical spectacle that lives forever!

**Picks from the Video Store**

Love a Rock Opera? Try out these off-the-wall options!

*Phantom of the Paradise, The Apple, Shock Treatment, Listzomania*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Jesus Christ Superstar

**Screenwriters**: Tsui Hark, Koan Hui

**Producer**: Tsui Hark

Adopted by a renowned swordsmith, a young man discovers that his biological father was killed by a powerful bandit called Lung. Leaving to seek revenge, he runs afoul of vicious desert scum, losing his right arm in the process. After being nursed back to health, he learns to compensate for his loss and returns to confront Lung.

The Blade

In celebration of their collaborative, two-venue run of Michael Almereyda and Courtney Stephens’ JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE, 7th House and Brain Dead are thrilled to co-present Mike Nichols’s THE DAY OF THE DOLPHIN (1973).&#8221;

*DAY OF THE DOLPHIN* imagines a world where the boundary between human and animal intelligence begins to dissolve. When a team of researchers successfully teaches dolphins to communicate in English, their breakthrough attracts the attention of powerful forces eager to weaponize the discovery.

The film draws direct inspiration from the pioneering work of Dr. John C. Lilly, whose real-life research into dolphin intelligence and communication captivated both the scientific community and the public imagination in the 1960s and ’70s. Lilly believed that dolphins possessed complex language and consciousness, and his experiments attempted to bridge the gap between species.

Released at the height of that cultural fascination, *DAY OF THE DOLPHIN* transforms Lilly’s radical ideas into a tense political thriller about the ethics of science, the limits of communication, and what might happen if we finally succeeded in speaking with another intelligent species. Presented alongside *JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE*, the film offers a fascinating glimpse into how Lilly’s extraordinary research rippled into popular culture.

The Day of the Dolphin

Robert Townsend pens a soulful love letter to Black popular music in this film loosely inspired by Motown-era vocal groups. It follows a fictional quintet from 1960s chart success through industry exploitation, infighting and addiction.

Here Eddie Murphy stands at the center of the Black Pack as Prince Akeem, heir to the throne of Zamunda, who leaves royal luxury for Queens, New York, in search of love on his own terms. The most commercially successful Black comedy feature of its era, this blockbuster is also a case study in power and authorship, as Murphy gives a tour de force performance of multiple characters and earns a “story by” credit. Ultimately, the film shows how box office clout enabled Black cultural specificity while embedding sharp critiques of race, class and respectability within mainstream studio comedy.—*guest programmer Artel Great*

Director: John Landis. Screenwriter: David Sheffield, Barry W. Blaustein. With: Eddie Murphy, Arsenio Hall, James Earl Jones.

The Cultural Politics of Eddie Murphy: Coming to America

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

A child is killed in a hit and run. The mother plots her revenge by posing as a maid in the house of the murderer.

FORMAT: 35mm

DISTRIBUTOR: Toho

COUNTRY: Japan

MOMENT OF TERROR

### **ABOUT THE FILM:**

Henry Hackett (Michael Keaton) is an editor at the New York Sun, a tabloid paper facing financial cuts. His pregnant wife, Martha (Marisa Tomei), pleads with him to get a more respectable job so he can spend more time with his family. Hackett is considering an offer from another paper, with fewer hours and higher pay, when he gets his hottest story in years. When this scoop leads to a burst of violence and a conflict with his new boss, Alicia (Glenn Close), he faces a startling moment of truth. Also starring Robert Duvall, Spalding Gray and Catherine O’Hara.

FORMAT: DCP

DISTRIBUTOR: Universal Pictures

COUNTRY: USA

‘Starring Robert Duvall’ and ‘Starring Catherine O’Hara’

THE PAPER

### **ABOUT THE EVENT:**

Join us to celebrate the PROOF 2025 Award Winners in a showcase of their work. PROOF is a short film festival in Los Angeles dedicated to showcasing the best in proof-of-concepts. Providing a highly competitive and unique festival experience, as well as opening the door for fruitful future filmmaking opportunities, PROOF is a one-stop-shop for the newest emerging talent.

### **ABOUT THE FILMS:**

**“Thirstygirl,” Dir. Alex Qin, 10 Mins, USA **

*Grand Jury Award Winner!  *

Charlie and Nic are headed somewhere. We’re not sure where. All we know is Charlie can’t stop sending nudes and watching porn on her phone. As the sisters go along their journey, Charlie’s need for sex intensifies and she resorts to more and more depraved behaviors to get her fix. THIRSTYGIRL is an intimate film about sisterhood and addiction, following two Asian-American women traveling across the American South.

**“We Used to Take the Long Way Home,” Dir. An Nguyen, 14 Mins, Vietnam/USA **

*Gold Award Winner!  *

A young Mormon missionary at the start of his two years of service is shown the ropes by his well-meaning trainer, who comes to terms with his own failures.

FORMAT: DCP

**“Inner Demons,” Dir. Jasmine J. Johnson, 11 Mins,  **

*Silver Award Winner!  *

Mya’s world takes a harrowing twist when pills meant to alleviate depression unwittingly unleash a nightmarish entity that embodies her inner turmoil. Mya finds herself entangled in a relentless battle against her own psyche, fighting not just for her mental well-being but her very survival.

FORMAT: DCP

**“LOVE192,” Dir. Haydon Mayer, 20 Mins, USA**

*Bronze Award Winner! *

As an abandoned online roleplaying game nears its final days, Tyler and Jude, once inseparable, reconnect amongst a fading digital landscapes. Moving between liminal in-game space and distant memories, the two teens navigate unspoken feelings and shared history. With the clock ticking on the server, and their adolescence, the two hatch a cross-country plan to meet in person, confronting the schism between who they were online and who they are becoming.

FORMAT: DCP

**“Make Me a Pizza,” Dir. Talia Shea Levin, 12 Mins, USA**

*Kodak Excellence in Analog Film Award Winner; Jury Special Mention!*

BORED HOUSEWIFE seduces HOT PIZZA GUY for free pizza, but is desire worth $29.99?

FORMAT: DCP

**“My Kind of People,” Dir. Joe Picozzi, 14 Mins, USA **

*Audience Choice Award Winner!  *

After a DNA test uncovers his father’s adoption, a proud paesano from Providence, Rhode Island grapples with the revelation that he’s not actually Italian American, and never has been. With the foundation of his identity destroyed, and his familial bonds broken, he begins to spiral.

FORMAT: DCP

Q&A with filmmakers following the screening Join us to celebrate the PROOF 2025 Award Winners in a showcase of their work!

Monday, 3/16

Los Feliz Theatre

Cinematic Void Presents THE APPLE

7:00 PM

⭐

A BODY TO LIVE IN

10:00 PM

⭐

New Beverly Cinema

Venus in Furs

Succubus

7:30 PM

⭐

Vidiots

Didn’t Die

7:00 PM

⭐

After Hours

7:30 PM

⭐

Vista Theatre

Porgy and Bess

7:00 PM

⭐

Monday, 3/16