### **ABOUT THE FILM:**

*In Russian and Ukrainian with English subtitles.*

Summoned with a blood-written note smuggled out of a prison block, an idealistic state lawyer (Alexander Kuznetsov) pushes past the prison’s leery authorities to interview an elderly, broken-down Bolshevik (Aleksandr Filippenko). The young attorney, determined to expose the miscarriages of justice that landed the man in confinement, finds the eye of the state turned on him instead, as an ever-tightening net encircles his investigation. Set at the height of the great purge and drenched in the paranoia of Stalin’s police state, filmmaker Sergei Loznitsa’s latest triumph is a chilling, Kafkaesque thriller about the impunity of power and matter-of-fact horrors of fascism.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: Germany

Q&A with filmmaker Sergei Loznitsa. Moderated by Tim Grierson. Advance Screening ‘Sergei Loznitsa: An American Cinematheque Tribute’

TWO PROSECUTORS

Aero Theatre

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

IMF agent Ethan Hunt is sent to Sydney to find and destroy a genetically modified disease called "Chimera".

MISSION: IMPOSSIBLE 2 (2000)(PG-13)(Mon 3/23) 8:00 pm By BIG BAD FILM FEST

Gardena Cinema

### **ABOUT THE FILM:**

A nerdy florist finds his chance for success and romance with the help of a giant man-eating plant who demands to be fed. Starring Rick Moranis, Ellen Greene, Vincent Gardenia and Steve Martin.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

Introduction by actor and fitness instructor Angie Shriner 40th Anniversary ‘Cinematic Void’

Cinematic Void Presents LITTLE SHOP OF HORRORS

### **ABOUT THE FILM:**

In 1940s Los Angeles, Detective Tom Spellacy (Robert Duvall) probes into the savage murder of a woman found dumped in an empty lot. At the same time, he investigates a priest found dead in a whorehouse. Spellacy’s brother (Robert De Niro), a Catholic priest, is meanwhile attempting to expand his church through Jack (Charles Durning), a shady contractor. While the two police cases and the real estate deal seem a world apart, Spellacy discovers an insidious connection involving money and power.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

TRUE CONFESSIONS

Los Feliz Theatre

The Depraved / Campus Swingers

New Beverly Cinema

**Screenwriter**: Ratchapoom Boonbunchachoke

**Producers**: Cattleya Paosrijeroen,  Soros Sukhum

Join us in the microcinema for Ratchapoom Boonbunchachoke&#8217;s dark comedy fable of romance, melancholy, and consumerism. March is mourning his wife Nat who has recently passed away due to dust pollution. He discovers her spirit has returned by possessing a vacuum cleaner. Disturbed by a ghost that appeared after a worker’s death shut down their factory, his family reject their unconventional human-ghost relationship. Trying to convince them of their love, Nat offers to cleanse the factory. To become a useful ghost, she must first get rid of the useless ones.

**Accessibility Options**: Open Captions

A Useful Ghost

Vidiots

Project Hail Mary 70mm

Vista Theatre

### **ABOUT THE FILM:**

MIKE & NICK & NICK & ALICE is a hilarious, stylized, R-rated action-comedy about two gangsters and the woman they love trying to survive the most dangerous night of their lives. As if that wasn’t enough, there’s one wild ingredient added to the mix: a time machine.

FORMAT: DCP

DISTRIBUTOR: 20th Century Studios

COUNTRY: USA

Q&A with writer/director BenDavid Grabinski, actors Vince Vaughn, James Marsden, Eiza González and More L.A. Premiere Popcorn and soda courtesy of 20th Century Studios Co-presented by Beyond Fest

MIKE & NICK & NICK & ALICE

### **ABOUT THE EPISODES:**

**Season 2, Episode 4, “Laura’s Secret Diary,” Dir. Todd Holland, 46 Mins**

Agent Cooper gets a strange request to save a life.

FORMAT: DCP

**Season 2, Episode 5, “The Orchids Curse,” Dir. Graeme Clifford, 47 Mins**

Agent Cooper and Truman lead a raid on One-Eyed Jacks.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Laura’s Secret Diary” and “The Orchids Curse” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 4 & 5

### **ABOUT THE FILM:**

*In Russian with English subtitles.*

In 1930 in Moscow, USSR. the Soviet government puts a group of top rank economists and engineers on trial, accusing them of plotting a coup d’état. The charges are fabricated and the punishment, if convicted, is death.

FORMAT: DCP

DISTRIBUTOR: Atoms & Void

COUNTRY: Netherlands

Q&A with filmmaker Sergei Loznitsa L.A. Premiere ‘Sergei Loznitsa: An American Cinematheque Tribute’

THE TRIAL

Henry & June

Join us as we celebrate Manly P. Hall's birthday with recollections from Stephan Hoeller, an esteemed lecturer at PRS since the 1970s

Manly P. Hall: Prophet of Consciousness, a talk with Stephan Hoeller

Philosophical Research Society

Brute Force/Criss-Cross

Hollywood Entertainment and Philosophical Research Society's 7th House are honored to present the inimitable Bud Cort’s sole feature as director, co-writer, and star: *Ted & Venus*. With an introduction by Bridey Elliott!

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Dedicated with love to the memories of his Harold and Maude collaborators Ruth Gordon, Hal Ashby, and Colin Higgins, *Ted & Venus* is a subversive spiritual sequel and a hilariously strange Venice Beach love (and obsession) letter set to the music of Swamp Dogg.

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A demented twist on the romcom, the film reframes cinema’s lovestruck obsessives for what many of them are: deluded stalkers. When Ted (a poet, played by Cort) falls for his social worker, Linda (Kim Adams), he pursues her relentlessly…

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With an ethereal cast including Carol Kane, Gena Rowlands, James Brolin, Rhea Perlman, Woody Harrelson, Andrea Martin, Cassandra Peterson, Dr. Timothy Leary, + more!

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Ted and Venus will be preceded by Bridey Elliott’s short film *Affections* (2016) co-starring Bud Cort.

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**dir. Bud Cort, 1991***United States, digital projection*100 min

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## Tuesday, 3/247:30 DOORS8:00 SCREENING$12 general admission, $11 for Whammy! members

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*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*

TED & VENUS (1991), pres. by Hollywood Entertainment & 7th House

WHAMMY!

Like a pod of dolphins leaping harmoniously through the waves, the SoCal tour of ***JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE*** arrives April 2–5 through a collaboration between **Oscilloscope**, **Brain Dead Studios**, **7th House**, **Philosophical Research Society, **and **Ojai Playhouse****.**

Directed by **Michael Almereyda** and **Courtney Stephens**, this new documentary explores the life and work of the daring experimenter Dr. John C. Lilly, a scientist who dedicated his life to radical self-investigation and unlocking the mysteries of consciousness and communication. Lilly’s motto, “My body is my laboratory,” guided his pioneering and controversial research into the intelligence and language of dolphins and whales, as well as his explorations of psychedelics and sensory deprivation.

Alongside the documentary, 7th House and Brain Dead present two films shaped by his work: Mike Nichols’s DAY OF THE DOLPHIN (Saturday, 4/4 at Brain Dead Studios) and Ken Russell’s ALTERED STATES (Sunday, 4/5 at The Philosophical Research Society). Together, these films chart the strange and fascinating cultural wake of Lilly’s quest to understand the mind, the ocean, and the hidden systems that might connect them both.

John Lilly and the Earth Coincidence Control Office

Brain Dead Studios

501(c)3 arts organization in DTLA dedicated to experimental video, sound & performance art.

Thursday, April 2nd starting at 7PM, come out to Film & Fabric: Volume 8, the latest installment of the Short Film Screening Series hosted by Julian Vargas, now held at Coaxial Arts. This month we've got a thrilling/experimental/absurd lineup of films made by some of the most compelling Filmmakers in town. Our lineup features Films by: Guadalupe Arellanes, Jack Schurman, Finn Disharoon, Ian Riedel & Eamonn Wilcox, Sam Mandich, Julian Vargas, and a very special MYSTERY FILMMAKER.

Film&Fabric: Come for the movies, stay for the interstitial clips, leave with new friends.

@filmandfabric @jjjjjuliann

Sam Mandich (@sammymandich)
Guadalupe Arellanes (@gwadalinaaa)
Jack Schurman (@jackschurman)
Ian Riedel (@ianriedel_)
Eamonn Wilcox (@_unknownballers)
Finn Disharoon (@finn_dish)
Ryan Luis Fuller (@gh0sttaste)

Film & Fabric: Volume 8

Coaxial

Join us for an evening of chess and community at Heavy Manners Library. Play against friends and strangers, with all skill levels welcome. Free donuts will also be provided!

Echo Park Chess Club at Heavy Manners Library (4/2)

Heavy Manners Library

### **ABOUT THE FILM:**

*In French with English subtitles.*

Rohmer, best known as the doyen of French naturalism, veered about as far as you could get from his signature style with this adaptation of Chrétien de Troyes’ 12th-century Arthurian romance *Perceval, the Story of the Grail*, in which Fabrice Luchini’s Perceval crosses a deliberately artificial landscape of cardboard castles and fiberglass rivers, all built in the Epinay Studios near Paris, in search of the Cup of Christ, his journey periodically described by a singing chorus.

FORMAT: DCP

DISTRIBUTOR: Les Films du Losange

COUNTRY: France/Italy/West Germany

PERCEVAL LE GALLOIS

### **ABOUT THE FILM:**

*In English and French with English subtitles.*

Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She takes the chamber play to its ultimate form: it is almost entirely chamber. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option. Akerman does not film here with any intentions defined in advance. She wants to be as open and blank as possible to ensure that things take their own course.

FORMAT: DCP

DISTRIBUTOR: Icarus Films

COUNTRY: Belgium/France

‘Chantal Akerman: An American Cinematheque Retrospective’

DOWN THERE

Every 1st Thursday of the month we’ll be hosting a music open mic night for kids and teens.


Our intention is to create a supportive and joyful space where young people can come together, share their love of music, practice performing regularly, make mistakes, try again & grow!

All performers must be under 18 & guardians must be present.

5pm - 7pm

No cover charge

Please email info@scribblecommunity.com with any questions.




Big Glow: Youth Open Mic

North Star Sessions is a free showcase that strives to be a safe and inclusive place for artists and music lovers in the LA music scene. We will highlight the work of 3 musicians, and have an open mic draw between sets.

This month will be showcasing Cogito, Amanda on the Moon, and Eva Luna Smith. 

8pm




North Star Sessions

Scribble

**Screenwriters**: Katie Silberman,  Emily Halpern,  Sarah Haskins,  Susanna Fogel

**Producers**: Megan Ellison,  Jessica Elbaum,  Katie Silberman,  Chelsea Barnard, David Distenfeld

Academic overachievers Amy and Molly thought keeping their noses to the grindstone gave them a leg up on their high school peers. But on the eve of graduation, the best friends suddenly realize that they may have missed out on the special moments of their teenage years. Determined to make up for lost time, the girls decide to cram four years of not-to-be missed fun into one night &#8212; a chaotic adventure that no amount of book smarts could prepare them for.

Booksmart

**Screenwriters**: Ugo Bienvenu,  Félix de Givry

**Producers**: Félix de Givry,  Sophie Mas,  Natalie Portman,  Ugo Bienvenu

A magical and beautifully animated journey through time, *Arco* is a dazzling adventure about a 10-year-old boy from a peaceful, distant future who accidentally travels back to the year 2075 and discovers a world in peril. As Arco develops a charming and touching friendship with a young girl named Iris, they band together and along with her trusted robot caretaker Mikki, set out on a quest to get Arco home, while the two children may also be the only ones who can save our planet.  A wondrous odyssey filled with hope and optimism for our future, *Arco* is an enchanting fable from breakout filmmaker Ugo Bienvenu, produced by Remembers’ Bienvenu and Felix de Givry, and mountainA’s Natalie Portman and Sophie Mas. The film debuted at the 2025 Cannes Film Festival and won The Cristal Award for Best Feature Film at the 2025 Annecy Awards.

Arco (English Dubbed)

**Screenwriters**: Spike Jonze, Dave Eggers

**Producers**: Tom Hanks, Gary Goetzman, Maurice Sendak, John B. Carls, Vincent Landay

Let your imagination run away with this innovative and breathtaking adaptation of the beloved Maurice Sendak book from the visionary mind of Spike Jonze. Max is a chaotic little boy in a wold suit, a 9-year-old destructive force acting out for his loneliness and familial strife. After an argument, he boards a boat and sails to an island of enormous talking beasts. Convincing them he has magical powers, Max becomes their king and they set out together to play rumpus, build forts, and discover secret hideaways. It&#8217;s a beautiful and artistic rendition of the power of the childhood imagination.

**Picks from the Video Store**

Looking for deep cut Spike Jonze? We&#8217;ve got that AND all the hits!

*Yeah Right!, Tell Them Anything You Want, Work of Director Spike Jonze*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Where the Wild Things Are

**Screenwriter**: Harry Lighton

**Producers**: Lee Groombridge,  Ed Guiney,  Andrew Lowe,  Emma Norton

Come for Alexander Skarsgård as a leather daddy, stay for the romance, laughter, and humanism of Harry Lighton&#8217;s sweet and kinky dom com! Colin, a timid man is swept off his feet when Ray, an enigmatic, impossibly handsome biker takes him on as his submissive. It&#8217;s got all the biker orgies and back alley b.j.s you would hope for, but it&#8217;s also truly a wonderfully universal triumph of warmth and humor for anyone &#8211; not just those in the kink community.

Pillion

**Producers**: Mel Stuart, Larry Shaw

Remembering the life and legacy of **Reverend Jesse Jackson**.

One of the most electrifying music documentaries ever, the eternally funky *Wattstax* is part concert-film and part powerful document of the historic Watts neighborhood of 50 years ago. Known as &#8220;The Black Woodstock&#8221; Wattstax was held at the Los Angeles Memorial Coliseum to commemorate the seven-year anniversary of the Watts riots. Organized by legendary Stax Records, this monumental concert includes performances from soul superstars Isaac Hayes, The Staples Sisters, Carla and Rufus Thomas, The Bar-Kays and more, with speeches from Jesse Jackson and Melvin Van Peebles, and a comedy set from Richard Pryor. So join us as we get funk-adelic and blast this groovy classic on our killer speakers!

Come early for a Vinyl DJ Set from our bestie **DJ Jéli**!

**Picks from the Video Store**

Need more Soul and Funk performances to take home?

*Don&#8217;t Forget the Motor City, Back to Stax, Marvin Gaye: The Real Thing*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Wattstax

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Entrenched in the devastating reality of postwar Japan, Naruse’s masterpiece adapts Fumiko Hayashi’s final completed novel to trace the lives of two repatriated lovers reunited in the ruins of a defeated nation. The wartime affair of Tomioka, a married Forestry Ministry officer (Masayuki Mori) and typist Yukiko (Hideko Takamine) continues in the postwar rubble, but their bleak existence pales against the faraway romance that took place in French Indochina. Reluctant to leave his wife, the lecherous Tomioka comes and goes at his leisure to visit Yukiko, who clings to him desperately, propping up the vestiges of their long-lost passion over the course of years. Takamine’s heartbreaking performance is perhaps her finest hour, a role of sheer emotional magnitude that bears an agonizing love, drawn from the fading memory of what once was.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

FLOATING CLOUDS

*Paul Thomas Anderson, USA, 2012, 35mm, 137 min. *

A film in constant motion like the waves Freddie Quell (Joaquin Phoenix) used to drift upon as a sailor before his discharge, THE MASTER dives into Quell’s conflicted relationship with Lancaster Dodd (Philip Seymour Hoffman), a larger-than-life cult leader in search of spiritual enlightenment in the face of trauma in post-war America. Dueling virtuoso performances from Phoenix and Hoffman lend an air of the monumental to this riveting, and often confounding, if not perplexing live-wire act from Paul Thomas Anderson, who freeforms an inspired tale of power and submission and religiosity from such varied influences as the life of Scientology founder L. Ron Hubbard, Thomas Pynchon, and John Steinbeck.

The Master

Jeffrey &#8216;The Dude&#8217; Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.

The Big Lebowski

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Trio

7:00pm | Live musical performance by singer Laura Ellis

7:05pm | Introduction by Eddie Muller and Alan K. Rode

7:15pm | **BLACK ANGEL**

8:36pm | Intermission

8:46pm | Introduction by Eddie Muller and Nick Rossi

8:56pm | **BLUES IN THE NIGHT**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**BLACK ANGEL, 1946, Dir. Roy William Neill, 81 Mins, Universal Pictures, USA**

Originally released August 2, 1946

Kirk Bennett is sentenced to die for the murder of gorgeous actress Mavis Marlowe (Constance Dowling), but his wife (June Vincent) won’t give up trying to prove his innocence. She desperately enlists the aid of Marty Blair (Dan Duryea), a pickled pianist on the skids who happens to be the victim’s husband! The amateur sleuths go undercover as a performing duo, tracing clues to a ritzy Sunset Strip nightclub run by shady operator Marko (Peter Lorre). Bringing extra heat is Broderick Crawford as a dogged LAPD police captain. As usual in Woolrich stories, things aren’t what they seem—leading to one of the writer’s most memorable and unexpected climaxes. Known for his smarmy, villainous turns in many films of the period, here Duryea had his first role as a leading man in one of the era’s best adaptations of a novel by Cornell Woolrich, the undisputed master of noir fiction. Featuring fantastic art direction by Martin Obzina and inventive camerawork by Paul Ivano.

FORMAT: 35mm

**BLUES IN THE NIGHT, 1941, Dir. Anatole Litvak, 92 Mins, Park Circus, USA**

Originally released November 15, 1941

The first noir film to delve into the jazz world, BLUES IN THE NIGHT details the rise and inevitable fall of a St. Louis band. They land their big break when they get booked at a New Jersey nightclub, but the band’s leader, played by Richard Whorf, falls under the spell of the club’s *femme fatale* owner. It doesn’t take long for the other members to sour, setting off a chain reaction of jealousy, betrayal, and, eventually, murder. The supporting cast is superb, made up of familiar noir faces like Jack Carson, Howard Da Silva and Lloyd Nolan, while the screenplay by Robert Rossen makes good on the lyrics of the tragic, Oscar-nominated title song. Future director Elia Kazan has his biggest movie role as the band’s clarinetist.

FORMAT: 35mm

Live musical performance by singer Laura Ellis and the Nick Rossi Trio Introductions by Eddie Muller, Alan K. Rode and Nick Rossi ‘NOIR CITY: Hollywood 2026’

BLACK ANGEL / BLUES IN THE NIGHT

Egyptian Theatre

In the most commercially successful Black comedy feature of its era, Eddie Murphy stands at the center of the Black Pack as Prince Akeem, heir to the throne of Zamunda, who leaves royal luxury for Queens, New York, in search of love on his own terms.

Robert Townsend’s audacious directorial debut remains a razor-sharp satire of Hollywood’s degrading and limited roles for Black actors. Townsend stars as Bobby Taylor, an aspiring actor pressured to erase himself to fit an “Eddie Murphy type” while auditioning for an outlandish Blaxploitation knockoff. A foundational text of the Black Pack collective, the independently produced film insists on comedy as social critique — using satire not as escapism, but as a strategy to expose industry gatekeeping, reclaim authorship and speak truth to power.—*guest programmer Artel Great*

Director: Robert Townsend. Screenwriters: Keenen Ivory Wayans, Robert Townsend. With: Robert Townsend, Anne-Marie Johnson, Helen Martin.

Comedy as Resistance: Hollywood Shuffle

Hammer Museum

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!

**Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Writing Gets Lonely: Open Writing Studio (4/3)

### **ABOUT THE EPISODES:**

**Season 2, Episode 6, “Demons,” Dir. Lesli Linka Glatter, 47 Mins**

Donna tries to convince Truman that Harold Smith has Laura’s secret diary.

FORMAT: DCP

**Season 2, Episode 7, “Lonely Souls,” Dir. David Lynch, 47 Mins**

Cooper and the One-Armed Man inspect guests at the Great Northern.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Demons” and “Lonely Souls” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 6 & 7

Michael Almereyda & Courtney Stephens' fascinating experimental doc about the psychonautic scientist who tried to communicate with dolphins

JOHN LILLY & THE EARTH COINCIDENCE CONTROL OFFICE (2025)

**Screenwriters**: Stanley Kubrick, Terry Southern, Peter George

**Producer**: Stanley Kubrick

Vidiots invites you to go off the rails with Stanley Kubrick&#8217;s unhinged dark comedy triumph. With a pitch-black satirical humor, and three phenomenal performances from the legendary Peter Sellers, *Dr. Strangelove* is often considered one of the best films ever made. After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike. Frenetic, chillingly hilarious, and perenially apropos to any epoch, it&#8217;s time to revel in this fascinating masterpiece all over again!

**Movie Den** is a community initiative presented by Vidiots Foundation.

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

**Screenwriters**: Melvyn Bragg, Norman Jewison, Tim Rice

**Producers**: Norman Jewison, Robert Stigwood

*What&#8217;s the buzz, tell me what&#8217;s a happenin&#8217;! *You know you can&#8217;t resist the most divine of Rock Operas from the pen of Andrew Lloyd Webber and Tim Rice and the direction of dearly departed Norman Jewison. Follow Jesus and his disciples in his last days as a theater troupe acts out (and sings) the final days of the Christian savior, from meetings with Pontius Pilate, to the Last Supper, and beyond. The biblical musical spectacle that lives forever!

**Picks from the Video Store**

Love a Rock Opera? Try out these off-the-wall options!

*Phantom of the Paradise, The Apple, Shock Treatment, Listzomania*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Jesus Christ Superstar

**Screenwriter**: Georgi M. Unkovski

**Producers**: Ivan Unkovski,  Ivana Shekutkoska,  Katarina Prpic

Join us in the microcinema for Georgi M. Unkovski&#8217;s delightful coming-of-age triumph for the pink sheep in every family! 15-year-old Ahmet, from a remote Yuruk village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love — a girl already promised to someone else. Winner of both an audience and jury award at Sundance, this international charmer (that features an actual pink sheep!) has a rhythm all its own.

DJ Ahmet

**Screenwriters**: Tsui Hark, Koan Hui

**Producer**: Tsui Hark

Adopted by a renowned swordsmith, a young man discovers that his biological father was killed by a powerful bandit called Lung. Leaving to seek revenge, he runs afoul of vicious desert scum, losing his right arm in the process. After being nursed back to health, he learns to compensate for his loss and returns to confront Lung.

The Blade

The Drama

In celebration of their collaborative, two-venue run of Michael Almereyda and Courtney Stephens’ JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE, 7th House and Brain Dead are thrilled to co-present Mike Nichols’s THE DAY OF THE DOLPHIN (1973).&#8221;

*DAY OF THE DOLPHIN* imagines a world where the boundary between human and animal intelligence begins to dissolve. When a team of researchers successfully teaches dolphins to communicate in English, their breakthrough attracts the attention of powerful forces eager to weaponize the discovery.

The film draws direct inspiration from the pioneering work of Dr. John C. Lilly, whose real-life research into dolphin intelligence and communication captivated both the scientific community and the public imagination in the 1960s and ’70s. Lilly believed that dolphins possessed complex language and consciousness, and his experiments attempted to bridge the gap between species.

Released at the height of that cultural fascination, *DAY OF THE DOLPHIN* transforms Lilly’s radical ideas into a tense political thriller about the ethics of science, the limits of communication, and what might happen if we finally succeeded in speaking with another intelligent species. Presented alongside *JOHN LILLY AND THE EARTH COINCIDENCE CONTROL OFFICE*, the film offers a fascinating glimpse into how Lilly’s extraordinary research rippled into popular culture.

The Day of the Dolphin

### **ABOUT THE EVENT:**

11:00am | Doors open & Live musical performance by pianist Chris Dawson. Book signing with Steven C. Smith for his new book, *Hitchcock & Herrmann: The Friendship & Film Scores That Changed Cinema*.

12:00pm | Introduction by Eddie Muller and author Steven C. Smith

12:10pm | **HANGOVER SQUARE**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released February 7th, 1945

In this Edwardian noir, George Sanders is a Scotland Yard psychologist and Laird Cregar (in his final role) is a distinguished composer who moonlights as a serial killer. Linda Darnell steals the show as a conniving singer with a grisly sendoff. Bernard Herrmann’s “Concerto Macabre,” centerpiece of the film’s climax, is one of the most thrilling works composed for the cinema.

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: USA

Live musical performance by pianist Chris Dawson Introduction by Eddie Muller and author Steven C. Smith Book signing with Steven C. Smith for his new book, Hitchcock & Herrmann: The Friendship & Film Scores That Changed Cinema, prior to the screening at 11:00am at the Egyptian Theatre, in partnership with the Larry Edmunds Bookshop. ‘NOIR CITY: Hollywood 2026’

HANGOVER SQUARE

### **ABOUT THE EVENT:**

3:00pm | Doors open & Live musical performance by pianist Chris Dawson

4:00pm | Introduction by Alan K. Rode

4:10pm | **ANATOMY OF A MURDER**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released July 1, 1959

One of the best courtroom movies ever made. James Stewart plays an Upper Peninsula of Michigan lawyer drawn out of retirement to represent an Army Lieutenant charged with murder. The Lieutenant admits to the crime despite having no memory of committing it, and Stewart’s character is given the unenviable task of mounting an “irresistible impulse” defense. The contrast between the scandal and the wholesome, small-town setting in which it’s discussed is perfectly realized by director Otto Preminger. The director constantly pushed the boundaries of what could be depicted onscreen, and ANATOMY OF A MURDER represents the platonic ideal in terms of blending entertainment with social commentary. Stewart earned a fifth and final Oscar nomination for his work here, but he’s given stiff competition from George C. Scott, Ben Gazzara and jazz luminary Duke Ellington, who also composed the score.

FORMAT: DCP

DISTRIBUTOR: Sony Pictures

COUNTRY: USA

Live musical performance by pianist Chris Dawson Introduction by Alan K. Rode ‘NOIR CITY: Hollywood 2026′

ANATOMY OF A MURDER

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Trio

7:00pm | Introduction by Eddie Muller and Nick Rossi

7:10pm | **THE YELLOW CANARY**

8:43pm | Q&A with actor Pat Boone. Moderated by Eddie Muller.

9:23pm | **THE CRIMSON CANARY**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**THE YELLOW CANARY, 1963, Dir. Buzz Kulik, 93 Mins, USA**

Originally released May 15, 1963

Wait a minute—where’d this come from? A late-cycle film noir with a script by Rod Serling, from a novel by Whit (TOUCH OF EVIL) Masterson? Starring *Pat Boone* as an egomaniacal pop crooner whose only child is kidnapped for a king’s ransom? With Barbara Eden as his wife? And Jack Klugman the investigating cop? With a wall-to-wall jazz-pop score by Kenyon Hopkins? And a supporting cast that’s a Who’s Who of sixties favorites: Steve Forrest, Jesse White, Harold Gould, Milton Seltzer, Jeff Corey, Joe Turkel . . . Be here at the Egyptian Theatre as the Film Noir Foundation resurrects this pop culture obscurity in a brand-new digital restoration —**with star Pat Boone in person!** One of the first features on the résumé of veteran TV-director Buzz Kulik (PLAYHOUSE 90, TWILIGHT ZONE, WARNING SHOT, BRIAN’S SONG).

FORMAT: DCP

**THE CRIMSON CANARY, 1945, Dir. John Hoffman, 64 Mins, Universal Pictures, USA**

Originally released November 9, 1945

THE CRIMSON CANARY boasts two things that make B-movies so much fun: a great premise and a short runtime. A trumpet player gets locked up after the lead singer of his band gets whacked. The trumpeter’s fiancée sets out to find the real killer with help from a jazz-loving detective. The film’s Black-led musical numbers have little to do with its plot, which made them easier to cut for Southern censors, but they make up several of the film’s best moments. Coleman Hawkins rips through spirited renditions of “Rifftide” and “Hollywood Stampede,” while blues/folk legend Josh White brings down the house with his signature tune “One Meatball.” Featuring a memorably nasty performance by Claudia Drake (DETOUR) as the murdered singer.

FORMAT: 35mm

Q&A with actor Pat Boone. Moderated by Eddie Muller. Live musical performance by the Nick Rossi Trio Introduction by Eddie Muller and Nick Rossi THE YELLOW CANARY World Premiere of New Digital Restoration by Film Noir Foundation and Cinema Preservation Alliance ‘NOIR CITY: Hollywood 2026’

THE YELLOW CANARY / THE CRIMSON CANARY

Robert Townsend pens a soulful love letter to Black popular music in this film loosely inspired by Motown-era vocal groups. It follows a fictional quintet from 1960s chart success through industry exploitation, infighting and addiction.

Here Eddie Murphy stands at the center of the Black Pack as Prince Akeem, heir to the throne of Zamunda, who leaves royal luxury for Queens, New York, in search of love on his own terms. The most commercially successful Black comedy feature of its era, this blockbuster is also a case study in power and authorship, as Murphy gives a tour de force performance of multiple characters and earns a “story by” credit. Ultimately, the film shows how box office clout enabled Black cultural specificity while embedding sharp critiques of race, class and respectability within mainstream studio comedy.—*guest programmer Artel Great*

Director: John Landis. Screenwriter: David Sheffield, Barry W. Blaustein. With: Eddie Murphy, Arsenio Hall, James Earl Jones.

The Cultural Politics of Eddie Murphy: Coming to America

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

A child is killed in a hit and run. The mother plots her revenge by posing as a maid in the house of the murderer.

FORMAT: 35mm

DISTRIBUTOR: Toho

COUNTRY: Japan

35mm print courtesy of National Film Archive of Japan Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

MOMENT OF TERROR

### **ABOUT THE FILM:**

Henry Hackett (Michael Keaton) is an editor at the New York Sun, a tabloid paper facing financial cuts. His pregnant wife, Martha (Marisa Tomei), pleads with him to get a more respectable job so he can spend more time with his family. Hackett is considering an offer from another paper, with fewer hours and higher pay, when he gets his hottest story in years. When this scoop leads to a burst of violence and a conflict with his new boss, Alicia (Glenn Close), he faces a startling moment of truth. Also starring Robert Duvall, Spalding Gray and Catherine O’Hara.

FORMAT: DCP

DISTRIBUTOR: Universal Pictures

COUNTRY: USA

‘Starring Robert Duvall’ and ‘Starring Catherine O’Hara’

THE PAPER

### **ABOUT THE EVENT:**

Join us to celebrate the PROOF 2025 Award Winners in a showcase of their work. PROOF is a short film festival in Los Angeles dedicated to showcasing the best in proof-of-concepts. Providing a highly competitive and unique festival experience, as well as opening the door for fruitful future filmmaking opportunities, PROOF is a one-stop-shop for the newest emerging talent.

### **ABOUT THE FILMS:**

**“Thirstygirl,” Dir. Alex Qin, 10 Mins, USA **

*Grand Jury Award Winner!  *

Charlie and Nic are headed somewhere. We’re not sure where. All we know is Charlie can’t stop sending nudes and watching porn on her phone. As the sisters go along their journey, Charlie’s need for sex intensifies and she resorts to more and more depraved behaviors to get her fix. THIRSTYGIRL is an intimate film about sisterhood and addiction, following two Asian-American women traveling across the American South.

**“We Used to Take the Long Way Home,” Dir. An Nguyen, 14 Mins, Vietnam/USA **

*Gold Award Winner!  *

A young Mormon missionary at the start of his two years of service is shown the ropes by his well-meaning trainer, who comes to terms with his own failures.

FORMAT: DCP

**“Inner Demons,” Dir. Jasmine J. Johnson, 11 Mins,  **

*Silver Award Winner!  *

Mya’s world takes a harrowing twist when pills meant to alleviate depression unwittingly unleash a nightmarish entity that embodies her inner turmoil. Mya finds herself entangled in a relentless battle against her own psyche, fighting not just for her mental well-being but her very survival.

FORMAT: DCP

**“LOVE192,” Dir. Haydon Mayer, 20 Mins, USA**

*Bronze Award Winner! *

As an abandoned online roleplaying game nears its final days, Tyler and Jude, once inseparable, reconnect amongst a fading digital landscapes. Moving between liminal in-game space and distant memories, the two teens navigate unspoken feelings and shared history. With the clock ticking on the server, and their adolescence, the two hatch a cross-country plan to meet in person, confronting the schism between who they were online and who they are becoming.

FORMAT: DCP

**“Make Me a Pizza,” Dir. Talia Shea Levin, 12 Mins, USA**

*Kodak Excellence in Analog Film Award Winner; Jury Special Mention!*

BORED HOUSEWIFE seduces HOT PIZZA GUY for free pizza, but is desire worth $29.99?

FORMAT: DCP

**“My Kind of People,” Dir. Joe Picozzi, 14 Mins, USA **

*Audience Choice Award Winner!  *

After a DNA test uncovers his father’s adoption, a proud paesano from Providence, Rhode Island grapples with the revelation that he’s not actually Italian American, and never has been. With the foundation of his identity destroyed, and his familial bonds broken, he begins to spiral.

FORMAT: DCP

Q&A with filmmakers following the screening Join us to celebrate the PROOF 2025 Award Winners in a showcase of their work!

PROOF 2025 Award Winners Showcase

Opening Reception: April 11 at 6 PM [RSVP](https://www.redcat.org/form/opening-reception-harmony-26)

*Harmony Holiday: Spectacular Brooding *investigates the spectacles and secrets of black grief. Considering the tension between private ritual and public display within this tradition, the Los Angeles-based artist’s exhibition considers what she calls the “Black Backstage” as a zone of sacred privacy that makes the spectacularization of performance bearable. In contrast to commercial reproduction of music, dance, and film that distorts black artistry, Harmony positions the home and the studio as intimate spaces of black creative life. 

The exhibition divides the gallery into two spaces: the dance studio and the cutting room. In the studio, Holiday will rehearse live and record her preparatory process towards the performance of a solo dance, which marks a return to live dance performance for the first time in decades. Holiday’s choreography will consider iconic expressions of black grieving in choreography by Alvin Ailey, Judith Jamison, Bill T. Jones, Katherine Dunham, and Robert Battle, as well as gestures of black performance and everyday life in digital culture. A mourner’s bench will provide a place of solitude and public memorial, inviting people to listen to oral histories and to engage with Holiday’s own writing. In the cutting room, Holiday will screen an excerpt of a new film that considers these themes through a documentary of a living artist.

Spectacular Brooding

REDCAT

**Screenwriters**: Karey Kirkpatrick, Jonathan Roberts, Steve Bloom

**Producers**: Tim Burton, Denise Di Novi

From the same team that brought you *Nightmare Before Christmas* comes this imaginative mixture of dazzling and inventive stop-motion animation and live-action. This charming adaptation of Roald Dahl&#8217;s beloved children&#8217;s book follows the adventures of James (Paul Terry), a young British orphan. Forced to move in with his cruel aunts (Joanna Lumley, Miriam Margolyes), James finds a way out of his bleak existence when he accidentally conjures an enormous enchanted peach. After rolling into the sea inside the buoyant fruit, James, accompanied by a crew of friendly talking insects, sets sail for New York City.

**Picks from the Video Store**

Check out our Stop-Motion Animation section for a smorgasbord of delight!

*The Exquisite Short Films of Kihachiro Kawamoto, Gumby Essentials, Hamilton Mattress*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

James and the Giant Peach

**Screenwriter**: Hideaki Anno

**Producers**: Yoshihiro Satô,  Masaya Shibusawa,  Taichi Ueda,  Kazutoshi Wadakura

If your Saturday afternoon is missing something big &#8211; we&#8217;ve got the biggest baddest kaiju of them all and one of the most beloved entries into the atomic monster&#8217;s canon on our monster-sized screen! Something has surfaced in Tokyo Bay. As the Prime Minister of Japan pleads with the public to remain calm, a horrific creature of tremendous size makes landfall in the city, leaving death and destruction in its wake. Then it evolves. The government assembles a motley task force to combat the monster when an envoy from the US Department of State delivers a folder of classified documents. On its cover is written: “GODZILLA.”

From Director Hideaki Anno and Co-Director Shinji Higuchi, *Shin Godzilla* offers a thrilling origin story to one of cinema’s greatest creations. Propelled by astounding visual effects and rapid fire dialogue, *Shin Godzilla* is equal parts pulse-pounding action film and venomous political satire, worthy of the franchise’s towering history.

**Picks from the Video Store**

Love your monsters BIG? Check out some of these big baddies on Blu-Ray and DVD tonight!

*Q: The Winged Serpent, Godzilla vs. Mothra, Yokai Monsters: 100 Monsters*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Shin Godzilla

**Screenwriter**: J.F. Lawton

**Producers**: Nancy Gross,  Steven Reuther,  Arnon Milchan

*Big mistake! Huge!* If your Friday night could use a little unlikely romance, we&#8217;ve got the yuppie/sex-worker rom com that broke the mold and stole the hearts of America while catapulting Julia Roberts into the stratosphere! While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds. Whether you&#8217;re in it for the love story, the makeover, or the underdog triumph, there&#8217;s a lot to love about Garry Marshall&#8217;s blockbuster classic!

**Picks from the Video Store**

Looking for entertaining and humanistic portraits of sex workers?

*Love & Anarchy, Angel, Streetwalkin&#8217;*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Pretty Woman

**Screenwriters**: Alice Maio Mackay,  Benjamin Pahl Robinson

**Producers**: Alice Maio Mackay, Louise Weard

Vidiots is excited to welcome prolific young filmmaker **Alice Maio Mackay** and editor **Vera Drew** to the microcinema for a special screening of *The Serpent&#8217;s Skin* &#8211; the Gothic trans horror fantasy of your teen dreams!

Twentysomething Anna (Alexandra McVicker, *October Crow*) finally leaves her small, transphobic hometown for good and quickly begins dating goth tattoo artist Gen (Avalon Fast, *Castration Movie*) after the two discover they share supernatural powers. But before Anna can call up the U-Haul, Gen inadvertently summons a demon through the sick neck tattoo she gives sensitive guitarist Danny (Jordan Dulieu). As Danny — or whatever’s inside of him — begins feeding off their friends, it’s up to Anna and Gen to figure out how to use their powers to save everyone before it’s too late.

The sixth-and-latest feature by 21-year-old filmmaking force of nature Alice Maio Mackay (*Carnage for Christmas*),* The Serpent&#8217;s Skin* like a trans take on *The Craft* or the YA horror paperback you wished you had in high school. Returning to the same premise as her early short *The Serpent’s Nest* (2021) and working with a group of trans film luminaries — including producer Louise Weard (*Castration Movie*), editor Vera Drew (*The People’s Joker*), and colorist Jessica Dunn Rovinelli (*So Pretty*), all remarkable filmmakers in their own right — *The Serpent’s Skin* sees the full blossoming of the bold neo-Araki aesthetic that has made Mackay one of the most exciting voices in this current wave of independent trans cinema. (Synopsis courtesy of Frameline.)

7:30pm Screening followed by a conversation with **Alice Maio Mackay** and **Vera Drew**, moderated by **Roz Hernandez**!

10:00pm Screening with an introduction by **Alice Maio Mackay**!

The Serpent’s Skin

**Screenwriters**: René Laloux,  Jean-Patrick Manchette,  Moebius

**Producers**: Jacques Dercourt,  Roland Gritti

Directed by visionary science-fiction animator René Laloux (*Fantastic Planet*) and designed by the legendary Jean Giraud (a.k.a. Mœbius) *The Time Masters *is a visually fantastic foray into existentialist space adventure. After his parents are killed on the dangerous planet Perdide, young Piel (voiced by Frédéric Legros) survives by maintaining radio contact with Jaffar (Jean Valmont), a pilot transporting the exiled Prince Matton (Yves-Marie Maurin) and Princess Belle (Monique Thierry) from their former kingdom. Jaffar seeks the help of Silbad (Michel Elias), a cheerful old-timer who knows how to circumvent Perdide’s hazards, including brain-devouring insects and watery graves. Along the way, Jaffar and company encounter a pair of impish homunculi stowaways, identity-less angels controlled by an amorphous hive mind, and the Masters of Time, mysterious beings who can bend reality and perhaps reveal to the heroes their secret origins and destinies.

*Restored in 4K in 2023 at the initiative of CITE FILMS in collaboration with the Fondazione Cineteca di Bologna and with the support of the CNC*

Time Masters

Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.

Hoop Dreams

A basketball player&#8217;s father must try to convince him to go to a college so he can get a shorter prison sentence.

He Got Game

### **ABOUT THE EVENT:**

11:00am | Doors open & Live piano performance

12:00pm | Introduction by Alan K. Rode

12:10pm | **TO HAVE AND HAVE NOT**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released October 11, 1944

Humphrey Bogart is an aimless fisherman who gets drawn into the growing French Resistance in Martinique. Lauren Bacall is the American songbird who seduces him and subsequently reawakens his sense of purpose. Ernest Hemingway’s self-described “worst” novel is gleefully translated to the screen by director Howard Hawks, who ditches most of the plot to play up the nuclear chemistry between his two leads. Sure, there’s a lot borrowed from 1942’s CASABLANCA, but you’d be hard-pressed to hold back a smile whenever Bacall teases Bogie or tutors him on the importance of whistling. It’s a debut performance for the ages, bolstered by the memorable tunes that Bacall sings alongside co-star/songwriter Hoagy Carmichael. Featuring a Walter Brennan character that can best be described as a “Walter Brennan type.”

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

Live piano performance Introduction by Alan K. Rode ‘NOIR CITY: Hollywood 2026’

TO HAVE AND HAVE NOT

### **ABOUT THE EVENT:**

2:00pm | Doors open & Live piano performance

3:00pm | Introduction by Alan K. Rode

3:10pm | **LOVE ME OR LEAVE ME**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released May 26, 1955

The tumultuous life of dancer-singer Ruth Etting (Doris Day, in a revelatory performance) gets a vivid retelling in this vivacious and vitriolic biopic that is equal parts lavish musical and noir-stained psychodrama. Daniel Fuchs (HOLLOW TRIUMPH, CRISS CROSS) won a “Best Writing, Motion Picture Story” Oscar for this tale of the 1920s singing and dancing sensation who makes a Faustian bargain for fame and glory—becoming a protégé to Chicago gangster Marty Snyder (Jimmy Cagney, in an Oscar-nominated performance). The role is such a scintillating showcase for Doris Day’s talents that it’s hard to believe Ava Gardner was the studio’s first choice for the starring role until Cagney convinced producer Joe Pasternak that Day, borrowed from Warner Bros., was the perfect choice. Many of Etting’s greatest hits are performed by Day, including “Ten Cents a Dance,” “You Made Me Love You,” “Stay on the Right Side, Sister” as well as “I’ll Never Stop Loving You,” a 1956 Oscar nominee for Best Original Song.

FORMAT: DCP

DISTRIBUTOR: Warner Bros.

COUNTRY: USA

LOVE ME OR LEAVE ME

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Trio

7:00pm | Live musical performance by singer Laura Ellis

7:05pm | Introduction by Eddie Muller and Nick Rossi

7:15pm | **A MAN CALLED ADAM**

8:54pm | Intermission

9:04pm | Introduction by Eddie Muller and Nick Rossi

9:14pm | **ALL NIGHT LONG**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**A MAN CALLED ADAM, 1966, Dir. Leo Penn, 99 Mins, Rialto Pictures, USA**

Originally released August 3, 1966

Sammy Davis, Jr. like you’ve never seen him before! Sammy plays Adam, the cornetist whose prodigious talent is dwarfed only by his penchant for self-destruction. He maps out a comeback with the help of a saxophonist turned Civil Rights activist and his granddaughter, but it doesn’t take long for the demons to come calling. One of the most unrelentingly bleak noir films of the 1960s, economically directed by Leo Penn (father of Oscar-winner Sean) and tailored to showcase musical luminaries George Rhodes and Louis Armstrong as they tear up real New York City nightclubs. Featuring memorably intense supporting turns by Davis’ Rat Pack cohort, Peter Lawford, and Rat Pack offspring, Frank Sinatra Jr.

FORMAT: DCP

**ALL NIGHT LONG, 1962, Dir. Basil Dearden, 91 Mins, AGFA, UK**

Originally released February 6, 1962

ALL NIGHT LONG redresses William Shakespeare’s *Othello* for pulp audiences. Patrick McGoohan is an ambitious drummer who tries to coax a famous singer out of retirement to front his band. The singer declines and the drummer becomes so obsessed with destroying her marriage that he risks his own relationship and career in the process. There’s a perverse delight in watching party gossip spread like wildfire, especially when you know the source will get burned, but ALL NIGHT LONG isn’t just a slick meditation on celebrity. The film captures musical icons Dave Brubeck, John Scott and Charles Mingus in their prime, making it an invaluable time capsule of the London jazz scene in the early 1960s. Featuring a heartbreaking turn by Betsy Blair.

FORMAT: DCP

Live musical performance by singer Laura Ellis and the Nick Rossi Trio Introductions by Eddie Muller and Nick Rossi ‘NOIR CITY: Hollywood 2026’

A MAN CALLED ADAM / ALL NIGHT LONG

A Depression era-set Southern Gothic thriller, *The Night of the Hunter* tells an adult story through the eyes of children. Actor-turned-director Charles Laughton described it as a “fairy tale of the Big Bad Wolf’s pursuit of the Little Pigs.” Robert Mitchum stars as the wolf in preacher’s clothing pursuing the two children of a widow (Shelley Winter) who know about a stash of ill-gotten loot. A dream-like work thanks in part to the unique cinematography by Stanley Cortez, it turns feverishly on dualities — heaven and hell, good versus evil, the sacred and profane — while paying homage to the silent era with Lillian Gish also starring.—*Theater Manager Lauren Brown*

Director: Charles Laughton. Screenwriters: James Agee, Charles Laughton. With: Robert Mitchum, Shelley Winters, Lillian Gish.

The Night of the Hunter

Loose Frames presents an evening of various funny, experimental, and evocative animated shorts. There will be a short Q&A with the filmmakers before the screening begins.

Loose Frames Freak Out!: Animated Shorts Screening

### **ABOUT THE FILM:**

*In Georgian with English subtitles.*

One of the great films from Georgia—and the Soviet Union as a whole—was featured at the 1975 London Film Festival (nearly a decade after it was made), where Brian Baxter noted: “Quite surely a masterpiece and one of the most strikingly original and beautiful films ever made. It is shot in the deepest blacks and almost blinding whites, tightly compressing its complex tale of love, hate, and revenge. The screenplay is taken from [two poems by Vaza Psavela] . . . Abuladze has managed to convey the ‘epic’ quality of the piece by superb use of the harsh landscapes and the integration of the characters within the surroundings.”

FORMAT: DCP

COUNTRY: Soviet Union

THE PLEA

### **ABOUT THE FILM:**

When a writing assignment lands journalist Raoul Duke and sidekick Dr. Gonzo in Las Vegas, they make it the ultimate business trip. Fueled by a suitcase full of mind-bending pharmaceuticals, Duke and Gonzo set off on a ride through nonstop neon, surreal surroundings and a crew of the craziest characters ever, discovering that sometimes going too far is the only way to go.

FORMAT: 35mm

DISTRIBUTOR: Universal Pictures

COUNTRY: USA

FEAR AND LOATHING IN LAS VEGAS

Ken Russell’s mind-bending descent into the primordial depths of consciousness, inspired by the experiments of John C. Lilly!

Ken Russell's ALTERED STATES (1980) —  A Mind-Bending Psychonautic Classic!

**Screenwriters**: Bill Walsh, Don DaGradi

**Producer**: Walt Disney

Sing Along with everyone&#8217;s favorite magical flying nanny! The world&#8217;s most famous nanny takes flight on the winds of fancy and fantasy in this beloved magical musical no one can resist. Sent from the sky to keep the Banks children in line and show them a world of imagination, song, and wonderment &#8211; Mary Poppins is the answer to everyone&#8217;s prayers in the bustling Banks household. So open your umbrella and fly on over for a supercalifragilisticexpialidocious experience every generation of Vidiot will love!

**Picks from the Video Store**

Our musicals section has a shelf dedicated to the great Julie Andrews! Take home more magic tonight!

*Thoroughly Modern Millie, First a Girl, Cinderella *(1957)*, The Princess Diaries*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Mary Poppins Sing-Along

**Screenwriters**: Oscar Brodney,  Myles Connolly from the stage play by Mary Chase

**Producer**: John Beck

Is it madness or just a giant rabbit? Jimmy Stewart has never been more delightful than in this bunnariffic comedy classic, a beloved staple of springtime for over 75 years! Based on the Pulitzer Prize-winning play by Mary Chase, this beyond charming film is the (cotton)tail of a man that befriends an invisible man-sized rabbit, who may either be his ticket to the looney bin or the answer to all his problems!

**Picks from the Video Store**

Want more 1950s comedies? We&#8217;ve got dozens! Including these gems:

*Will Success Spoil Rock Hunter?, The Mouse that Roared, Pillow Talk*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Harvey

**Screenwriter**: Christian Petzold

**Producers**: Florian Koerner von Gustorf,  Michael Weber,  Anton Kaiser

Join us in the microcinema for Christian Petzold&#8217;s latest low-key charmer. During a weekend trip to the countryside, Laura, a young piano student from Berlin, miraculously survives a shocking car crash. Awakening in a nearby house, Laura finds herself in the care of a local woman, who tends to her with motherly devotion. As she recuperates, Laura begins to integrate herself into the lives of the woman and her initially reluctant husband and son. By turns haunted and hopeful, Laura and her adopted family reawaken to the world and come to find a strange harmony together. However, they cannot outrun the ghosts of the past, which begin to stir, as acclaimed director Christian Petzold (*PHOENIX, TRANSIT*) spins a modern gothic fairytale about the lies we tell ourselves and the strange ways that grief, connection, and humanity bind and sustain us. Sweet, funny, and soul-stirring, this small but mighty film is charming from start to finish!

Miroirs No. 3

**Screenwriters**: S.S. Rajamouli, Sai Madhav Burra

**Producers**: D.V.V. Danayya

Can&#8217;t stop! Won&#8217;t Stop! The biggest film of the decade has become a Vidiots tradition! *RRR* is an exhilarating, action-packed spectacular, starring two of India&#8217;s biggest superstars, N.T Rama Rao Jr., aka Jr NTR and Ram Charan. Set in the 1920s before their fight for India’s independence began, *RRR* imagines a fictional meeting between two real-life freedom fighters who helped lead India’s fight for independence from the British Raj.

With staggeringly choreographed action sequences, an all-timer of a musical number, and a powerful story, *RRR* is pure cinematic joy from start to finish. Audiences across the world have been won over, and trust us — If you haven&#8217;t seen this on a big screen, you haven&#8217;t really seen it, and if you have, you know why we sell out every single screening!

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

*Urgh! **A Music War,* the pioneering punk concert classic, returns to LA! Hollywood Entertainment proudly presents this unmissable cavalcade of counterculture with legendary musicians too numerous to list in full!

A raucous and rarely-screened record of the state of punk, post-punk, new wave, reggae, and ska, *Urgh! A Music War *is one of the great documents of live music. It is a uniquely breathless rush of back-to-back live performances featuring raw and righteous takes from Devo, X, XTC, Au Pairs, The Cramps, The Go-Go&#8217;s, Joan Jett and the Blackhearts, Dead Kennedys, Pere Ubu, Athletico Spizz 80, Gary Numan, Klaus Nomi, Gang of Four, Chelsea, and many, MANY more…

Several of the film’s most memorable performances were filmed over two nights at the Santa Monica Civic Auditorium and one night at the Whiskey a Go Go in August 1980 along with sets from San Diego, New York City, Frejus, Paris, Portsmouth, and London.

*35mm screening of the original theatrical cut*

Urgh! A Music War

### **ABOUT THE FILM:**

From Umberto Lenzi, notorious director of such Euro-sleaze classics as PARANOIA, SEVEN BLOOD-STAINED ORCHIDS, SPASMO, EYEBALL and CANNIBAL FEROX comes NIGHTMARE BEACH, a shockingly gory tale of a madman in a motorcycle helmet who is taking out young co-eds all over the sparkling sands of South Florida during Spring Break. As the body count creeps up, Miami detective John Saxon tries to keep ahead of the curve in this carnage-packed slasher gem from the maestro of macabre. Featuring a rollicking score by Goblin’s Claudio Simonetti and co-starring the great Michael Parks.

FORMAT: 35mm

DISTRIBUTOR: Rialto Pictures

COUNTRY: USA/Italy

Print courtesy of the Academy Film Archive Special thanks to Phil Blankenship for the print ‘Cinematic Void’

Cinematic Void Presents NIGHTMARE BEACH

**Screenwriter**: Harmony Korine

**Producer**: Cary Woods

Co-presented by community programming partners **The Cinegogue**.

Harmony Korine &#8211; one of America&#8217;s purest and most provocative auteurs &#8211; made his directorial debut with this absurd and confrontational cult classic; a film that&#8217;s hard to describe but easy to fall under its sway. A cast of aimless youth don bunny ears, tape their nipples, hunt cats, and spend time loitering on the streets of Xenia, Ohio, a small town that has never recovered from the tornado that ravaged the community in the 1970s. Not for the average film-goer, this obtuse oddity creates an often-grimy piece of art out of a gutter of strange that will either mesmerize you or leave you questioning what you&#8217;ve just experienced!

**Picks from the Video Store**

Bring home more Chloe Sevigny treasures on physical media tonight!

*The Last Days of Disco, Julien Donkey Boy, Zodiac*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Gummo

### **ABOUT THE EPISODES:**

**Season 2, Episode 8, “****Drive With A Dead Girl,” Dir. Caleb Deschanel, 47 Mins**

The One-Armed Man escapes custody.

FORMAT: DCP

**Season 2, Episode 9, “Arbitrary Law,” Dir. Tim Hunter, 46 Mins**

Cooper tricks the killer into revealing himself.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Drive With A Dead Girl” and “Arbitrary Law” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 8 & 9

### **ABOUT THE FILM: **

Kenan Thompson and Kel Mitchell confront the ogre of faceless corporate tyranny and have fun doing it in this comedy for young people. Ed (Mitchell) is a teenager who lives for his job at Good Burger, a small but friendly neighborhood hamburger stand, while his buddy Dexter (Thompson) also works there, but lack Ed’s single-minded devotion to his job — he’s there because he accidentally destroyed the car of his teacher Mr. Wheat (Sinbad) and has to raise money to pay the damages. When Mondo Burger, a mammoth fast-foot chain, opens across the street, it looks like Good Burger is history, until Ed formulates a secret sauce that brings hundreds of new customers to their door.

FORMAT: 35mm

DISTRIBUTOR: Paramount Pictures

COUNTRY: USA

GOOD BURGER

**Writer/Producer**: Julie Dash

Join us for Julie Dash&#8217;s rapturous masterpiece, *Daughters of the Dust*.  As the 20th century dawns, a multi-generational Gullah family from the Sea Islands off of the South Carolina coast struggle to maintain their deep-rooted heritage and folklore while considering relocating to the mainland. The first widely released feature from a Black female director, the film was met with ecstatic critical acclaim and phenomenal audience response when it initially opened in 1991. *Daughters of the Dust* has cast a resounding legacy including references to the film in Beyonce’s video album *“Lemonade.”* Restored (in conjunction with UCLA) for the first time with proper color grading overseen by cinematographer AJ Jafa, audiences will finally see the film exactly as Julie Dash intended.

**Picks from the Video Store**

Take home more gems from the groundbreaking Julie Dash on DVD and Blu-Ray tonight!

*Subway Stories, Illusions, The Rosa Parks Story*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Daughters of the Dust

We Watch Wrestling Presents

A special screening of Beyond The Mat with Q+A by WWW&#8217;s Matt and Vince and Director Barry Blaustein live at Brain Dead Studios.

Synopsis:

&#8220;Beyond the Mat,&#8221; Barry Blaustein&#8217;s honest, intimate, revealing, highly entertaining, and critically acclaimed behind-the-scenes look at wrestling, takes viewers beyond the ring and into the lives of the men and women who inhabit this colorful, competitive, and surprisingly complex world.

Beyond the Mat

**Writer/Producer**: Julie Dash

Join us for Julie Dash&#8217;s rapturous masterpiece, *Daughters of the Dust*.  As the 20th century dawns, a multi-generational Gullah family from the Sea Islands off of the South Carolina coast struggle to maintain their deep-rooted heritage and folklore while considering relocating to the mainland. The first widely released feature from a Black female director, the film was met with ecstatic critical acclaim and phenomenal audience response when it initially opened in 1991. *Daughters of the Dust* has cast a resounding legacy including references to the film in Beyonce’s video album *“Lemonade.”* Restored (in conjunction with UCLA) for the first time with proper color grading overseen by cinematographer AJ Jafa, audiences will finally see the film exactly as Julie Dash intended.

### **ABOUT THE FILMS: **

**REPAST, 1951, Dir. Mikio Naruse, 93 Mins, Janus Films, Japan**

*In Japanese with English subtitles.*

Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.

FORMAT: 35mm

**LIGHTNING, 1952, Dir. Mikio Naruse, 87 Mins, Kadokawa, Japan**

*In Japanese with English subtitles.*

Facing pressures to marry and having witnessed her two sisters’ own marital struggles, sightseeing bus guide Kiyoko (Hideko Takamine) strives for her own solitary independence, resisting suitors and openly expressing a disdain for men. Through a family of four siblings, each from different fathers, Naruse explores the suffocating family life of Kiyoko’s *shitamachi* household and its surroundings. LIGHTNING is a buildup of vignettes, events and occurrences, as Kiyo experiences the world around her—misfortune, family tragedy, interpersonal quarrels and the vulgarities of men—trying to make sense of a modern existence where the promise of happiness still comes second for women.

FORMAT: 35mm

35mm prints courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

REPAST / LIGHTNING

PHANTASMAGORIA presents Sky Hopinka’s short experimental film FAINTING SPELLS (2018) alongside Colombian feature film EMBRACE OF THE SERPENT (2015).

Myth, knowledge, and sacred indigenous plants are at the center of these two films. In each film, the landscape and its flora is at once sublime and fragile. For his dreamlike abstract short FAINTING SPELLS, filmmaker Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians) creates an origin myth poem for the medicinal flowering plant Xąwįska, also known as the Indian pipe plant or the ghost flower, traditionally used to revive those who have fainted. In Ciro Guerra’s feature film EMBRACE OF THE SERPENT, Amazonian shaman Karamakate encounters two different Western scientists (at two different stages of his life), each seeking the sacred hallucinogenic Yakruna plant. Through poetic storytelling and hypnotic imagery, both films examine themes of cultural identity, loss, and reconnection to the spiritual world in the face of colonialism and destruction.

### EMBRACE OF THE SERPENT

At once blistering and poetic, the ravages of colonialism cast a dark shadow over the South American landscape in EMBRACE OF THE SERPENT, the third feature by Ciro Guerra. Filmed in stunning black-and-white, SERPENT centers on Karamakate, an Amazonian shaman and the last survivor of his people, and the two scientists who, over the course of 40 years, build a friendship with him. The film was inspired by the real-life journals of two explorers (Theodor Koch-Grünberg and Richard Evans Schultes) who traveled through the Colombian Amazon during the last century in search of the sacred and difficult-to-find psychedelic Yakruna plant.

### FAINTING SPELLS

*Director:* Sky Hopinka

*Run Time:* 11 mins

*Format:* DCP

*Release Year:* 2018

Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska, or the Indian Pipe Plant &#8211; used by the Ho-Chunk to revive those who have fainted.

EMBRACE OF THE SERPENT + FAINTING SPELLS

**Screenwriters**: Aidan Zamiri, Bertie Brandes from an original idea by Charli xcx

**Producers**: David Hinojosa,  Charli xcx

The microcinema is getting pumped for a Brat Spring with Charli xcx&#8217;s self-parodying mockumentary *The Moment*. A rising pop sensation navigates fame and industry pressures while preparing for her arena tour debut, revealing the transformation of underground culture into mainstream success.

The Moment

The LA Festival of Movies arrives in its third year, with many screenigns and events across three days at 2220 Arts. Full lineup, festival pass details and ticket prices to be announced in early 2026.

LA Festival of Movies 2026

2220 Arts + Archives

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Trio

7:00pm | Live musical performance by singer Elizabeth Bougerol

7:05pm | Introduction by Eddie Muller and Elizabeth Bougerol

7:15pm | **THE MAN I LOVE**

8:51pm | Intermission

9:01pm | Introduction by Alan K. Rode

9:11pm | **NORA PRENTISS**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**THE MAN I LOVE, 1947, Dir. Raoul Walsh, 96 Mins, Park Circus, USA**

Originally released January 11, 1947

As flinty chanteuse Petey Brown, Ida Lupino is at the apex of her big-screen glamour, offering a radiantly romantic vision of the post-WWII American woman—able to settle everyone’s hash but her own. A coast-to-coast road trip through a world of atmospheric nightclubs, tenements, and backlot streets, this majestic melodrama is part noir, part soap opera, and pure Hollywood magic. Reportedly, the film’s mix of music, romance, and noir inspired Martin Scorsese to make NEW YORK, NEW YORK. This was Lupino’s third film with director Walsh, and, despite the high heels and form-fitting lamé gowns, Ida is every bit as tough as she was in THEY DRIVE BY NIGHT and HIGH SIERRA, her first two films with Walsh. Featuring an array of classic songs, including “Why Was I Born?” and the Gershwin melody “The Man I Love,” Lupino’s singing voice for the film was dubbed by American contralto Peg La Centra, wife of actor Paul Stewart, a NOIR CITY favorite.

FORMAT: 35mm

**NORA PRENTISS, 1947, Dir. Vincent Sherman, 111 Mins, Warner Bros., USA**

Originally released February 21, 1947

San Francisco physician Richard Talbot (Kent Smith) falls hard for nightclub singer Nora Prentiss (Ann Sheridan), but she cuts off their budding romance when she learns the smitten sawbones is married. Not to be deterred, the doc devises an outlandishly noirish scheme to reunite with Nora under a new identity. Need we say that tragic consequences ensue? This pitch-black melodrama was tailored by Warner Bros. for oft-suspended star Sheridan, the studio’s “Oomph Girl,” who had turned down the lead role in 1945’s MILDRED PIERCE allowing Joan Crawford to snag an Oscar and a career comeback. Sold as a romantic “woman’s picture,” the film is really focused on the doctor’s terminal case of *amour fou*, which spirals into one of the darkest and most daring plot twists in the genre. Director Vincent Sherman elicits career-best performances from both Smith and Sheridan, while the quintessentially noir tone is supplied by legendary DP James Wong Howe. A neglected classic!

FORMAT: DCP

Live musical performance by singer Elizabeth Bougerol and the Nick Rossi Trio Introductions by Eddie Muller, Alan K. Rode and Elizabeth Bougerol ‘NOIR CITY: Hollywood 2026’

THE MAN I LOVE / NORA PRENTISS

Marking the 90th anniversary of the outbreak of the Spanish Civil War (1936–1939), Silvia Ribelles de la Vega, a scholar and historian at The Packard Humanities Institute, presents a program featuring seldom-seen views of the war, drawn from the Hearst Metrotone News collection.

The preservation of and access to the collection have been made possible only through the incredible efforts of The Packard Humanities Institute, in collaboration with the UCLA Film & Television Archive, to expand access to one of the most significant newsreel archives of the 20th century. This collection of 27 million feet of newsreels includes approximately 288 reels of film related to the Spanish Civil War.

At the time, newsreels — short-form, theatrically exhibited news stories — were often the only moving image records of unfolding events available to international audiences. Hearst cameramen covered the conflict extensively and, remarkably, filmed from both sides of the war. Ribelles’ presentation will move chronologically from 1936 to 1939 and feature not only edited newsreels but also selections from longer, previously unseen footage.

Describing the Hearst Metrotone News collection as “a gem for any researcher,” Ribelles highlights the opportunities this newly accessible material offers to scholars and history enthusiasts alike. Drawing on production records, maps and related archival documents, she will examine how the newsreels were filmed, edited and circulated, and how studying them today can surface overlooked histories and reshape our understanding of the Spanish Civil War.

90 years after a conflict that tore a nation apart, these newsreels stand as vital audiovisual evidence and as a testament to the enduring impact of making archival collections accessible to all.

The Archive is grateful to The Packard Humanities Institute (PHI) for its role as the driving force in the project to share the Hearst Metrotone News Collection for research, study and public access. To explore more than 20,000 news stories preserved and made accessible by PHI, including unedited materials featured in this program, [visit newsreels.net](https://newsreels.net/).

The Hearst Metrotone News Collection and the Spanish Civil War

GAG! returns to Heavy Manners for another iteration of their screening series. GAG! Presents... VIDEO3. As a way to highlight video artists and blur the line between video art and cinema, GAG! brings together a select group of artists and filmmakers to screen pieces that are intended for the exhibition space. Simultaneously, VIDEO3 reimagines films intended for theaters within the context of video art. This screening allows audiences to approach these practices in a new light. Fine art [+](https://www.eventbrite.com/e/gag-presents-video3-tickets-1985030046304?aff=oddtdtcreator&keep_tld=true) film = VIDEO3 ◡̈

*GAG! is an interdisciplinary art collective based in Los Angeles. GAG! (Gallery Attendants&#x27; Gallery) seeks to make us play, disrupt, react, and respond to the contemporary art world.*

GAG! presents VIDEO3

**Screenwriter:** Norio Osada

**Producer:** Kikumaru Okuda

Gory revenge is raised to the level of visual poetry in Toshiya Fujita’s stunning *Lady Snowblood.* A major inspiration for Quentin Tarantino’s *Kill Bill* saga, this endlessly inventive film, set in late nineteenth-century Japan, charts the single-minded path of vengeance taken by a young woman (Meiko Kaji) whose parents were the unfortunate victims of a gang of brutal criminals. Fujita creates a wildly entertaining action film of remarkable craft, an effortless balancing act between beauty and violence.

**Picks from the Video Store**

Meiko Kaji is one of the most elegantly bad-ass ladies of cinema, check out her section in Martial Arts for more kick-ass gems!

*Delinquent Girl Boss, Female Prisoner 701: Scorpion, Blind Woman&#8217;s Curse*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Lady Snowblood

**Screenwriters**: Walter Tevis,  Richard Price

**Producers**: Irving Axelrod,  Barbara De Fina

Scorsese, Newman, and Cruise hit the pool hall for this sequel to *The Hustler &#8211; *25 years on &#8211; with incredible cinematography from the legendary Michael Ballhaus and a killer soundtrack from Robbie Robertson of *The Band*. &#8220;Fast Eddie&#8221; Felson (Paul Newman reprising his Oscar-winning role) is back on the beat &#8211; after years of laying low, he&#8217;s ready to get back in the pool hall and start hustling again, this time with a young protegé Vincent Lauria (Tom Cruise). When the two part ways over Lauria&#8217;s flashy, showboating ways, they are destined to come face to face in a game of winner take all! So grab your pool cues and get ready to win with *The Hustler* all over again!

**Picks from the Video Store**

Bring home more Paul Newman tonight with these classics on physical media!

*The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Rachel, Rachel, Sometimes a Great Notion*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Color of Money

**Screenwriters**: Michael Almereyda,  Courtney Stephens

**Producers**: Taylor Hess,  Jesse Miller,  Michael Almereyda,  Courtney Stephens

Filmmaker **Courtney Stephens** in person Saturday!

The daring experimenter Dr. John C. Lilly dedicated his life to radical self-investigation and unlocking the mysteries of consciousness and communication. “My body is my laboratory” was the motto, and his research on the language of dolphins and whales – as well as psychedelics and sensory deprivation – assured his own cult status in 20th-century pop culture as the basis for Ken Russel’s Altered States and Mike Nichols’s The Day of the Dolphin. 

Directors Michael Almareyda and Courtney Stephens, along with narrator Chloë Sevigny, explore the life of a determined scientist and his experiments into the psychonautical unknown.

“An illuminating work of cultural archaeology”

&#8220;*Earth Coincidence* paints Lilly as a 20th-century polymath, a one-of-a-kind maverick&#8220;

—THE FILM STAGE

Monday, 3/23

Aero Theatre

TWO PROSECUTORS

7:30 PM

⭐

Gardena Cinema

MISSION: IMPOSSIBLE 2 (2000)(PG-13)(Mon 3/23) 8:00 pm By BIG BAD FILM FEST

8:00 PM

⭐

Los Feliz Theatre

Cinematic Void Presents LITTLE SHOP OF HORRORS

7:00 PM

⭐

TRUE CONFESSIONS

10:00 PM

⭐