### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Entrenched in the devastating reality of postwar Japan, Naruse’s masterpiece adapts Fumiko Hayashi’s final completed novel to trace the lives of two repatriated lovers reunited in the ruins of a defeated nation. The wartime affair of Tomioka, a married Forestry Ministry officer (Masayuki Mori) and typist Yukiko (Hideko Takamine) continues in the postwar rubble, but their bleak existence pales against the faraway romance that took place in French Indochina. Reluctant to leave his wife, the lecherous Tomioka comes and goes at his leisure to visit Yukiko, who clings to him desperately, propping up the vestiges of their long-lost passion over the course of years. Takamine’s heartbreaking performance is perhaps her finest hour, a role of sheer emotional magnitude that bears an agonizing love, drawn from the fading memory of what once was.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

FLOATING CLOUDS

Aero Theatre

*Paul Thomas Anderson, USA, 2012, 35mm, 137 min. *

A film in constant motion like the waves Freddie Quell (Joaquin Phoenix) used to drift upon as a sailor before his discharge, THE MASTER dives into Quell’s conflicted relationship with Lancaster Dodd (Philip Seymour Hoffman), a larger-than-life cult leader in search of spiritual enlightenment in the face of trauma in post-war America. Dueling virtuoso performances from Phoenix and Hoffman lend an air of the monumental to this riveting, and often confounding, if not perplexing live-wire act from Paul Thomas Anderson, who freeforms an inspired tale of power and submission and religiosity from such varied influences as the life of Scientology founder L. Ron Hubbard, Thomas Pynchon, and John Steinbeck.

The Master

Jeffrey &#8216;The Dude&#8217; Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.

The Big Lebowski

Brain Dead Studios

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Trio

7:00pm | Live musical performance by singer Laura Ellis

7:05pm | Introduction by Eddie Muller and Alan K. Rode

7:15pm | **BLACK ANGEL**

8:36pm | Intermission

8:46pm | Introduction by Eddie Muller and Nick Rossi

8:56pm | **BLUES IN THE NIGHT**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**BLACK ANGEL, 1946, Dir. Roy William Neill, 81 Mins, Universal Pictures, USA**

Originally released August 2, 1946

Kirk Bennett is sentenced to die for the murder of gorgeous actress Mavis Marlowe (Constance Dowling), but his wife (June Vincent) won’t give up trying to prove his innocence. She desperately enlists the aid of Marty Blair (Dan Duryea), a pickled pianist on the skids who happens to be the victim’s husband! The amateur sleuths go undercover as a performing duo, tracing clues to a ritzy Sunset Strip nightclub run by shady operator Marko (Peter Lorre). Bringing extra heat is Broderick Crawford as a dogged LAPD police captain. As usual in Woolrich stories, things aren’t what they seem—leading to one of the writer’s most memorable and unexpected climaxes. Known for his smarmy, villainous turns in many films of the period, here Duryea had his first role as a leading man in one of the era’s best adaptations of a novel by Cornell Woolrich, the undisputed master of noir fiction. Featuring fantastic art direction by Martin Obzina and inventive camerawork by Paul Ivano.

FORMAT: 35mm

**BLUES IN THE NIGHT, 1941, Dir. Anatole Litvak, 92 Mins, Park Circus, USA**

Originally released November 15, 1941

The first noir film to delve into the jazz world, BLUES IN THE NIGHT details the rise and inevitable fall of a St. Louis band. They land their big break when they get booked at a New Jersey nightclub, but the band’s leader, played by Richard Whorf, falls under the spell of the club’s *femme fatale* owner. It doesn’t take long for the other members to sour, setting off a chain reaction of jealousy, betrayal, and, eventually, murder. The supporting cast is superb, made up of familiar noir faces like Jack Carson, Howard Da Silva and Lloyd Nolan, while the screenplay by Robert Rossen makes good on the lyrics of the tragic, Oscar-nominated title song. Future director Elia Kazan has his biggest movie role as the band’s clarinetist.

FORMAT: 35mm

Live musical performance by singer Laura Ellis and the Nick Rossi Trio Introductions by Eddie Muller, Alan K. Rode and Nick Rossi ‘NOIR CITY: Hollywood 2026’

BLACK ANGEL / BLUES IN THE NIGHT

Egyptian Theatre

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

The true story of the sacred heart, told by Father Arturo Cornejo.

BENDITO CORAZON (2026)(NR) Fri 4/3: 5pm Sat 4/4: 3pm 5pm Sun 4/5: 1pm Mon

A shy teenage girl sheltered by her domineering, religious mother, unleashes her telekinetic powers after a humiliating senior prom moment.

@seeiton16mm Presents CARRIE (1976)(R)(Fri 4/3) 10:00pm

Gardena Cinema

In the most commercially successful Black comedy feature of its era, Eddie Murphy stands at the center of the Black Pack as Prince Akeem, heir to the throne of Zamunda, who leaves royal luxury for Queens, New York, in search of love on his own terms.

Robert Townsend’s audacious directorial debut remains a razor-sharp satire of Hollywood’s degrading and limited roles for Black actors. Townsend stars as Bobby Taylor, an aspiring actor pressured to erase himself to fit an “Eddie Murphy type” while auditioning for an outlandish Blaxploitation knockoff. A foundational text of the Black Pack collective, the independently produced film insists on comedy as social critique — using satire not as escapism, but as a strategy to expose industry gatekeeping, reclaim authorship and speak truth to power.—*guest programmer Artel Great*

Director: Robert Townsend. Screenwriters: Keenen Ivory Wayans, Robert Townsend. With: Robert Townsend, Anne-Marie Johnson, Helen Martin.

Comedy as Resistance: Hollywood Shuffle

Hammer Museum

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!

**Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Writing Gets Lonely: Open Writing Studio (4/3)

Heavy Manners Library

### **ABOUT THE EPISODES:**

**Season 2, Episode 6, “Demons,” Dir. Lesli Linka Glatter, 47 Mins**

Donna tries to convince Truman that Harold Smith has Laura’s secret diary.

FORMAT: DCP

**Season 2, Episode 7, “Lonely Souls,” Dir. David Lynch, 47 Mins**

Cooper and the One-Armed Man inspect guests at the Great Northern.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Demons” and “Lonely Souls” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 6 & 7

Los Feliz Theatre

Kill Bill: The Whole Bloody Affair

Reservoir Dogs

New Beverly Cinema

Michael Almereyda & Courtney Stephens' fascinating experimental doc about the psychonautic scientist who tried to communicate with dolphins

JOHN LILLY & THE EARTH COINCIDENCE CONTROL OFFICE (2025)

Philosophical Research Society

**Screenwriters**: Stanley Kubrick, Terry Southern, Peter George

**Producer**: Stanley Kubrick

Vidiots invites you to go off the rails with Stanley Kubrick&#8217;s unhinged dark comedy triumph. With a pitch-black satirical humor, and three phenomenal performances from the legendary Peter Sellers, *Dr. Strangelove* is often considered one of the best films ever made. After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike. Frenetic, chillingly hilarious, and perenially apropos to any epoch, it&#8217;s time to revel in this fascinating masterpiece all over again!

**Movie Den** is a community initiative presented by Vidiots Foundation.

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

**Screenwriter**: David Lynch

**Producer**: Fred C. Caruso

David Lynch&#8217;s seductive suburban masterpiece still sizzles with surreal menace.  Kyle MacLachlan is Jeffrey &#8211; your everyday college boy back home for a summer with the folks in an idyllic enclave of upper middle-class America. A gruesome discovery in a field leads him into a nightmare world right behind the white picket fences. With signature Lynchian style and phenomenal performances from Dennis Hopper, Isabella Rossellini, and Laura Dern, it’s the kind of nightmare you won’t want to wake up from.

**Picks from the Video Store**

Check out our David Lynch director&#8217;s section for all of the maestro&#8217;s masterpieces including:

*Lost Highway, Wild at Heart, Eraserhead*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Blue Velvet

**Screenwriters**: Ugo Bienvenu,  Félix de Givry

**Producers**: Félix de Givry,  Sophie Mas,  Natalie Portman,  Ugo Bienvenu

A magical and beautifully animated journey through time, *Arco* is a dazzling adventure about a 10-year-old boy from a peaceful, distant future who accidentally travels back to the year 2075 and discovers a world in peril. As Arco develops a charming and touching friendship with a young girl named Iris, they band together and along with her trusted robot caretaker Mikki, set out on a quest to get Arco home, while the two children may also be the only ones who can save our planet.  A wondrous odyssey filled with hope and optimism for our future, *Arco* is an enchanting fable from breakout filmmaker Ugo Bienvenu, produced by Remembers’ Bienvenu and Felix de Givry, and mountainA’s Natalie Portman and Sophie Mas. The film debuted at the 2025 Cannes Film Festival and won The Cristal Award for Best Feature Film at the 2025 Annecy Awards.

Arco (English Dubbed)

**Screenwriters**: Melvyn Bragg, Norman Jewison, Tim Rice

**Producers**: Norman Jewison, Robert Stigwood

*What&#8217;s the buzz, tell me what&#8217;s a happenin&#8217;! *You know you can&#8217;t resist the most divine of Rock Operas from the pen of Andrew Lloyd Webber and Tim Rice and the direction of dearly departed Norman Jewison. Follow Jesus and his disciples in his last days as a theater troupe acts out (and sings) the final days of the Christian savior, from meetings with Pontius Pilate, to the Last Supper, and beyond. The biblical musical spectacle that lives forever!

**Picks from the Video Store**

Love a Rock Opera? Try out these off-the-wall options!

*Phantom of the Paradise, The Apple, Shock Treatment, Listzomania*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Jesus Christ Superstar

**Screenwriter**: Georgi M. Unkovski

**Producers**: Ivan Unkovski,  Ivana Shekutkoska,  Katarina Prpic

Join us in the microcinema for Georgi M. Unkovski&#8217;s delightful coming-of-age triumph for the pink sheep in every family! 15-year-old Ahmet, from a remote Yuruk village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love — a girl already promised to someone else. Winner of both an audience and jury award at Sundance, this international charmer (that features an actual pink sheep!) has a rhythm all its own.

DJ Ahmet

**Screenwriters**: Tsui Hark, Koan Hui

**Producer**: Tsui Hark

Brace yourself for the high-intensity fury of *The Blade*, a martial-arts spectacular with fast fighting moves and even faster editing (no really, these are some extremely frenetic action sequences). Hong Kong maestro Tsui Hark (*Peking Opera Blues*, The *Once Upon a Time in China* series) delivers his own brilliant take on the classic trope of the one-armed swordsman in this thrilling tale of revenge: a blacksmith’s apprentice (Vincent Zhao) sets out to defeat the villain who murdered his father, and when his quest causes him to get an arm chopped off, he adapts by training in a new fighting style full of spinning sword strikes. Hailed by Quentin Tarantino as one of the coolest movies ever made, *The Blade* is a must-see action classic!

**Picks from the Video Store**

Want more Tsui Hark martial arts madness? Take home tons of great cinema tonight!

*Once Upon a Time in China 1-3, Vampire Hunters, The Master*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

The Blade

Vidiots

The Drama

Pride of the Blue Grass/Federal Fugitives

American Graffiti

Vista Theatre

In celebration of their collaborative, two-venue run of Michael Almereyda and Courtney Stephens’ JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE, 7th House and Brain Dead are thrilled to co-present Mike Nichols’s THE DAY OF THE DOLPHIN (1973).&#8221;

*DAY OF THE DOLPHIN* imagines a world where the boundary between human and animal intelligence begins to dissolve. When a team of researchers successfully teaches dolphins to communicate in English, their breakthrough attracts the attention of powerful forces eager to weaponize the discovery.

The film draws direct inspiration from the pioneering work of Dr. John C. Lilly, whose real-life research into dolphin intelligence and communication captivated both the scientific community and the public imagination in the 1960s and ’70s. Lilly believed that dolphins possessed complex language and consciousness, and his experiments attempted to bridge the gap between species.

Released at the height of that cultural fascination, *DAY OF THE DOLPHIN* transforms Lilly’s radical ideas into a tense political thriller about the ethics of science, the limits of communication, and what might happen if we finally succeeded in speaking with another intelligent species. Presented alongside *JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE*, the film offers a fascinating glimpse into how Lilly’s extraordinary research rippled into popular culture.

The Day of the Dolphin

Like a pod of dolphins leaping harmoniously through the waves, the SoCal tour of ***JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE*** arrives April 2–5 through a collaboration between **Oscilloscope**, **Brain Dead Studios**, **7th House**, **Philosophical Research Society, **and **Ojai Playhouse****.**

Directed by **Michael Almereyda** and **Courtney Stephens**, this new documentary explores the life and work of the daring experimenter Dr. John C. Lilly, a scientist who dedicated his life to radical self-investigation and unlocking the mysteries of consciousness and communication. Lilly’s motto, “My body is my laboratory,” guided his pioneering and controversial research into the intelligence and language of dolphins and whales, as well as his explorations of psychedelics and sensory deprivation.

Alongside the documentary, 7th House and Brain Dead present two films shaped by his work: Mike Nichols’s DAY OF THE DOLPHIN (Saturday, 4/4 at Brain Dead Studios) and Ken Russell’s ALTERED STATES (Sunday, 4/5 at The Philosophical Research Society). Together, these films chart the strange and fascinating cultural wake of Lilly’s quest to understand the mind, the ocean, and the hidden systems that might connect them both.

John Lilly and the Earth Coincidence Control Office

### **ABOUT THE EVENT:**

11:00am | Doors open & Live musical performance by pianist Chris Dawson. Book signing with Steven C. Smith for his new book, *Hitchcock & Herrmann: The Friendship & Film Scores That Changed Cinema*.

12:00pm | Introduction by Eddie Muller and author Steven C. Smith

12:10pm | **HANGOVER SQUARE**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released February 7th, 1945

In this Edwardian noir, George Sanders is a Scotland Yard psychologist and Laird Cregar (in his final role) is a distinguished composer who moonlights as a serial killer. Linda Darnell steals the show as a conniving singer with a grisly sendoff. Bernard Herrmann’s “Concerto Macabre,” centerpiece of the film’s climax, is one of the most thrilling works composed for the cinema.

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: USA

Live musical performance by pianist Chris Dawson Introduction by Eddie Muller and author Steven C. Smith Book signing with Steven C. Smith for his new book, Hitchcock & Herrmann: The Friendship & Film Scores That Changed Cinema, prior to the screening at 11:00am at the Egyptian Theatre, in partnership with the Larry Edmunds Bookshop. ‘NOIR CITY: Hollywood 2026’

HANGOVER SQUARE

### **ABOUT THE EVENT:**

3:00pm | Doors open & Live musical performance by pianist Chris Dawson

4:00pm | Introduction by Alan K. Rode

4:10pm | **ANATOMY OF A MURDER**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released July 1, 1959

One of the best courtroom movies ever made. James Stewart plays an Upper Peninsula of Michigan lawyer drawn out of retirement to represent an Army Lieutenant charged with murder. The Lieutenant admits to the crime despite having no memory of committing it, and Stewart’s character is given the unenviable task of mounting an “irresistible impulse” defense. The contrast between the scandal and the wholesome, small-town setting in which it’s discussed is perfectly realized by director Otto Preminger. The director constantly pushed the boundaries of what could be depicted onscreen, and ANATOMY OF A MURDER represents the platonic ideal in terms of blending entertainment with social commentary. Stewart earned a fifth and final Oscar nomination for his work here, but he’s given stiff competition from George C. Scott, Ben Gazzara and jazz luminary Duke Ellington, who also composed the score.

FORMAT: DCP

DISTRIBUTOR: Sony Pictures

COUNTRY: USA

Live musical performance by pianist Chris Dawson Introduction by Alan K. Rode ‘NOIR CITY: Hollywood 2026′

ANATOMY OF A MURDER

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Trio

7:00pm | Introduction by Eddie Muller and Nick Rossi

7:10pm | **THE YELLOW CANARY**

8:43pm | Q&A with actor Pat Boone. Moderated by Eddie Muller.

9:23pm | **THE CRIMSON CANARY**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**THE YELLOW CANARY, 1963, Dir. Buzz Kulik, 93 Mins, USA**

Originally released May 15, 1963

Wait a minute—where’d this come from? A late-cycle film noir with a script by Rod Serling, from a novel by Whit (TOUCH OF EVIL) Masterson? Starring *Pat Boone* as an egomaniacal pop crooner whose only child is kidnapped for a king’s ransom? With Barbara Eden as his wife? And Jack Klugman the investigating cop? With a wall-to-wall jazz-pop score by Kenyon Hopkins? And a supporting cast that’s a Who’s Who of sixties favorites: Steve Forrest, Jesse White, Harold Gould, Milton Seltzer, Jeff Corey, Joe Turkel . . . Be here at the Egyptian Theatre as the Film Noir Foundation resurrects this pop culture obscurity in a brand-new digital restoration —**with star Pat Boone in person!** One of the first features on the résumé of veteran TV-director Buzz Kulik (PLAYHOUSE 90, TWILIGHT ZONE, WARNING SHOT, BRIAN’S SONG).

FORMAT: DCP

**THE CRIMSON CANARY, 1945, Dir. John Hoffman, 64 Mins, Universal Pictures, USA**

Originally released November 9, 1945

THE CRIMSON CANARY boasts two things that make B-movies so much fun: a great premise and a short runtime. A trumpet player gets locked up after the lead singer of his band gets whacked. The trumpeter’s fiancée sets out to find the real killer with help from a jazz-loving detective. The film’s Black-led musical numbers have little to do with its plot, which made them easier to cut for Southern censors, but they make up several of the film’s best moments. Coleman Hawkins rips through spirited renditions of “Rifftide” and “Hollywood Stampede,” while blues/folk legend Josh White brings down the house with his signature tune “One Meatball.” Featuring a memorably nasty performance by Claudia Drake (DETOUR) as the murdered singer.

FORMAT: 35mm

Q&A with actor Pat Boone. Moderated by Eddie Muller. Live musical performance by the Nick Rossi Trio Introduction by Eddie Muller and Nick Rossi THE YELLOW CANARY World Premiere of New Digital Restoration by Film Noir Foundation and Cinema Preservation Alliance ‘NOIR CITY: Hollywood 2026’

THE YELLOW CANARY / THE CRIMSON CANARY

Robert Townsend pens a soulful love letter to Black popular music in this film loosely inspired by Motown-era vocal groups. It follows a fictional quintet from 1960s chart success through industry exploitation, infighting and addiction.

Here Eddie Murphy stands at the center of the Black Pack as Prince Akeem, heir to the throne of Zamunda, who leaves royal luxury for Queens, New York, in search of love on his own terms. The most commercially successful Black comedy feature of its era, this blockbuster is also a case study in power and authorship, as Murphy gives a tour de force performance of multiple characters and earns a “story by” credit. Ultimately, the film shows how box office clout enabled Black cultural specificity while embedding sharp critiques of race, class and respectability within mainstream studio comedy.—*guest programmer Artel Great*

Director: John Landis. Screenwriter: David Sheffield, Barry W. Blaustein. With: Eddie Murphy, Arsenio Hall, James Earl Jones.

The Cultural Politics of Eddie Murphy: Coming to America

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

A child is killed in a hit and run. The mother plots her revenge by posing as a maid in the house of the murderer.

FORMAT: 35mm

DISTRIBUTOR: Toho

COUNTRY: Japan

35mm print courtesy of National Film Archive of Japan Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

MOMENT OF TERROR

### **ABOUT THE FILM:**

Henry Hackett (Michael Keaton) is an editor at the New York Sun, a tabloid paper facing financial cuts. His pregnant wife, Martha (Marisa Tomei), pleads with him to get a more respectable job so he can spend more time with his family. Hackett is considering an offer from another paper, with fewer hours and higher pay, when he gets his hottest story in years. When this scoop leads to a burst of violence and a conflict with his new boss, Alicia (Glenn Close), he faces a startling moment of truth. Also starring Robert Duvall, Spalding Gray and Catherine O’Hara.

FORMAT: DCP

DISTRIBUTOR: Universal Pictures

COUNTRY: USA

‘Starring Robert Duvall’ and ‘Starring Catherine O’Hara’

THE PAPER

### **ABOUT THE EVENT:**

Join us to celebrate the PROOF 2025 Award Winners in a showcase of their work. PROOF is a short film festival in Los Angeles dedicated to showcasing the best in proof-of-concepts. Providing a highly competitive and unique festival experience, as well as opening the door for fruitful future filmmaking opportunities, PROOF is a one-stop-shop for the newest emerging talent.

### **ABOUT THE FILMS:**

**“Thirstygirl,” Dir. Alex Qin, 10 Mins, USA **

*Grand Jury Award Winner!  *

Charlie and Nic are headed somewhere. We’re not sure where. All we know is Charlie can’t stop sending nudes and watching porn on her phone. As the sisters go along their journey, Charlie’s need for sex intensifies and she resorts to more and more depraved behaviors to get her fix. THIRSTYGIRL is an intimate film about sisterhood and addiction, following two Asian-American women traveling across the American South.

**“We Used to Take the Long Way Home,” Dir. An Nguyen, 14 Mins, Vietnam/USA **

*Gold Award Winner!  *

A young Mormon missionary at the start of his two years of service is shown the ropes by his well-meaning trainer, who comes to terms with his own failures.

FORMAT: DCP

**“Inner Demons,” Dir. Jasmine J. Johnson, 11 Mins,  **

*Silver Award Winner!  *

Mya’s world takes a harrowing twist when pills meant to alleviate depression unwittingly unleash a nightmarish entity that embodies her inner turmoil. Mya finds herself entangled in a relentless battle against her own psyche, fighting not just for her mental well-being but her very survival.

FORMAT: DCP

**“LOVE192,” Dir. Haydon Mayer, 20 Mins, USA**

*Bronze Award Winner! *

As an abandoned online roleplaying game nears its final days, Tyler and Jude, once inseparable, reconnect amongst a fading digital landscapes. Moving between liminal in-game space and distant memories, the two teens navigate unspoken feelings and shared history. With the clock ticking on the server, and their adolescence, the two hatch a cross-country plan to meet in person, confronting the schism between who they were online and who they are becoming.

FORMAT: DCP

**“Make Me a Pizza,” Dir. Talia Shea Levin, 12 Mins, USA**

*Kodak Excellence in Analog Film Award Winner; Jury Special Mention!*

BORED HOUSEWIFE seduces HOT PIZZA GUY for free pizza, but is desire worth $29.99?

FORMAT: DCP

**“My Kind of People,” Dir. Joe Picozzi, 14 Mins, USA **

*Audience Choice Award Winner!  *

After a DNA test uncovers his father’s adoption, a proud paesano from Providence, Rhode Island grapples with the revelation that he’s not actually Italian American, and never has been. With the foundation of his identity destroyed, and his familial bonds broken, he begins to spiral.

FORMAT: DCP

Q&A with filmmakers following the screening Join us to celebrate the PROOF 2025 Award Winners in a showcase of their work!

PROOF 2025 Award Winners Showcase

Casablanca

Night of the Lepus

Artist Reception: April 11 at 6 PM [RSVP](https://www.redcat.org/form/opening-reception-harmony-26)

*Harmony Holiday: Spectacular Brooding *investigates the spectacles and secrets of black grief. Considering the tension between private ritual and public display within this tradition, the Los Angeles-based artist’s exhibition considers what she calls the “Black Backstage” as a zone of sacred privacy that makes the spectacularization of performance bearable. In contrast to commercial reproduction of music, dance, and film that distorts black artistry, Harmony positions the home and the studio as intimate spaces of black creative life. 

The exhibition divides the gallery into two spaces: the dance studio and the cutting room. In the studio, Holiday will rehearse live and record her preparatory process towards the performance of a solo dance, which marks a return to live dance performance for the first time in decades. Holiday’s choreography will consider iconic expressions of black grieving in choreography by Alvin Ailey, Judith Jamison, Bill T. Jones, Katherine Dunham, and Robert Battle, as well as gestures of black performance and everyday life in digital culture. A mourner’s bench will provide a place of solitude and public memorial, inviting people to listen to oral histories and to engage with Holiday’s own writing. In the cutting room, Holiday will screen an excerpt of a new film that considers these themes through a documentary of a living artist.

Spectacular Brooding

REDCAT

**Screenwriters**: Karey Kirkpatrick, Jonathan Roberts, Steve Bloom

**Producers**: Tim Burton, Denise Di Novi

From the same team that brought you *Nightmare Before Christmas* comes this imaginative mixture of dazzling and inventive stop-motion animation and live-action. This charming adaptation of Roald Dahl&#8217;s beloved children&#8217;s book follows the adventures of James (Paul Terry), a young British orphan. Forced to move in with his cruel aunts (Joanna Lumley, Miriam Margolyes), James finds a way out of his bleak existence when he accidentally conjures an enormous enchanted peach. After rolling into the sea inside the buoyant fruit, James, accompanied by a crew of friendly talking insects, sets sail for New York City.

**Picks from the Video Store**

Check out our Stop-Motion Animation section for a smorgasbord of delight!

*The Exquisite Short Films of Kihachiro Kawamoto, Gumby Essentials, Hamilton Mattress*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

James and the Giant Peach

**Screenwriter**: Hideaki Anno

**Producers**: Yoshihiro Satô,  Masaya Shibusawa,  Taichi Ueda,  Kazutoshi Wadakura

If your Saturday afternoon is missing something big &#8211; we&#8217;ve got the biggest baddest kaiju of them all and one of the most beloved entries into the atomic monster&#8217;s canon on our monster-sized screen! Something has surfaced in Tokyo Bay. As the Prime Minister of Japan pleads with the public to remain calm, a horrific creature of tremendous size makes landfall in the city, leaving death and destruction in its wake. Then it evolves. The government assembles a motley task force to combat the monster when an envoy from the US Department of State delivers a folder of classified documents. On its cover is written: “GODZILLA.”

From Director Hideaki Anno and Co-Director Shinji Higuchi, *Shin Godzilla* offers a thrilling origin story to one of cinema’s greatest creations. Propelled by astounding visual effects and rapid fire dialogue, *Shin Godzilla* is equal parts pulse-pounding action film and venomous political satire, worthy of the franchise’s towering history.

**Picks from the Video Store**

Love your monsters BIG? Check out some of these big baddies on Blu-Ray and DVD tonight!

*Q: The Winged Serpent, Godzilla vs. Mothra, Yokai Monsters: 100 Monsters*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Shin Godzilla

**Screenwriter**: J.F. Lawton

**Producers**: Nancy Gross,  Steven Reuther,  Arnon Milchan

*Big mistake! Huge!* If your Friday night could use a little unlikely romance, we&#8217;ve got the yuppie/sex-worker rom com that broke the mold and stole the hearts of America while catapulting Julia Roberts into the stratosphere! While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds. Whether you&#8217;re in it for the love story, the makeover, or the underdog triumph, there&#8217;s a lot to love about Garry Marshall&#8217;s blockbuster classic!

**Picks from the Video Store**

Looking for entertaining and humanistic portraits of sex workers?

*Love & Anarchy, Angel, Streetwalkin&#8217;*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Pretty Woman

**Screenwriters**: Alice Maio Mackay,  Benjamin Pahl Robinson

**Producers**: Alice Maio Mackay, Louise Weard

Vidiots is excited to welcome prolific young filmmaker **Alice Maio Mackay** and editor **Vera Drew** to the microcinema for a special screening of *The Serpent&#8217;s Skin* &#8211; the Gothic trans horror fantasy of your teen dreams!

Twentysomething Anna (Alexandra McVicker, *October Crow*) finally leaves her small, transphobic hometown for good and quickly begins dating goth tattoo artist Gen (Avalon Fast, *Castration Movie*) after the two discover they share supernatural powers. But before Anna can call up the U-Haul, Gen inadvertently summons a demon through the sick neck tattoo she gives sensitive guitarist Danny (Jordan Dulieu). As Danny — or whatever’s inside of him — begins feeding off their friends, it’s up to Anna and Gen to figure out how to use their powers to save everyone before it’s too late.

The sixth-and-latest feature by 21-year-old filmmaking force of nature Alice Maio Mackay (*Carnage for Christmas*),* The Serpent&#8217;s Skin* like a trans take on *The Craft* or the YA horror paperback you wished you had in high school. Returning to the same premise as her early short *The Serpent’s Nest* (2021) and working with a group of trans film luminaries — including producer Louise Weard (*Castration Movie*), editor Vera Drew (*The People’s Joker*), and colorist Jessica Dunn Rovinelli (*So Pretty*), all remarkable filmmakers in their own right — *The Serpent’s Skin* sees the full blossoming of the bold neo-Araki aesthetic that has made Mackay one of the most exciting voices in this current wave of independent trans cinema. (Synopsis courtesy of Frameline.)

7:30pm Screening followed by a conversation with **Alice Maio Mackay** and **Vera Drew**, moderated by **Roz Hernandez**!

10:00pm Screening with an introduction by **Alice Maio Mackay**!

The Serpent’s Skin

**Screenwriters**: René Laloux,  Jean-Patrick Manchette,  Moebius

**Producers**: Jacques Dercourt,  Roland Gritti

Directed by visionary science-fiction animator René Laloux (*Fantastic Planet*) and designed by the legendary Jean Giraud (a.k.a. Mœbius) *The Time Masters *is a visually fantastic foray into existentialist space adventure. After his parents are killed on the dangerous planet Perdide, young Piel (voiced by Frédéric Legros) survives by maintaining radio contact with Jaffar (Jean Valmont), a pilot transporting the exiled Prince Matton (Yves-Marie Maurin) and Princess Belle (Monique Thierry) from their former kingdom. Jaffar seeks the help of Silbad (Michel Elias), a cheerful old-timer who knows how to circumvent Perdide’s hazards, including brain-devouring insects and watery graves. Along the way, Jaffar and company encounter a pair of impish homunculi stowaways, identity-less angels controlled by an amorphous hive mind, and the Masters of Time, mysterious beings who can bend reality and perhaps reveal to the heroes their secret origins and destinies.

*Restored in 4K in 2023 at the initiative of CITE FILMS in collaboration with the Fondazione Cineteca di Bologna and with the support of the CNC*

Time Masters

Tropical Heat Wave

Duke of the Navy/Desperate Cargo

\#### Save the date for April 13!  
  
College Night returns to the Getty Center. Join us for our annual after-hours celebration exclusively for college students—featuring art, food, music, behind-the-scenes experiences, artmaking, and more. All for free! #### ART EXHIBITIONS - \*Beginnings: The Story of Creation in the Middle Ages\*  
\- \*How to Be a Guerrilla Girl\*  
\- \*Photography and the Black Arts Movement, 1955–1985\*  
\- \*Virtue and Vice: Allegory in European Drawing\*  
\#### MUSIC and LIVE ART - DJ Hourglass spotlights the sounds of the African diaspora, uplifting queer Black voices - Performance artist, poet, and educator Gabrielle Civil presents "Black Weirdo School (Visiting Lectures)" at 6:30, 7:30 and 8:30pm - Graffiti artist Prime demonstrates the pioneering "LA Style"—a mix of bold, geometric block letters with calligraphic and monochromatic influences #### SCREENINGS - Watch short film and video works from Getty Research Institute archives #### ACTIVITIES - Customize a reusable tote bag with a silk screen designed by Nova Community Arts or DIY at Creation Stations - Make art with the Paranormal LA course from Otis College of Art and Design - Take a self-guided scent tour created by the Institute for Art and Olfaction - Send yourself or someone someone special a postcard from a collage postcard-making station. Stamps provided. - Personalize and upcycle materials with Collage Garage - Join drawing demonstrations and live figure drawing led by artist Peter Zokosky - Grab your friends and pose inside photo booths and play games on the Garden Terrace #### TOURS - Join a variety of tours to explore galleries, exhibitions, and behind-the-scenes areas. - Tours depart from the Museum Entrance Hall from 6:30–8:00 p.m. #### FOOD - Enjoy a free meal provided until 8:30 p.m. or while supplies last. - Additional snacks or beverages can be purchased at the Coffee Kiosk and Trellis Bar. #### SHOP - The Getty Museum Store will be open with a 20% discount for attendees #### SUSTAINIBILITY - Bring a refillable water bottle and get a sticker designed by LA graffiti legend Prime - Carpooling, rideshares, and public transit encouraged

College Night 2026

Getty Center

### **ABOUT THE FILM:**

Directed by 9th-degree black belt/philosopher/author/inspirational speaker Grandmaster Y.K. Kim, the one-of-a-kind MIAMI CONNECTION is one of the most entertaining martial arts films made in America that you will ever see. The year is 1987. Motorcycle ninjas tighten their grip on Florida’s narcotics trade, annihilating anyone who dares move in on their turf. Multi-national martial arts rock band Dragon Sound have had enough, and embark on a roundhouse wreck-wave of crime-crushing justice in the streets of Orlando. It’ll take every ounce of their blood and courage, but Dragon Sound can’t stop until they’ve completely destroyed the dealers, the drunk bikers, the kill-crazy ninjas, the middle-aged thugs, the “stupid cocaine” . . . and the entire MIAMI CONNECTION.

FORMAT: 35mm

DISTRIBUTOR: AGFA

COUNTRY: USA

Print courtesy of AGFA ‘Cinematic Void’

Cinematic Void Presents MIAMI CONNECTION

The Canadian

Los Angeles Filmforum presents *Stacey Steers: Alchemical Collages*. Stacey Steers in person!

Full film lineup and notes at: https://www.lafilmforum.org/schedule/

∆

Weaving together archetype, allegory, and wonder, Stacey Steers’ films create a mythos all their own. Her heroines, lifted from early 20th-century silent films, ebb toward eternity, inky waves alight in their swell. Their collaged effigies move through narratives of personal recollection, environmental anxiety, and science fiction convention. Ruminative and unfixed, Steers’ worlds are steeped in implication, yet unclaimed by certainty. The material becomes mercurial as exploratory dreamscapes reimagine these appropriated images, loosening them from their original contexts and allowing new meanings to surface. Working through an intuitive, labor-intensive process, Steers prints, hand-processes, and photographs each frame on 35mm film, imbuing the work with a tactile, almost alchemical presence that bridges cinema’s past with an unsettled, speculative present. – Sam Gurry

~

**Stacey Steers** is known for her process-driven, labor-intensive animated films composed of thousands of handmade works on paper. Her recent work employs images appropriated from early cinematic sources, from which she constructs original, lyrical narratives.

Steers’ films have screened widely at venues including the Sundance Film Festival, Telluride Film Festival, New Directors New Films (New York), IFFR Rotterdam, Locarno IFF, MoMA and the National Gallery of Art (Washington, DC). Recently she has expanded her work to include collaborative installations that join invented, three-dimensional production elements with film loops, creating a new context for experiencing her films. Stacey Steers is a recipient of major grants from the Guggenheim Foundation, Creative Capital and the American Film Institute. She is a member of the Academy of Motion Picture Arts and Sciences. She lives and works in Boulder, CO.

LA Filmforum: Stacey Steers – Alchemical Collages

2220 Arts + Archives

The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family. With his rise through the organisation, however, comes the dangers of violence, double-crosses, drug addiction and the Federal Bureau of Investigation.

GoodFellas

Nikolai (Viggo Mortensen), who is both ruthless and mysterious, has ties to one of the most dangerous crime families in London. He crosses paths with Anna (Naomi Watts), a midwife who has come across potentially damaging evidence against the family, which forces him to set in motion a plan of deceit, death and retribution.

Eastern Promises

### **ABOUT THE EPISODES:**

**Season 2, Episode 10, “****Dispute Between Brothers,” Dir. Tina Rathborne, 47 Mins**

Cooper gets ready to leave Twin Peaks.

FORMAT: DCP

**Season 2, Episode 11, “****Masked Ball****,” Dir. Duwayne Dunham, 47 Mins**

Andrew Packard resurfaces.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Dispute Between Brothers” and “Masked Ball” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 10 & 11

The Crime of the Century / Her Bodyguard

We&#8217;re cranking up the Elmo 16CL projector for another round of obscure 16mm rarities, this time all from the late 1940s through the early 1960s with a slate of social engineering films designed to create model citizens and healthy adults. From strangers with candy to high school dropouts, to puberty&#8217;s pitfalls and civic responsibility, these largely forgotten gems are laughably out-of-date and teeming with an antiquated morality you can only find in yesteryear. Films include ***The Dangerous Stranger*** (1949) the stranger danger film that started it all from the king of the scare film Sid Davis, ***The Dropout** *(1962) for the ne&#8217;er-do-wells, ***Molly Grows Up*** (1953) menstrutainment at its finest, ***The Meaning of Adolescence*** (1953) to guide you through those awkward years, ***Responsibility*** (1953) from Herk Harvey &#8211; the director of *Carnival of Souls*, and the incredibly rare NFBC global responsibility primer ***Our Town is the World***  (1950s, Canada), plus more celluloid rarities and a surprise pre-show for the early birds! Everything screened on 16mm film.

Sweet 16mm: Mid-Century Social Guidance Classics

**Screenwriters**: George LaVoo,  Josefina Lopez

**Producers**: Effie Brown, George LaVoo

Vidiots is thrilled to welcome director **Patricia Cardoso** for a special screening of her essential East LA coming-of-age triumph*** Real Women Have Curves***.

A humorous and warmhearted look at a Chicano teenage girl coming of age in a boiling cauldron of cultural expectations, class constrictions, family duty, and her own personal aspirations. In Boyle Heights, an 18-year-old struggles between her ambitions of going to college and the desires of her domineering mother for her to get married, have children, and oversee the small, rundown family-owned textile factory. Winner of several Sundance Prizes, The Humanitas Award, and Independent Spirit Awards, this slice of relatable life is an influential and powerful classic of Latina and independent cinema.

**Picks from the Video Store**

Want more local coming-of-age films? We’ve got these gems from our own backyard!

*The Slums of Beverly Hills, Boyz in the Hood, Mi Vida Loca*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Real Women Have Curves

Mr. Muggs Steps Out/Follow the Leader

**Screenwriter**: Elena Oxman

**Producer**: Marc Smolowitz,  Elena Oxman,  Asia Kate Dillon,  Allison Estrin, Henry Russell Bergstein

Featuring a conversation with writer/director **Elena Oxman** after the Wednesday screening.

Join us in the microcinema for Elena Oxman&#8217;s festival darling, the beautifully touching triumph *Outerlands* starring Asia Kate Dillon in a stirring performance. Cass juggles jobs as a nanny, restaurant server, and party drug dealer to make ends meet and pay for their tiny San Francisco apartment. After a one night stand with Kalli, a co-worker they have a crush on, Cass agrees to watch her 11-year-old daughter, Ari, while she goes out of town. But as days pass without word from Kalli, Cass and Ari form a bond that spirals Cass back to their own difficult childhood and the pain they’ve been running from. With beautiful cinematography and an exploration of a San Francisco seldom celebrated, this little charmer is a warm and wonderful treat.

Outerlands

**Screenwriter**: Gaspar Noé

**Producers**: Olivier Delbosc,  Vincent Maraval,  Marc Missonnier,  Pierre Buffin

Co-presented by Community Programming Partners **Synth History**

Nobody does a mind-f*&k like Gaspar Noé, and *Enter the Void* may be his most hallucinatory work in an ouvre of envelope-pushing and eye-popping spectacles. This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past &#8212; where he sees his parents before their deaths &#8212; to the present &#8212; where he witnesses his own autopsy &#8212; and then to the future, where he looks out for his sister from beyond the grave. Give yourself over to this experiential head-trip and leave the real world behind!

**About the score/soundtrack**:

*Enter the Void* is the 14th installment of Vidiots’ & Synth History’s *Iconic Scores* screening series, which highlights pioneering scores and soundtracks in electronic music!

The soundtrack for *Enter the Void *blends musique concrète, experimental, and electroacoustic styles. Noé would collaborate again with Thomas Bangalter (of legendary electronic duo Daft Punk), who also scored *Irréversible*. Bangalter was originally approached to create an original score for the film, however due to his involvement scoring *Tron: Legacy*, he&#8217;d take on the role of sound effects director instead, providing a library of ambient sounds and experimental samples which Noé then compiled.

One source of inspiration was &#8220;Revolution 9” by The Beatles, a collage of sounds that Noé described in The Quietus as a work &#8220;where you catch the beginning of a note, or of a melody and then it&#8217;s already somewhere else.&#8221; The film includes a recording from electronic music pioneer Delia Derbyshire (BBC Radiophonic Workshop) of Bach&#8217;s &#8220;Air on the G String”, *ANS *by Coil which utilizes the rare, photoelectric ANS synthesizer (if you came to our screening of *Solaris* you might remember that composer Eduard Artemyev also used this!), Throbbing Gristle’s &#8220;Hamburger Lady,” LFO’s “Freak”, nearly every part of electroacoustic musician Jean-Claude Éloy&#8217;s compositions *Shânti* and *Gaku-no-Michi, *Toshiya Tsunoda&#8217;s &#8220;Music for Baby&#8221;, Alvin Lucier&#8217;s &#8220;Music for Gamelan Instruments, Microphones, Amplifiers and Loudspeakers&#8221;, works by Denis Smalley, Lullatone, Zbigniew Karkowski, and Thomas Bangalter‘s own track &#8220;Désaccords,” originally composed for *Irréversible*.

A fitting collage of sounds for a visually stunning film that you definitely don’t want to miss on the big screen! We guarantee you&#8217;ll remember it forever.

**Picks from the Video Store**

Looking for more mind-melting cinema? You&#8217;ve come to the right place!

*Liquid Sky, Holy Motors, Telephone Book*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Enter the Void

Blues Busters/Feudin Fools

Best known for his avant-garde meta-documentary *Symbiopsychotaxiplasm*, William Greaves (1926–2014) was also the director of over 100 documentary films, the majority focused on African American history, politics, and culture.

NATIONTIME is the long-lost film that William Greaves made about the National Black Political Convention of 1972, when 10,000 black politicians, activists and artists went to Gary, Indiana, to forge a national unity platform in advance of the Republican and Democratic presidential conventions. The delegates included a wide array of political thinkers — Black Panther co-founder Bobby Seale, Pan-Africanist Amiri Baraka, PUSH founder Jesse Jackson, elected officials Ron Dellums, Charles Diggs, Walter Fauntroy, Richard Hatcher, Carl McCall, plus key women in the fight for racial equality -- Coretta Scott King, Betty Shabazz, Fannie Lou Hamer and Queen Mother Moore (who was arguing for reparations). Entertainers Harry Belafonte, Dick Gregory, Isaac Hayes and Richard Roundtree lent their star quality and entertained the crowds. Sidney Poitier & Harry Belafonte narrate the film.

‍

One of the most powerful films Greaves ever made, this is the director’s original 80-minute version that was never released. Found in a Pittsburgh warehouse in 2018, the 48-year-old negative was painstakingly restored by IndieCollect under the supervision of Louise Greaves, the director’s widow and filmmaking partner. (Kino Lorber)

‍

‍

‍

**dir. William Greaves, 1972***United States, digital projection*80 min‍

‍

## WEDNESDAY, 4/157:30 DOORS8:00 SCREENING

$10 general admission, $9 for members.

‍

*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*

NATIONTIME (1972)

WHAMMY!

Lightstruck is elated to present two full evenings of rarely screened animated shorts from one of the most significant centers of experimental animation production and creativity in the history of the medium: Poland. Spanning the early 1960s to the late 1980s, these two programs (March 26 and April 16) will showcase an incredibly eclectic selection focusing on little-known masterworks and deep-cut revelations, all screening in recent restorations.

Poland has an extraordinary animation history marked by radical experimentation in technique and texture, investigating dark and complex themes inspired by social critique and surrealist visions alike. Spanning stop motion, cutout, cel, paint on glass, and hand-drawn approaches, these programs extend to include exceptional techniques such as Zbig Rybczyński’s hyper-complex optical printing, Piotr Dumała’s exquisite renderings on plaster slabs, and Julian Antonisz’s unhinged cameraless animation produced on ingenious, visionary devices of his own making. A morbid and uneasy humor often punctuates these works, which pulse with rich, emotional, and dramatic narratives and themes matched only by the exceptional imagination and talents of their authors.

We selected the films for these programs with an emphasis on shorts not generally available on home media, and spanning a particularly diverse array of styles, aesthetics, techniques, and sensibilities. Widely celebrated artists like Rybczyński, Antonisz, Ryszard Czekała, and Jerzy Kucia will be represented by lesser known (but magnificent) offerings, while deeply memorable obscurities from Jacek Kasprzycki, Zofia Oraczewska, Ryszard Antoniszczak, and Ewa Bibańska will further illuminate Poland’s incredible spectrum of animation genius.

Programs by Zena Grey and Mark Toscano. Notes by Mark Toscano. Films courtesy of Wytwórnia Filmów Dokumentalnych i Fabularnych (+ thanks to Stanisław Bardadin) and Filmoteka Narodowa – Instytut Audiowizualny (+ thanks to Adrian Smykowski and Julia Bachman).

Polish Animation #2: Chance & Transition (1975-89)

The lives of upstairs guests and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.

Gosford Park


Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy – who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy’s chatty butler must suss out the culprit before the body count rises.

Clue

Monthly short film festival. Watch and vote. Audience award to the best short film each month. Annual championship in DECEMBER.

MOVIE SCREENERS CLUB (Thu. 4/16) 7:30pm

Join us for an evening of chess and community at Heavy Manners Library. Play against friends and strangers, with all skill levels welcome. Free donuts will also be provided!

Echo Park Chess Club at Heavy Manners Library (4/16)

The Mystery of the 13th Guest / The Living Ghost / The Face of Marble

Join us for a screening of the exhilarating documentary about the legendary GRAMMY-winning musician - Billy Preston.

BILLY PRESTON: THAT’S THE WAY GOD PLANNED IT Screening

Men of San Quentin/The Miracle Kid

Acropolis Cinema presents *Harvest*, directed by Athina Rachel Tsangari, 2024.

Part of "Worlds Apart: The Films of Athina Rachel Tsangari," a complete retrospective of the Greek director's films presented by Acropolis Cinema and MUBI and running from April 17 - May 9 at 2220 Arts + Archives, Vidiots, and the Los Feliz 3.

∆

Greek filmmaker Athina Rachel Tsangari, who deconstructed human behavior within bounded communities in *Attenberg* and *Chevalier*, sets her sights on entirely new environs in *Harvest*, which takes place in a remote village in medieval England.

Adapted from the acclaimed novel by British writer Jim Crace, Tsangari’s film stars Caleb Landry Jones as Walter Thirsk, the former childhood friend and manservant of the village’s weak-willed landowner, Master Kent (Harry Melling). Marked by superstition and the scapegoating of outsiders, the town’s denizens fall under new threat after Kent’s iron-fisted city cousin comes into possession of the land, with new plans for agricultural profit. Shot in the sun-dappled Scottish countryside with natural light by cinematographer Sean Price Williams, Tsangari’s most ambitious work to date is both carnal and cerebral, a multifaceted reflection on man’s relationship to the land, rich in atmospherics and thematic resonance. (NYFF)

TRT: 131 min

In person: Athina Rachel Tsangari

Acropolis Cinema: Harvest (Tsangari, 2024)

A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.

Free screening! General admission, first come first serve with RSVP.

Predator

Avant-garde cinema represents films that are experimental or innovative, typically rejecting traditional narrative structures while exploring abstract concepts and emphasizing visual and aural elements. Avant-garde animation often utilizes techniques that abstract form, defy continuity and emphasize musicality.

*Programmed by Molly Regan. Notes written by Clare Britton and Molly Regan.*

*Special thanks to our community partner: [UCLA Alumni Association](https://alumni.ucla.edu/), [UCLA Animation Workshop](https://animation.filmtv.ucla.edu/)*

Created during his time at the UCLA Animation Workshop, Robert Abel’s *Freight Yard **Symphony *presents a sensorial impression of a commercial rail yard, in which the destruction of semiotics makes way for a new language of rhythm, where alphabetical and numerical language indicators become purely textural amongst the frenzied jazz score. Using photo collage and paper craft, Abel’s early modernist work showcases the immense talent of this future pioneer of visual effects.

DCP. Director: Robert Abel.

In Chel White’s *Choreography for the Copy Machine (Photocopy Cha Cha), *machine and human attempt to understand each other’s dissonant identities through the glass-plate barrier of a photocopy machine. This barrier, reminiscent of zoo or aquarium glass windows, distorts and abstracts to create a half-truth. Chel White straddles the line between sensual and grotesque representations of the human body, juxtaposed with the mundane artifacts that scaffold daily life, such as keys, currency, tools and playing cards.

DCP. Director: Chel White. 

*Courtesy of the Sundance Collection at the UCLA Film & Television Archive.*

Michel Gondry’s *The Science of Sleep *synthesizes live action and animation to emphasize dissatisfaction with reality, and the lure of imagination. Made in the age of CGI pipelines overwhelmingly contributing to special effects in the future film industry, Gondry’s trademark whimsical style prioritizes practical effects, taking a minimal approach to visual effects. Blurring the lines between real life and fantasy, this film invites us to experience the impossible.

DCP. Director: Michel Gondry. Screenwriter: Michel Gondry. With: Gael García Bernal, Charlotte Gainsbourg, Mioux-Mioux.

UCLA AMIA Student Chapter Takeover! Avant-garde Animation

Writing Gets Lonely: Open Writing Studio (4/17)

Comics O&#x27;Clock is a comics reading featuring live readings by local cartoonists hosted by Mikey Heller. This event will be pay what you want, with donations going to Heavy Manners Library.

Featuring:

Chris Allison ([https://www.instagram.com/toonholechris/](https://www.instagram.com/toonholechris/))

Elizabeth Chee ([https://www.instagram.com/lizcheeart/](https://www.instagram.com/lizcheeart/))

Julia Mata ([https://www.instagram.com/cipota666/](https://www.instagram.com/cipota666/))

Wynton Redmond ([https://www.instagram.com/wyntonred/](https://www.instagram.com/wyntonred/))

Kenzie Bugg ([https://www.instagram.com/pk_kenziebugg/](https://www.instagram.com/pk_kenziebugg/))

Chris Cornwell ([https://www.instagram.com/cornwellcomics/](https://www.instagram.com/cornwellcomics/))

Abby Jo Turner ([https://www.instagram.com/abbyjoturner/](https://www.instagram.com/abbyjoturner/))

Isa Hanssen ([https://www.instagram.com/isawiitch/](https://www.instagram.com/isawiitch/))

Comics O'Clock: A Comic Reading (4/17)

Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of more than 150,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.

As we count down to the upcoming World Cup, this outdoor screening invites audiences to revisit iconic moments from soccer history. Bring friends, family, and a picnic and experience the beautiful game on the big screen in a communal, joyful setting. Presented in conjunction with the exhibition [*Fútbol Is Life*](https://www.lacma.org/art/exhibition/futbol-life-animated-sportraits-lyndon-j-barrois-sr), this series highlights how transcendent moments on the pitch become lasting cultural memories that connect people across generations and borders.    

***Pelé***
2021, 1h 48m

*Pelé *chronicles the life of the Brazilian football player Edson Arantes do Nascimento, better known as Pelé. The documentary looks back at the extraordinary period when Pelé, the only player to win three World Cup titles, went from a young superstar in 1958 to a national hero, amidst a radical and turbulent era in Brazilian history. The film charts Pelé’s remarkable journey to becoming the "King of Football" and leading his nation’s team to their historic win at the 1970 World Cup. With rare and exclusive filmed access to Pelé himself, the film emotionally showcases the star reflecting upon his impressive career.

The documentary also includes rare archive and interviews from former legendary team-mates at Santos Futebol Clube and the Brazilian national team, including Zagallo, Amarildo, and Jairzinho, as well as extraordinary testimonials from family members, journalists, artists and other personalities who witnessed the golden age of Brazilian football.

Fútbol on Film: Pelé

LACMA

Three Wise Girls / Men in Her Life

**Screenwriter**: Hayao Miyazaki

**Producer**: Tôru Hara

Join us on the Catbus for one of cinema&#8217;s most magical and beloved experiences that no one of any age can deny. While certainly not the first film to come out of Studio Ghibli, *My Neighbor Totoro* is often considered to be the studio and director Hayao Miyazaki’s first animated masterpiece. A touching story about two sisters who befriend the wood spirits in rural Japan, *My Neighbor Totoro* is an endearing fable centered on childhood wonder, family, imagination, and the importance of taking care of nature. It’s almost as if the film was made specifically to overwhelm the viewer with good vibes, and it’s hard not to fall in love with this lush, magical world of trolls wearing leaf hats and a bus that’s also a cat. There’s a reason Totoro has become the mascot of Studio Ghibli, and one of the cuddliest-looking creatures in animation history.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

My Neighbor Totoro (Subtitled)

**Screenwriter**: Grace Glowicki, Ben Petrie

**Producers**: Grace Glowicki,  Ben Petrie,  Yona Strauss

Presented in **Smell-O-Vision** on Monday 4/20!

Join us in the microcinema for the funniest, stinkiest horror comedy of the year &#8211; Grace Glowicki&#8217;s supremely absurd, magnificently DIY, and laugh-so-hard-it-hurts *Dead Lover*. A lonely gravedigger who stinks of corpses finally meets her dream man, but their whirlwind affair is cut short when he tragically drowns at sea. Grief-stricken, she goes to morbid lengths to resurrect him through madcap scientific experiments, resulting in grave consequences and unlikely love. A painfully funny and odiferous low-budget masterpiece of gonzo proportions, this inventive gut-buster is one of the funniest, weirdest films you&#8217;ve ever seen AND smelled!

Dead Lover

**Screenwriters**: Walter Tevis,  Richard Price

**Producers**: Irving Axelrod,  Barbara De Fina

Scorsese, Newman, and Cruise hit the pool hall for this sequel to *The Hustler &#8211; *25 years on &#8211; with incredible cinematography from the legendary Michael Ballhaus and a killer soundtrack from Robbie Robertson of *The Band*. &#8220;Fast Eddie&#8221; Felson (Paul Newman reprising his Oscar-winning role) is back on the beat &#8211; after years of laying low, he&#8217;s ready to get back in the pool hall and start hustling again, this time with a young protegé Vincent Lauria (Tom Cruise). When the two part ways over Lauria&#8217;s flashy, showboating ways, they are destined to come face to face in a game of winner take all! So grab your pool cues and get ready to win with *The Hustler* all over again!

**Picks from the Video Store**

Bring home more Paul Newman tonight with these classics on physical media!

*The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Rachel, Rachel, Sometimes a Great Notion*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Color of Money

**Screenwriters**: Parker Bennett, Ed Solomon, Terry Runte

**Producers**: Jake Eberts,  Roland Joffé

Grab the controller for your Super Nintendo and get ready to get weird in this bizarro tale of two plumbers on a quest to save the world from projectile-throwing 8bit dinosaurs! It&#8217;s not a game anymore as Mario and Luigi, plumbers from Brooklyn, find themselves in an alternate universe where evolved dinosaurs live in hi-tech squalor. Now these mustached blue-collar heroes are the only hope to save our universe from invasion by the dino dictator, Koopa (Dennis m*therf$&ing Hopper!).

**Picks from the Video Store**

We&#8217;ve got a whole section devoted to video game adaptations! Take home these bangers tonight!

*Mortal Kombat, Street Fighter, Tekken*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Super Mario Bros.

Mr. Celebrity/Hot Rhythm

Cape Fear

35mm can be beautiful, but 16mm is *personal*. Join Secret Sixteen founder Mike Williamson, Josh Miller (Killer Movies) and Bret Berg (Museum of Home Video) for a 12-hour survival quest of prehistoric vengeance, loincloth love, epic fantasy and muscular magic — screened from Secret Sixteen’s incredibly siqq collection of Swatch watch-era swords ’n sorcery.

Titles aren’t revealed until they unspool onscreen. What we can say is that this six-film marathon is soaking in noble scoundrels, rival clans, misty caverns, captured kingdoms, pernicious priests, powers of the gods, super-strength, a buffet of side boob, a distinct lack of pants, astounding production design, excessive spectacle, obligatory quicksand, flying jump kicks, lizard people, huge people, small people, grotesque wounds, sub-human slaying, mass destruction, primordial pulp, swords within swords and good mostly triumphing over evil…mostly.

SECRET SIXTEEN: 80’s SWORDS AND SORCERY

This program explores how reenactment exposes cinema’s inherent nature to simultaneously depict, reconstruct and reinterpret. In these films, our subjects perform their own stories, exploring the productive tensions between reality, art and representation on-screen.

*Programmed by Noah Brockman.***
**

*Special thanks to our community partners: [UCLA Alumni Association](https://alumni.ucla.edu/), [UCLA School of Theater, Film and Television](https://www.tft.ucla.edu/)
*

Penelope Spheeris’ 1972 UCLA thesis film features Jennifer Michaels and Dana Reuben in Warholian docufiction. Fascinated by society’s degenerates, Spheeris employs loosely scripted reenactment as critique. Turning tricks, seducing trade and performing gender, Michaels and Reuben mock straight culture from its fringes. Michaels, an iconic trans actress who worked with Pat Rocco on *Sex and the Single Gay* (1970) and starred in *Changes* (1970), lends a particularly notable performance. The film was preserved by the UCLA Film & Television Archive and the Academy Film Archive in 2012.—*Wilde Davis*

Director: Penelope Spheeris. With: Dana Reuben, Jennifer Michaels.

*A Little Stiff* doesn’t end where it begins so much as it ends where it’s conceived. In this precursor to Caveh Zahedi’s later autobiographical present-tense documentaries, the cast play themselves as they reenact roughly the same unrequited infatuation between Zahedi and McKim that led to the film’s own production. As Zahedi wanders around UCLA’s Arts building, feeds peanuts to squirrels with his friend Greg Watkins, and plunges himself further into a state of longing, we observe the mundanities and ecstatic moments of Zahedi’s spiral through intensely naturalistic performances. Shot on a shoestring budget, *A Little Stiff* feels like a mumblecore *The* *Sorrows of Young Werther.—Noah Brockman*

Directors: Greg Watkins, Caveh Zahedi. Screenwriters: Greg Watkins, Caveh Zahedi. With: Caveh Zahedi, Erin McKim, Greg Watkins.

*DCP courtesy of the Sundance Collection at the UCLA Film & Television Archive.*

UCLA AMIA Student Chapter Takeover! Reenactment

Intro to Leatherworking

While making a small accessories pouch, learn the basics of working with leather. This will cover different types of leather, terms and tools for working with chrome tanned pieces. This is a hands class on with sharp tools and Sharpies and is intended for beginners 14 years and older. Leave the class with a new appreciation for leather and take home a small finished pouch and a pattern to make more if you fall in love with the craft!

For more work by C&J Goods visit...

[http://www.candjgoods.com](http://www.candjgoods.com/)

Intro to Leatherworking w/ C & J Goods (4/18)

Experience the award-winning film *Memories of Love Returned* at LACMA after its resounding world tour and special premiere in Uganda. American-born Ugandan actor, writer, filmmaker, and playwright Ntare Guma Mbaho Mwine will be present to discuss his film and its expansive journey with a special guest. 

***Memories of Love Returned***
2024, Uganda/United States, 76 minutes
Luganda and English with English subtitles
Projected on DCP

On April 24, 2002, filmmaker Ntare Guma Mbaho Mwine’s car broke down in the small town of Mbirizi, Uganda. While waiting for it to be repaired he stumbled upon a small photo studio and met photographer Kibaate Aloysius Ssalongo, whose work spanned from the late 1950s to his death in 2006. This chance encounter turned into a 22-year journey documenting and exploring Kibaate’s life and photography and the profound impact it had on Ntare’s life and the lives of the entire community he documented. Executive produced by Steven Soderbergh, this intimate, nuanced documentary about the transformative power of photography was named best documentary at the Africa International Film Festival and won the Audience Award at the Pan African Film Festival.

*Doc Talk* co-hosts John Ridley and Matt Carey call *Memories of Love Returned*  "one of the best documentaries of the year."

Memories of Love Returned with Ntare Guma Mbaho Mwine

Romancing the Stone

Hot Fuzz

Join us for a reading and conversation with legendary musician Melissa Auf der Maur, former bassist of Hole for the launch of her new book!

An Afternoon with Melissa Auf der Maur

Join us for a reading and conversation with legendary musician Melissa Auf der Maur, former bassist of Hole for the launch of her new book.

An Evening with Melissa Auf der Maur

**Producers**: Puloma Basu,  Rob Hatch-Miller,  Emmett James, Derek Yip

Vidiots celebrates **Record Store Day** with a special screening of the physical media-glorifying documentary ***Other Music*** featuring a conversation with filmmakers **Puloma Basu **and** Rob Hatch-Miller **plus special guests **Gary Wilson** and **Dam-Funk** (after the 1:45pm screening) and** Dean Wareham **(Galaxie 500 & Luna at the 4:30pm screening), and a pre-show montage of international music videos curated by our neighbors at **Pop Overbite Records!**

Other Music was an influential and uncompromising New York City record store that was vital to the city’s early 2000s indie music scene. But when the store is forced to close its doors due to rent increases, the homogenization of urban culture, and the shift from CDs to downloadable and streaming music, a cultural landmark is lost. Through vibrant storytelling, the documentary captures the record store’s vital role in the musical and cultural life of the city, and highlights the artists whose careers it helped launch including Vampire Weekend, Animal Collective, Interpol, Yeah Yeah Yeahs, William Basinski, Neutral Milk Hotel, Sharon Van Etten, Yo La Tengo and TV On The Radio.

In honor of **Record Store Day**, bring in a receipt from any independent record store dated April 18th for a free small popcorn or video store rental!

Other Music

**Producers**: Denny Cordell, Leon Russell

Dig the sounds and eccentricities of Grammy-winning Hall of Fame musician Leon Russell in this electrifying and entertaining musical portrait by America&#8217;s greatest folk documentarian &#8211; the incredible Les Blank. Les Blank&#8217;s first feature-length documentary captures music and other events at Leon Russell&#8217;s Oklahoma recording studio during a three-year period captured in a fascinating way by Blank&#8217;s immense filmmaking talents. The concerts, the recording studio, the feel and taste of a time and place all imbued with the homegrown elements of Oklahoma that helped great Russell&#8217;s signature Tulsa sound.

**Picks from the Video Store**

We&#8217;ve got tons of absolutely incredible docs from the GOAT Les Blank in his director&#8217;s section to take home tonight.

*Garlic is as Good as Ten Mothers, Gap-Toothed Woman, Chulas Fronteras*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

In honor of **Record Store Day**, bring in a receipt from any independent record store dated April 18th for a free small popcorn or video store rental!

A Poem Is a Naked Person

**Screenwriters**: RZA, Eli Roth

**Producers**: Marc Abraham,  Eric Newman,  Eli Roth

Vidiots is celebrating **Record Store Day** and we are thrilled to welcome multi-hyphenate icon **RZA** for a killer night of kung-fu &#8211; starting with his directorial feature debut ***The Man with the Iron Fists***!

Hip Hop God RZA takes to the big screen with this action-packed update of the Kung Fu flicks of the golden era. In 19th-century China, a stranger (RZA) settles in a jungle village and becomes its blacksmith. Radical tribal factions force him to fashion elaborate tools of destruction, and the clans&#8217; conflict soon erupts into a full war. Knowing he must take action, the blacksmith channels an ancient energy to transform himself into a human weapon. Fighting beside iconic heroes, the blacksmith harnesses this incredible power to defend his adopted people from an army of soulless villains. Get ready for epic battles, kick-ass kung fu, and two of our favorite bad-ass ladies (Pam Grier and Lucy Liu) wiping the field with their opponents. Don&#8217;t miss all the action on the big screen and stick around for more!

This screening will be followed by a conversation with RZA himself. Then, stick around for more martial arts madness with a rare screening of [*The Mystery of Chess Boxing*](https://vidiotsfoundation.org/movies/the-mystery-of-chess-boxing/) introduced by RZA. And in honor of Record Store Day, there will be a limited number of signed reissued copies of *The Man with the Iron Fists* Vinyl for purchase on site!

**Picks from the Video Store**

Our Martial Arts section is ridiculous! Take home dozens of rare kick-ass films tonight!

*Five Deadly Venoms, Bastard Swordsmen, Ninja III: The Domination*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

In honor of **Record Store Day**, bring in a receipt from any independent record store dated April 18th for a free small popcorn or video store rental!

The Man with the Iron Fists in 35mm

**Writer/Producer**: Joseph Kuo

Vidiots is celebrating **Record Store Day** and we are thrilled to welcome multi-hyphenate icon **RZA** for a killer night of kung-fu including the rarely screened and influential martial arts classic *The Mystery of Chess Boxing*.

The original Ghostface Killer is on the loose!  A vicious villain with an unstoppable five element technique, Ghostface is killing off all his old rivals. Meanwhile, a young student tries to learn kung fu and is taken under the wing of an old chess master. The basics of chess prove to be the same as the basics of fighting, and eventually the heroes will have to fight Ghostface Killer, who verbally insults his opponents as he annihilates them. Written, directed and produced by Joseph Kuo (*Seven Grandmasters, 18 Bronzemen*) *The Mystery of Chess Boxing* is widely regarded as one of the greatest kung fu films, and an obvious favorite of the Wu Tang Clan.

*A brand new English dubbed DCP of the 1979 old school kung fu classic, sourced from the only known 35mm print!

This screening is preceded by an introduction from RZA. Show up earlier for RZA&#8217;s own martial arts epic [*The Man with the Iron Fists*](https://vidiotsfoundation.org/movies/the-man-with-the-iron-fists/) featuring a conversation with the man himself!

**Picks from the Video Store**

Our Martial Arts section is ridiculous! Take home dozens of rare kick-ass films tonight!

*Lady Iron Monkey, Cave of the Silken Web, Invincible Shaolin*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

In honor of **Record Store Day**, bring in a receipt from any independent record store dated April 18th for a free small popcorn or video store rental!

The Mystery of Chess Boxing

The Ghost and Mr. Chicken

Mom and Dad

Los Angeles Filmforum presents *The Films of Gordon Matta-Clark*. In person: curators Jessamyn Fiore, Co-Director of the Estate of Gordon Matta-Clark, and Dylan Adamson.

Full program notes and film lineup: https://www.lafilmforum.org/schedule/winter-2026/the-films-of-gordon-matta-clark/

~

Gordon Matta-Clark, the artist, urban explorer, and “anarchitect” most famous for the “building cuts” he performed on various decomposing structures in the 1970s, made 18 short films before his untimely death from cancer in 1978. Aside from walking through the buildings themselves, which have all since been demolished, film provides the ideal venue in which to experience Matta-Clark’s singular artistry. The power of the cut to create strange new juxtapositions, the epistemological faculty of an opening that introduces light to new planes — metaphorical connections between Matta-Clark’s work and the cinematic apparatus abound. This program collects six of his films shot between 1972 and 1976, documenting four building cuts, one formal experiment, and one car crash. In all of his work, Matta-Clark sought to expose the thinness of the boundaries that divide people, mediums, spaces, and ideas. With sledgehammer, chainsaw, and his own two feet, he punched through these walls with an urgency that has been increasingly felt in the decades since his passing, cutting new holes for light to pour in.

LA Filmforum: The Films of Gordon Matta-Clark

An 8-year-old boy must return his friend&#8217;s notebook he took by mistake, lest his friend be punished by expulsion from school.

Where Is The Friend’s House?

In 1970s Iran, Marjane &#8216;Marji&#8217; Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah&#8217;s defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

Persepolis

Premiering in 1990, *In Living Color* exploded onto the Fox Television Network, reinvigorating the sketch comedy genre by showcasing a multiracial ensemble unafraid of controversy. Created by trailblazing multi-hyphenate Keenen Ivory Wayans, the innovative series turned primetime into a cultural battlefield, uproariously harnessing satire and spectacle to explore issues of race, class and celebrity. In his book, *The Black Pack: Comedy, Race, and Resistance*, author Artel Great situates *In Living Color *within the broader lineage of Black sketch comedy, illuminating how the innovative series served as an industrial weapon, seizing time, space and cultural power, often forcing America to laugh at what it preferred to ignore. In the process, the hit series won the Primetime Emmy Award for Outstanding Variety, Music or Comedy Series in 1990.

Helping to launch a breakout cast of highly gifted comedians that included David Alan Grier, Daymon Wayans, Kim Wayans, Tommy Davison, Jamie Foxx and Jim Carrey, *In Living Color *introduced a lasting lexicon of original characters and catchphrases to pop culture, from Homey D. Clown (“Homey, don’t play that”) to Men on Film (“two snaps up”) that continue to resonate long after the series' final broadcast on Fox in 1994. 

Join us for a quartet of hilariously provocative episodes of *In Living Color *curated and introduced by author Artel Great.

Sketches include: “Do-It-Yourself Milli Vanilli Kit,” “Arsenio and Marion Barry Rap Choir,” “Sugar Ray Leonard Transition,” “The Wrath of Farrakhan” and “Ridin' Miss Daisy.” 

Fox. Production Ivory Way Productions and 20th Century Fox Television. Executive Producer: Keenen Ivory Wayans. Director: Paul Miller. Writers (partial list): Franklyn Ajaye, Jeanette Collins, Barry Douglas. With: Keenen Ivory Wayans, Tommy Davidson, Jim Carrey. 

Sketches include (partial list): “B.S. Brothers,” “Hollywood Homeboys” and “Iraqi Fashion Show.”

Fox. Production Ivory Way Productions and 20th Century Fox Television. Executive Producer: Keenen Ivory Wayans. Director: Paul Miller. Writers (partial list): Fax Bahr, Kim Bass, Les Firestein. With: Keenen Ivory Wayans, Tommy Davidson, Jim Carrey. 

Sketches include (partial list): “Sleazo's Pee Wee Herman Mugshot Doll and Pornhouse Playset” and “Misery II: with Rick James.” Episode marks future superstar Jennifer Lopez’s first appearance on the series as a member of the “Fly Girl” dance troupe, headed by choreographer Rosie Perez. 

Fox. Production Ivory Way Productions and 20th Century Fox Television. Executive Producer: Keenen Ivory Wayans. Director: Paul Miller. Writers (partial list): Fax Bahr, Kim Bass, Les Firestein. With: Keenen Ivory Wayans, Tommy Davidson, Jim Carrey. 

Sketches include (partial list): “Homeboyz Shopping Network,” “Fire Marshall Bill at the Sports Bar” and “Men on Football.” 

Fox. Production Ivory Way Productions and 20th Century Fox Television. Executive Producer: Keenen Ivory Wayans. Director: Terri McCoy. Writers (partial list): Fax Bahr, Jolin Bowman, Fred Graver. With (partial list):: Keenen Ivory Wayans, Tommy Davidson, Jim Carrey.

Black Pack Television: In Living Color

Dive into a powerful educational series bridging generations through film, dialogue, and lessons on critical media literacy. Curated and facilitated by legendary KAOS Network founder Ben Caldwell, L.A. Rebellion filmmaker Alile Sharon Larkin, and LACMA assistant curator of film Matazi Weathers, this series spotlights bold works by local filmmakers, featuring surprise guest appearances and unfiltered conversations on the role of storytelling in shaping cultural consciousness, both locally and globally. 

Co-presented by KAOS Network and LACMA’s Aspect Ratio.

KAOS/LACMA Cultural Literacy Collider

Penrod and Sam

**Screenwriter**: Stu Krieger

**Producers**: Don Bluth, Gary Goldman, John Pomeroy

Don Bluth&#8217;s prehistoric classic spawned a dozen dino-sequels, but we love the first the best. An orphaned brontosaurus named Littlefoot sets off in search of the legendary Great Valley. A land of lush vegetation where the dinosaurs can thrive and live in peace. Along the way he meets four other young dinosaurs, each one a different species, and they encounter several obstacles as they learn to work together in order to survive.

**Picks from the Video Store**

Love Don Bluth animation? Take home more treasures tonight on physical media!

*The Secret of NIMH, All Dogs go to Heaven, Anastasia*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Land Before Time

**Screenwriter**: Robert Duvall

**Producer**: Rob Carliner

Vidiots remembers the life and legacy of **Robert Duvall** with a special screening of his divine drama The Apostle.

The great Robert Duvall wrote, directed, and stars in this powerful and thought-provoking Southern Gothic tale of faith, sin, and morality, considered by many to be his greatest directorial work. After Sonny (Robert Duvall), an eccentric Pentecostal preacher, learns that his wife is having an affair, he beats her lover into a coma and flees the state of Texas. Now in a small Louisiana town, Sonny goes by the name of &#8220;Apostle E.F.&#8221; and opens a new church with the help of a retired reverend (John Beasley). While battling personal demons and injecting new life into his congregation, Sonny dates a radio station worker (Miranda Richardson) and searches for peace in his new life. Winner of the Independent Spirit Award for Best Film, with an Oscar nomination for Duvall&#8217;s performance, don&#8217;t miss this lauded drama on the big screen!

**Picks from the Video Store**

Want to celebrate Robert Duvall with a mini-marathon? You can take home these classics and so many more!

*Tender Mercies, Assassination Tango, Countdown, Tomorrow, The Great Santini*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

FLOATING CLOUDS

7:30 PM

The Master

7:00 PM

The Big Lebowski

9:45 PM

BLACK ANGEL,

BLUES IN THE NIGHT,

7:00 PM

BENDITO CORAZON (2026)(NR) Fri 4/3: 5pm Sat 4/4: 3pm 5pm Sun 4/5: 1pm Mon

5:00 PM

@seeiton16mm Presents CARRIE (1976)(R)(Fri 4/3) 10:00pm

10:00 PM

Coming to America trailer

Hollywood Shuffle

7:30 PM

Writing Gets Lonely: Open Writing Studio (4/3)

1:00 PM

TWIN PEAKS: Season 2, Ep. 6 & 7

10:00 PM

Kill Bill: The Whole Bloody Affair

5:30 PM

Reservoir Dogs

11:59 PM

JOHN LILLY & THE EARTH COINCIDENCE CONTROL OFFICE (2025)

7:00 PM

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

1:00 PM

Blue Velvet

4:00 PM

Arco (English Dubbed)

4:30 PM

Jesus Christ Superstar

7:00 PM

DJ Ahmet

The Blade

9:45 PM

The Drama

Pride of the Blue Grass/Federal Fugitives

7:30 PM

American Graffiti

11:30 PM