Escape to Witch Mountain

Ladies of the Chorus in 35mm

Bound

How to Marry a Millionaire

Academy Museum

### **ABOUT THE FILM:**

The Dark Knight of Gotham City begins his war on crime with his first major enemy being the clownishly homicidal Joker.

FORMAT: 70mm

DISTRIBUTOR: Park Circus

COUNTRY: USA/UK

Ultra rare screening! Last screened in L.A. in 1998 ‘Ultra Cinematheque 70 Fest 2026’

BATMAN in 70mm

Aero Theatre

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away&#8230;

Damnation

Speed Racer is the tale of a young and brilliant racing driver. When corruption in the racing leagues costs his brother his life, he must team up with the police and the mysterious Racer X to bring an end to the corruption and criminal activities. Inspired by the cartoon series.

Speed Racer

Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.

The Graduate

Brain Dead Studios

**
[REGISTER FOR THIS SCREENING](https://www.eventbrite.com/e/ucla-celebration-of-iranian-cinema-nasib-nasibi-tickets-1987863869345?aff=oddtdtcreator)**

**Please note**: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis.

Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons.

__________

*Cinema-ye Azad*, or Free Cinema, was an underground movement of filmmakers in Iran that began in 1969, with the explicit aim of creating a fully independent cinema opposed to the mainstream “Filmfarsi” in both form and content, methods and ideals. Where the better-known, contemporaneous Iranian New Wave predominantly consisted of foreign-educated, Tehran-based middle-class filmmakers, *Cinema-ye Azad *consisted of self-taught filmmakers, sharing resources and knowledge with one another to bring the possibility of cultural production to disadvantaged provinces. At its height, *Cinema-ye Azad* boasted hundreds of active members, a critical magazine and festivals around the country, but the dream was short-lived as the movement ceased activities after the revolution. Its works, however, are being rediscovered thanks to the dedication of curators and archivists in London and Iran. As part of this year's UCLA Celebration of Iranian Cinema, the Archive is pleased to present two screenings highlighting the films of two key *Cinema-ye Azad* figures, Nasib Nasibi and Behnam Jafari.

To learn more, read “Between Myth and Reality” in *Documentary Magazine*, written by co-curators Hadi Alipanah, Arta Barzanji and Shaghayegh Raoufi.

 *Program curated by *Arta Barzanji and Shaghayegh Raoufi with research and archival support from Hadi Alipanah. *Film notes written by Hadi Alipanah, Arta Barzanji and Shaghayegh Raoufi.*

A report on historical buildings, legends and traditions along the route from Isfahan to Shiraz, passing through regions including Mahyar, Shahreza, Ziaratgah, Aminabad, and Izadkhast. The film mixes documentary observation with the poetic vision seen in Nasib Nasibi’s later works.

DCP. Director: Nasib Nasibi. Screenwriters: Nasib Nasibi, Abbas Nalbandian. With: Bahram Ardabili.

*How Frightening Is the Darkness of the Soul!* is an avant-garde film poem about drowning in a world of madness in search of true liberation. It highlights the close connections between literary and theatrical circles and the filmmaker's approach to avant-garde cinema. Initially, the main character attempts to escape the monotony of daily life by immersing herself in a world of madness. The film is a journey through the path she takes.

Director: Nasib Nasibi.

Screenwriters: Nasib Nasibi, Abbas Nalbandian. With: Mahvash Bargi, Farhad Majd Abadi, Shokooh Najm Abadi.

Cinema-ye Azad: Nasib Nasibi

Hammer Museum

Join us for a launch event to celebrate the release of Nick Thorburn&#x27;s new book from Fantagraphics, *Pear Shape*. Featuring Nick Thorburn and special guests Giovanni Marks, Jesse Moynihan, and Nick Edwards!

Nick Thorburn: Pear Shape Book Launch

Heavy Manners Library

### **ABOUT THE FILM:**

Mikio Naruse’s final silent film is a gloriously rich portrait of a waitress, Sugiko, whose life, despite a host of male admirers and even some intrigued movie talent scouts, ends up taking a suffocatingly domestic turn after a wealthy businessman accidentally hits her with his car. Featuring vividly drawn characters and bold political commentary, STREET WITHOUT END is the grandly entertaining silent melodrama with which Naruse arrived at the brink of the sound era.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of National Film Archive of Japan Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

STREET WITHOUT END

### **ABOUT THE FILM:**

*In German, Norwegian, French, Swedish and English with English narration.*

*“EDVARD MUNCH is the most personal film I have ever made. Its genesis lies in a visit to the Edvard Munch Museum in Oslo, in 1968, during the time of a screening of several of my films by the Oslo University. I was awestruck by the strength of Munch’s canvases, especially those depicting the sad life of his family, and was very moved by the artist’s directness – with the people in his canvases looking straight at us. I also felt a personal affinity with his linking of past and present, e.g., in the large painting showing the anguish of his family as his sister Sophie is dying: the artist and his brothers and sisters are depicted as adults – as they were in the 1890s when he painted this scene – even though the event had taken place ca. 20 years earlier. On another occasion, I was also very moved by Munch’s masterpiece ‘Death of a Child,’ hanging in the National Gallery in Oslo; in this painting the artist is broken, and has, in an almost desperate frenzy, blurred the form of his earlier depiction of Sophie’s death. This painting, in its time, was attacked as being ‘incomplete’ – a charge which branded certain of his other works as well.*

*“It took me three years to persuade Norwegian TV (NRK) to fund this film, and in the end it only happened because Swedish TV convinced them to participate in a co-production.” – Peter Watkins*

FORMAT: DCP

COUNTRY: Norway/Sweden

‘Peter Watkins: An American Cinematheque Retrospective’

EDVARD MUNCH

### **ABOUT THE FILM:**

Philip Hartman’s priceless artifact of New York’s pre-gentrification East Village follows down-and-out jukebox operator Macabee Cohn, played with deadpan melancholy by David Brisbin, who wanders the cheap tenements, dive bars and derelict streets of the East Village in search of a mysterious woman in a striped dress.

“A forgotten eighties NYC movie is back, scuzzier and better than ever. NO PICNIC captures New York’s boho hipster Lower East Side on the edge of Reagan-era gentrification — and a new restoration just saved it from obscurity.” – David Fear, Rolling Stone

FORMAT: DCP

DISTRIBUTOR: The Film Desk

COUNTRY: USA

NO PICNIC

### **ABOUT THE FILM:**

Irene, unhappily married to her jealous husband Howard, imagines another life for herself in recurrent dreams of a fantasy lover. When Howard dies in a fire, these indulgent dreams morph into vivid visions where her late husband haunts her. The lines between reality and fantasy blur, and Irene finds herself trapped in a waking nightmare filled with lust, murder and mystery. 

FORMAT: 35mm

DISTRIBUTOR: Universal

COUNTRY: USA

‘Watch Local: Sex, Lies and… Fame at the Chateau Marmont’

THE NIGHT WALKER

Los Feliz Theatre

Cartoon Club

Indiana Jones and the Last Crusade

The Third Man

Desperate Living

New Beverly Cinema

Celebrating the 25th anniversary of Linklater's visionary philosophical exploration of dreams, consciousness, and the nature of reality!

Richard Linklater's WAKING LIFE (2001) — 25th Anniversary!

Philosophical Research Society

**Screenwriters**: Hayao Miyazaki, Neil Gaiman

**Producer**: Toshio Suzuki

From the legendary Studio Ghibli, creators of *Spirited Away*, and Academy Award®-winning director Hayao Miyazaki, comes an epic masterpiece that has dazzled audiences worldwide with its breathtaking imagination, exhilarating battles, and deep humanity.

Inflicted with a deadly curse, the young warrior Ashitaka heads west in search of a cure. There, he stumbles into a bitter conflict between Lady Eboshi, the proud people of Iron Town, and the enigmatic Princess Mononoke, a young girl raised by wolves, who will stop at nothing to prevent the humans from destroying her home and the forest spirits and animal gods who live there.

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Princess Mononoke (English Dubbed)

**Screenwriter**: John Michael Hayes from the stage play by Lillian Hellman

**Producers**: Robert Wyler, William Wyler

Bring your hankies for William Wyler&#8217;s provocative and powerful film adaptation of Lillian Hellman&#8217;s heartbreaking story of homophobia and slander, starring icons Audrey Hepburn and Shirley MacLaine.  Longtime friends Martha (Shirley MacLaine) and Karen (Audrey Hepburn) run a boarding school for girls. When an unruly child, Mary, is punished for lying, she concocts a story that Karen and Martha are having a lesbian relationship. As homophobic hysteria hits, parents begin to pull their kids from the school and the two embark to clear their names from the rumors. Nominated for five Academy Awards, this classic was pushing the envelope at a buttoned up time in American history and paved the way for more queer cinema to hit the theaters as the 60s and morality loosened over the next decade.

**Picks from the Video Store**

Take home more Shirley MacLaine classics from her whole incredible career tonight on glorious physical media!

*Sweet Charity, What a Way to Go!, Steel Magnolias, Bernie*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Children’s Hour

**Screenwriter**: Boots Riley

**Producers**: Aaron Ryder,  Andrew Swett,  Allison Rose Carter,  Jon Read,  Boots Riley

Get your eyeballs and brain ready for maximum explosiveness as Boots Riley&#8217;s newest inventive, hilarious, surreal, stylish, stop-motion-sprinkled, and utterly singular masterpiece hits our microcinema in all its dazzling propagandistic glory! The fashion, the fun, the gonzo satire &#8211; it&#8217;s the wildest ride in cinema this year and an absolute revelation for those of us who have been craving the return of originality to filmmaking. Keke Palmer heads a crew of professional fashion boosters out to resell expensive clothes at a discount, but when a fashion maven (Demi Moore at her bitchy best) vows to take them down, and an unexpected guest with a magical gadget appears &#8211; their quest begins to turn global. Boots Riley solidifies his place among America&#8217;s most inventive auteurs with yet another brilliantly bonkers but perennially relevant capitalist critique that will keep you laughing, gagging (at the FASHION), and cheering throughout.

I Love Boosters

**Screenwriters**: David Koepp,  Robert Towne

**Producers**: Tom Cruise,  Paula Wagner

Brian De Palma and Tom Cruise team up for the first installment of this blockbuster spy series and all the twists and turns are heading to our big screen! When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he&#8217;s surprised to learn that he&#8217;s the prime suspect. To clear his name, Hunt now must ferret out the real double agent and, in the process, even the score. Made 30 years after the television series, and celebrating its 30 Year Anniversary this year, just as another sequel hits the first run theaters, this is a franchise that has 6 decades of history behind its explosive action!

**Picks from the Video Store**

Dive into the entirety of Brian De Palma&#8217;s catalog in his director&#8217;s section and take home these bangers and more!

*Body Double, The Fury, Bonfire of the Vanities*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Mission: Impossible

**Screenwriter/Producer**: John Waters

Join Vidiots as we head out to the trailer park for one of the trashiest films ever made and the quintessential cult classic that changed cinema forever. Sleaze-bag criminal Divine is dubbed by the tabloids &#8220;The Filthiest Person Alive&#8221; for her audacious and oft-disgusting exploits. Connie and Raymond Marble are a couple of kidnappers and baby merchants who will do anything to take down Divine and assume the title for themselves. But we all know no one can take down Divine or out-trash her and her foul family members. The midnight movie that brought bad taste to the mainstream, this offensive and hilarious trashterpiece put the Dreamland crew on the map and got Middle-America to watch underground film! Call your Egg Man and bring your gang to John Waters&#8217; masterfully offensive salute to filth!

**Picks from the Video Store**

Looking for more trashy underground weirdness? Our cult section can take you to some wild places from your couch!

*Thundercrack, Terminal Degeneration: The Films of Jon Moritsugu, Hard Ticket to Hawaii*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Pink Flamingos

**Screenwriters**: Ícaro Martins, José Antonio Garcia

Get your kicks in the microcinema with the coolest queer punk Brazilian soccer sex romp you&#8217;ve never seen! São Paulo, 1983: Women’s soccer has just been legalized in Brazil. A group of rebellious young women form the Gayvotas Football Club and begin training for their first match. But as the team quickly becomes a media sensation, its members are forced to confront the prejudices of the conservative military dictatorship that they live under.

Banned shortly after its premiere at the 1983 São Paulo International Film Festival and never released outside of Brazil until now, Ícaro Martins and José Antonio Garcia’s *Onda Nova: Gayvotas Football Club* is a defiantly queer and gleefully anarchic sex comedy that still packs a subversive punch (or kick?) all these years later. Join us to rediscover your new favorite swingin&#8217; raunchy rockin&#8217; sports movie!

Onda Nova

Vidiots

Disclosure Day (70mm)

Motel Hell/Terror at Red Wolf Inn

Vista Theatre

Los Angeles Filmforum, EZTV, and Hollywood Entertainment present Filmforum 50, program 14: The 21st Century Odyssey, with co-director Barbara T. Smith in conversation with Michael J. Masucci.

The film’s two chapters will be presented with a short intermission featuring international snacks from some of the countries visited in the film.

Program notes and complete info at: https://www.lafilmforum.org/

∆

*The 21st Century Odyssey* is a video travelogue through love, liberatory technology, social and personal mythology, and the pleasures and rigors of making life into art told in part through the pixelated beauty of the videophone. Though rarely screened, it is a rich and resonant chapter in the legendary Barbara T. Smith’s careerlong experiments with machine innovation. Her partnership with Kate Johnson and EZTV documents an epic befitting their shared goals of evolving and synthesizing video art and performance art’s past and future. The film’s patient veneration of the quotidian alongside the grand coupled with the ache of long-term romantic longing re-embodies the interpretive act of translating this two-year-plus durational performance project into its video form.

The film sees Smith from 1991 through 1993 sending photo messages to her lover, physician Roy Walford, while he is sealed inside the Biosphere 2 and serving as its resident physician. Highlighting the newly-available and newly-aesthetically-permeable availability of transmissions via broadcast and teleconference by the Electronic Cafe International in Santa Monica, the film spans four continents and even the subject’s college reunion. Smith and Johnson’s resulting document of a durational performance is a stirring and strange tale of Smith as Odysseus. Unlike her inspiration, she can reach her (doctor) Penelope via semi-frequent messages. But the resulting tensions of their avant-garde and at-times intangible communication creates new permeations of distance-via-intimacy that are being newly defined as they happen, resonating profoundly in the world that these pioneers created for us. This is documentary as video art, love as performance piece, and a must-see for admirers of Smith, Johnson, and EZTV.

Special thanks to Mara McCarthy and The Box.

Filmforum 50: Barbara T. Smith - The 21st Century Odyssey

2220 Arts + Archives

Bend It Like Beckham in 35mm

Shaolin Soccer in 35mm

Offside in 35mm

### **ABOUT THE FILM:**

Based on the daring campaigns of real-life British military figure T.E. Lawrence (Peter O’Toole, in his first feature) during WWI, this sweeping epic of Arab infighting and British colonialism won seven Academy Awards including Best Picture. The amazing cast includes Omar Sharif, Anthony Quinn, Jack Hawkins, Claude Rains and Alec Guinness as Prince Feisal.

FORMAT: 70mm

DISTRIBUTOR: Sony

COUNTRY: UK

‘Ultra Cinematheque 70 Fest 2026’ The American Cinematheque’s own pristine 70mm archival print!

LAWRENCE OF ARABIA in 70mm

### **ABOUT THE FILM:**

With 2001: A SPACE ODYSSEY, director Stanley Kubrick redefined the limits of filmmaking in this classic science fiction masterpiece. To begin his voyage into the future, Kubrick visits our prehistoric ape-ancestry past, then leaps millennia into colonized space, and ultimately whisks astronaut Bowman into uncharted realms of space, perhaps even into immortality.

FORMAT: 70mm

DISTRIBUTOR: Park Circus

COUNTRY: UK/USA

2001: A SPACE ODYSSEY in 70mm

Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as &#8220;The Filthiest Person Alive&#8221;.

**Introduced by screenwriter Bruce Wagner**

**Presented by Mezzanine & The Big One**

**Sunday, June 14**

Brain Dead Studios

611 N Fairfax Ave, Los Angeles, CA 90036
**Doors:** 7:30pm

**Film:** 8:00pm

We are thrilled to present a special screening of David Cronenberg’s pitch-black Hollywood satire—a portrait of Los Angeles as an inferno of narcissism, greed and sexual perversity—whose polarizing reception upon release has led to its contemporary reappraisal as a modern camp classic.

This event is presented with *The Big One*, a print-exclusive literary magazine featuring emergent and established Los Angeles writers. Issue No. 4, “Wellness & Reinvention,” features an interview with novelist, screenwriter, and producer Bruce Wagner, and will be sold at the event.

Wagner’s darkly comedic depictions of the intersections of fame, desire, desperation, and metaphysics draw from his own experiences living in Los Angeles, delivering transgressive, surreal, and sometimes cynical narratives. He is a conduit of Hollywood lore, having gone from chauffeuring stars as a local limo driver himself to portray Robert Pattinson portraying the limo driver in *MAPS TO THE STARS*, a screenplay Wagner wrote twenty-three years prior to its release. He sat down with *The Big One* to discuss Los Angeles literature, his legacy, and the film:

“It was something I wrote out of utter exasperation… I wrote MAPS TO THE STARS when I felt stillborn. I felt that everything had died, in essence, so I wrote something like a dream journal. I wrote something that I felt would be impossible to make into a film. Not that it wasn’t cinematic, but that it didn&#8217;t cohere or imitate or feel remotely compatible with Hollywood movies and even as an independent or a foreign film.” – Bruce Wagner

Special thanks to Johanna Stone and Gabrielle Sones (*The Big One*) and Darrell Brett.

“This is *MULHOLLAND DRIVE* for perverts.” – Ivy Wolk

“A vicious masterpiece.” – Daniel Goldhaber

Maps to the Stars with Bruce Wagner

**
[REGISTER FOR THIS SCREENING](https://www.eventbrite.com/e/ucla-celebration-of-iranian-cinema-behnam-jafari-tickets-1987863900438?aff=oddtdtcreator)**

**Please note**: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis.

Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons.

*__________*

*Cinema-ye Azad*, or Free Cinema, was an underground movement of filmmakers in Iran that began in 1969, with the explicit aim of creating a fully independent cinema opposed to the mainstream “Filmfarsi” in both form and content, methods and ideals. Where the better-known, contemporaneous Iranian New Wave predominantly consisted of foreign-educated, Tehran-based middle-class filmmakers, *Cinema-ye Azad *consisted of self-taught filmmakers, sharing resources and knowledge with one another to bring the possibility of cultural production to disadvantaged provinces. At its height, *Cinema-ye Azad* boasted hundreds of active members, a critical magazine and festivals around the country, but the dream was short-lived as the movement ceased activities after the revolution. Its works, however, are being rediscovered thanks to the dedication of curators and archivists in London and Iran. As part of this year's UCLA Celebration of Iranian Cinema, the Archive is pleased to present two screenings highlighting the films of two key *Cinema-ye Azad* figures, Nasib Nasibi and Behnam Jafari. 

To learn more, read “Between Myth and Reality” in *Documentary Magazine*, written by co-curators Hadi Alipanah, Arta Barzanji and Shaghayegh Raoufi.

*Program curated by **Arta Barzanji and Shaghayegh Raoufi with research and archival support from Hadi Alipanah. Film notes written by Hadi Alipanah, Arta Barzanji and Shaghayegh Raoufi.*

Every day, a young man plays his trumpet from the top of a half-finished building while facing the city. Ambiguous happenings around him suggest the outlines of what may lurk below the peaceful surface of society.

DCP. Director/Screenwriter: Behnam Jafari. With: Nematollah Gorji, Ahmad Amini, Hassan Seifi.

This satirical collage of Iranian cinema stages a confrontation between the ethos of the commercial “Filmfarsi” and the artistic ambitions of the New Wave cinema. In a direct reference to *Cinema-ye Azad*, the film ends with the arrest and exile of young amateur filmmakers from professional cinema.

DCP. Director/Screenwriter: Behnam Jafari. With: Khosrow Haritash, Said Oveissi, Zari Khoshkam.

This film follows the restless lives of two young pickpockets through the labyrinth of seedy streets and shadowy alleyways, in a world where every day ends in triumph or ruin.

DCP. Director/Screenwriter: Behnam Jafari. With: Davood Teymouri, Naser Tarighat, Ghazal Irandoust.

A social portrait of two young lovers that reflects the larger prejudices of society.

DCP. Director/Screenwriter: Behnam Jafari. With: Farhad pour Azam, Shirin Jannesari, Behrouz Razavi.

In his cinematic debut, Saeed Poursamimi plays a former inmate who frees a genie from a bottle. After thousands of years of captivity in the bottle, the genie finds himself in a world that has been completely transformed by its people’s beliefs. The two embark on a bitter journey to find the remnants of the forgotten magical realm. Director Behnam Jafari uses stark visuals and provocative metaphors to explore the impossibility of relying on traditional myths in the face of a new world.

DCP. Director/Screenwriter: Behnam Jafari. With: Saeed Poursamimi, Hamid Taati, Mohammad Poursattar.

Cinema-ye Azad: Behnam Jafari

**
[REGISTER FOR THIS SCREENING](https://www.eventbrite.com/e/ucla-celebration-of-iranian-cinema-checkpoint-1987-dead-end-1977-tickets-1987863933537?aff=oddtdtcreator)**

**Please note**: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis.

Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons.

During the height of the 1979 Iranian hostage crisis, a busload of Iranian college students returning to the U.S. after a field trip in Canada are thrown into political and legal limbo when they’re refused entry at the border. A ripped-from-the-headlines urgency drives writer-director Parviz Sayyad’s *Checkpoint* as the students split along factional lines in their struggle to reclaim their rights and dignity. Executive producer Mary Apick also leads a committed ensemble cast that never loses sight of the fragile, individual humanity ever at risk amid grand ideological clashes.

Director/Screenwriter: Parviz Sayyad. With: Mary Apick, Houshang Touzie, Parviz Sayyad.

This provocative film stars Mary Apick as a young woman who is drawn to a mysterious suitor haunting the dead-end street where she lives, only to discover that he is not what he seems and she and her family may be in danger. A giant of Iranian cinema, writer-director Parviz Sayyad rose to fame as the star of the commercial *Samad* film and television series before producing some of the key works of the Iranian New Wave, including films by Sohrab Shahid Saless, Ebrahim Golestan and Dariush Mehrjui. Based on a short story by Anton Chekhov, *Dead End* plays with themes of voyeurism and surveillance in a society on the verge of radical transformation. 

DCP. Director: Parviz Sayyad. Screenwriter: Parviz Sayyad, Houshang Baharlou. With: Mary Apick, Parviz Bahador, Apick Yousefian.

Checkpoint / Dead End

### **ABOUT THE FILM:**

When fate brings together three hapless men—an unemployed disc jockey (Tom Waits), a small-time pimp (John Lurie) and a strong-willed Italian tourist (Roberto Benigni)—in a Louisiana prison, a singular adventure ensues. Described by Jarmusch as a “neo-Beat noir comedy,” DOWN BY LAW is part nightmare and part fairy tale, featuring sterling performances and crisp black-and-white cinematography by the esteemed Robby Müller.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: USA

DOWN BY LAW

### **ABOUT THE FILM:**

*In Danish and Swedish with English subtitles.*

Bo Widerberg reached new heights of visual lyricism with this sublime retelling of a real-life nineteenth-century romantic tragedy. Bound by their all-consuming desire, a young circus tightrope walker (Pia Degermark) and a lieutenant (Tommy Berggren) with a wife and children forsake everything to be together and escape to the countryside—only to see their lovers’ idyll gradually give way to poverty and desperation. With its painterly, sun-dappled images and indelible use of Mozart’s Piano Concerto no. 21, this 1960s art-house sensation is the most ravishing expression of Widerberg’s recurring theme of the tension between individual freedom and social responsibility.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: Sweden

L.A. Theatrical Premiere of New Restoration ‘Bo Widerberg: An American Cinematheque Retrospective’

ELVIRA MADIGAN

### **ABOUT THE FILMS:**

**DEKALOG: ONE, 1988, Dir. Krzysztof Kieślowski, 56 Mins, Janus Films, Poland**

*In Polish with English subtitles.*

Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.

FORMAT: DCP

**DEKALOG: TWO, 1988, Dir. Krzysztof Kieślowski, 59 Mins, Janus Films, Poland**

*In Polish with English subtitles.*

Dorota is in love with two men: her gravely ill husband, Andrzej, and a fellow musician who is the father of her unborn child. Andrzej’s doctor, himself no stranger to loss, is Dorota’s downstairs neighbor; she implores him to swear to a prognosis for her husband, and in doing so puts a very serious decision into his hands.

FORMAT: DCP

### **ABOUT THE EVENT:**

**DEKALOG, 1988, Dir. Krzysztof Kieślowski, Janus Films, Poland**

This masterwork by Krzysztof Kieślowski is one of the twentieth century’s greatest achievements in visual storytelling. Originally made for Polish television, DEKALOG focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time. Shot by nine different cinematographers, with stirring music by Zbigniew Preisner and compelling performances from established and unknown actors alike, DEKALOG arrestingly explores the unknowable forces that shape our lives.

Introduction by film critic, educator and scholar Doug Cummings Co-presented with the Polish Cultural Institute New York ‘Krzysztof Kieślowski: An American Cinematheque Retrospective’

DEKALOG: ONE & TWO

### **ABOUT THE FILM:**

Upon its 1984 premiere at the height of global nuclear tension, THREADS shocked the entirety of the BBC’s viewership. Months later, it became the most-watched cable program in American history. Exactingly directed by Mick Jackson (VOLCANO) from a screenplay by Barry Hines (Ken Loach’s KES), this graphic docudrama depicts the unraveling of society after the working-class city of Sheffield, UK undergoes nuclear attack. With talk of nuclear conflict back in the news, the time is now for audiences with fortitude to experience and absorb this shattering vision on the big screen.

FORMAT: DCP

DISTRIBUTOR: AGFA

COUNTRY: UK

Brand-new 4K Restoration by Severin Films

THREADS

Join Julia Voss and Daniel Birnbaum in a talk discussing Hilma af Klint as a lens to examine Wassily Kandinsky and more.

Hilma af Klint and Wassily Kandinsky: Dreams of the Future ONLINE EVENT!

The LA premiere of the new restoration of the wonderful TALLY BROWN, NEW YORK + a cult gem starring fellow Warhol superstar Holly Woodlawn!

TALLY BROWN, NEW YORK (LA Premiere!) + SCARECROW IN A GARDEN OF CUCUMBERS!

A group of former child stars reunites to perform at a fan convention where mysterious products promising confidence, popularity, and belonging begin appearing everywhere. As backstage tensions rise and old insecurities resurface, the masks they wear begin to slip, forcing the performers to confront who they are both onstage and off.

Created by The Miracle Project, _Unmasked_ is an original theatrical production featuring neurodivergent, neurotypical, disabled, and nondisabled artists ages 5–65. Blending comedy, original music, live performance, and film, the production brings together performers from across The Miracle Project’s programs in a bold exploration of identity, performance, and self-acceptance.

_Unmasked_ will be presented in two performances on Sunday, June 14. Both performances feature the same core storyline while highlighting different members of The Miracle Project community through unique sketches, musical numbers, and performance pieces. Audience members are encouraged to attend both shows for the full experience and can join us for a cast celebration and community gathering between performances. Discounted ticket packages are available for attendees purchasing tickets to both performances.

* * *

**ABOUT THE MIRACLE PROJECT**

The Miracle Project is a fully inclusive theater, film, and expressive arts organization that supports neurodivergent, disabled, and nondisabled individuals in developing communication, social, and creative skills through collaborative artistic experiences. Programs serve participants of diverse communication styles, support needs, and experience levels, including individuals who are minimally speaking or nonspeaking.

In addition to in-person programming in Los Angeles, The Miracle Project offers virtual classes that connect participants from across the country through collaborative theater, music, film, and improvisation projects.

Learn more at [The Miracle Project](https://www.themiracleproject.org/)

_Support for_ Unmasked _is provided in part by the National Endowment for the Arts._

THE MIRACLE PROJECT: UNMASKED

The Wallis

**Screenwriters**: Michael J. Wilson,  Michael Berg,  Peter Ackerman

**Producer**: Lori Foote

Get ready for some prehisterical fun as we head back in time with this icy animated classic with a motley crew of sub-zero heroes. Twenty-thousand years ago, Earth was a wondrous, prehistoric world filled with great danger, not the least of which is the beginning of the Ice Age. To avoid a terrible frostbite, the planet&#8217;s majestic creatures &#8211; and a few small, slothful ones &#8211; begin migrating south. The story revolves around sub-zero heroes: a woolly mammoth, a saber-toothed tiger, a sloth and a prehistoric combination of a squirrel and rat, known as Scrat. Bundle up in your coziest winter clothes and get ready to head back in time for tons of frosty fun!

**Picks from the Video Store**

Take home tons of obscure kiddo classics tonight on DVD and Blu-Ray!

*The Point, The Pagemaster, Cloak and Dagger*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Ice Age

**Screenwriters**: Kit Hesketh-Harvey,  James Ivory from the novel by E.M. Forster

**Producer**: Ismael Merchant

Come swoon with us as Hugh Grant grapples with his homosexuality in Edwardian England in Merchant and Ivory&#8217;s dreamy adaptation of the E.M. Forster novel. Set against the stifling conformity of pre-World War I English society, *Maurice* is a story of coming to terms with one&#8217;s sexuality and identity in the face of disapproval and misunderstanding. Maurice Hall (James Wilby) and Clive Durham (Hugh Grant) find themselves falling in love at Cambridge. In a time when homosexuality is punishable by imprisonment, the two must keep their feelings for one another a complete secret. After a friend is arrested and disgraced for the unspeakable vice of the Greeks, Clive abandons his forbidden love and marries a young woman. Maurice, however, struggles with his identity and self-confidence, seeking the help of a hypnotist to rid himself of his undeniable urges. But while staying with Clive and his shallow wife, Anne, Maurice is seduced by the affectionate and yearning servant Alec Scudder (Rupert Graves), an event that brings about profound changes in Maurice&#8217;s life and outlook.

**Picks from the Video Store**

Take home more remarkable masterpieces from Merchant and Ivory!

*I Know Where I&#8217;m Going, Black Narcissus, A Matter of Life and Death*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Maurice

**Screenwriter:** Jim Jarmusch

**Producers:** Richard Guay, Jim Jarmusch

Co-Presented by **Synth History **with physical media giveaways from **Sacred Bones!**

This eccentrically postmodern take on the hit-man thriller finds director Jim Jarmusch combining his love for the ice-cool crime dramas of Jean-Pierre Melville and Seijun Suzuki with the philosophical dimensions of samurai mythology. In one of his defining roles, Forest Whitaker brings a commanding serenity to his portrayal of a Zen contract killer working for a bumbling mob outfit, a modern man who adheres steadfastly to the ideals of the Japanese warrior code even as chaos and violence spiral around him. Featuring moody cinematography by the great Robby Müller, a mesmerizing score by the Wu-Tang Clan’s RZA, and a host of colorful character actors (including a memorably stone-faced Henry Silva), *Ghost Dog: The Way of the Samurai* plays like a pop-culture-sampling cinematic mixtape built around a one-of-a-kind tragic hero.

**Picks from the Video Store**

Take home ALL the Jim Jarmusch you can watch on Blu-Ray and DVD &#8211; We&#8217;ve got them all!

*Stranger Than Paradise, Mystery Train, Limits of Control*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Ghost Dog: The Way of the Samurai

***Miss Video 4 You*** is an alternative video distribution network. For every 10 videos Miss Video receives, she compiles the videos onto a single USB. She then makes 10 copies of this USB for distribution to each contributor. The USB is mailed back to all contributors. This is how the *videochainletter* is created, a term from the past, when feminist activists and video artists would share local news and short films using VHS tapes and snail mail. **Third Transmission** is MV4u's third video chainletter. With each iteration of these video compilations, we aim to showcase work from different generations, localities, and styles. Works shown in the Third Transmission span nearly 50 years, connecting 10 artists across 10 towns, 2 oceans, 3 countries. It has its own voice and tone that make it stand out from the previous chain letters, and we look forward to the new direction that future iterations will take from here.

‍

## Program:

*************‍****Babylon* (2023 Berlin, Germany) by **Alicia Nieto‍***The Great Path to a Foreign Body* (2026 São Paulo, Brazil) by ***Lau Mota‍****Snooping* (Richmond, USA) by **Lenny Farinholt‍***Who Do You Think You Are* (1986 Saunderstown, USA) by **Mary Filippo**‍*Prelude* (2025 New York, USA) by **Paulina Jamieson‍***Another Great Day* (1980, New York, USA) by **Ruth Peyser‍***Embryonic* (2023 Ann Arbor, Michigan) by **Jackie Blue‍***Shifting Borders* (2025 Middletown, USA) by **Tess Usher & Frances Mitchler‍***Los Angeles Movie* (2025 Los Angeles, USA) by **Ankha Cros-Roig‍**The Red 70s (2015 Cedar Rapids, USA) by **Derek Caterwaul**

‍

‍

## SUNDAY, 6/147:30P DOORS8:00P SCREENING

‍

$12 general admission, $11 for members.

‍

*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*

Miss Video 4 U

WHAMMY!

Rotations presents Caroline Golum's *Revelations of Divine Love*. Post-screening Q+A with director in person!

See trailer at the Rotations website: https://rotations-la.net/screenings/comingsoon

∆

An irreverent biopic vividly realized through fantastic psychedelia and handmade sets with an ever-topical feminist approach, *Revelations of Divine Love* is inspired by and adapted from the memoir of 14th-century mystic and philosopher Julian of Norwich and an account of religious ecstasy, plague, and revolt considered to be the first book to be authored by a woman in English.

The film envisions the life of Julian in the lead up to her anchorage—through her illness and the onset of her godly visions—and follows her through the years as she indulges in her desire to write and becomes a revered and holy figure to those in her town and beyond the city walls.

∆

Preceded by: Three Mystics, 9m, 2023, Greece

Ioanna Filippopoulou

Three Mystics is a filmic essay referring to the spiritual journeys of three historical figures: Sufi poetess Rabia al Basra, esoteric writer Marguerite Porete, a Christian, and Lingayat Akka Mahadevi. Each mystic’s ritual is reflective of her devotion to her deity, showcasing how different religions all thread in common divine love.

∆

Q&A with director Caroline Golum & Larisa Grollemond, Associate Curator of Manuscripts, Getty Museum

Rotations: Caroline Golum's Revelations of Divine Love

You’ve heard the whispers. You’ve seen the hype. Now experience the horror phenomenon that has audiences obsessed. Come see what everyone is talking about&#8230;or come back because you love this movie more than anything in the whole f***ing world!

Obsession

### **ABOUT THE EPISODES:**

**Part 3, 2017, Dir. David Lynch, 58 Mins, Paramount, USA**

Call for help.

FORMAT: DCP

**Part 4, 2017, Dir. David Lynch, 56 Mins, Paramount, USA**

…brings back some memories.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS: THE RETURN, 2017, Paramount, USA**

Directed entirely by David Lynch, this 18-part limited event series picks up 25 years after the residents of a quaint northwestern American town were stunned when their homecoming queen, Laura Palmer, was shockingly murdered. TWIN PEAKS: THE RETURN is written and executive produced by series creators David Lynch and Mark Frost, and is executive produced by Sabrina S. Sutherland.

TWIN PEAKS: THE RETURN Parts 3 & 4

### **ABOUT THE FILM:**

*In Danish with English subtitles.*

*“In October 1975, I was invited by Stig Björkman, a Swedish filmmaker in charge of production for the Danish Film Institute, to begin research on a feature film which was to be funded chiefly by the Institute, and two private producers, Steen Herdel and Ebbe Preisler. Together with Danish director/writer Poul Martinsen and journalist Carsten Clante, we co-wrote the script of what became EVENING LAND. Like most of my other films, this one involved extensive research, a brief outline, and almost no written dialogue. I began filming in March 1976 – with a cast of 192 non-professional actors, and Joan Churchill (PUNISHMENT PARK) as cinematographer. EVENING LAND depicts ‘fictional’ events in Europe at that time – beginning with a strike at a shipyard in Copenhagen over the building of four submarines for the French navy: not only because the financially troubled management has proposed a wage freeze to secure the contract, but because it is discovered that the vessels can be fitted with nuclear missiles. At the same time, a summit meeting of European Common Market ministers takes place in Copenhagen, and a group of radical demonstrators kidnap the Danish EEC Minister in protest against the production of nuclear submarines in Denmark, and in support of the strikers’ demands. The Danish police not only brutally attack a demonstration by the strikers, they also locate and rescue the kidnapped minister, and capture or kill the ‘terrorists.'” – Peter Watkins*

FORMAT: DCP

COUNTRY: Denmark

50th Anniversary ‘Peter Watkins: An American Cinematheque Retrospective’

EVENING LAND

The Stone Killer / Newman’s Law

**Screenwriter**: Alan Jay Lerner

**Producer**: Arthur Freed

Put on your dancing shoes and join us for Vincente Minnelli&#8217;s infectiously joyous and exuberant musical with some of the most eye-popping musical numbers ever staged with dance icons Gene Kelly and Leslie Caron. Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who&#8217;s a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art. A gorgeous Technicolor confection of music, dance, and romance, this slice of movie magic never loses its step! Screened on a beautiful IB Technicolor 16mm print from the generously donated James Hollander collection.

**Movie Den** is a community initiative generously supported by **Golden Globe Foundation.******

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

An American in Paris on 16mm

They Shoot Horses, Don't They?

Los Angeles Filmforum, Black Revivalist, and CaribbeanLens Film Festival are proud to present a double feature of films by French-Martinican playwright and filmmaker Julius-Amédée Laou. We’ll be screening Laou’s 2002 film *French Wedding, Caribbean Style* along with his 1987 film *The Old Sorceress and the Valet*. Both films will feature a pre-recorded introduction by the filmmaker!

Full info: http://www.lafilmforum.org

∆

In *French Wedding, Caribbean Style*, a supposedly joyful interracial wedding descends into chaos when long-buried prejudices and family secrets rise to the surface. Shot on self-reflexive MiniDV by the bride’s cocky younger brother, what begins as a lighthearted summer affair turns nightmarish as scandal threatens to destroy the unlikely couple’s big day.

The *Old Sorceress and the Valet* follows Eugénie and Armand, an elderly couple who have lived in Paris since 1921 as part of the wave of post-war immigration from Martinique. Eugénie, a former dancer with Josephine Baker’s Black Revue, has become a professional quimboiseuse, practising black magic for a white clientele. Armand, who had been a servant, is retired. Now, they are both old and bitter, still quarreling with each other. One day, they set out arm-in-arm for one last walk through the metropolis, confronting their past, their stifled dreams, and long-kept secrets.

Julius-Amédée Laou, born on February 9th, 1950, is a distinguished filmmaker, playwright, theatre director, and writer. Hailing from Paris with Martinican roots, Laou made his mark with the short films *Open Mic Solitaire* and *Mist Melodies in Paris*. He later expanded his cinematic vision with two notable feature films: *The Old Sorceress and the Valet* (1987) and *French Wedding, Caribbean Style* (2002).

A compelling voice representing the Caribbean diaspora, Laou masterfully blends sharp-witted comedy to unveil the stark contrasts of a Black individual's experience in France. His films, imbued with fervent outrage, range from the fiery and thought-provoking to the tranquil and comical.

Program curated by Camm Harrison. Flier by Jay Curry.

Thanks to Julius-Amédée Laou, Guillaume Launay of TALITHA, and Steve Macfarlane for their support in making this event possible.

A Night of Films by Julius-Amédée Laou

Pom Poko

Notorious with Guillermo del Toro

### **ABOUT THE FILM:**

Fading TV star, Rick Dalton, played by Leonardo DiCaprio and his best friend and stunt double, played by Brad Pitt, struggle to find work in the final years of Hollywood’s Golden Age Los Angeles. As they navigate an industry they hardly recognize, Rick dreams of befriending neighbors Sharon Tate and Roman Polanski in hopes they can revive his career, while Booth encounters the hippies of Spahn Ranch.

FORMAT: 70mm

DISTRIBUTOR: Sony

COUNTRY: USA

ONCE UPON A TIME... IN HOLLYWOOD in 70mm

Antenna Releasing and Pure Cinema Podcast present “Weird, Wild, and Wonderful Wednesdays” at Braindead Studios, a collaboration between the newest indie distributor on the block and the official podcast of Quentin Tarantino’s New Beverly Cinema – invading the coolest spot to see underground movies on the West Side. Next up: the West Coast Premiere of the restoration of Takashi Miike&#8217;s long sought after 2001 classic, *Visitor Q*.

Join Pure Cinema hosts Elric Kane and Brian Saur as they present this newly restored work from the acclaimed master behind classics like *Audition* and *Ichi the Killer*, among others.

A deeply dysfunctional family is pushed to the brink when a mysterious stranger enters their home, unleashing long-suppressed tensions and laying bare their most disturbing taboos. His silent presence sets off a series of shocking transformations, compelling each member to confront their darkest impulses.

Blending pitch-black humour with razor-sharp social commentary, *Visitor Q* fearlessly explores subjects such as incest, necrophilia, and bullying, laying bare the absurdity, cruelty, and unexpected resilience of modern family life. Shot in just five days on raw MiniDV, it stands as one of Takashi Miike’s most audacious and unforgettable films.

Visitor Q

**12PM**
Bosnia-Herzegovina vs. Qatar

Switzerland vs. Canada

**3PM**
Scotland vs. Brazil

Morocco vs. Haiti

**6PM**
Czechia vs. Mexico

South Korea vs. South Africa

Watch the 2026 FIFA Men's World Cup live at the Hammer—on big screens, with friends and fellow fanatics, in an indoor/outdoor setting where art and sport come together. Between matches, explore our free exhibitions, shop the store, or grab a bite at our restaurant. Outside food and non-alcoholic beverages are allowed.

Admission is free. Seating is on a first come, first served basis.

**11AM** Doors open
**12PM** Kickoff

[Let us know you're coming!](https://rsvp.zkipster.com/_meek71)

World Cup Watch Party

### **ABOUT THE FILMS:**

**“The Web,” 1956, Dir. Peter Watkins, 20 Mins, UK**

A reconstruction of the Allied landing in occupied France during the Second World War.

FORMAT: DCP

**THE GLADIATORS, 1968, Dir. Peter Watkins, 105 Mins, Sweden**

*In English, Cantonese, French, German and Swedish with English subtitles.*

*“The growing professional isolation which followed the banning of THE WAR GAME, as well as the vicious critical attacks on PRIVILEGE made me rather inclined to leave the UK. I was finally able to do so, and began what became permanent exile from my own country, when I was approached by Sandrews in Stockholm. Sandrews was a major cinema distributor and at that time a production company (they were producing two films by Susan Sontag); they had just premiered THE WAR GAME in Stockholm, and offered to produce any film I chose to make. Nicholas Gosling, a young writer, joined me in developing a script for what became my second feature film. THE GLADIATORS is a bleak satire set in the near future, in which the major powers of the world, East and West, aligned and non-aligned, recognize the possibility of a major world war within our lifetime, and try to forestall it by channeling man’s aggressive instincts in a more controllable manner. They do this by forming an International Commission along the lines of the United Nations, dedicated to fighting a series of contests between teams of selected soldiers from each country. These competitions, which can be fought to the death, are called ‘Peace Games’, and are broadcast on global television via satellite – complete with sponsors and commercials. The film follows Game 256, which is being ‘played’ in the International Peace Game Centre near Stockholm, under the controlling eye of a highly sophisticated computer, hired out to the International Commission by the (neutral) Swedish Army. The international group of officers watching Game 256 decide to eliminate a man and a woman from opposing teams who reach out to each other, because they decide that such forms of communication would be the gravest threat of all to the stability of the existing world-system.” – Peter Watkins*

FORMAT: DCP

"The Web" / THE GLADIATORS

### **ABOUT THE FILM:**

Ira Levin’s cat-and-mouse Broadway suspense smash about a playwright’s deadly game of murder gets diabolically comic screen treatment.

FORMAT: 35m

DISTRIBUTOR: Park Circus

COUNTRY: USA

Introduction by filmmaker and screenwriter Bryan Fuller ‘Hollywood Pride Presents INT. Movie Theatre’

Bryan Fuller Presents DEATHTRAP

Harmony Holiday hosts an evening with Georgia Anne Muldrow, Imani Archer, and Bernard Brown reflecting on the tension between the spectacles of grief projected onto black fame and performance in contrast to their roots in black folk traditions. Drawing from her own life experience and her research into black grief threaded throughout the show, Holiday will lead a discussion about navigating public and private loss as a daughter of a celebrated musician. Holiday is joined in conversation by Georgia Anne Muldrow–singer, songwriter, and producer whose father Ronald Muldrow was a jazz guitarist–and Imani Archer–emerging singer-songwriter, and the only daughter of D’Angelo. The evening will close with an in-progress showing of “D’Angelo Elegies,” a new dance in dialogue with the music and life of the late singer that Holiday has developed throughout the run of the exhibition in collaboration with dancer and choreographer Bernard Brown.  

This program is part of the exhibition [*Harmony Holiday: Spectacular Brooding*](https://www.redcat.org/events/2026/harmony-holiday).

D'Angelo Elegies

REDCAT

**Screenwriter**: Richard Kelly

**Producer**: Sean McKittrick, Nancy Juvonen, Adam Fields

*I hope that when the world comes to an end, I can breathe a sigh of relief, because there will be so much to look forward to. *Lose track of time and your mind with this twisted fantasy of anarchic rabbits, vortexes, time-travel, and adolescent angst. After narrowly escaping a bizarre accident, Donnie is haunted by a giant rabbit that urges him towards chaos and violence as the end of the world approaches and strange occurrences run rampant. With a slow start at the box office, but a dedicated fanbase that continued to grow, *Donnie Darko* is truly the first cult classic of the century.

**Movie Den** is a community initiative generously supported by **Golden Globe Foundation.******

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

Donnie Darko

**Screenwriter**: Aleshea Harris

**Producers**: Tessa Thompson,  Kishori Rajan,  Riva Marker,  Janicza Bravo,  Aleshea Harris

Summer is just getting started and we&#8217;ve got one hell of a roadtrip planned for you with Aleshea Harris&#8217; miraculous debut feature &#8211; a vengeance film so incendiary and kick-ass, we had to bring it back for more! In *Is God Is*, two sisters embark on an epic quest for revenge, confronting a charged family history that will push them to extraordinary lengths. The film is Aleshea Harris’ directorial debut and is based on Harris’ adaptation of her award-winning play of the same name.

Is God Is

Death Valley

Lightstruck presents *Jordan Belson: Knowledge Beyond Words pgm I.*

On June 25 and July 9, Lightstruck is honored to present two evenings devoted to one of cinema's unparalleled visionaries – Jordan Belson – an artist and filmmaker whose singular body of work has justifiably been the subject of devoted contemplation and ecstatic appreciation for over six decades. Belson's films defy concrete description, which is part of their deep and personal appeal, hinting as they do at "a knowledge that is beyond words", as Belson once told writer and curator Raymond Foye (to whom we are greatly indebted for being able to present these programs). While his earliest films embodied more familiar aspects of mid-century non-objective visual art, the early 1960s marked a radical shift into intensely mystical and elusive imagery – achieved largely through Belson's own remarkable photographic techniques – to give miraculous form to the innermost regions of imagination and consciousness.

For our first program, Lightstruck is excited and honored to welcome independent curator and scholar Raymond Foye in person for an illustrated talk on Belson and his art, informed in part by their many conversations over the last five years of Belson’s life. In addition to organizing exhibits of Belson’s paintings and drawings, Foye has been working with the Belson estate to preserve and restore his films photochemically as well as digitally. Following the presentation, we are thrilled to project an exhilarating selection of seven beautiful new 16mm prints, courtesy of the Belson estate and Raymond Foye.

Following the introductory illustrated lecture, the films screening in this program are: Caravan (1952), Allures (1961), Phenomena (1965), Samadhi (1967), World (1970), Meditation (1971), and Chakra (1972).

Huge thanks to (and all films courtesy of) Raymond Foye and the Jordan Belson estate. Notes and program by Zena Grey and Mark Toscano.

Lightstruck: Jordan Belson – Knowledge Beyond Words (I)

Shadow of a Doubt with Guillermo del Toro

Two men share an odd friendship while they care for two women who are both in deep comas.

Talk to Her

**1PM**
Curaçao vs. Ivory Coast

Ecuador vs. Germany

**4PM**
Japan vs. Sweden 

Tunisia vs. Netherlands

**7PM**
USA vs. Türkiye

Watch the 2026 FIFA Men's World Cup live at the Hammer—on big screens, with friends and fellow fanatics, in an indoor/outdoor setting where art and sport come together. Between matches, explore our free exhibitions, shop the store, or grab a bite at our restaurant. Outside food and non-alcoholic beverages are allowed.

Admission is free. Seating is on a first come, first served basis.

**12PM** Doors open
**1PM** Kickoff

[Let us know you're coming!](https://rsvp.zkipster.com/_v991xm)

### **ABOUT THE FILM:**

Early 18th century England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving.  A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at return to her aristocratic roots.  As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfil her ambitions and she will not let woman, man, politics or rabbit stand in her way.

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: Ireland/UK/USA

Pre-recorded introduction by filmmaker and screenwriter Andrew Ahn ‘Hollywood Pride Presents INT. Movie Theatre’

Andrew Ahn Presents THE FAVOURITE

Creature from the Black Lagoon 3-D / It Came from Outer Space 3-D

We&#8217;re cranking up the 16mm projector for another program of celluloid rarities and in honor of Pride month, we&#8217;re going queer as f@$k with ***Sweet****** 16mm: Revolutionary Queer Cinema* &#8211; **a program of groundbreaking and jaw-dropping short films from the 1930s &#8211; 1970s that not only challenged the norms of gender and sexuality but of form and fluidity of filmmaking, including works by Jean Genet, Barbara Hammer, Coni Beeson, James Sibley Watson, and more! Films include Jean Genet&#8217;s ***Un Chant D&#8217;Amour ***(1950), full of homoerotic visual poetry, Barbara Hammer&#8217;s ***Dyketactics ***(1974), a super fun romp of Sapphic delights, Coni Beeson&#8217;s gorgeous ***Holding*** (1970) merging the erotic with experimental cinema, and James Sibley Watson&#8217;s pre-code breathtaking expressionistic ***Lot in Sodom ***(1933). With a few special surprises, and a secret pre-show for the early birds. Everything screened on 16mm film featuring prints generously on loan from [Canyon Cinema](https://canyoncinema.com).

Sweet 16mm: Revolutionary Queer Cinema

But I'm a Cheerleader

North by Northwest with Guillermo del Toro

There's No Business Like Show Business

### **ABOUT THE FILM:**

During disco’s 1970s heyday, 17-year-old busboy Eddie Adams is looking for a break when he is spotted by veteran porn director Jack Horner. Horner rechristens Eddie ‘Dirk Diggler’ and makes him a star of adult cinema. Enjoying his new-found fame and a hedonistic lifestyle to match, Eddie is little prepared for the changes in the porn industry that are to come with the arrival of the 1980s and the rise of video tape.

FORMAT: 70mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

BOOGIE NIGHTS in 70mm

Three months after a painful breakup, a Los Angeles based photographer drifts through Silver Lake&#8217;s creative chaos—dodging well-meaning friends, career pressures, and fleeting flings—as he navigates his way into the next chapter.

Situations

*Special thanks to our community partners: *[El Cine](https://www.somoselcine.org/), *[UCLA Rothman Family Institute for Food Studies](https://rothmanfoodinstitute.ucla.edu/)*

Director Alfonso Arua’s *Like Water for Chocolate *was an arthouse sensation when first released and still defines the evocative power of food in film. Based on Laura Esquivel’s novel, its sensuous tale of forbidden love unfolds in early 20th-century Mexico when Tita is bound by family tradition to remain unmarried to care for her mother. Prevented from acting on her love for the handsome Pedro, she pours her passion and heartbreak into her cooking which has a magical, intoxicating effect on those who consume it. The intimacy of the heart and the intimacy of the kitchen transform culinary preparation into a powerful expression of desire, rebellion and yearning.—*Senior Public Programmer Paul Malcolm*

Director: Alfonso Arau. Screenwriter: Laura Esquivel. With: Lumi Cavazos, Marco Leonardi, Regina Torné. 

*35mm print courtesy of the Sundance Collection at the UCLA Film & Television Archive.**
*

Like Water for Chocolate

Join us for an evening of poetry featuring Daryl Gussin , Violetta Balkoff, Hanna Pachman, Candace Hansen, Charlie Stuip, Katherine Charney, Briana Gonzales, Laura Mathis, and Andra Knox.

This reading will also include a fundraiser with tons of prizes to benefit Heavy Manners Library!

An Evening of Poetry (6/26)

### **ABOUT THE FILM:**

*In French with English subtitles.*

The most controversial film of Bresson’s career, THE DEVIL, PROBABLY was off-limits to viewers under the age of 18 in France as an incitement to suicide. A film that caused Rainer Werner Fassbinder to threaten to walk off the Berlin Film Festival jury if his support for it was not made public, it traces the last six months in the life of a young Parisian in search of his own demise, who rejects the conventional solutions offered by politics and religion, saying “My sickness is that I see clearly.”

FORMAT: 35mm

DISTRIBUTOR: The Film Desk

COUNTRY: France

THE DEVIL, PROBABLY

### **ABOUT THE FILMS:**

**“Cairo As Seen by Chahine,” Dir. Youssef Chahine, 24 Min, Egypt**

*In Arabic with English subtitles.*

This concise masterpiece by famed Egyptian filmmaker Youssef Chahine began as a commission by French television. Using his unique sense of artistic digression, Chahine transforms this portrait of a city into a self-portrait of a filmmaker. The film was banned in Egypt for its realistic portrayal of Cairo.

FORMAT: DCP

**CAIRO STATION, Dir. Youssef Chahine, 76 Min, Janus Films, Egypt**

*In Arabic with English subtitles.*

A newspaper hawker (portrayed by the director himself) at the eponymous train depot develops a frightening obsession with a sexy lemonade vendor (co-star Hind Rustom was nicknamed the “The Arab Marilyn Monroe.”) That’s the premise for this suspenseful drama which cunningly uses the bustling station to depict clashing strata of Egyptian society. Chahine’s combination of gritty authenticity and psychosexual Expressionism created a landmark of Egyptian cinema—despite public boycotts over its unflinching perversity and politics.

FORMAT: DCP

New 4K Restoration of CAIRO STATION ‘Youssef Chahine: An American Cinematheque Retrospective’

“Cairo As Seen By Chahine” / CAIRO STATION

Inglourious Basterds

A dreamy and lyrical meditation on language, memory, myth, and what human life might become beyond the ruins of the contemporary world

Ben Rivers's MARE'S NEST (2025) — LA Premiere!

**Screenwriter**: Hayao Miyazaki

**Producer**: Toshio Suzuki

From the legendary Studio Ghibli, creators of *Spirited Away*, and Academy Award®-winning director Hayao Miyazaki, comes an epic masterpiece that has dazzled audiences worldwide with its breathtaking imagination, exhilarating battles, and deep humanity.

Inflicted with a deadly curse, the young warrior Ashitaka heads west in search of a cure. There, he stumbles into a bitter conflict between Lady Eboshi, the proud people of Iron Town, and the enigmatic Princess Mononoke, a young girl raised by wolves, who will stop at nothing to prevent the humans from destroying her home and the forest spirits and animal gods who live there.

Princess Mononoke (Japanese with English subtitles)

**Producers**: Andrew Renzi,  Nick Boak,  Kyzza Terrazas,  Santiago Maza,  Sabrina Coulston, Colin Cadarette,  Travis Gutiérrez Senger

With Director **Travis Gutiérrez Senger** at the Sunday, June 28th screening!

From executive producers Gael García Bernal and Diego Luna *ASCO: Without Permission* challenges the limits of documentary conventions to tell the story of a revolutionary Chicano art group who turned 1970s LA into their defiant canvas. Merging activism with radical artmaking, ASCO challenged the established order of Hollywood, museums, and media and are now considered amongst the 20th century&#8217;s most significant artists. Director Travis Gutiérrez Senger mirrors their boundary-breaking spirit through a groundbreaking approach, weaving nonfiction, and fiction together with a new generation of artists. The result is more than a profile &#8212; it&#8217;s a reimagining of what&#8217;s possible in art and cinema, celebrating iconoclasts who were decades ahead of their time.

ASCO: Without Permission

**Screenwriters**: Lilly Wachowski, Lana Wachowski

**Producer**: Joel Silver

Lily and Lana Wachowski&#8217;s ground-breaking science fiction parable set the standard for both action movies and Science Fiction films for years to come with its innovative visuals and one-of-a-kind fight choreography. Set in the 22nd century, *The Matrix* tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers that now rule the earth. So, take your blue pills and join us for some futuristic fun.

**Picks from the Video Store**

Party like it&#8217;s 1999 with these throwbacks on glorious physical media!

*Criminal Lovers, Better Than Chocolate, Man on the Moon*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Matrix

**Screenwriter**: Avalon Fast

**Producers**: Taylor Nodrick,  Jacob Glickman,  Jackie De Nivervilla,  Martin Cadieux-Rouillard, Maya Cadieux-Rouillard

Summer is finally here, and it&#8217;s time to bring your coven to the woods of our microcinema for Avalon Fast&#8217;s dark and witchy indie darling *Camp*. Emily is the root cause of two devastating tragedies very early in her life. She feels the weight of these accidents like a curse has been placed upon her. Her dad suggests she go to a Camp for troubled youth to ease her guilt; she can be a counsellor there. When Emily arrives, she is taken in by the other counselors, they accept her as she is and wrap her in a veil of peace & forgiveness. Emily stands at the forefront of a new kind of life, but there’s a voice out there in the woods she can’t quite seem to ignore. The voice is whispering, she’s telling Emily to go home.

Camp

**Producer**: Godfrey Reggio

Hold onto your eyeballs for one of the most dazzling and transcendent documentaries of all time &#8211; Godfrey Reggio&#8217;s hypnotic experimental masterpiece *Koyaanisqatsi*. Drawing its title from the Hopi word meaning &#8220;life out of balance,&#8221; this renowned experimental documentary reveals how humanity has grown apart from nature. Featuring extensive footage of natural landscapes and elemental forces, the film gives way to many scenes of modern civilization and technology. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass. This mind-opening masterwork will change the way you think about documentary and cinema all together, so open your mind to the whole world with *Koyaanisqatsi*!

**Picks from the Video Store**

Looking for more mind-blowing experimental documentaries? We have got you covered!

*Proteus, Decasia, Sans Soleil*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Koyaanisqatsi

**Screenwriter**: Ryuya Suzuki

**Producer**: Kenji Iwaisawa

Our hero (voiced by rapper ACE COOL), called by a different name in each chapter of his life, becomes a J-pop idol, an outcast, a leader, and an oracle in this hundred-year chronicle spanning the past, present, and future. Through a chance encounter with a transfer student, he trains to become an idol, starting his search for self-identity and a journey toward greatness beyond superstardom. Written, directed, edited and entirely hand-drawn by newcomer Ryuya Suzuki over eighteen months, *Jinsei* (meaning “life” in Japanese) is an anime tour-de-force that announces Suzuki to the world as a bold new talent in independent animation.

Jinsei

The Invite

Race with The Devil

The Goonies in 4K

The Prince and the Showgirl in 35mm with Bus Stop

I Confess in 35mm with Guillermo del Toro

### **ABOUT THE FILM:**

The evil leaders of Planet Spaceball, having foolishly squandered their precious atmosphere, devise a secret plan to take every breath of air away from their peace-loving neighbour, Planet Druidia. They send the evil Dark Helmet to kidnap Princess Vespa on the day of her wedding, in the hope of holding Druidia to ransom. But the princess skips town and joins forces with a mercenary named Lone Starr and his sidekick, Barf.

FORMAT: 70mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

SPACEBALLS in 70mm

### **ABOUT THE FILM:**

Washed-up revolutionary Bob exists in a state of stoned paranoia, surviving off-grid with spirited, self-reliant daughter, Willa. When a nemesis resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past. Paul Thomas Anderson’s ONE BATTLE AFTER ANOTHER is nominated for 13 Academy Awards including Best Picture, Best Adapted Screenplay, Best Original Score, Best Cinematography and Best Supporting Actor for Benicio Del Toro.

FORMAT: 70mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

ONE BATTLE AFTER ANOTHER in 70mm

**THE SECRET LIVES OF BILL BARTELL + BORN INNOCENT: THE REDD KROSS STORY**

A double feature celebrating two essential figures of Los Angeles underground music culture.

Each film will be followed by a Q&A featuring the filmmakers, cast and crew.

### THE SECRET LIVES OF BILL BARTELL

*Director:* David Markey

*Cast:* Allison Anders, Fat Mike, & Thurston Moore

*Run Time:* 101 mins

[*Trailer*](https://www.youtube.com/watch?v=tVOt09XR1JM)

*Format:* DCP

*Release Year:* 2025

BILL BARTELL is not famous but those who knew him think he should be.

Bill was a musician, band manager, record label owner, police officer, rodeo bull rider, an attention-seeking recluse, and the ultimate fan-boy. He led an exceedingly compartmentalized life, keeping a tight lid on his background, his occupations, relationships and sexuality, hiding the jarring conflicts. The whole of his life was an enigma and maintaining it took a toll. Many of those who knew him during his 52 years of life were kept in the dark of his doings. No one knew &#8211; and still no one knows &#8211; the whole of his life.

### BORN INNOCENT: THE REDD KROSS STORY

*Director:* Andrew Reich

*Cast:* Jeffrey McDonald, Steve McDonald

*Run Time:* 87 mins

[*Trailer*](https://www.youtube.com/watch?v=FcwDoLuo1QU)

*Format:* DCP

*Release Year:* 2024

Born Innocent makes the case for Redd Kross as the seminal West Coast band of the last half century. Formed in 1978 by brothers Jeff and Steve McDonald, and still actively playing and recording today, Redd Kross are the ultimate rock and roll lifers. They have influenced independent music in ways that beg to be acknowledged. From inventing Beach Punk to influencing the Grunge and Hair Metal movements, Redd Kross have maintained the highest level of musical integrity, originality and quality for over forty years. They are the underappreciated link between countless threads of Los Angeles rock. The band that connects Black Flag to The Partridge Family, The Runaways to The Cowsills Seeds, The Go-Go’s to The Red Hot Chili Peppers. Born Innocent will introduce a wider audience to two of the coolest people alive. The McDonald Brothers embody Southern California, rock and roll, and what it means to be an artist.

THE SECRET LIVES OF BILL BARTELL + BORN INNOCENT: THE REDD KROSS STORY

Premiering on June 27, 1966, on ABC-TV, *Dark Shadows *(1966–71) represented an outré experiment in daytime television that became an unexpected breakout hit and evergreen cult classic. Created by horror-maestro Dan Curtis (*The Night Stalker*, *Trilogy of Terror*), the innovative soap opera, which initially struggled in the ratings, expanded greatly in popularity in its second year with the addition of a 175-year-old charismatic vampire character named Barnabas Collins (Jonathan Frid). As the eerily atmospheric series evolved to fuse gothic supernatural elements and romance into complex storylines, it developed a passionate youth following and became a pop culture phenomenon. In the process, the videotaped series earned the distinction of being the first soap to spawn a theatrical motion picture spin-off, *House of Dark Shadows* (1970), and several additional feature films and reboots. The beloved original series ran for over 1,200 episodes before its abrupt cancellation in 1971. In the ensuing decades, the aura surrounding* Dark Shadows *has only intensified, with the influential program enjoying nearly constant reruns in syndication, luring an influx of new viewers into the mysterious, shadow-drenched world of the wealthy Collins family of fictional Collinsport, Maine. 

Join us for a celebration of* Dark Shadows*, exactly 60 years to the day of its premiere, including the debut episode and rare archival footage. Before the screening, historian Jim Pierson will sign copies of *Dark Shadows Noir: Classic Black and White Photography from the Dan Curtis Productions Archive. *Following the screening, there will be a Q&A with *Dark Shadows *star, actor David Selby, and Jim Pierson. 

*Programmed and note written by John H. Mitchell Television Curator Mark Quigley.***
**

***Special thanks to our community partner: [Women In Media](https://womennmedia.com/)**
*

The series debut introduces central protagonist, young Victoria “Vicki” Winters (Alexandra Moltke), as she arrives to begin her new life as a governess for the secretive (and cursed) Collins family. Directed by television pioneer Lela Swift, who would helm over 500 episodes of *Dark Shadows*. With original commercials. 

ABC. Production: Dan Curtis Productions. Executive Producer: Dan Curtis. Director: Lela Swift. Writer: Art Wallace. With: Joan Bennett, Mitchell Ryan, Louis Edmonds. 

Maggie Evans (Kathryn Leigh Scott) regains her true identity and plots a desperate escape from being eternally bound to her captor, vampire Barnabas Collins (Jonathan Frid). 

ABC. Production: Dan Curtis Productions. Executive Producer: Dan Curtis. Director: Lela Swift. Writer: Joe Caldwell. With: Jonathan Frid, Kathryn Leigh Scott, John Karlen.

Carl (John Karlen) and his brother Quentin Collins (David Selby) are caught in a deadly confrontation between vampire Barnabas Collins (Jonathan Frid) and a crucifix-wielding preacher (Jerry Lacy). 

ABC. Production: Dan Curtis Productions. Executive Producer: Dan Curtis. Director: Henry Kaplan. Writer: Sam Hall. With: Jonathan Frid, David Selby, John Karlen.

60th Anniversary Screening: ABC-TV’s Dark Shadows

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Tokyo. Mihoko and Toichi Nakagawa’s ten year marriage is crumbling out of inertia. Each knows the other isn’t happy, they themselves aren’t happy, but they don’t talk about their problems with each other, each festering in their unhappiness largely so that they will not show especially to their three boarders their problems.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

WIFE

### **ABOUT THE FILM:**

*In Swedish with English subtitles.*

One of Bo Widerberg’s most explicitly political works imbues the true story of a 1931 labor strike with a powerful contemporary resonance. In the industrial district of Ådalen, in the north of Sweden, a peaceful demonstration takes a tragic turn, leading to a historic general strike. Amid these events, the teenage Kjell (Peter Schildt) experiences sacrifice and strife, love and loss and the consequences of this shocking violence. Working once again with ELVIRA MADIGAN cinematographer Jörgen Persson—who captures shimmering, light-filled images in graceful widescreen—Widerberg entwines a stirring portrait of resistance with an intimate coming-of-age journey for a vision of history that feels vibrantly, urgently alive.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: Sweden

West Coast Theatrical Premiere of New Restoration ‘Bo Widerberg: An American Cinematheque Retrospective’

ÅDALEN 31

### **ABOUT THE FILM:**

Chucky and Tiffany are resurrected by their innocent gender-confused child, Glen/Glenda, and hit Hollywood, where a movie depicting the killer dolls’ murder spree is underway

FORMAT: 35mm

DISTRIBUTOR: Universal

COUNTRY: USA/UK/Romania

Introduction by filmmaker and actor Vera Drew ‘Hollywood Pride Presents INT. Movie Theatre’

Escape to Witch Mountain

11:00 AM

Ladies of the Chorus in 35mm

3:00 PM

Bound

7:00 PM

How to Marry a Millionaire

7:30 PM

BATMAN in 70mm

7:30 PM

Damnation

4:30 PM

Speed Racer

7:15 PM

The Graduate

10:15 PM

From Isfahan to Abarkooh

How Frightening Is the Darkness of the Soul!

7:30 PM

Nick Thorburn: Pear Shape Book Launch

7:00 PM

STREET WITHOUT END

1:00 PM

EDVARD MUNCH

3:30 PM

NO PICNIC

7:00 PM

THE NIGHT WALKER

10:00 PM

Cartoon Club

10:00 AM

Indiana Jones and the Last Crusade

2:00 PM

The Third Man

7:30 PM

Desperate Living

11:59 PM

Richard Linklater's WAKING LIFE (2001) — 25th Anniversary!

7:00 PM

Princess Mononoke (English Dubbed)

12:30 PM

The Children’s Hour

4:00 PM

I Love Boosters

Mission: Impossible

7:00 PM

Pink Flamingos

9:45 PM

Onda Nova

10:00 PM

Disclosure Day (70mm)

Motel Hell/Terror at Red Wolf Inn

8:00 PM