Sweeney Todd: The Demon Barber of Fleet Street in 4K

High Life

Academy Museum

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R.M.S. Titanic.

TITANIC (1997)(PG-13) Sat 2/14: 3pm, 7pm; Sun 2/15: 3pm & Mon 2/16: 11:30am

Gardena Cinema

### **ABOUT THE FILM:**

Charles Bronson stars as an ex-con and Vietnam vet whose efforts to run a straight business soon have him locking horns with both the law and the mafia in this explosive tale of backwoods revenge.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

Cinematic Void Presents MR. MAJESTYK

### **ABOUT THE FILM:**

*In Icelandic with English subtitles.*

Anna, an artist, and Magnús, a fisherman, live with their three children and charismatic sheepdog in the quiet grandeur of the Icelandic countryside. As the fractures in their marriage come to the surface, the couple try to hold onto the afterimages of a life together and make sense of a deep and lingering devotion. Filmmaker Hlynur Pálmason (GODLAND) brings surprising humor and emotional weight to this gorgeous, intimate, and brilliantly expansive scenes from a marriage, amidst the majestic backdrop of the changing seasons.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: Iceland/Denmark/France/Finland/Sweden

THE LOVE THAT REMAINS

Los Feliz Theatre

The Defilers / A Smell of Honey, a Swallow of Brine

New Beverly Cinema

**Screenwriters**: Christopher Guest, Eugene Levy

**Producer**: Karen Murphy

Vidiots remembers the remarkable warmth, talent, and gifts of the legendary **Catherine O&#8217;Hara** with a special screening of the howlingly hilarious mockumentary *Best in Show*.

Christopher Guest and an incredible ensemble of the funniest people on earth are ready to improv their way to a blue ribbon in this furry comedy phenomenon. From start to finish, you&#8217;ll bark with laughter as an eccentric blend of dog owners from across the country gear up to compete at the Mayflower Dog Show.

**Remembering Catherine O&#8217;Hara**

Catherine O’Hara, our scene stealing, impossibly funny, impeccably comically timed, deeply human, perfectly wigged icon, we will miss you so. Thank you for making us laugh til we cried and lighting up generations of artists to seize art and life with a vigor only you could inspire. We’ll be celebrating you in our video store and on our big screen always.

**Picks from the Video Store**

Need to bring more Catherine O&#8217;Hara brilliance home? Check out some of these delights on physical media:

*After Hours, SCTV, Waiting for Guffman*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Best in Show

Vidiots

Good Luck, Have Fun, Don't Die

Vista Theatre

### **ABOUT THE EPISODE:**

**“Part Two: Heard,” 2025, 93 Mins, Dir. Giselle Bailey and Phil Bertelsen, HBO, USA**

“Part Two: Heard” addresses ownership of the narrative, highlighting the need for opportunity at every level – including showrunners, editors, cinematographers and writers. The responsibility and power of storytelling is demonstrated in Shonda Rhimes’ color-blind casting for her powerhouse shows, Oprah betting on herself and owning her own content and vision and other stories depicting the breadth of the Black experience, such as scenes of the Tulsa massacre from HBO’s WATCHMEN, that underscored the importance of showing Black history authentically. “Heard” also explores the rise of social media, enabling artists to own their own image, propelling creators like Issa Rae to success, and showcases how creators pay it forward. Lena Waithe’s mentorship lab reflects that mission – to open doors for the next generation and ensure that those telling Black stories reflect the full spectrum of the Black experience. With ownership of media companies, newspapers and intellectual property, Black creators shape perception and policy while honoring the full scope of their history in all its paradoxes and complexities.

FORMAT: DCP

### **ABOUT THE SERIES:**

**SEEN & HEARD: THE HISTORY OF BLACK TELEVISION, 2025, HBO, USA**

SEEN & HEARD: THE HISTORY OF BLACK TELEVISION takes audiences on a two-part journey through the history of Black representation on television, showcasing how Black artists and creators both shaped and revolutionized the medium while confronting the systemic challenges that have often undermined their contributions. From early stereotypical portrayals to today’s more authentic and complex narratives, the series highlights how Black television makers have not only survived but thrived, despite the industry’s early reluctance to fully recognize their power and creativity.

Q&A with directors and producers Giselle Bailey and Phil Bertelsen and executive producers Issa Rae and Montrel McKay Popcorn, soda and candy courtesy of HBO

SEEN & HEARD: THE HISTORY OF BLACK TELEVISION

Aero Theatre

**This is a free screening, with seating available on a first come, first served basis.**

Set in modern Japan, this moving and entertaining film offers an exciting revisiting of the fundamental ideas and concepts of the original Ultraman, depicting a modern world where Ultraman is witnessed by human eyes for the first time. 

**Plot synopsis:**

The continued appearance of giant unidentified life forms known as “S-Class Species (Kaiju)” has become commonplace in Japan. Conventional weapons have no effect on them. Having exhausted all other options, the Japanese Government issued the S-Class Species Suppression Protocol and formed an enforcement unit, known as the SSSP. In the midst of a Kaiju threat, a silver giant appears from beyond Earth&#8217;s atmosphere. In SSSP&#8217;s report, it is written— “Ultraman (tentative name), identity unknown.”

Shin Ultraman

Brain Dead Studios

### **ABOUT THE EPISODE:**

**Episode 6, “Cooper’s Dreams,” Dir. Lesli Linka Glatter, 47 Mins**

Cooper and company have tea with the Log Lady, who tells them there was a third man following after Leo and Jacques the night Laura died. At Jacques Renault’s cabin, Cooper, Hawk and Truman find Waldo the bird.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Cooper’s Dreams” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 1, Ep. 6

### **ABOUT THE FILM:**

*In Russian and English with English subtitles.*

As Russia launches its full-scale invasion of Ukraine, primary schools across Russia’s hinterlands are transformed into recruitment stages for the war. Facing the ethical dilemma of working in a system defined by propaganda and violence, a brave teacher goes undercover to film what’s really happening in his own school. David Bornstein and Pasha Talankin’s MR. NOBODY AGAINST PUTIN is now nominated for the Academy Award for Best Documentary Feature.

FORMAT: DCP

DISTRIBUTOR: Kino Lorber

COUNTRY: Denmark/Czech Republic/Germany

Q&A with filmmakers David Borenstein and Pasha Talankin

MR. NOBODY AGAINST PUTIN

Summer with Monika / Inga

**Screenwriters**: Sheba Anyanwu,  Kristen Adele Calhoun,  Madebo Fatunde,  Kahlil Joseph, Saidiya Hartman,  Irvin Hunt

**Producers**: Onye Anyanwu,  Kahlil Joseph,  Amy Greenleaf,  Nic Gonda

Get ready for Kahlil Joseph’s visionary cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph’s family, and even Twitter chats, in a vision for black consciousness.

Adapted from Joseph&#8217;s renowned video art installation, the film draws inspiration from a range of cultural and artistic touchstones: *BLKNWS* itself, the improvisational brilliance of *Kind of Blue*, the late works of Jean-Luc Godard, and the critical fabulations of Saidiya Hartman. It is shaped by conversations with Fred Moten, David Hammons, and Malik Sayeed, as well as the grounding influence of Cristina Sharpe, Dionne Brand, and the spiritual traditions of Ifá and West African cosmologies.

*BLKNWS: Terms & Conditions* brings together every format of the moving image —cinema, video art, music video, social media, and documentary. It is a layered, multi-dimensional exploration of what the moving image can achieve, both as an artistic medium and as a tool for cultural critique.

BLKNWS: Terms & Conditions

Giant

Join us for a celebratory Los Angeles screening of *Joshua Bailey’s*

**Stolen Kingdom**, followed by a Q&A with the filmmaker.
Including an opening preview of *Cosmo Brusa Zappellini’s* experimental

doc-short **Even Now**.

**Synopsis:**

*Stolen Kingdom* is a documentary that delves into the history of mischief,

scandal and theft at Walt Disney World, ultimately leading to the theft of an

animatronic valued at nearly half a million dollars. The film features key

figures from the park&#8217;s underground community, each sharing their unique

stories.
As the narrative unfolds, early pranks and antics are shown to have inspired

more recent crimes, culminating in a true crime mystery. What begins as a tale

of friendship and passion ends with one lingering question:

**Who stole Buzzy?**

Stolen Kingdom

“What a Wonderful World: An Audiovisual Poem,” edited by Udo Kittelmann, is a sweeping odyssey into the depths of human experience, unfolding through film and video. Marking the first major presentation of works from the Julia Stoschek Foundation in the U.S., this audiovisual poem experiments with time-based media by placing contemporary video works in dialogue with silent films and early cinema classics. For the first time, a large-scale exhibition bridges these two universes, creating an unprecedented encounter across more than a century of visual storytelling.

Bringing one of the world’s leading collections of time-based art to a city defined by moving images sparks a rare conversation across disciplines. It dissolves the boundaries between visual art and cinema, museum and theater, white cube and black box. In doing so, it traces the evolution of visual storytelling over the past century, highlighting both the universality of human concerns and the shifting perspectives that shape their representation.

“What a Wonderful World” presents a wide range of groundbreaking works by artists such as Marina Abramović, Cyprien Gaillard, Arthur Jafa, or Lu Yang, alongside cinematic milestones by Luis Buñuel, Walt Disney, Alice Guy-Blaché, Winsor McCay, and Georges Méliès. Together, these works form a panoramic and layered portrait of humanity and history across 120 years: altogether ironic, sincere, critical and compassionate.

“What a Wonderful World” will unfold as an explorative journey, a cinematic mystery tour, a soul-stirring experience. It invites visitors to confront the secrets and fragilities of humanity while holding up a mirror to the state of the world today.

What a Wonderful World: An Audiovisual Poem

Julia Stoschek Foundation at the Variety Arts Theater

Caligula: The Ultimate Cut

Author Quatoyiah Murry's new project, with a haunting occult chiller & guests esoteric scholar William Kiesel and mythologist Maryam Sayad!

A DARK SONG (2016) presented by Quatoyiah Murry and Enlighted Artists!

Philosophical Research Society

**Screenwriter**: Rick Famuyiwa

**Producers**: Nina Yang Bongiovi,  Forest Whitaker

Hop on your bike and join us for a special free community screening of Rick Famuyiwa&#8217;s hilarious coming-of-age modern classic *Dope*. Malcolm is carefully surviving life in a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT. A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself. So, join the party with A$AP Rocky, Zoë Kravitz, and Shameik Moore for an LA story that everyone who grew up a nerd can relate to!

**Picks from the Video Store**

Want more local coming-of-age films? We&#8217;ve got these gems from our own backyard!

*The Slums of Beverly Hills, Boyz in the Hood, Mi Vida Loca*

**Please note** that this screening is first-come-first-served, and your RSVP does not guarantee entry. As we are hoping to accommodate as many people as possible, all free screenings are overbooked to account for no-shows. We recommend an early to on-time arrival, we may not be able to accommodate late entries. RSVPs will be limited to four tickets per order. Please note that any RSVPs exceeding four tickets will not be honored at check in.

Dope

Force of Evil/Body and Soul

Moulin Rouge! in 35mm

Interstellar in 70mm

When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance.

Atropia

Silents Synced brings us two more fantastic silent movies synced to modern music by R.E.M. and Pearl Jam.

A WOMAN OF THE WORLD (2026/1925)(NR) & SHERLOCK JR. (2025/1924)

Abraham Polonsky, the writer of *Body and Soul*, said, “All films that are about crime are about capitalism.” In the 1940s, the House Un-American Activities Committee and studio executives conspired to create a blacklist barring hundreds of film artists suspected of communist sympathies, like Polonsky, from employment, upending countless lives. In Red Hollywood, Thom Andersen and Noël Burch reassess the blacklist’s legacy by reassembling footage from over 50 films made by blacklisted artists. These films, once dismissed as minor, are reconsidered as thoughtful attempts to tackle social and political issues in ways that Hollywood wouldn’t attempt again for decades.*—Public Programs Assistant Noah Brockman*

DCP. Directors/Screenwriters: Thom Andersen, Noël Burch. With: Billy Woodberry (narration).

George Coulouris stars as a Nazi commander who, seeing the writing on the wall for the Third Reich, disperses his officers incognito around liberated Europe to begin sowing seeds of discontent anew. As he assures them: “In our hands, hate can be turned into the most potent of weapons.” Settling himself in a Belgian town under Allied control, he works to undermine fledgling reconstruction efforts by playing on local antagonisms and resentment. A study of fascist rhetorical and propaganda tactics in the guise of a thriller, *The Master Race* was directed by Herbert J. Biberman who co-wrote the script with Anne Froelich and Rowland Leigh, with Biberman and Froelich both blacklisted just a few years later.*—Senior Public Programmer Paul Malcolm*

Director: Herbert J. Biberman. Screenwriters: Herbert J. Biberman, Anne Froelich, Rowland Leigh. With: George Coulouris, Stanley Ridges, Osa Massen.

Red Hollywood / The Master Race

Hammer Museum

### **ABOUT THE FILM:**

The comic genius of silent star Harold Lloyd is eternal. Chaplin is the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. And with its torrent of perfectly executed gags and astonishing stunts, Safety Last! is the perfect introduction to him. Lloyd plays a small-town bumpkin trying to make it in the big city, who finds employment as a lowly department-store clerk. He comes up with a wild publicity stunt to draw attention to the store, resulting in an incredible feat of derring-do on his part that gets him started on the climb to success. Laugh-out-loud funny and jaw-dropping in equal measure, SAFETY LAST! is a movie experience par excellence, anchored by a genuine legend.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: USA

Get your ticket for just $6.57 at the box office! ‘Film by the Foot’

SAFETY LAST

Once Upon A Time In… Hollywood

World premiere of new 4K restoration of an operatic, cinematic tour de force, w/ vignettes by some of the world's most acclaimed directors!

ARIA (1987) — WORLD PREMIERE of New 4K Restoration!

**Screenwriter**: Jack Hill

**Producer**: Robert Papazian

Get ready to watch the baddest ass bitch to ever grace the silver screen &#8211; the one and only Pam Grier &#8211; go undercover as a sex worker to avenge her smack-addicted sister in Jack Hill&#8217;s explosive Blaxploitation classic *Coffy*. Grier plays Coffy, a nurse who has had enough of the pimps and pushers that have taken over her neighborhood and gotten her sister addicted to heroin. Posing as a sex worker, Coffy&#8217;s a one-woman crusade to rid the world of the baddest of the bad. Stylish, violent, and oh so satisfying, this is one bad-ass flick you need to watch on the big screen with a crowd!

**Picks from the Video Store**

Can&#8217;t get enough Pam Grier? We&#8217;ve got dozens from her incredible 5 decade career.

*Foxy Brown, Holy Smoke, Jackie Brown*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Coffy

**Screenwriters**: Weird Al Yankovic,  Jay Levey

**Producers**: John W. Hyde,  Gene Kirkwood

Grab the remote and turn the channel to *UHF*, the one film to properly showcase the idiotic brilliance of Weird Al, and one of the strangest comedies of the 1980s (which is saying a lot for the 80s!) When his uncle hands George Newman (Weird Al) the keys to his flailing UHF (look it up youngsters!) station, George starts to nix the reruns and start making ridiculous and subversive content that finally brings in an audience. But a rival TV executive isn&#8217;t taking the success well and vows to bring down Newman and all his new programming. It&#8217;s goofy, it&#8217;s stupid, it&#8217;s beyond hilarious, it&#8217;s everything you would expect from a Weird Al movie and so much more!

**Picks from the Video Store**:

1989 was a crazy year for film? Check out these 1989 bangers from our video rental collection!

*Teen Witch, Heathers, Weekend at Bernie&#8217;s*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Thunder Road

Little Shop of Horrors

Discos Rolas presents a special 50th anniversary screening of *Chulas Fronteras* (1976), newly restored in 4K and paired with the short *Del Mero Corazón* (1979).

A performance by corrido singer-songwriter Gallo Armado (Monterrey, MX) will precede the screenings, and following them, filmmaker Maureen Gosling (editor of *Chulas Fronteras* and co-director of *Del Mero Corazón*) and Juan Antonio Cuéllar (longtime archivist of Arhoolie Records’ Frontera Collection) will join moderator Alexandra Lippman (Discos Rolas and Pomona College) for a discussion of the two films. The talk will be followed by DJ sets by Sonido Sabotaje (Monterrey, MX), Trucha Soul (Austin), and Sonido Sapo (LA).

∆

Directed by Les Blank and Chris Strachwitz, *Chulas Fronteras (Beautiful Borders)* celebrates the famed Mexican-American musicians of the borderlands, the migrant farming communities from which they come, the strong family bonds of Tejanos, and the social protest ethos inscribed in their music. From joyous, lively dance tunes to soulful, political work songs, musica norteña fuses traditional Mexican harmonies with central European dancehall rhythms. The film brims with tender affection for its subjects, the vitality of their marvelous music, and the generosity of spirit that they show in the face of hardship. *Del Mero Corazón (Straight from the Heart)*, directed by Les Blank and Maureen Gosling, is a lyrical journey through the heart of Chicano culture as reflected in the love songs of the conjunto tejano and musica norteña traditions. The film was constructed from outtakes from *Chulas Fronteras* and additional footage shot in California.

Chulas Fronteras + Del Mero Corazón (Screenings + DJs)

2220 Arts + Archives

Star Wars: Episode IX – The Rise of Skywalker

Glimmers and Ghosts: The Cinema of Tomonari Nishikawa

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors&#8217; lost kingdom.

Son of the White Mare

After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.

Diary for My Children

A rising pop sensation navigates fame and industry pressures while preparing for her arena tour debut, revealing the transformation of underground culture into mainstream success.

The Moment

Originally staged by the East West Players, pioneering author [Wakako Yamauchi](https://www.nytimes.com/2018/09/09/obituaries/wakako-yamauchi-dead.html)’s adaptation of her award-winning play, “And the Soul Shall Dance,” for KCET’s *Hollywood Television Theatre* is a poetic, haunting drama that reveals the hardships Japanese Americans faced during the Great Depression. Set in California’s Imperial Valley, Yamauchi's moving work explores the lives of two farming families as they struggle to make ends meet and assimilate in a so-called land of opportunity defined by systemic racism.

Yamauchi’s teleplay unfolds through the eyes of a sensitive girl, Masako (Denice Kumagai), who bears witness to the challenges facing her loving parents (Pat Li, Sab Shimono) and the unraveling lives of a neighboring couple, Emiko (Haunani Minn) and Oka (Yuki Shimoda). Abused by her husband from an arranged marriage, Emiko dreams of a return to Japan to reclaim her past life, far from an inhospitable America. Her profound journey represents an indelible requiem for generations of Issei and Nisei beyond the play’s setting of the 1930s, with Yamauchi herself unjustly incarcerated as a teen at the concentration camp for Japanese Americans in Poston, Arizona, during World War II.

Before the screening in the lobby, beginning at 6:30 p.m., UCLA Library Audiovisual Project Conservator Maile Chung will display archival materials related to the [East West Players from UCLA Library Special Collections](https://oac.cdlib.org/findaid/ark:/13030/tf1489n74f).

*Programmed and notes written by John H. Mitchell Television Curator Mark Quigley.*

DCP. PBS. Production: KCET, Community Television of Southern California. Produced for the stage by East West Players. Executive Producer: Norman Lloyd. Director: Paul Stanley. Writer: Wakako Yamauchi. With: Denice Kumagai, Pat Li, Haunani Minn, Sab Shimono, Yuki Shimoda, Diane Takei. Special thanks to PBS SoCal, Gerry Bryant, Patrick Yew.

Hollywood Television Theatre: Wakako Yamauchi's “And the Soul Shall Dance”

### **ABOUT THE FILM:**

*In Portuguese with English subtitles.*

In his last film, shot shortly before his death, Monteiro plays João Vuvu, a Chaplinesque retired widower who spends his days riding his neighborhood bus and conversing with old and new acquaintances in the streets of Lisbon. In his austere, elegant apartment, the light is both welcoming and seductive while playful exchanges on lust and desire occur with different women who bless a routine of poetic solitude, antifascist anthems, and the mysteries of spiritual pleasure. The film’s famous final shot—a reflection of the director’s eye—shows, like few others, that cinema, in reflecting the unseen and unutterable, is where life meets death.

FORMAT: DCP

DISTRIBUTOR: The Cinema Guild

COUNTRY: Portugal/France

L.A. Premiere of New 4K Restoration ‘João César Monteiro: An American Cinematheque Retrospective’

COME AND GO

Deep Throat  / Hot Summer in the City

Blonde Ambition

Reynaldo Rivera joins Now Instant to present the Los Angeles premiere of his debut feature, *Fistful of Love*.

This ticketed presentation and post-screening conversation will be followed by a free public reception and slideshow celebrating the launch of *Propiedad Privada, *Rivera&#8217;s latest publication, released by Semiotext(e).

Screening: 6pm

Reception: 8pm

Fistful of Love + Propiedad Privada

Now Instant Image Hall

An evening of films by the charmingly offbeat  and imaginative filmmaker, featuring recent shorts and the new feature OBEX!

OBEX (2025) + New Films by ALBERT BIRNEY!

**Producers**: Danielle Varga,  Brittany Shyne,  Sabrina Schmidt Gordon

Join us in the microcinema for Brittany Shyne&#8217;s breathtaking and poetic documentary portrait of centennial farmers in the geographical south. Using lyrical black and white imagery, this meditative film examines the decline of generational black farmers and the significance of owning land.

Interweaving the stories of three Black generational farmers to create a collective and intimate portrait of farming today, *Seeds* is a moving and powerful exploration of their lives, joys and struggles as well as the fragility of legacy and owning land. 

With remarkable intimacy, the film documents their everyday lives &#8211; cotton harvesting, chasing cows, dealing with broken machinery and financial precarities. The camera relishes simple moments &#8211; conversations through car windows, candy from grandma’s purse as it captures moments of warmth, joy and fulfillment &#8211; turning them into striking vignettes that honor the families’ connection to the land and each other. 

But the sobering reality underscores the urgency of their story. Black farmers owned 16 million acres of land in 1910 but today, that number has dwindled to a fraction. The farmers in the community struggle to access funding that white farmers nearby seem to secure with ease. 

Through these inter-generational stories, we see the cycles of inequity and embedded racism that persist to this present day, and the signs of hope and renewal with younger generations of farmers. *Seeds* emphasizes how human beings are innately tied to our foundational roots, roots which carry our ancestral memories &#8211; somber, bitter, and sweet.

Seeds

**Screenwriters**: Luigi Bartolini,  Cesar Zavattini,  Suso Cecchi d&#8217;Amico

**Producer**: Vittorio De Sica

Hailed around the world as one of the greatest movies ever made, the Academy Award–winning *Bicycle Thieves*, directed by Vittorio De Sica, defined an era in cinema. In poverty-stricken postwar Rome, a man is on his first day of a new job that offers hope of salvation for his desperate family when his bicycle, which he needs for his work, is stolen. With his young son in tow, he sets off to track down the thief. Simple in construction and profoundly rich in human insight, *Bicycle Thieves* embodies the greatest strengths of the Italian neorealist movement: emotional clarity, social rectitude, and brutal honesty.

**Picks from the Video Store**:

Looking to explore more Italian Neorealism? We&#8217;ve got you covered with these gems and more!

*Rome: Open City, Ossessione, Stromboli*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Bicycle Thieves

The More the Merrier

Solaris

Los Angeles Filmforum presents *Eve-Lauryn LaFountain: Conversation Pieces*. In person: Eve-Lauryn LaFountain.

Full program notes and film lineup: https://www.lafilmforum.org/schedule/winter-2026/eve-lauryn-lafountain-conversation-pieces/

~

With camera in hand, Eve-Lauryn LaFountain's Experimental Films extinguish mythical ideals of history in the American Southwest, while engaging a troth of interrelated dynamics between the land and those who hear its beauty and history. The films often bind together the very layered and enchanting awareness(es) between place and space, while concomitantly living life and critiquing stereotypical media representations of Native people and cultures. At other times, the films exhibit imagery symbolizing a liberated consciousness, free from a contaminated imagination suppressing the textures and colors of our everyday experience of land and landscapes. Eve memorializes the strained and distant relationship contemporary life has to a directly connected spirit to nature. Simultaneously she heightens the reading we have of existence through audiovisual blessings and cleansings, from legacies of colonialism(s), and cycles of ecological collision and collapse. The films leaf through dynamics of heritage and generational knowledge, juxtaposing meditations on tradition(s), with, as Eve says, a "braiding" and "resurrecting", an ascending, and descending, into and beneath time, and its reality. - Diego Robles, programmer

~

Eve-Lauryn Little Shell LaFountain is an enrolled member of the Turtle Mountain Band of Chippewa. She is a multimedia artist, filmmaker, and educator. Her work explores identity, history, Indigenous Futurism, feminism, ghosts, magic, and her mixed Native American and Jewish heritage through lens-based media and installations. She is a Mandel Institute Cultural Leadership Fellow, and has received support for her work from the Sundance Institute, Mike Kelley Foundation, Andy Warhol Foundation, Cousin Collective and more. She has exhibited her work in venues and festivals around the world. She holds a BA from Hampshire College, and a dual MFA in Film & Video and Photography & Media from CalArts.

LA Filmforum: Eve-Lauryn LaFountain - Conversation Pieces

Director Fritz Lang’s post-war espionage thriller follows Gary Cooper’s nuclear physicist from his lab working on the Manhattan Project to an Italian resistance unit on an OSS mission to rescue a dissident scientist forced to help the Nazis on their own atomic bomb. Lang delivers some outstanding action sequences (no one socks a Nazi quite like Gary Cooper) while later-blacklisted screenwriters, Ring Lardner Jr. and Albert Maltz, put a progressive spin on the film’s nuclear politics — “When are we going to be given a billion dollars to wipe out cancer?” decries Cooper’s physicist — alongside its message that resistance to fascism isn’t only necessary but a moral obligation.

Director: Fritz Lang. Screenwriters: Ring Lardner Jr., Albert Maltz. With: Gary Cooper, Robert Alda, Lilli Palmer. 

*35mm restored print courtesy of the UCLA Film & Television Archive. Preservation funding provided by The Film Foundation.*

In this mystery melodrama, the legacy of a “great man” of America is called into question after his sudden death in a suspicious car accident. Spencer Tracy is the grizzled veteran reporter who starts asking all the wrong questions of Katharine Hepburn’s grieving but suspicious widow. Donald Ogden Stewart’s script comes with a few paeans to American exceptionalism — ”You and I are free men today because centuries ago some unknown guy got an idea in his head that he was just as good as the guy who was bossing him” — in a story that decidedly suggests “it can happen here” as homegrown fascists wrap themselves in patriotic imagery and rhetoric.

Director: George Cukor. Screenwriter: Donald Ogden Stewart. With: Spencer Tracy, Katharine Hepburn, Richard Whorf. 

*—Senior Public Programmer Paul Malcolm*

Cloak and Dagger / Keeper of the Flame

### **ABOUT THE FILM:**

The preternaturally gifted director and choreographer Bob Fosse turned the camera on his own life for this madly imaginative, self-excoriating musical masterpiece. Roy Scheider gives the performance of his career as Joe Gideon, whose exhausting work schedule—mounting a Broadway production by day and editing his latest movie by night—and routine of amphetamines, booze and sex are putting his health at serious risk. Fosse burrows into Gideon’s (and his own) mind, rendering his interior world as phantasmagoric spectacle. Assembled with visionary editing that makes dance come alive on-screen as never before, and overflowing with sublime footwork by the likes of Ann Reinking, Leland Palmer and Ben Vereen, ALL THAT JAZZ pushes the musical genre to personal depths and virtuosic aesthetic heights.

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: USA

Introduction by actor and fitness instructor Angie Shriner ‘Cinematic Void’

Cinematic Void Presents ALL THAT JAZZ

**25th anniversary screening**, followed by a **Q&A with actress Saffron Burrows**.

**Doors:** 7:00 PM • **Film:** 7:30 PM

One of the boldest experiments ever released by a major film studio, maverick filmmaker **Mike Figgis** turned heads with this split-screen thriller, starring an incredible cast of A-list actors and taking place entirely in real time as four continuous 98-minute DV takes unfold on screen.

On Sunset Blvd., on the stretch between Book Soup and Dialog Café, Figgis follows a group of Hollywood executives, actors, and spouses (Salma Hayek, Stellan Skarsgård, Saffron Burrows, Holly Hunter, Kyle MacLachlan, and many others) ahead of a major pitch meeting, as adulteries and other overlapping dramas ensue in each of their personal lives.

With its improvised dialogue and elaborate structural gambit, *Timecode* is a relic of the turn-of-the-millennium digital boom—at the height of the crossover between the American independent and commercial film industries—and an emblem of an era when anything felt possible.

*“What is the purpose of the experiment? Above all, to show it can be done… Mike Figgis is a man who lives and breathes the cinema.”* — Roger Ebert

*“An impressive stunt… surprisingly breezy to watch.”* — Dave Kehr

Mezzanine Presents: Timecode in 35mm

### **ABOUT THE EPISODE:**

**Episode 8, “The Last Evening,” Dir. Mark Frost, 46 Mins**

Audrey is hired at One Eyed Jack’s, but is caught in a trap when her father arrives. Cooper gets Jacques Renault to reveal the details of Laura’s last night in the cabin. Deputy Andy saves Truman’s life and apprehends Renault.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“The Last Evening” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 1, Ep. 8

The Flux screening series brings the creative community together to celebrate outstanding short films and music videos from around the globe with wildly inventive filmmaker presentations and performances.

Flux, Spring 2026

### **ABOUT THE FILM:**

STITCHES is a glamorous romantic drama blending the sophisticated fashion world of THE DEVIL WEARS PRADA with the high-society opulence of CRAZY RICH ASIANS, set against the vibrant backdrop of Lagos, Nigeria. It follows the journey of a talented ghetto-raised fashion designer who finds unexpected love that is above her social status, navigating class divides and family expectations.

FORMAT: DCP

DISTRIBUTOR: Bluepictures Cinema

COUNTRY: Nigeria

Nollywood in Hollywood Opening Night! Co-presented by O2A Media and the USC School of Cinematic Arts

STITCHES

A mysterious orb capable of granting three wishes positions a struggling musical band within reach of their dreams at a terrifying cost.

SEE YOU WHEN I GET BACK (2026)(NR)(Fri 3/6) 8pm INNER WAVE BAND album drop

Adapted from Erich Maria Remarque’s novel and directed by Lewis Milestone who also co-wrote, *Arch of Triumph* finds the City of Lights shrouded in noirish fog and shadow. It’s 1938 and Paris has become the tenuous home for refugees on the run from the Nazis and French immigration to avoid deportation. Among them is Charles Boyer’s doctor who haunts the city’s cafes and recognizes a shared trauma in Ingrid Bergman’s desperate émigré. A tragic romance, Arch of Triumph does double duty dramatizing the cruelty of both facism and an immigration system that would render people stateless by denying them safe haven.

Director: Lewis Milestone. Screenwriters: Lewis Milestone, Harry Brown. With: Ingrid Bergman, Charles Boyer, Charles Laughton. 

*35mm restored print courtesy of the UCLA Film & Television Archive. Restored by the UCLA Film & Television Archive in cooperation with National Telefilm Associates, Inc., and Richard Rosenfeld; funding by AFI/NEA; special thanks to Richard Dayton for his significant contributions in restoring this film.*

In this ultra low-budget B-film produced by Czech émigré Rudolph Monter, Friedrich Torberg plays a Czech concert pianist jailed and tortured by the Nazis for playing “The Moldau,” a symbol of the Czech resistance to their occupation. Escaping his captors and surviving a harrowing journey, he ends up alone on a Caribbean island where his trauma overwhelms him as he longs for his missing wife — dying unbeknownst to him on another part of the island. Imbued with expressionist shadows and told through a series of interwoven flashbacks, *Voice in the Wind* powerfully expresses the disorientation and despair of European refugees in the wake of fascist violence.

DCP. Director: Arthur Ripley. Screenwriter: Friedrich Torberg. With: Francis Lederer, Sigrid Gurie, J. Edward Bromberg. 

*Restoration funded by the George Lucas Family Foundation.* Restored by the UCLA Film & Television Archive and The Film Foundation.

*—Senior Public Programmer Paul Malcolm*

Arch of Triumph / Voice in the Wind

**Screenwriters**: Weird Al Yankovic,  Jay Levey

**Producers**: John W. Hyde,  Gene Kirkwood

Grab the remote and turn the channel to *UHF*, the one film to properly showcase the idiotic brilliance of Weird Al, and one of the strangest comedies of the 1980s (which is saying a lot for the 80s!) When his uncle hands George Newman (Weird Al) the keys to his flailing UHF (look it up youngsters!) station, George starts to nix the reruns and start making ridiculous and subversive content that finally brings in an audience. But a rival TV executive isn&#8217;t taking the success well and vows to bring down Newman and all his new programming. It&#8217;s goofy, it&#8217;s stupid, it&#8217;s beyond hilarious, it&#8217;s everything you would expect from a Weird Al movie and so much more!

**Picks from the Video Store**:

1989 was a crazy year for film! Check out these 1989 bangers from our video rental collection!

*Teen Witch, Heathers, Weekend at Bernie&#8217;s*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Animated Short Film

*World restoration premiere! *

One of the boldest films of the postwar period to tackle homegrown facism, the independent production, *The Burning Cross*, was the first anti-Klan film to explicitly depict Black Americans as victims of KKK terror on screen. A newly discharged veteran disgruntled by the changes he finds in his small town gravitates to the brutes of a Klan front group, the American Only Association. The brutal realism of the film’s depiction of the rhetoric and tactics culminates in the murder of a Black family burned in their home. The film, however, is not without compromise as an opening prologue restored in this version suggests that the Klan was originally founded by “men of good intentions” who would be betrayed by a corrupt, greedy few. 

Director: Walter Colmes. Screenwriter: Aubrey Wisberg. With: Henry H. Daniels Jr., Virginia Patton, Dick Rich. 

*35mm restored print courtesy of the UCLA Film & Television Archive. Restored by the UCLA Film & Television Archive and The Film Foundation. Restoration funding provided by The Hobson/Lucas Family Foundation.*

Released the year after both *Gentleman's Agreement* (1947) and *Crossfire* (1947) made anti-semitism their explicit subject, this independently produced film noir takes a grittier approach to the social problem despite never mentioning the word, although the implications are clear. Directed by Austrian-born émigre John Reinhardt, *Open Secret* unfolds as a small town mystery with a newlywed couple investigating the disappearance of the friend they’ve come to visit. What they discover is a community so corrupted by hate even children join in victimizing anyone who isn’t “the right kind of people.” Ironically, a sweaty cabal stands behind it all with ambitions to take their violent campaign to the national political stage.

Director: John Reinhardt. Screenwriters: Henry Blankfort, Max Wilk. With: John Ireland, Jane Randolph, Sheldon Leonard. 

*35mm restored print courtesy of the UCLA Film & Television Archive.Preserved by the UCLA Film & Television Archive with funding provided by The Packard Humanities Institute.*

*—Senior Public Programmer Paul Malcolm*

The Burning Cross / Open Secret

Mezzanine presents three recent short films by filmmaker Dwayne LeBlanc, including *Civic*, *Now, Hear Me Good*, and the Los Angeles premiere of *You Do Not Exist*. A conversation will follow the screening with Dwayne and writer/archivist Harmony Holiday.

∆

Among the most exciting Los Angeles-based independent filmmakers to emerge this decade, Dwayne LeBlanc’s rigorous and hypnotic films are tactile snapshots of a life in transition, each following the travels of a single character (portrayed by Barrington Darius) between L.A. and Europe. Set in intimate spaces – driving a car, at a crowded party, or alone in the backyard — and imbuing them with a deeply felt lyricism and texture, LeBlanc’s filmmaking is filled with inspired and intuitive choices, taking a polyphonic approach to depicting community life on screen.

Widely acclaimed after screening at international film festivals, these three short films will be screening together for the first time with the filmmaker in person, including the L.A. premiere of his new short *You Do Not Exist* — followed by a conversation with writer Harmony Holiday.

Mezzanine: Three Films by Dwayne LeBlanc

Daughters of the Dust in 35mm

SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.

Neon Genesis Evangelion: The End of Evangelion

Movie theater chain established in 1938 showcasing the latest independent, foreign & art films.

Widely regarded as the greatest motion picture ever made, Citizen Kane tops the American Film Institute's list of the 100 Greatest American Films of All Time. Orson Welles' groundbreaking 1941 debut remains a towering achievement in cinema – innovative, daring, and endlessly influential.

This unique screening will be hosted by filmmaker Stanley Sheff, who worked closely with Welles as a collaborator, editor, and un-credited co-director on his unsold TV pilot The Orson Welles Show. Sheff will share stories from their professional collaboration and personal friendship, giving audiences a rare first-hand glimpse into the private world of Orson Welles.

    Conversations about Citizen Kane and its lasting impact
    Inside stories from the unsold TV pilot The Orson Welles Show
    Personal memories that reveal Welles' humor, charm, and presence

WEDNESDAY WITH WELLES

Fine Arts Theatre

### **ABOUT THE FILM: **

*In Portuguese with English subtitles.*

In one of his richest works, João César Monteiro films young couples fleeing their authoritarian parents in the Portuguese countryside, capturing forgotten people and landscapes while infusing them with tales of mystery and imagination inspired by ancient, traditional legends. Beautifully filmed by cinematographer Acácio de Almeida, Veredas reconfigures a nation’s cultural identity and aesthetic traditions, replacing politically fabricated imagery dictated by decades of fascism with a vibrant, inventive mise-en-scène that paved the way for a renowned docufiction tradition in contemporary Portuguese cinema.

FORMAT: DCP

DISTRIBUTOR: The Cinema Guild

COUNTRY: Portugal

TRAILS

Active Cultures and Now Instant present **Seeds**, a three-part cinematic meditation on new beginnings, hidden power, and pivotal transformation.

Seeds are more than sources of nourishment. They hold ancestral memory: essential for preserving biodiversity, food sovereignty, and cultural heritage, resisting colonial displacement and destruction. These tiny vessels are also powerful symbols. Moving beyond the botanical, this artist-led film series delves into life&#8217;s eternal cycles, the strength of resilience, the wonder of germination, and the quiet wisdom found in dormancy.

The second film in the series, *Tending the Wild*, is selected by Andrea Jimenez of Herb Club LA. The screening will be followed by a conversation with Andrea and Joel Garcia, Director of Meztli Projects. Together, they will discuss the film’s themes in relation to their work with people and plants in the local community, as well as reflections on the past ten years since the film was made.

***Please note: seating is limited. Doors open thirty minutes prior to the listed showtime. Your RSVP does not guarantee you a seat. Seating is first-come, first-served.***

Seeds: Tending the Wild

**Screenwriters**: Wong Kar-Wai, Jeffrey Lau

**Producer**: Rover Tang

If it’s about sexy people in Hong Kong pining for lost love in stunning lighting, then it must be a movie by Wong Kar-Wai! Set in 1960, this ravishingly gorgeous drama is one of WKW’s earliest works, and marks his first collaboration with brilliant cinematographer Christopher Doyle. The film weaves a twisted web of erotic and romantic connections, which ensnare a womanizer (Leslie Cheung) searching for his birth mom, his lovesick ex-girlfriend (Maggie Cheung), a dancer (Carina Lau), and a cop (Andy Lau). It also features a last-minute cameo by Tony Leung Chiu-wai as a charismatic playboy (or is that redundant?). So forget your own relationship troubles and prepare to enter a world where heartache looks cool as hell.

**Picks from the Video Store**

Do you love Maggie Cheung as much as we do? Check out these deep cuts tonight!

*Heroic Trio, Irma Vep, Clean*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Days of Being Wild

Airport/Airport 1975

Los Angeles Filmforum presents *Femme Grotesquerie!* In person: Jenny Nirgends and curator Sam Gurry.

Full film lineup and notes at: https://www.lafilmforum.org/schedule/

∆

*Desires that curdle. / Ambitions that molt. / Girlhood morphed into menace, myth, and power.*

*Femme Grotesquerie* is a collection of ten contemporary experimental animation short films showcasing femininity as something unruly, excessive, and emboldened. Featuring a variety of mediums including direct animation, stop motion, and digital 2D, these films depict worlds lived, imagined, subverted, or reclaimed. Here, femininity is not decorative or contained but pushed to its edges: raw, acute, tender, funny, and volatile. From the animated porcelain puppets of *On Weary Wings Go By* to the glitter-bombed 16mm of *Moon Cycle (2023-2024)*, these films stage feminine aesthetics and narratives as something to be wielded, distorted, reclaimed, and reimagined on the animators’ own terms.

Join us to delight in the animated image and that strange pleasure of watching light, rupture, and reform. Contemporary international animated films by Justine Lai, Alice Bloomfield, Anu-Laura Tuttelberg, Amy Lockhart, Victoria Vincent, Sofia Carillo, Sophie Koko Gate, Jenny Jokela, Louise Flaherty, and Jenny Nirgends.

Notes and Program by Sam Gurry.

LA Filmforum: Femme Grotesquerie

Documentary Short Film

**Conceiving Ada** (1997) is a sci-fi drama directed by artist and filmmaker **Lynn Hershman Leeson**. The film follows a computer scientist who attempts to communicate with 19th-century mathematician **Ada Lovelace** through experimental technology, drawing connections between early computing, memory, and authorship.

Starring **Tilda Swinton**, Francesca Faridany, and Karen Black.

The film will be introduced in person by Los Angeles writer and critic

Jori Finkel!

Conceiving Ada

Join artist Peter Zokosky for live drawing demonstrations. Meet the artist, ask questions, and discover different materials and techniques for drawing people. 



Artist-at-Work: Figure Drawing

Do you like to draw? Join us for this fun, drop-in drawing event where participants of all ages and skill levels discover the joy of drawing from live, costumed models. Guest artists offer guidance and materials are provided—just bring your curiosity and creativity. 

Getty Drawing Days

Getty Center

*Preserved by UCLA from original 2 in. video master! *

In a celebrated career spanning over four decades, Academy Award winner Gene Hackman (1930–2025) became recognized as one of the finest American actors of the New Hollywood era. A native Californian who relocated to New York to pursue acting in the late 1950s (with roommates Dustin Hoffman and Robert Duvall), Hackman toiled for over a decade off and on Broadway, and in dozens of small parts on film and television. By 1968, in between his star-making turns in the iconic features *Bonnie and Clyde* (1967) and *The French Connection* (1971), Hackman landed the lead role in the prestigious television anthology *CBS Playhouse*, in the installment, “My Father and My Mother.” 

Virtually unseen since its original broadcast, “My Father and My Mother” concerns a writer (Hackman) as he struggles to come to terms with decisions made in the care of his son with an intellectual disability. In seeking answers to his deep emotional crisis, the writer revisits his past, attempting to reconcile painful memories of his late parents (Ralph Bellamy, Jane Wyatt). An obscure footnote in Hackman’s oeuvre, the expressionistically staged drama (videotaped at CBS Television City) represents a creative high point in the actor’s television resume, revealing a performance of psychological depth uncommon to the small screen. In its review, the *Los Angeles Times* hailed Hackman as “outstanding,” noting the production was “... 90 minutes of thoughtful, well-played drama, of which there is much too little on TV these days.” 

*Programmed and notes written by John H. Mitchell Television Curator Mark Quigley.*

*With original commercials *

DCP. CBS. Production CBS. Executive Producer: Barbara Schultz. 

Producer: George Schaefer. Director: George Schaefer. Writer: Robert Crean. With: Gene Hackman, Ralph Bellamy, Jane Wyatt. 

*Preserved by the UCLA Film & Television Archive. Engineering services by CBS Media Exchange. **Episode from CBS Playhouse - Courtesy of CBS Broadcasting Inc.*

Tribute to Gene Hackman: CBS Playhouse: “My Father and My Mother”

Intro to Leatherworking

While making a small accessories pouch, learn the basics of working with leather. This will cover different types of leather, terms and tools for working with chrome tanned pieces. This is a hands class on with sharp tools and Sharpies and is intended for beginners 14 years and older. Leave the class with a new appreciation for leather and take home a small finished pouch and a pattern to make more if you fall in love with the craft!

For more work by C&J Goods visit...

[http://www.candjgoods.com](http://www.candjgoods.com/)

Intro to Leatherworking w/ C & J Goods (3/8)

Heavy Manners Library

Live Action Short Film

### **ABOUT THE FILM: **

The highly anticipated follow up to the smash hit GREASE, Michelle Pfeiffer dazzles in a role that helped launch her to stardom and Maxwell Caulfield shines in his feature film debut. The two star as high school students from very different backgrounds who find love despite the expectations of everyone around them. This upbeat and campy ode to teenage romance dances to its own beat, gaining fans and cult-movie status four decades later.

FORMAT: DCP

DISTRIBUTOR: Paramount

COUNTRY: USA

Cinematic Void Presents GREASE 2

Described as the “unacknowledged love child of Walerian Borowczyk, Kenneth Anger, and Jean Cocteau,” **Bertrand Mandico** is a prolific and singular filmmaker. He has directed over forty short films, medium-length works, TV commercials, musical films, and features, and co-created the *Incoherence Manifesto* with Icelandic filmmaker Katrín Ólafsdóttir.

Central to Mandico&#8217;s methodology is shooting on expired film stock (16mm, 35mm, or Super 8), relying exclusively on in-camera special effects, and filming without sound, with all sound constructed in post-production. *The Wild Boys* marks Mandico’s debut feature and sends audiences on a transgressive, gender-bending (and genre-bending) surreal voyage—what the filmmaker describes as a “Robinson Crusoe–style adventure à la Jules Verne and William Burroughs.”

*The Wild Boys* tells the story of five adolescent boys—each played by actresses—who are enamored with the arts yet irresistibly drawn toward crime and transgression. After committing a brutal act, aided by TREVOR, an uncontrollable deity of chaos, they are punished by being forced aboard a ship captained by a man determined to discipline their ferocious appetites.

Stranded on a lush and dangerous island where pleasure and peril coexist, the boys begin to undergo profound transformations of both mind and body. Shot in sumptuous 16mm and brimming with eroticism, gender fluidity, and dark humor, *The Wild Boys* is a hallucinatory coming-of-age odyssey that lingers long after the screen fades to black.

**Preceded by a short film by Bertrand Mandico.**

PHANTASMAGORIA presents THE WILD BOYS

Join us at the PRS for an intimate evening celebrating the release of the Spirit Guide Portal Oracle Deck.

Spirit Made Visible - The Spirit Guide Portal Oracle Release

### **ABOUT THE FILM:**

Rose, an aspiring actress, checks into a remote California motel, seeking solace from the chaos of her life. But the walls of the motel pulse with the echoes of her past—each room a distorted reflection of her fears, desires and regrets. As reality warps and fractures, Rose must confront the haunting specters of her trauma, identity and the oppressive forces that have shaped her existence.

Julie Pacino’s feature debut is a visually arresting journey into the labyrinth of the female psyche. Shot on 35mm, I LIVE HERE NOW blends surrealist horror with psychological depth, drawing comparisons to Lynchian narratives and films like BLACK SWAN. With a standout performance by Lucy Fry, this film is a haunting exploration of self-worth, autonomy and the shadows that linger within.

FORMAT: 35mm

DISTRIBUTOR: Utopia

COUNTRY: USA

Q&A with filmmaker Julie Pacino and actor Sheryl Lee Advance Screening

I LIVE HERE NOW

*North American premiere of new director’s cut*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik With: Coss Marte, Syretta Wright, Derek Drescher.

As Conbody’s profile rises with increased media attention, Coss works to find investors and secure a permanent space.

DCP.

Conbody trainer Shane hits a setback and Coss and the team pitch in to help. 

DCP.

Syretta starts as a trainer at Conbody after her recent return home from prison. Coss supports his younger brother’s first run for City Council.

DCP.

*—Public Programmer Beandrea July*

Conbody vs Everybody: Episodes 1–3

Project Hail Mary - 70mm Early Access

Tuesday–Friday, Sunday 10am–6:30pmSaturday 10am–9pmMonday Closed

Selected Shorts: Virtue & Vice

*New director’s cut*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik With: Coss Marte, Syretta Wright, Derek Drescher.

As Conbody’s profile rises with increased media attention, Coss works to find investors and secure a permanent space.

DCP.

Conbody trainer Shane hits a setback and Coss and the team pitch in to help. 

DCP.

Syretta starts as a trainer at Conbody after her recent return home from prison. Coss supports his younger brother’s first run for City Council.

DCP.

*—Public Programmer Beandrea July*

*North American premiere of new director’s cut
*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik. With: Coss Marte, Syretta Wright, Derek Drescher.

Coss celebrates five years home from prison. The team changes locations and new trainers join the team. Coss grows increasingly frustrated with reluctant investors. Includes an appearance by late actor Michael K. Williams.

DCP.

Coss and the CONBODY team navigate the COVID-19 pandemic and the subsequent Black Lives Matter protests as they take hold in New York City. Coss’ brother takes another run at City Council. Coss and his girlfriend Roxie take a step forward together.

DCP.

*—Public Programmer Beandrea July*

Conbody vs Everybody: Episodes 4–5

Lightstruck presents Ulrike Ottinger’s *TAIGA: A Journey to Northern Mongolia*. 501 minutes, English subtitles. 12 noon start time, with two breaks. The film will conclude at approximately 10pm.

Snacks, coffee and tea will be provided, as well as some dinner at the evening break, for a suggested donation.

Digital restoration courtesy of Arsenal with thanks to Carsten Zimmer, Reinhild Feldhaus, and especially Ulrike Ottinger.

∆

“Taiga is an experience that causes us to think about why we live as we do, what it is to be human, and what is important in life.” (Roger Ebert)

Lightstruck is extremely excited to present a truly epic cinematic experience, as we screen Ulrike Ottinger’s nearly 8.5-hour, immersive documentary *Taiga* (1992) in a special all-day screening.

Known for her meticulously crafted experimental narrative films infusing political radicalism with a rich, surrealist opulence, German artist Ulrike Ottinger has also produced a singular body of memorable nonfiction work, though perhaps none so monumental – and mesmerizingly beautiful – as *Taiga*.

During an extended period spent in Northern Mongolia through multiple seasons, Ottinger approached ethnography in a radically different way, rejecting authoritative narrativizing or presumptuous didacticism. The extended length of the film reflects Ottinger’s larger impulse and approach in this project: to spend time – unadulterated, attentive time – with the Northern Mongolians she had befriended, and to enable their own distinctive approach to time and space in everyday life dictate the scale and pace of the film.

Over ten parts and 38 chapters, we see a seance, two weddings, preparation of foods, wrestling contests, music performances, storytelling sessions, and countless other events large and small, yet all equally defining the overall year-to-year and day-to-day experiences of nomadic life in the Darkhad Valley of Northern Mongolia. The film succeeds so brilliantly in part because of the unapologetically and earnestly fascinated gaze with which Ottinger documents what she sees, and the clear love for and engagement with people that the filmmaking reflects.

“I tried to explain my wish, which was to record a way of life that no longer exists in the place where I’ve come from, in order to show the document to the people back home, who are very interested in the nomadic ways. At first this puzzled them, but then they thought, Yes, indeed, we too would be interested to know how your people live…” (Ulrike Ottinger)

Lightstruck: Ulrike Ottinger’s TAIGA (1991/92)

### **ABOUT THE FILM:**

Set in 1994, a record producer, Boogalow (Vladek Sheybal) seduces young folksinger duo Bibi (Catherine Mary Stewart) and Alphie (George Gilmour) into becoming part of his stable of musical stars kept in line with sex and drugs.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA/West Germany

Cinematic Void Presents THE APPLE

Lightstruck presents *Tacita Dean & Robert Nelson: Acting on Film* with Tacita Dean in person!

Lightstruck is honored to welcome artist Tacita Dean for a rare cinematic projection of her riveting 2015 film *Event for a Stage*, paired with Robert Nelson’s seldom seen 1982 short film *Hamlet Act*, both screening in their original 16mm format. These two remarkable films each explore the endlessly complex interplay between live performance and cinematic construction, as the camera, editing, and even the director’s presence complicate the illusion of narrative continuity, not to mention the presumptive reality that appears to hover at the margins.

Nelson’s film is a brilliant and unusual deconstruction of Hamlet’s play-within-a-play, activated into multiple, recursive layers of artifice through its employment of film and video to extend the original text’s nested complexity. Outtakes, retakes, and the typically unseen ragged edges of live performance carry as much meaning here as Shakespeare’s precise words and stage directions, giving us an exploded view of the highly constructed nature of cinematic performance.

Also invoking Shakespeare is actor Stephen Dillane in Dean’s breathtaking film, in which the volleying interactions between actor and director frame an almost molecular exploration of live performance and its resistance and acquiescence to being captured. Dean filmed the absolutely magnetic Dillane over four disparate performances, recomposing them into an explicitly filmic thread of continuity as he navigates between themes of memory, forgetting, family, artifice, and above all, the slippery power balance between actor and filmmaker at the heart of every cinematic performance.

Program and notes by Mark Toscano. Very special thanks to Tacita Dean, with additional thanks to Marine Pariente and Marian Goodman Gallery. 16mm print of Event for a Stage courtesy of Tacita Dean and Marian Goodman Gallery. 16mm print of Hamlet Act courtesy of the estate of Robert Nelson and Canyon Cinema.

Lightstruck: Tacita Dean & Robert Nelson (Acting on Film)

Short Films Honoring the Day of Remembrance: Executive Order 9066

The Revenant in 4K

SPEED KILLS

A short film by Ally Evenson

Directed by Antony Muse

A one-night premiere event at Brain Dead Studios, featuring the debut screening of SPEED KILLS, followed by a live Q&A with Evenson and Muse moderated by Mikael Wood from the LA Times, two intimate acoustic performances, and more.

Doors at 7:00pm. Screening and performances begin at 7:30 PM sharp.

Album out February 20.

Synopsis: When a mysterious car crash leaves her stranded in the middle of nowhere, a wannabe race car driver takes shelter with a traveling theater troupe seeking safety, only to find herself in a twisted romance she couldn’t have imagined.

Includes Q&A with Director Antony Muse and Singer/Songwriter Ally Evenson and 2 live acoustic performances from the SPEED KILLS album.

Ally Evenson - Speed Kills Premiere at Brain Dead Studios

Monthly short film festival. Watch and vote. Audience award to the best short film each month. Annual championship in DECEMBER.

MOVIE SCREENERS CLUB (Thu. 2/19) 7:30pm

Join us for an evening of chess and community at Heavy Manners Library. Play against friends and strangers, with all skill levels welcome. Free donuts will also be provided!

Echo Park Chess Club at Heavy Manners Library (2/19)

Arabian Nights

**Screenwriters**: Louise Peter,  Mascha Schilinski

**Producers**: Lucas Schmidt,  Lasse Scharpen

Join us in the microcinema for the utterly gorgeous bleak beauty of Mascha Schilinski’s meditative and transcendent *Sound of Falling*. Fragments from a hundred years in one farmhouse coalesce into a cinematic flood of memory with exquisite painterly cinematography and expertly disquieting sound design. 

This Cannes Jury Prize-winning masterpiece tracks the lives of four adolescent girls (Alma, Erika, Angelika, Lenka) across the last century – their desires and distress, their secrets and truths, their encounters with another’s gaze and defiant gaze in return. Though separated by time, far-reaching resonances emerge as echoes of experience linger.

Sensual and sensory, this awe-inducing Cannes prizewinner invites audiences to witness an eternal summer, a constant now, and ask: what is looking back at us from the past – or perhaps even from the future?

*“It knocks you off your feet and then sweeps you up again”* &#8211; The New Yorker

*“Mascha Schilinski’s superb feature is a masterclass in ethereal, unnerving brilliance”* &#8211; Deadline

*★★★★ “Marvelously tells a century’s worth of women’s stories by weaving together the psychological, the physical, and even the spiritual”* &#8211; Observer

Sound of Falling

**Screenwriters**: Ernest Dickerson, Gerard Brown

**Producers**: David Heyman, Neal Moritz, Peter Frankfurt

Vidiots is thrilled to welcome co-writer and director **Ernest Dickerson** for a special screening of his 90s coming-of-age classic *Juice* followed by a conversation with the legendary filmmaker! And come early for an all vinyl DJ set, spinning Hip Hop bangers from the 1990s!

Ernest Dickerson&#8217;s directorial debut, *Juice* is an entertaining gritty crime drama featuring the first on-screen role for Tupac Shakur as the increasingly psychopathic Bishop. Four young friends in Harlem dig deeper into the world of crime when they decide to go from petty crime to planning a high-stakes robbery. While not everyone&#8217;s heart is in the heist, Bishop, the de facto leader pushes them to follow through with the ill-fated operation, putting their friendships and lives on the line. A gripping coming-of-age story against the backdrop of 1990s Harlem with phenomenal performances and deft direction from Dickerson. *So pop two quarters in, pop tart, and let&#8217;s get this game on!*

**Picks from the Video Store**

Take home more Ernest Dickerson classics tonight!

*For One Night, Bones, Tales from the Crypt Presents:Demon Knight*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Juice

Gaslight/Laura

This unique series is hosted by filmmaker Stanley Sheff, who worked closely with Welles as a collaborator, editor, and un-credited co-director on his unsold TV pilot The Orson Welles Show. Sheff will share stories from their professional collaboration and personal friendship, giving audiences a rare first-hand glimpse into the private world of Orson Welles.Doors at 7pm, show at 7:30pm and film at 8pm.

Tonight's show: THE MAGNIFICNET AMBERSONS The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end.

MAGNIFICENT AMBERSONS

Bring a project you've been working on or try one of ours!

Presented by Sunday Scaries Art Club.

6-8pm

FREE! Some materials provided. First come, first serve.

Art Night at Scribble

Scribble

“What do I get out of this?” asks Andy Griffith’s “Lonesome” Rhodes of Patricia Neil’s radio producer touring an Arkansas jail for local musical talent. In his rise to fame and influence, Rhodes’ narcissistic motivation remains the same throughout *A Face in the Crowd*, no matter what Everyman platitudes people project on him. Radio gets him started but television is the new medium that vaults him to the pinnacle of political power. With McCarthyism still in the air, director Elia Kazan and screenwriter Budd Schulberg pitch a darker take on populism than Frank Capra’s in Meet Doe Joe, but they still share a faith in the American public’s natural resistance to authoritarian appeals that, for all the film’s prophetic bone fides, feels naive in retrospect.*—Senior Public Programmer Paul Malcolm*

Director: Elia Kazan. Screenwriter: Budd Schulberg. With: Andy Griffith, Patricia Neal, Anthony Franciosa. 

*35mm preservation print courtesy of the UCLA Film & Television Archive. Preserved by the UCLA Film & Television Archive with funding provided by The Film Foundation and the Hollywood Foreign Press Association.*

A Face in the Crowd

Rio de Janeiro, 1964. After suffering the end of a love affair, G.H., a sculptress from Copacabana’s artistic elite, decides to clean her apartment by herself, starting with the maid’s room. The day before, the maid had quit. In the room, G.H. faces a huge cockroach that reveals her own horror of the world, a reflection of a society full of prejudice against beings it treats as subordinate. Facing the insect, G.H. descends into an existential Via Crucis. This experience leads to the loss of her identity and makes her question all conventions that imprison females to this day. Based on a novel by Clarice Lispector.

Monday, 2/16

Academy Museum

Sweeney Todd: The Demon Barber of Fleet Street in 4K

2:30 PM

⭐

High Life

7:30 PM

⭐

Gardena Cinema

TITANIC (1997)(PG-13) Sat 2/14: 3pm, 7pm; Sun 2/15: 3pm & Mon 2/16: 11:30am

11:30 AM

⭐

Los Feliz Theatre

Cinematic Void Presents MR. MAJESTYK

7:00 PM

⭐

THE LOVE THAT REMAINS

10:00 PM

⭐

New Beverly Cinema

The Defilers

A Smell of Honey, a Swallow of Brine

7:30 PM

⭐

Vidiots

Best in Show

7:30 PM

⭐

Vista Theatre

Good Luck, Have Fun, Don't Die

12:00 PM, 3:30 PM, 7:15 PM

⭐

Monday, 2/16