Gentlemen Prefer Blondes

Emma in 35mm

Academy Museum

### **ABOUT THE FILM:**

Amused by exploiting our instinct to believe what we see and hear, Duke (Aaron Holliday) treats deepfakes like a contagious party trick. Not because he has something to prove, but simply because he can. Soon blood starts to spill, but Duke isn’t the one who has to clean it up.

Intersecting storylines catch the fallout of Duke’s petty pastime: Poppy (Simran Jehani), heading into the desert for a weekend of cosplay and foreplay; Clinto Binto (Sean Gunn), a legend in the scene with a reputation too expensive to fake; and Lazzy (Paige Searcy), a stranger who picks the wrong line, the wrong coffee shop and the wrong day to argue.

Paranoia. Confirmation bias. Baseless certainty. We’re all APPOFENIACS. When anyone’s version of the truth can be created with the tap of a finger, the horror isn’t the lie. It’s what happens when people believe it.

FORMAT: 35mm

DISTRIBUTOR: Magenta Edge Films

COUNTRY: USA

Q&A with filmmaker Chris Marrs Piliero and actors Sean Gunn, Will Brandt, Paige Searcy and Simran Jehani. Moderated by David Dastmalchian. Special Advance Screening Free Popcorn and soda courtesy of Magenta Edge Films

APPOFENIACS

Aero Theatre

Brain Dead Studios presents our first-ever O.V.A. Night, a surprise screening of obscure anime rarely seen on the big screen.

O.V.A. (Original Video Animation) emerged in Japan during the home video boom of the 1980s. Released directly to home video, OVAs gave animators the freedom to work outside the usual restrictions of television and theatrical releases, opening the door to stranger stories, bigger ideas, and imagery that could never have made it onto TV. The result was some of the most ambitious, violent, experimental, and downright bizarre anime of the era.

Many of these titles have never been properly restored or given a theatrical release, and we think they deserve to be played big, played loud, and seen with a crowd.

O.V.A. Night

Brain Dead Studios

### **ABOUT THE FILM:**

After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.

FORMAT: 35mm

DISTRIBUTOR: Warner Bros.

COUNTRY: USA

30th Anniversary ‘You Can’t Stream That on Television’

CRASH

### **ABOUT THE FILM:**

*In Polish with English subtitles.*

Set during the Nazi occupation of Poland, in which Michał witnesses the murder of his mother, wife and child. He is hurled into a life that literally is not his own; a surreal world littered with trapdoors, doppelgängers and wormholes.

FORMAT: DCP

DISTRIBUTOR: Fixafilm

COUNTRY: Poland

55th Anniversary ‘You Can’t Stream That On Television’

THE THIRD PART OF THE NIGHT

Los Feliz Theatre

Peeping Tom / See No Evil

New Beverly Cinema

Join scholar of mythological studies Maryam Sayyad, Ph.D. for an in-person & online exploration of jinn in stories, myth, and film

Cinemyth Presents: Jinn, Angel, Demon: The Spirit of the Wish in Fairy Tale

Philosophical Research Society

Free. Bad artist welcome

Hosted by an art group based in Echo Park

BYOP: Bring Your Own Pen Drink & Draw!

Stories Books & Cafe

**Screenwriter**: Colin Higgins from the stage musical by Peter Masterson,  Larry L. King

**Producer**: Thomas L. Miller,  Edward K. Milkis,  Robert L. Boyett

Vidiots is easing our heartbreak over the loss of the eternal Goddess **Dolly Parton** with a special screening of her rootinest tootinest big screen musical extravaganza *The Best Little Whorehouse in Texas*.

*Texas has a whorehouse in it! *Nothing spells big summer fun like a Dolly Parton musical about sex-workers fighting against the man! Dolly and Burt &#8211; two iconic caricatures of femininity and masculinity &#8211; star as the local madam and the local sheriff &#8211; and sometime lovers. When a big TV crusader Melvin P. Thorpe threatens to expose the Chicken Ranch to public scandal and close it down, Miss Mona doesn&#8217;t go down without a fight. Give in to the mesmerizing charisma of Dolly Parton singing such bangers as *A Lil&#8217; Ole Bitty Pissant Country Place, Sneakin&#8217; Around, Hard Candy Christmas, *and* I Will Always Love You &#8211;* not to mention the men&#8217;s locker room dance number &#8211; you will never look back!

**Dolly Parton &#8211; We Will Always Love You!**

Dolly Parton was one of one &#8211; with a heart even bigger than her hair. She was one of the greatest to ever make us laugh, cry, and sing &#8211; sometimes all at once! A community leader who always put her money where her mouth was, Dolly was a constant inspiration to show up for ourselves and one another, and she brought joy that will be dearly missed by the generations of people that adore her and will forever celebrate her impact. We will always love you, Dolly!

**Picks from the Video Store**

Take home more Dolly Parton on physical media tonight!

*9 to 5, Rhinestone, Steel Magnolias*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Best Little Whorehouse in Texas

Vidiots

Twin Husbands/Murder at Glen Athol

Onslaught

Vista Theatre

‍*Every year we show exclusively shot-on-videotape works throughout September for something we call:* ***SOV SEPTEMBER****. Join us for this year's month-long exploration into the depths of some of the most under-appreciated margins of filmmaking. Usually no-budget, usually put together by small crews of friends (and family members, and neighbors), sometimes over-the-top gross, sometimes transgressive, and almost always like no other film you've ever seen - this series is for cinematically adventurous travelers only!*

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A ravenous, predatory creature from deep space arrives on Earth and unleashes its insatiable appetite for flesh and blood on an unsuspecting, seaside town. Assigned by his superiors to hunt down the creature, former starship commander David Riggs (Greg Scott) recruits the assistance of a reluctant psychic investigator named Sandra Lynn (Kathy Monks), who’s been haunted by gruesome, clairvoyant visions of the monster savagely mutilating the towns’ local teenagers. When her innocent young daughter is killed, Sandra tracks the beast to its underwater lair in a kamikaze attempt to detonate a thermonuclear termination device and obliterate the creature (and herself) once and for all.

A mind-shattering, analog splatterfest that blissfully unfolds amidst the late ‘80s shopping malls, rock clubs, and shorelines of Ocean and Monmouth County, NJ, **Flesh Eaters from Outer Space** (aka *A Taste for Flesh & Blood*) marked the headbanging SOV feature debut of legendary Neptune, New Jersey-based writer/director Warren F. Disbrow (*Invasion for Flesh and Blood*, *Scarlet Moon*). In the tradition of *Humanoids from the Deep* and *Nightbeast*, big teeth, big hair, and big riffs abound in this regional, “man in a suit” monster epic that’s bursting at the seams with jaw-dropping nudity and practical gore FX. A 1980s love letter to the monster movies of the ‘50s featuring homespun dismemberments, disembowelments, and decapitations at every turn, Disbrow’s Flesh Eaters from Outer Space remains one of the seminal ‘80s horror features that would help put New Jersey on the map as a hub for micro-budget, shot on video filmmaking in the decades to come. (Saturn's Core)

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**dir. Warren F. Disbrow, 1989***United States, digital projection*88 min

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## WEDNESDAY, 9/167:30 DOORS8:00 SCREENING

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## $10 general admission.

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***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.

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Courtesy of [Saturn's Core Audio & Video](https://vinegarsyndrome.com/collections/saturns-core), a New Jersey based home video label devoted to releasing underground oddities and shot on video cinema on VHS, and now, blu-ray discs! In partnership with OCN Distribution, Saturn's Core will exhume forgotten or under-seen genre cinema from the 80s and 90s, with an emphasis on SOV horror features.

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**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***

SOV SEP: Flesh Eaters from Outer Space (1989) pres. by Saturn's Core

WHAMMY!

Acropolis Cinema presents *Little Boy*, by James Benning. 2025. Director in person!

James Benning’s mesmerizing new film spans decades of U.S. history with simple and seemingly minor gestures. Foregrounding its own structural form, *Little Boy* shows us a series of prefabricated toy models being painted in close-up, accompanied by the rallying cries of folk and pop standards, followed by images of the models’ final construction overlaid with passages of political oratory, from voices inspiring or nefarious. The cumulative image is one of a society doomed to cycles of domestic decline and implicated in international terror in the name of “peace-making” interventionism. A companion piece to *American Dreams: Lost and Found*, Benning’s 1984 film composed entirely of baseball card memorabilia, *Little Boy*—its title recalling the lyrics from Pete Seeger’s “What Did You Learn in School Today?”—is an American epic in miniature.

TRT: 74 min

In person: James Benning

Acropolis Cinema: James Benning's Little Boy

2220 Arts + Archives

### **ABOUT THE EVENT:**

The American Cinematheque is thrilled to announce the Los Angeles premiere of THE MUSICAL, the feature length version of the 2024 PROOF Film Festival audience award winner. Starring Will Brill, Rob Lowe and Gillian Jacobs, we are so proud of filmmaker Giselle Bonilla and screenwriter & producer Alexander Heller as they bring this hilarious feature that began as a short to the masses.

### **ABOUT THE FILM:**

When a frustrated playwright/middle school theater teacher finds out his ex-girlfriend has started dating his nemesis, the school’s principal, he exacts revenge the only way he knows how: by staging the most inappropriate play imaginable.

FORMAT: DCP

DISTRIBUTOR: Blue Harbor Entertainment and Variance Films

COUNTRY: USA

Q&A with filmmaker Giselle Bonilla, screenwriter Alex Heller and actor Will Brill L.A. Premiere

THE MUSICAL

“When you were mentioning Citizen Kane and 2001 [A Space Odyssey], you forgot to add Drive, we’ll let that slip” (Nicholas Winding Refn in Conversation with William Friedkin, 2015)

In his first Hollywood effort, Nicholas Winding Refn’s Drive pulls none of the punches he delivered back home in Denmark. Drive brings Refn’s signature blend of drama and ultra-violence to Los Angeles. A stuntman moonlighting as a getaway driver must help his neighbor’s recently paroled husband in a supposedly routine pawn shop robbery. A million dollars and a few dead bodies later, the stuntman must confront a terrifying gangster to save the lives of his neighbor and her young son. A blood pumping score by Cliff Martinez and career high performances by Ryan Gosling, Carey Mulligan and Albert Brooks underscore a brutal tale of L.A.&#8217;s underbelly.

Drive (2011)

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

Monthly short film festival. Watch and vote. Audience award to the best short film each month. Annual championship in DECEMBER.

MOVIE SCREENERS CLUB (Thu. 9/17) 7:30pm

Gardena Cinema

### **ABOUT THE FILM:**

When a toy manufacturer feels ignored and unappreciated by his wife and children, he begins to rekindle a past love when a former employee comes back into his life. Starring Barbara Stanwyck, Fred MacMurray and Joan Bennett.

FORMAT: 35mm

DISTRIBUTOR: Universal

COUNTRY: USA

70th Anniversary ‘Magnificent Melodramas: Douglas Sirk & Russell Metty’

THERE'S ALWAYS TOMORROW

### **ABOUT THE FILM:**

*In French with English subtitles.*

An entire civilization must confront its destiny in alternative-animation pioneer René Laloux’s final feature, a cult classic of mind-bending science fiction. In a distant world, a merciless army of automata attacks Gandahar, turning its peace-loving people to stone. Hoping to discover the source of these Men of Metal, a council of matriarchs enlists the brave yet inexperienced warrior Sylvain (Pierre-Marie Escourro), who, while journeying through his planet’s outer regions, teams up with the Deformed, a race cast out from Gandahar after failed science experiments rendered them mutants. Soon, Sylvain learns that a gargantuan brain called Metamorphis (Georges Wilson) is responsible for his utopian society’s strife and—together with the beautiful Airelle (Catherine Chevallier)—travels through time to defeat him, in the process risking their lives and Gandahar’s very existence. Featuring stunningly surreal creatures and wondrously bizarre environments designed by renowned comic-book artist Caza, *Gandahar* is a visceral, visionary head-trip in which animation opens a gateway to the furthest reaches of the imagination.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: France

GANDAHAR

Fight Club

*Stepney Western* is an experimental documentary by Harry Lawson, made in collaboration with a group of young inner-city horse riders from Newcastle upon Tyne, UK. Recasting their neighbourhood as the Wild West, the film sits at the porous boundary between fact and fiction, combining recontextualised iPhone clips shot by the riders and archival material with Lawson’s own footage. It is loosely centred on their Alternative Provision programme — a unique alternative for young people in England who struggle in mainstream education settings. 

*In With Both Feet* is a unique oral history of the stables, written by Kathryn Scanlan in response to the film. The audience will listen to a recording of Scanlan’s piece, read by Paula Archer, one of the founders of Stepney Bank Stables. What emerges is a kind of collective portrait, made up of edited fragments of speech from Lawson’s rushes.

The screening and reading will be followed by a conversation between Lawson and Scanlan.

Stepney Western + In With Both Feet

Now Instant Image Hall

**Screenwriter**: Rafael Manuel

**Producers**: Jeremy Chua,  Alex Polunin,  Bianca Balbuena,  Bradley Liew,  Nadia Turincev, Omar El Kadi,  Rafael Manuel

Join us in the microcinema for one of the best films of the year and a masterwork of international cinema &#8211; Rafael Manuel&#8217;s phenomenally composed deadpan social satire *Filipiñana*. With jaw-dropping shot composition, immaculate color coding, a biting and satiric wit, and a slow deliberateness that builds to a shocking ending, this is a dazzler on another level with class consciousness to boot. If Ruben Ostlund and Wes Anderson had a Filipino baby, it still wouldn&#8217;t be as good as *Filipiñana*! Don&#8217;t miss your chance to see this stunner on a big screen!

Amid stifling heat and pervasive drought, Isabel (Jorrybell Agoto), a 17-year-old Ilokana from the rural north, works at a posh country club outside Manila, lining up golf balls for powerful men to drive into the verdant horizon. New to the job, she wanders the immaculate grounds sampling its luxuries as members, including an industrialist and his expatriate niece, the club president and his pampered wife, and a slew of Chinese tourists, engage in a complex dance with the club’s doting and subservient staff. But something is rotting beneath the pristine fairways of the elite resort, as Isabel discovers when she tries to return a mislaid golf club to its patriarchal director, Dr. Palanca (Teroy Guzman). The deeper she journeys into its most exclusive corners, the closer she gets to the violent truths of the club, her native Philippines, and her own past.

Filipiñana

**Screenwriter**: John Cassavetes

**Producer**: Al Ruban

Longtime pals Gus, Harry, and Arthur (John Cassavetes, Ben Gazzara, and Peter Falk) are launched head first into a shared midlife crisis after their best friend dies suddenly from a heart attack. Paranoid about their mortality and intent on blowing up their lives to avoid facing their grief, the three embark on a series of increasingly unhinged benders that ultimately test the limits of their friendship. Cassavetes, the preeminent actor’s director, delights in seemingly infinite takes and largely improvised performances from powerhouses Falk and Gazzara. The result is a tragicomedy that unabashedly pries open the male psyche, offering up playfulness and brutality in equal measure. 

**Picks from the Video Store**

We&#8217;ve got a full Cassavetes Director&#8217;s section, but we&#8217;ve also got these gems he stars in!

*Mikey and Nicky, Columbo: Étude in Black* (S.2 D.1), *The Fury*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Husbands

Camelot

Resident Evil

Abbott and Costello Meet Frankenstein

Halloween with John Carpenter

### **ABOUT THE FILM:**

An incisive look behind the legend of Elon Musk, the world’s most heralded “inventorentrepreneur” who exerts an enormous influence on the world in which we all live.

FORMAT: DCP

DISTRIBUTOR: Bleecker Street

COUNTRY: USA

MUSK

### **ABOUT THE SHOW:**

**CARRIE, 2026, Prime Video, USA**

Misfit high‑schooler Carrie White (Summer H. Howell) has spent her life hidden away inside the walls of her home with her fiercely protective mother, Margaret (Samantha Sloyan). After her father’s sudden, untimely death thrusts her into the unforgiving ecosystem of public high school, Carrie is forced to navigate a viral bullying scandal that tears through her community, the relentless pressure and casual cruelty of the social‑media age and the awakening of mysterious telekinetic powers that rise alongside her adolescence.

FORMAT: DCP

Beyond Fest 2026 Q&A with showrunner, executive producer, director and writer Mike Flanagan and actor Samantha Sloyan West Coast Premiere of Episodes 1 + 2

CARRIE

### **ABOUT THE FILM:**

Three young thieves (Jane Levy, Dylan Minnette, Daniel Zovatto) fight for their lives after breaking into the home of a blind man (Stephen Lang) who has a dark side.

FORMAT: DCP

DISTRIBUTOR: Screen Gems

COUNTRY: USA

Beyond Fest 2026 Q&A with filmmaker Fede Álvarez, screenwriter Rodo Sayagues and actors Stephen Lang, Danny Zovatto and Dylan Minnette 10th Anniversary

DON'T BREATHE

### **ABOUT THE FILM:**

Warranting comparisons to PULP FICTION, SHORT CUTS and LA CONFIDENTIAL, TOO LATE is a sexy, smart noir detective thriller starring Academy Award nominee John Hawkes. Told in non-linear fashion, in a series of five true long takes, TOO LATE is a cinephile’s dream, with stunning 35mm cinematography, white hot dialogue and a masterful performance from Academy Award Nominee John Hawkes.

FORMAT: 35mm

DISTRIBUTOR: Antenna Releasing

COUNTRY: USA

Beyond Fest 2026 Live musical performance and Q&A by filmmaker Dennis Hauck and actor John Hawkes 10th Anniversary

TOO LATE

In Hollywood, the lives of a successful film producer, his wife, a police detective and a surveillance agent intersect after a botched abduction.

The End of Violence

Poland, Christmastime. A band of hyperintelligent, bloodthirsty Martians take over the country and enlist hapless television newscaster Iron Idem as the voice of their propaganda machine. But when Iron dares to go off message, he makes an enemy even greater than the aliens—the state itself.

The War of the Worlds: Next Century

Experience *Huguette Caland: A Life in a Few Lines* before the exhibition opens to the public.

All members are welcome to bring up to four guests at any time between 11 a.m. and 6 p.m. to enjoy the members-only exhibition preview. Coffee and tea provided.

This event is exclusive to Hammer members. [Become a member today](/support/membership).

Kindly RSVP to [membership@hammer.ucla.edu](mailto:membership@hammer.ucla.edu).

**Ticketing: **RSVP for free by emailing [membership@hammer.ucla.edu](mailto:membership@hammer.ucla.edu). 
**Parking:** Parking is available at the museum at a flat rate of $9.

Huguette Caland: A Life in a Few Lines Member Preview

Hammer Museum

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!

**Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Writing Gets Lonely: Open Writing Studio (9/26)

Heavy Manners Library

Join ICA LA in celebrating the opening of our fall exhibitions featuring the work of Los Angeles artists [Carl Cheng](https://www.theicala.org/en/exhibitions/765-carl-cheng-nature-never-loses), [Amia Yokoyama](https://www.theicala.org/en/exhibitions/831-amia-yokoyama-our-strange-hollows), and [Zoe Walsh](https://www.theicala.org/en/exhibitions/798-zoe-walsh-gathering), along with a new project realized by ICA LA’s **Agency of Assets Youth Fellows** in collaboration with **Saewon Oh** and **C. Ryu** of **Hwa Records**. Come for the art and stay for the opening festivities, including music, food, and drinks.  

3-4pm: Members-only curator-led walkthrough of the exhibitions 

4-5pm: Art Talk with artist Carl Cheng and curators Alex Klein and Amanda Sroka 

5-8pm: Public reception

OPEN HOUSE at ICA LA

ICA LA

### **ABOUT THE EVENT:**

A pickup game interrupted by aliens, a telepath’s citywide puppet show, a wannabe idol’s obsession with her more famous double, a voice crackling through a man’s headphones with sinister instructions: this block of paranoid thrillers finds menace of all sizes and intensities lurking day and night. Uncanny and unsettling in equal measure, these shorts ask what happens when someone (or something) else is pulling the strings.

### **ABOUT THE FILMS:**

**“Pick Up Game,” Dir. Ocean Vashti Jude, 8 Min, USA**

One night, Troy, a fearless hooper, stays out late playing a very competitive and somewhat flirtatious game of basketball until it is interrupted by the presence of something extraterrestrial.

FORMAT: DCP

**“There’s Room For Two In Here,” Dir. Henry Chastain, 12 Min, USA**

A telepath roams Los Angeles using strangers as puppets to commit random acts of violence.

FORMAT: DCP

**“Obscure Identity,” Dir. Sarah Rich, 14 Min, USA**

In an era of sensory overload and conspiracy, the line between truth and delusion is razor thin. When a woman is stuck in the liminal space of an airport baggage claim, she must know the difference before paranoia (or worse) consumes her.

FORMAT: DCP

**“Next In Line,” Dir. Danny Dolan, 21 Min, USA**

After losing out on the job of a lifetime, one choreographer’s attempts at self-care are hijacked by an unhinged and malicious rival.

FORMAT: DCP

**“Idols,” Dir. Matt Halsall, 20 Min, South Korea/Japan/UK**

Kim Min-ha has always dreamed of the bright lights, but now she’s an almost 30-year-old wannabe K-pop idol and people only care about her uncanny resemblance to Park Hye-mi, the superstar she believes is living the life that by all rights should be hers.

FORMAT: DCP

**“The Orange Circle,” Dir. by Mike Robinson, 13 Min, USA**

A woman is terrorized by a mysterious orange circle who intimidates her into attacking people with a pair of garden shears.

FORMAT: DCP

**“Headphones,” Dir. by Steven Arriagada 9 Mins, Australia**

A lovelorn young man working the late shift at a dead-end fast-food joint alongside his crush listens to his uncle’s old Walkman, when a mysterious voice crackles through the headphones whispering exactly what he must do to keep her alive.

FORMAT: DCP

**“By Yourself,” Dir. by Elaine Frost, 10 Min, USA**

In the deep woods, a solo camper’s solitude turns sinister when she wakes to find a neighboring tent that wasn’t there the night before.

FORMAT: DCP

**“Observer / Participant,” Dir. by Gregory Foltynowicz, 6 Min, USA**

Two souls move through a surreal inner world shaped by addiction. Trapped in cycles of ritual and withdrawal, they fight themselves as identity fractures and time repeats. The deeper they sink, the more they shift from living as participants to watching as silent observers of their own lives.

FORMAT: DCP

Beyond Shorts: Mind Games

### **ABOUT THE EVENT:**

A vape pen’s dying-battery reveals an illuminating perspective, a slasher targets the wrong slumber party, a GameStop hostage crisis coincides with the Halo 2 drop: this block is one wild ride after another. Raunchy, ridiculous, and occasionally gruesome, these shorts revel in escalating stakes.

### **ABOUT THE FILMS:**

**“Million Dollar Man,” Dir. Riley Scott, 11 Min, USA**

A timid man does something by himself for once.

FORMAT: DCP

**“Vape Glow,” Dir. Steven Schloss, 5 Min, USA**

Guided by the POV of a dying vape pen, Mike puffs around a dark vacation rental during an unusual blackout.

FORMAT: DCP

**“Scissors,” Dir. Hannah Alline, 13 Min, USA**

A slasher with a grudge meets his match when a group of queer friends on a weekend getaway turns his killing spree into a bloody night he never saw coming.

FORMAT: DCP

**“Midnight Drop,” Dir. Ricky M Staffieri, 18 Min, USA**

It’s November 8th, 2004—and Halo 2 drops at midnight, a night that will go down in gaming history. Best friends Adam and Tone are gearing up for an unforgettable all-nighter, but their plans go off the rails when two suburban punks hold up their local GameStop. What was supposed to be an epic night of gaming quickly turns into a chaotic hostage standoff.

FORMAT: DCP

**“Son of Danson,” Dir. Dylan Trupiano & Noah Morse, 11 Min, USA**

Three jailbirds try to survive the night after one of them, a real estate mogul named Danson Cougar, claims he’s been cursed to give birth at midnight.

FORMAT: DCP

**“No. 3,” Dir. Joe Heath, 13 Min, USA**

A young man’s desperate plea to use a gas station bathroom leads to the most unforgettable piss of his life.

FORMAT: DCP

**“Fight for the Fantasy,” Dir. Marissa Goldman, 10 Min, USA**

A divorcée goes on her first date in years and immediately tries to force a love connection over chicken wings.

FORMAT: DCP

**“A Stable Marriage,” Dir. Josephine Decker, 8 Min, USA**

A woman’s sexual fantasy is fulfilled — with surprising ramifications.

FORMAT: DCP

**“The Seeing Eye Dog Who Saw Too Much,” Dir. Eric Jackowitz, 17 Min, USA**

In 1975, Italian director Enrico Januzzi began filming a giallo set in Rome – a feverish tale of a blind violinist who rises to first chair of the symphony, only to find herself stalked as a black-gloved killer murders her fellow musicians one by one. The only witness: her seeing-eye dog. Production collapsed after a week, and the footage was presumed lost, until its rediscovery in 2025. Painstakingly restored by WBAZ Films, this surviving fragment is presented here for the very first time.

FORMAT: DCP

Beyond Shorts: Peak Chaos

### **ABOUT THE FILM:**

Pumpkin is the last person alive – and every day is Halloween as far as she is concerned in the post-apocalypse. Her home is decorated with all sorts of Halloween paraphernalia and there are jack-o’-lanterns everywhere. And yet the sadness she feels at being alone simply won’t go away. Until one day she discovers there are others alive – a group of scavengers led by Thalia who seems very friendly. But first impressions can be wrong and deadly and soon the scavengers are about to discover they have messed with the wrong girl.
Ben Sottak’s beautiful debut is a spooky season treat of the best kind – scary and gory in all the right places with a delicate heart at the very core and a new hero that will be a fan favourite for the ages – a truly heartfelt love letter to Halloween and all that the holiday entails.

FORMAT: DCP

DISTRIBUTOR: Shudder

COUNTRY: USA

Beyond Fest 2026 Q&A with filmmaker Ben Sottak West Coast Premiere

HALLOWARRIOR

### **ABOUT THE FILM:**

Three generations of the same family arrive at a cabin – some are there willingly, others brought along against their wishes. What they don’t know is that their night at the cabin will be both a chance to avenge a loved one and an occasion in which they’ll have to face horrors they’ve never faced before – the kind of horrors that only appear after the sun has gone down and darkness takes over.

Directed by Rebekah McKendry and produced by musical legend Slash, SUNDOWN breathes new life into the myth of vampires – with cool practical effects, a beautiful snowy location and thrills galore – this wicked gem is a beautiful throwback to creature-features of the ’80s and the perfect movie to spend Saturday night with.

FORMAT: DCP

COUNTRY: Canada

Beyond Fest 2026 Q&A with filmmaker Rebekah McKendry North American Premiere

SUNDOWN

A Night at the Opera

Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack / Godzilla 2000

The Life Aquatic with Steve Zissou

1953 • A great pick for our 3-D day because it was filmed during the early 1950s 3-D craze, and it’s staged to make you notice. The director, William Cameron Menzies, was famous in Hollywood for visual design, and this “old dark house” flick ended up being his final film as director and production designer. • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.

The Maze

1961 • Introduction by Eric Kurland, Founder of 3-D Space • This is a real 3-D oddity and it has a built-in gimmick that audiences remember: the film actually cues you with the line “Put the mask on now!” when the 3-D nightmare sequences kick in. Only part of the movie is in 3-D, so when it switches over, it feels like the film is turning a corner. It’s not polished Hollywood horror, but that’s part of the charm!  • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.

The Mask

Old Town Music Hall

PRS is honored to present here now, now gone, gone here., a new solo exhibition by Los Angeles–based artist Senon Williams

here now, now gone, gone here by Senon Williams OPENING RECEPTION

7th House proudly presents what may be the first ever U.S. theatrical screening of Jamil Dehlavi’s deeply strange metaphysical odyssey

BORN OF FIRE (1987)—The 1st Known U.S. Screening of a Hallucinatory Odyssey

A safe space for curious kids (aged 10-13) to explore magic, intuition, and their connection to the web of life. Gently guided, age-appropriate, and rooted in respect for nature and all living beings.

9-11:30am

$30

RSVP  here !

For more information, reach out to janae@moonseed.love




Moonseed Academy for Young Mystics

Scribble

**Writer**: Richard Linklater

**Producers**: Richard Linklater, Sean Daniel, James Jacks

*Air raid!!! *Yes, it&#8217;s that time of year, join us and our besties down the block from **Walt&#8217;s**  for Vidiots’ Fourth Annual **Dazed Day**! Wiggle into your best bellbottoms and bring all your buds for a full day of Richard Linklater’s singular, stoney classic *Dazed and Confused*! Our all-day **Emporium Takeover** features vintage pinball on freeplay courtesy of Walt&#8217;s, plus all-vinyl DJ sets from **DJs Dan Wilcox** and **KCRW&#8217;s Tyler &#8220;Boogie&#8221; Boudreaux**, 16mm psychedelic celluloid mini-shows between screenings, all followed by a late-night screening of The Who&#8217;s tripped out pinball rock opera [***Tommy***](https://vidiotsfoundation.org/movies/tommy/) from the always audacious auteur Ken Russell!

Leave your paddles behind, but make sure you cruise down to Vidiots – it’d be a *whole lot cooler *if you did! 

Doors will open at 2:00pm &#8211; come early and stay late &#8211; the festivities will last all day!

Please note: separate tickets are required for each screening, but access to the Emporium is available to all ticket holders all day!

Dazed and Confused – Dazed Day!

**Screenwriter**: Ken Russell

**Producers**: Robert Stigwood, Ken Russell

Our **Dazed Day** extravaganza continues with the most psychedelic cinematic rock opera of all time &#8211; Ken Russell&#8217;s mind-melting adaptation of The Who&#8217;s *Tommy*. Co-presented by our friends and neighbors at **Walt&#8217;s Bar!**

*That deaf dumb and blind kid sure plays a mean pinball!* Join **Vidiots** and **Walt&#8217;s Bar** for the pinball rock opera to redefine the genre from the singularly twisted mind of Ken Russell and the music of *The Who*. Rock legend Roger Daltry plays *Tommy,* a sight and sound-challenged pinball savant. A psychedelic musical spectacle with an electrified Tina Turner, Ann-Margret writhing in a room full of beans, cameos from Eric Clapton and Elton John, and more absurd and insane imagery that could only come from the mind of Ken Russell, you won&#8217;t want to miss this one-of-a-kind explosive experience on the big screen! You don&#8217;t have to be high to take this trip, but it might enhance the ride!

And don&#8217;t miss our double dose of [***Dazed and Confused***](https://vidiotsfoundation.org/movies/dazed-and-confused/), plus free-play pinball, DJ sets, 16mm psychedelia and more! Your ticket for Tommy includes access to our Emporium!

**Picks from the Video Store**

Take home more provocative, opulent, and often sacrilegious masterpieces from our Ken Russell section!

*Lair of the White Worm, Altered States, Crimes of Passion, Lisztomania*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Tommy

Munster, Go Home!

The Boy Friend

Hell Ride

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*Every year we show exclusively shot-on-videotape works throughout September for something we call:* ***SOV SEPTEMBER****. Join us for this year's month-long exploration into the depths of some of the most under-appreciated margins of filmmaking. Usually no-budget, usually put together by small crews of friends (and family members, and neighbors), sometimes over-the-top gross, sometimes transgressive, and almost always like no other film you've ever seen - this series is for cinematically adventurous travelers only!*

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A detective investigating a rash of mysterious drug-related deaths finds a society of Satanists bent on bringing about the End Times.

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**dir. Todd Sheets, 1997***United States, digital projection*114 min

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## SATURDAY, 9/267:30 DOORS8:00 SCREENING

Followed by an in-person Q&A with director Todd Sheets, hosted by writer & filmmaker Chris Shields.

## $12 general admission.

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***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.

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**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***

SOV SEP: Violent New Breed (1997) dir. Todd Sheets in person!

Doctor Zhivago

They Live with John Carpenter

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

When Lord Murashige (Masahiro Motoki) rises up against the tyrannical Oda (Bando Shingo), he finds himself besieged within the walls of his own castle. Isolated, he is confronted with a series of mysterious crimes that shatter the fragile order of his court, plunging the fortress into fear and suspicion. With Oda’s army closing in and a traitor hiding among his ranks, Murashige is forced into an uneasy alliance with Kanbei Kuroda (Masaki Suda), a brilliant yet dangerous strategist held prisoner in the dungeon. Helped by his wife Chiyoho (Yuriko Yoshitaka) and his most loyal generals, Murashige must uncover the truth before the castle falls.

FORMAT: DCP

DISTRIBUTOR: Janus

COUNTRY: Japan

Beyond Fest 2026 International Premiere of the Black-and-White Edition

THE SAMURAI AND THE PRISONER - BLACK AND WHITE EDITION

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Two manga artists, the brash Fujino and the reclusive Kyomoto, meet and develop a bond over making manga.

FORMAT: DCP

DISTRIBUTOR: GKIDS

COUNTRY: Japan

LOOK BACK

### **ABOUT THE FILMS:**

**“Hot Dogs for Gauguin,” 1972, Dir. Martin Brest, 22 Mins, USA**

Martin Brest’s NYU student film stars a then unknown Danny DeVito as a struggling photographer who devises a drastic plan to achieve fame and fortune.

FORMAT: DCP

**BEVERLY HILLS COP, 1984, Dir. Martin Brest, 105 Mins, Paramount Pictures, USA**

The heat is on in this fast paced action-comedy starring Eddie Murphy as Axel Foley, a street smart Detroit cop tracking down his best friend’s killer in Beverly Hills. Axel quickly learns that his wild style doesn’t fit in with the Beverly Hills Police Department, which assigns two officers to make sure things don’t get out of hand.

FORMAT: DCP

Beyond Fest 2026 Q&A with filmmaker Martin Brest and actor Danny DeVito First theatrical screening of “Hot Dogs for Gauguin” in over 50 years, featuring a newly remastered version supervised by Martin Brest. Tribute to Martin Brest

"Hot Dogs for Gauguin" / BEVERLY HILLS COP

### **ABOUT THE EVENT:**

An explosive rebound situation, a husband’s hidden chamber of secrets, a group of men radicalizing before our very eyes: this block follows men coming undone with lovers, with each other and with themselves. Bitter, unsettling and occasionally ugly, these shorts trace a throughline of masculinity fraying at the edges, whether the wound is romantic, repressed or entirely self-inflicted.

### **ABOUT THE FILMS:**

**“Early Human Media,” Dir. Adrian Delcan, 12 Mins, USA**

At the end of their second date, Joaquin accepts Misty’s invitation up to her apartment, but the night takes a turn when her eccentric brother subjects him to a surreal trial that leaves him questioning reality and love.

FORMAT: DCP

**“The Sorrows of Young Charlotte,” Dir. Shir Ariya, 14 Mins, UK**

Still nursing a breakup, Charlie has a rebound night with her friend Werther, but when he pops her ex’s potency pills, unrequited love and pharmaceutical overkill collide in a most unexpected way.

FORMAT: DCP

**“Fester,” Dir. Max Parr, 18 Mins, Canada**

Unable to digest the end of his relationship, Robert develops a haunting gut-rot that sends him spiraling down the toilet… and into his ex-girlfriend’s new lover’s apartment.

FORMAT: DCP

**“Jack & Christine,” Dir. Noam Kroll, 9 Mins, USA**

A quiet dinner party spirals into emotional chaos when a mysterious guest from the past arrives.

FORMAT: DCP

**“Friends Like Us,” Dir. Ray Savaya, 11 Mins, Canada**

A dark comedic thriller where two sitcom actors have to reenact a new version of their show’s series finale after a crazed fan keeps them hostage.

FORMAT: DCP

**“Overlooked,” Dir. Lola Blanc, 4 Mins, USA**

In this 8mm oner, a group of men become more radicalized with each turn of the camera.

FORMAT: DCP

**“Bad Look,” Dir. Maxwell Rousso, 16 Mins, USA/Germany**

After her first nude photo shoot, an ambitious model becomes unsettled by the way a well-known photographer has framed and interpreted her body. When she confronts him to regain control of the images, their negotiation spirals into a charged argument that exposes the power and insecurity underlying their collaboration.

FORMAT: DCP

**“Mancave,” Dir. Fredrik S. Hana, 23 Mins, Norway**

Charlotte Husebø is drawn into a labyrinth of repressed fantasies and dark secrets when she discovers that her husband, Didrik Husebø, has a hidden room in the family’s garage.

FORMAT: DCP

Beyond Shorts: Heartburn

### **ABOUT THE FILM:**

When an American mercenary employed as a hired gun is blackmailed into leading a trading party to a nearby native village, what they encounter is death and destruction. Barely getting away with their lives and with some supplies, the party returns home to their trading post – but something else has followed them back, something not human.
Signaling the resurrection of the mighty Hammer Studios, Casey Walker’s survival horror is a mean, lean ride buried deep within the Canadian wilderness in the 1800s – a relentlessly thrilling story that is filled with exceptional performances from a game cast and one of the most stunning visual palettes of any film this year. Clearly built for the big screen, this horror-Western must be experienced in a room full of like-minded horror fans.

FORMAT: DCP

DISTRIBUTOR: Kaleidoscope 

COUNTRY: Canada

Beyond Fest 2026 Q&A with filmmaker Casey Walker North American Premiere

ITHAQUA

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

The vanishing of an editor of an occult magazine sets in motion an investigation by a freelance writer and a colleague – soon they will be mired in a mystery that engulfs the Kinki region: missing children, hysteria, hauntings and much, much more.
Director Koji Shiraishi defined what true fear was with his entry into the found-footage-documentary scene with NOROI and he comes back this year with this new entry that is designed with a single purpose in mind: to terrify the audience beyond belief and then some. Trust me when I say that once KINKI ends, darkness will seem like a much more terrifying place than it did before the screening – see it with a friend and make sure you don’t walk together.

FORMAT: DCP

COUNTRY: Japan

KINKI

### **ABOUT THE FILMS:**

**“This Place is a Sh*thole,” 2025, Dir. Will Wightman, 4 Mins, UK**
The chaos and grime of communal living spiral into something both horrifying and hilariously relatable.

FORMAT: DCP

**WELCOME TO G-TOWN, 2026, Dirs. Nathan & Ben McQuaid, 85 Mins, UK**
Bill, along with his two best friends, is struggling to make sense of life post-graduation. Unable to find a job, he applies for any opportunity that might be a breakthrough – which is exactly how he ends up attending a job interview at a very strange office that seems to be populated by weird characters. Soon, the trio realizes that aliens have indeed landed in Glasgow and the only thing in their nefarious way is their gang of friends and one slightly unhinged conspiracy theorist.
Channeling the manic energy of early Jackson (especially BAD TASTE) but with a particular, unique Scottish streak, WELCOME TO G-TOWN is a no-budget statement of purpose devised and delivered by the very young McQuaid Brothers. If you’re a fan of DIY cinema of the most inventive kind, the twins have got a treat for you in this wicked, singular genre-defying beauty of a movie.

FORMAT: DCP

Beyond Fest 2026 Q&A with filmmakers Nathan McQuaid and Ben McQuaid and producer Dylan Antscherl North American Premiere of WELCOME TO G-TOWN

"This Place Is A Sh*thole" / WELCOME TO G-TOWN

1942 • Veronica Lake is pure movie-star fun here, playing a witch with revenge on her mind. Director René Clair keeps it light on its feet, with quick jokes and a dreamy, magical look. A great bit of Hollywood afterlife: this film as the key inspiration for the TV series Bewitched.  • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.

I Married a Witch

1928 - Silent • With Live Accompaniment by Robert York on the Mighty Wurlitzer • Introduction by Film Historian Antonia Carlotta • Directed by the German Expressionist filmmaker Paul Leni, this adaptation of Victor Hugo's 1869 novel features superstar of the silent era Mary Philbin and German-born mega star Conrad Veidt. The film is known for the freakish grin on Veidt’s face, which pushes the film into the realm of horror. If you’ve never seen this creepy work of art, mark your calendar!

The Man Who Laughs

U.S. premiere of the new 4k restoration of legendary Czech fantasist Karel Zeman's beautifully animated adaptation of the Persian fairytale!

Karel Zeman's A THOUSAND AND ONE NIGHTS  (1974)— U.S. Restoration Premiere!

**Screenwriter**: Linda Woolverton

**Producer**: Don Hahn

*Be our guest* as we chime in and sing along to the timeless classic songs of Disney&#8217;s magical animated classic *Beauty and the Beast*.  Follow the adventures of Belle, a beautiful but restless bookworm who finds herself in the castle of a prince who&#8217;s been turned into a mysterious beast. With the help of the castle&#8217;s enchanted staff of anthropomorphic housewares, Belle soon learns the most important lesson of all &#8212; that true beauty comes from within. Lend your voice to this *Tale as Old as Time* and join in on the magic!

**Picks from the Video Store**

Take home all the hand-drawn Disney hits of the 1990s Renaissance on DVD and Blu-Ray

*Aladdin, The Lion King, Mulan*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Beauty and the Beast Sing-Along

**Screenwriters**: Tania Rose,  William Rose

**Producer**: Stanley Kramer

Buckle up for a carload of belly laughs with Stanley Kramer&#8217;s madcap comedy of treasure hunting starring a cavalcade of some of the best comedians of the day. Stanley Kramer&#8217;s first foray into comedy, this all-star laugh riot garnered 6 Oscar nominations. A group of strangers come across a man dying after a car crash who proceeds to tell them about the $350,000 he buried in California. What follows is the madcap adventures of those strangers as each attempts to claim the prize for himself. So join the treasure hunt and get ready to laugh for 3 hours straight in this all-time comedy bonanza!

**Picks from the Video Store**

Ready for more laughs with Sid Caesar? Drive off with these comedy gems!

*The Cheap Detective, The Busy Body, History of the World, Part I*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

It’s a Mad, Mad, Mad, Mad World

**Screenwriter**: Anya Kochoff

**Producers**: Chris Bender,  J.C. Spink,  Paula Weinstein

It&#8217;s a battle of the icons when J. Lo faces off against Jane Fonda in this guiltless pleasure of cinematic bitchery! Office temp Charlotte Cantilini thinks she&#8217;s found Mr. Right when she starts dating gorgeous surgeon Dr. Kevin Fields. But there&#8217;s a problem standing in the way of everlasting bliss: Kevin&#8217;s overbearing and controlling mother, Viola. Fearing she&#8217;ll lose her son&#8217;s affections forever, Viola decides to break up the happy couple by becoming the world&#8217;s worst mother-in-law. If you need those rom com vibes to end your weekend right, we&#8217;re happy to oblige with this tasty slice of cinematic comfort food!

**Picks from the Video Store**

Do you love Jennifer Lopez as much as us? Overload on these gems on physical media!

*Out of Sight, The Cell, El Cantante*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Monster-in-Law

## dir. Jeff Leroy in person!

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*Every year we show exclusively shot-on-videotape works throughout September for something we call:* ***SOV SEPTEMBER****. Join us for this year's month-long exploration into the depths of some of the most under-appreciated margins of filmmaking. Usually no-budget, usually put together by small crews of friends (and family members, and neighbors), sometimes over-the-top gross, sometimes transgressive, and almost always like no other film you've ever seen - this series is for cinematically adventurous travelers only!*

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Four college friends take a fateful road trip on Hell's Highway...a direct route to terror. They pick up Lucinda, a deviant hitchhiker with lust for the kill. The group thinks they have rid themselves of the vicious pick-up, but she soon starts appearing around every corner and down every bend like a murderous mirage. Is this the work of the Devil or something else and can anyone stop her killing spree? Anchored by a deliciously mad performance from Phoebe Dollar as hitchhiker Lucinda Polonia. (Terror Vision)

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**dir. Jeff Leroy, 2002***United States, digital projection*70 min

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**Doors Open**: SUNDAY, 9/27NOTE EARLY "MATINEE" TIME!3:30 4:00 SCREENING

**Screening Starts**: SUNDAY, 9/27NOTE EARLY "MATINEE" TIME!3:30 DOORS4:00

## Followed by a Q&A with director Jeff Leroy in person!

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## $10 general admission.

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***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.

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[TERROR VISION](https://www.terror-vision.com/) is a Savannah, GA based DIY independent releasing company from Savannah who specializes in 80s horror LPs, tapes and blu-rays.

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**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***

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SOV SEP: Hell's Highway (2002) dir. Jeff Leroy in person!

## Featuring the first-ever LA post-film discussion with director Jay Blumenfield. Admission includes access to the discussion following a complimentary screening of Small Town Ecstasy.

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“Aren’t people great?”

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Hollywood Entertainment is proud to present *Small Town Ecstasy*, a film of unrivaled familial tension and religious grace. One of the only films to capture glimpses of the Northern California rave scene, it shows us a family on the brink of collapse punctuated with strobe lights and pummeling trance synth. Like taking ecstasy, this is a story of the highest highs and the lowest lows once the music stops.

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A 40-year-old preacher’s son and father of four, Scott’s post-divorce crisis takes an atypical form. Rather than getting a Porsche or starting a cover band, he indulges in underground trance and jungle raves under the influence of ecstasy with his 20-year-old son. The two go to raves in matching Adidas visors and baggy pants looking for light shows, bass, and pills while his new lifestyle creates tension between his ex-wife and younger children. Scott loves the rave and wants to share the feeling with his children without comprehending the dangers that lie ahead.

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**dir. Jay Blumenfeld, 2002***United States, digital projection*85 min

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## SUNDAY, 9/277:30 DOORS8:00 SCREENING

Followed by a post-film discussion with director Jay Blumenfield.

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## $14 general admission.

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***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.

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**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***

SOV SEP: An Evening with Jay Blumenfield featuring Small Town Ecstasy, pres. by Hollywood Entertainment

River of No Return

Assault on Precinct 13 with John Carpenter

### **ABOUT THE FILM:**

In a forgotten desert town, a solitary racetrack janitor with a gift for drifting is haunted by his tragic past. Given a single chance to compete at a pro drifting event, he discovers his raw talent is useless without the one thing he’s always avoided: connection with others. Under a hardened mentor, he must learn to trust his found family and transform his untamed, lonely art into a dangerous dance of partnership, or be consumed and controlled by the past he’s desperate to escape.

FORMAT: DCP

COUNTRY: USA

Beyond Fest 2026 Q&A with filmmaker Sung Kang and cast and crew U.S. Premiere

DRIFTER

Director and co-writer David Wain joins us in person for the premiere of the year: the world theatrical debut of the *Wet Hot American Summer* Fart Cut.

After an unfairly underseen limited initial release, *Wet Hot American Summer *would first find the adoring audience it deserved when it was issued on DVD in the winter of 2002.

Deep within the menus of that quintessential disc, a one-of-a-kind special feature was waiting to be discovered. 

It was&#8230; a Fart Track.

An alternate audio track playing alongside the movie featuring live recorded farts, **simulated** by Wain, co-writer/star Michael Showalter, and (“maybe”) co-star Zak Orth. Like the film, the track has a fervent following who until tonight have never had a chance to convene and relive their favorite farts.

Much has thankfully been done to celebrate the 25th anniversary of *Wet Hot American Summer. *But on this day, Hollywood Entertainment is proud to be the first to celebrate the 25th anniversary of the *Wet Hot American Summer *Fart Cut live and in surround sound.

Thank you to Rob Turbovsky and our community partner Dynasty Typewriter.

For more about the history of this unprecedented premiere, read [Vulture’s definitive oral history of the Fart Track](https://www.vulture.com/2015/07/oral-history-wet-hot-american-summer-fart-track.html).

Wet Hot American Summer: World Theatrical Premiere of the Fart Cut

Two children are sent to their grandparents house to spend a week with their grandparents while their single mom goes on a relaxing vacation with her boyfriend. One of the kids, Becca, decides to film a documentary about her grandparents in order to help her mom reconnect with her parents and also find out some things about her parents as well. While filming the documentary, however, Becca and her little brother, Tyler, discover a dark secret about their grandparents. 

The Power of Paranoia: THE VISIT / TRAP

Egyptian Theatre

### **ABOUT THE FILM:**

Marie and Paul move to a new area for a fresh start after Paul is wounded in the line of duty – however, soon their joy turns to terror when their newborn baby is abducted from his crib. Things take a strange turn when Marie learns of a mysterious cave in the woods which can help bring her baby back – but what will be the cost of such an action? Suffice it to say, everyone will suffer. Caleb Phillips’ twisted mind-bender is the perfect panacea for souls who have been searching for a thrilling, brainy science-fiction-horror since COHERENCE first hit the screens. Anchoring the entire wild ride are superb performances from Jessica Rothe and Charlie Barnett, who truly bring to life the desperate parents willing to sacrifice anything to get their child back. A swift, superb ride that will give you whiplash.

FORMAT: DCP

COUNTRY: USA

Beyond Fest 2026 Q&A with filmmaker Caleb Phillips, producer Thomas Bond and actor Jessica Rothe West Coast Premiere

IMPOSTERS

### **ABOUT THE FILM:**

*In Spanish with English subtitles.*

In the 18th century, Ana is sent to a remote convent by her guardian to atone for her Earthly sins – but what she ends up finding there, amongst the cloistered nuns and the young woman preparing to take the Holy vows, ends up being something more sinister than she could have ever imagined: a mysterious blood disease that seems to drain its victims every night…

Óscar Martín already blew our minds once with his feature debut AMIGO and he returns to do it again with an opulent, gorgeous nunsploitation film that was truly made for the big screen – lushly bathed in light and shadows like some magnificent chiaroscuro masterpiece with a sound design that truly makes the skin crawl. Go and scream for you’ll find it worth it.

FORMAT: DCP

COUNTRY: Spain

Beyond Fest 2026 Q&A with filmmaker Óscar Martín and writer and producer Elena Muñoz West Coast Premiere

UPIRO

Ride Clear of Diablo / Six Black Horses

**Producers**: Claire Edelman,  Brydie O&#8217;Connor,  Elijah Stevens

Join us in the microcinema to rediscover the immense legacy of groundbreaking lesbian filmmaker Barbara Hammer through Brydie O&#8217;Connor&#8217;s phenomenal and award-winning portrait, *Barbara Forever!*

*Barbara Forever* explores the films, archive, and ongoing cultural impact of experimental filmmaker Barbara Hammer, revealing her ingenious lifelong artistic effort to create and record lesbian histories, personal and societal. Through her own images and words, the film centers Hammer as a prism of the cultural ecosystems around her – through the feminist and queer movements in 1970s San Francisco, the male-dominated New York art world of the 1980s, the New Queer Cinema movement of the 1990s, and expanded LGBTQIA+ representation in art and culture in the 2000s. 

Driven by her canon of over eighty films, a vast collection of unreleased archival materials – hundreds of hours of footage, personal photographs and ephemera, and extensive audio interviews – *Barbara Forever* tells Barbara Hammer’s story through her own voice and visual perspective, making her the expert on her life, vision, and motivations. 

Barbara Hammer’s films break taboos around female sexuality, aging, illness, and queer love, often using her own body as a site of exploration and political power. Through the course of the film, she shows us that the personal is not only political, the personal is historical. Looking to Barbara Hammer as one of the first filmmakers to put a full lesbian life on screen that wasn’t there before, her work becomes a blueprint for a new generation of queer and radical artists to write their own histories into existence. This exploration of both Barbara Hammer’s life, work, archive, and her ongoing legacy provides an urgent, necessary story of queer life, feminist history, and American cinema.

Barbara Forever

**Screenwriters**: Robert Altman,  Frank Barhydt from the stories of Raymond Carver

**Producer**: Cary Brokaw

Cinematic master Robert Altman interweaves the stories of 22 characters in this sprawling and kaleidoscopic masterpiece based on the short stories of Raymond Carver. Tragedy, comedy, and nudity intermingle in a way only Altman can achieve with a beyond remarkable cast that&#8217;s too full of icons to list them all. Notoriously unavailable on streaming, don&#8217;t miss your chance to watch this phenomenal ensemble piece on our big screen!

**Picks from the Video Store**

Take home more masterpieces from Robert Altman, one of cinema&#8217;s greatest masters!

*3 Women, California Split, McCabe and Mrs. Miller*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Short Cuts

## With an introduction from Joel D. Wynkoop!

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*Every year we show exclusively shot-on-videotape works throughout September for something we call:* ***SOV SEPTEMBER****. Join us for this year's month-long exploration into the depths of some of the most under-appreciated margins of filmmaking. Usually no-budget, usually put together by small crews of friends (and family members, and neighbors), sometimes over-the-top gross, sometimes transgressive, and almost always like no other film you've ever seen - this series is for cinematically adventurous travelers only!*

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Steve Nekoda (Joel D. Wynkoop) is a good guy having a bad day. After run-ins with both the corrupt local cops and a satanic biker gang, his world is turned upside down when his beautiful, model wife is kidnapped by an evil karate master (David Bardsley) and his nefarious henchmen; who keep a harem of abducted women confined in a jungle prison awaiting their sale into a white slavery ring. Nekoda soon realizes that it will require much more than just his heroic courage and martial arts expertise to defeat his enemies and rescue his wife. He must first reach deep down inside his soul and attempt to regain his Lost Faith!

Lost Faith is a brain melting, SOV martial arts / action passion project from B-movie luminary (and frequent Tim Ritter collaborator) Joel D. Wynkoop (Creep, Killing Spree), who wrote, produced, directed, edited, starred, and even sang the film’s memorable theme song! Shot regionally in and around South Florida, Lost Faith delivers a high octane roundhouse kick of backyard karate hijinks, over the top amateur thespians, and a head-scratching dose of Christian moral overtones that lands somewhere between the bewildering, do-all antics of Champagne and Bullets and a poverty row Chuck Norris epic. (Saturn's Core)

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**dir. Joel D. Wynkoop, 1989***United States, digital projection*86 min

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## MONDAY, 9/287:30 DOORS8:00 SCREENING

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## $10 general admission.

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***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.

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Courtesy of [Saturn's Core Audio & Video](https://vinegarsyndrome.com/collections/saturns-core), a New Jersey based home video label devoted to releasing underground oddities and shot on video cinema on VHS, and now, blu-ray discs! In partnership with OCN Distribution, Saturn's Core will exhume forgotten or under-seen genre cinema from the 80s and 90s, with an emphasis on SOV horror features.

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**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***

SOV SEP: Lost Faith (1992) pres. by Saturn's Core

### **ABOUT THE FILM:**

Lance, Clay, and Darby have spent their childhoods drinking, wreaking havoc, and filming crude stunts in their small town. Everyone hates them. Wanting to finally prove their lives have meaning, the boys set out to make a “real movie” and in the process are forced to confront emotions and experiences they’ve never considered: love, loss and ultimately, what it means to grow up.

FORMAT: DCP

COUNTRY: Canada

Beyond Fest 2026 Q&A with filmmaker Dempsey Bryk, executive producer and actor Gabriel LaBelle, producer and actor Billy Bryk and producers Julian Geneen and Charles Cohen West Coast Premiere

CRASH LAND

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.

The Virgin Suicides

Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.

I See (More) Dead People: THE SIXTH SENSE

### **ABOUT THE FILM:**

*In Swedish with English subtitles.*

When Bill, an awkward middle-aged father, volunteers to chaperone a weekend trip to a remote archipelago in the hope of reconnecting with his daughter – he finds himself in an uneasy friendship with the two other dad-chaperones who are his exact opposites. As the children start acting out and the group dynamics start to slide into cruel humor and bullying, the three men will revert to their worst selves, revealing in the process the monsters we all are and the monsters we create in the process.
Perhaps the most uncomfortable, stomach-turning film since the original SPEAK NO EVIL, Alex Schulman’s slow release of dread will test the most iron-willed of audiences. Once seen, it will never be forgotten and will certainly inspire discussion and debate for long after.
Please be warned – viewer discretion is advised.

FORMAT: DCP

COUNTRY: Sweden

Beyond Fest 2026 West Coast Premiere Co-presented by ‘Killer Movies with Josh Miller’

Killer Movies Presents ADULT SUPERVISION

### **ABOUT THE FILMS:**

**“Coyotes,” 2025, Dir. Said Zagha, 20 Mins, France/Jordan/Palestine/UK**

*In Arabic with English subtitles.*

A Palestinian surgeon drives home after a long night shift, but little does she know that a commute through a desolate West Bank road will change her forever.

FORMAT: DCP

**IN THIS DARKNESS I SEE YOU, 2026, Dir. Nadim Tabet, 85 Mins, Lebanon/Qatar/Saudi Arabia/France**

*In Arabic with English subtitles.*

Strange and life-threatening events at a construction site spark tension between Syrian workers and Lebanese villagers, prompting Tarek, one of the workers, to become convinced the site is haunted. Meanwhile a romance is blossoming that may hold the key to all the secrets.
Nadim Tabet’s haunting exploration of the recent history of Lebanon is a fantastic, haunting affair that uses friction between Syria and Lebanon in the 1990s as a stepping-off point for a classic ghost story that fizzles with unease. Deftly resonating with the current increasing hostility towards immigrants, the film uses a haunting as a central motif to explore a landscape that is both hostile and stuck in the past. With incredible central performances at its core and a smart and sparkling script, IN THIS DARKNESS I SEE YOU is for all fans of old-fashioned ghost stories that sticks with you all the way into the dark.

FORMAT: DCP

Beyond Fest 2026 World Premiere of IN THIS DARKNESS I SEE YOU

"Coyotes" / IN THIS DARKNESS I SEE YOU

Minnie and Moskowitz / Once Around

Love And Work

**Screenwriter**: Jim Jarmusch

**Producer:** Jeremy Thomas, Reinhard Brundig

Jim Jarmusch takes on the undead with his signature offbeat style in this utterly gorgeous romance of literally undying love. A depressed musician (Tom Hiddleston) reunites with his lover (Tilda Swinton) in the desolate streets of Detroit. Though their romance has endured several centuries, it is tested by the arrival of her capricious and unpredictable younger sister. Lush, stylish, and endlessly hip, this is one vampire tale that sets its own pace, humor, and creativity.

Only Lovers Left Alive on 35mm

Murder by Death

Apocalypse Now: The Final Cut

### **ABOUT THE FILM:**

*In Russian with English subtitles.*

Russia, 2022. When Gleb, a successful company director, finds himself under siege from mounting corporate pressures and an increasingly unstable world, the collapse of his carefully ordered life accelerates toward violence.

FORMAT: DCP

DISTRIBUTOR: MUBI

COUNTRY: France/Germany/Latvia

Gentlemen Prefer Blondes

2:30 PM

Emma in 35mm

7:30 PM

APPOFENIACS

7:30 PM

O.V.A. Night

8:00 PM

CRASH

7:00 PM

THE THIRD PART OF THE NIGHT

10:00 PM

Peeping Tom

See No Evil

7:30 PM

Cinemyth Presents: Jinn, Angel, Demon: The Spirit of the Wish in Fairy Tale

7:00 PM

BYOP: Bring Your Own Pen Drink & Draw!

6:00 PM

The Best Little Whorehouse in Texas

7:30 PM

Twin Husbands/Murder at Glen Athol

2:00 PM

Onslaught

SOV SEP: Flesh Eaters from Outer Space (1989) pres. by Saturn's Core

8:00 PM