### **ABOUT THE FILMS:**

**YES, 2026, Dir. Nadav Lapid, 150 Mins, Kino Lorber, France/Israel/Cyprus/Germany**

*In Hebrew, English and Russian with English subtitles.*

One of international cinema’s most fearless and provocative filmmakers, Nadav Lapid has long been an outspoken critic of his birth country’s government policies, channeling a lifetime of fury and frustration into vital films like SYNONYMS and AHED’S KNEE that brim with righteous anger, spite and shame. In YES, Lapid once again takes vigorous critical aim at the Israeli government with a new approach: submission. In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel’s social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing, ruthless new national anthem. Feverishly whirling between moments of satire, sincerity and complete submission, YES is a visceral, blistering indictment of modern Israel, and an essential addition to post-October 7 cinema.

FORMAT: DCP

**POLICEMAN, 2011, Dir. Nadav Lapid, 105 Mins, Laila Films, Israel**

*In Hebrew with English subtitles.*

Yaron, an elite special operations squad leader, is the spiritual leader and alpha male among his peers, a small, highly trained team that is part of the Israeli Defense Ministry’s Anti-Terrorism unit. Like a band of brothers, these men work, play, laugh, and cry together. They are true patriots; they love their country, their families, and each other. Yaron is ambitious and energetic, but a cyclone of emotions consumes him. His wife is expecting their first child, and the failing health of a team member weighs on his soul as the men contend with an unforgivable accident resulting from a miscalculation during a recent rescue mission, and the price that must be paid as a result of this.

FORMAT: DCP

Q&A with filmmaker Nadav Lapid Advance Screening ‘Nadav Lapid: An American Cinematheque Retrospective‘

YES / POLICEMAN

Aero Theatre

After receiving an anonymous letter about a missing 12-year-old girl, devoutly Christian Police Sergeant Neil Howie (Edward Woodward) travels by seaplane to a remote Scottish island to investigate. But the islanders welcome neither his badge nor religious devotion, for Lord Summerisle (Christopher Lee) and his devoted followers worship only the pagan gods of old - and those gods demand a sacrifice. Howie fears for the missing girl's life and follows every possible lead to find her - despite the islanders' interference - before she becomes a human sacrificial lamb.

The Wicker Man

When the Davison family comes under attack during their wedding anniversary getaway, the gang of mysterious killers soon learns that one of the victims harbors a secret talent for fighting back.

You're Next

Egyptian Theatre

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

A bratty 10-year-old boy is obsessed with visiting a dinosaur-themed amusement park is supervised by his uptight uncle for a week.

CLIFFORD (1994)(PG) Sat 3/28: 2pm 4pm Sun 3/29: 3pm 5pm 7pm Mon 3/30: 11:30

Follows the lives of the cousins who inherit an old house in rural Normandy and retrace their steps of their ancestors in 19th century Paris

COLOURS OF TIME (2025)(Mon 3/30) 2pm & 7pm

Gardena Cinema

### **ABOUT THE FILM:**

In this cult classic, sweethearts Brad (Barry Bostwick) and Janet (Susan Sarandon), stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter (Tim Curry), a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker (Meat Loaf) and a creepy butler (Richard O’Brien). Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.”

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: UK/USA

Introduction by actor and fitness instructor Angie Shriner ‘Cinematic Void’

Cinematic Void Presents THE ROCKY HORROR PICTURE SHOW

### **ABOUT THE EPISODES:**

**Season 2, Episode 4, “Laura’s Secret Diary,” Dir. Todd Holland, 46 Mins**

Agent Cooper gets a strange request to save a life.

FORMAT: DCP

**Season 2, Episode 5, “The Orchids Curse,” Dir. Graeme Clifford, 47 Mins**

Agent Cooper and Truman lead a raid on One-Eyed Jacks.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Laura’s Secret Diary” and “The Orchids Curse” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 4 & 5

Los Feliz Theatre

Last Tango in Paris

New Beverly Cinema

**Screenwriters**: Dudley Nichols, Hagar Wilde

**Producer**: Howard Hawks

One of the most hilarious films of all time, this classic screwball comedy from Howard Hawks starring screen icons Katharine Hepburn and Cary Grant will leave you growling for more! David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby. Leave your wildcats at home, but run to the theater to laugh your tail off!

**Movie Den** is a community initiative presented by Vidiots Foundation.

For this screening, please enter through the lobby doors. All tickets come with a free small popcorn. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

Bringing Up Baby

Vidiots

Project Hail Mary 70mm

Vista Theatre

Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.

Carrie

Rosemary (Mia Farrow) and Guy (John Cassavetes) are a young couple living in a New York apartment building who are delighted by the news that Rosemary is pregnant. But strange physical changes, bizarre cravings, and the increasingly suspicious behavior of her husband and neighbors cannot begin to prepare her for the horrific truth about her baby. 

Rosemary's Baby

Finding himself down and out in Los Angeles, ex-porn star Mikey Saber decides to crawl back to his hometown of Texas City, Texas, where his estranged wife and mother-in-law are living. Just as this dysfunctional family seems to be making things work, Mikey meets a young woman named Strawberry working the cash register at a local doughnut shop. He falls right back into his old habits.

Red Rocket

### **ABOUT THE EPISODES:**

**Season 2, Episode 6, “Demons,” Dir. Lesli Linka Glatter, 47 Mins**

Donna tries to convince Truman that Harold Smith has Laura’s secret diary.

FORMAT: DCP

**Season 2, Episode 7, “Lonely Souls,” Dir. David Lynch, 47 Mins**

Cooper and the One-Armed Man inspect guests at the Great Northern.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Demons” and “Lonely Souls” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 6 & 7

### **ABOUT THE FILM:**

*In Hebrew with English subtitles.*

Nadav Lapid’s THE KINDERGARTEN TEACHER is the story of a teacher who becomes at first enchanted, and then ultimately consumed by the poetic genius of her five-year-old student. As the titular protagonist, Nira, discovers that her young student, Yoav, has an otherworldly talent for language and poetry, she slowly and progressively becomes interested in cultivating the boy’s gift. But when fascination morphs into obsession, Nira pushes the boundaries of her relationship with the boy and his family in an attempt to protect his talent before he passes from boyhood to adolescence, and his purity is lost.

FORMAT: DCP

DISTRIBUTOR: Kino Lorber

COUNTRY: Israel/France

Q&A with filmmaker Nadav Lapid ‘Nadav Lapid: An American Cinematheque Retrospective’

THE KINDERGARTEN TEACHER

**Screenwriter**: Sean Wang

**Producers**: Carlos López Estrada,  Josh Peters,  Valerie Bush,  Sean Wang

With a special introduction from writer/director/producer **Sean Wang**!

On the cusp of high school, Chris Wang, a.k.a Wang Wang, is spending an aimless summer in his quiet Northern California hometown of Fremont. His mom, Chungsing, is the only person who sees and loves Dìdi (the affectionate term in Mandarin meaning “little brother”) for who he really is. Chris can’t stand it when she looks at him with the loving gaze of an immigrant mother whose greatest pride and most animated dreams rest in her child. He’s too busy watching skate videos on YouTube and scouring the Myspace page of his crush, Madi. When Chris, wielding the power of a well-deployed Paramore t-shirt and A Walk to Remember reference, finds a way to get close to Madi, he suddenly seems to be figuring things out.

But Dìdi (弟弟) isn’t the story of a teenage boy getting the girl. In Sean Wang’s telling, Chris doesn’t exactly come of age as much as trip and stumble his way through an endless teenage summer — and perhaps find a way to log off AIM and see his mother for the first time.

**Movie Den** is a community initiative presented by Vidiots Foundation.****

All tickets come with a free small popcorn. Please enter through the video store. Doors will open 45 minutes before showtime.

If online tickets are no longer available HAVE NO FEAR, we will ALWAYS have walk-ups available starting 45 minutes before showtime (which give you plenty of time for free popcorn and a browse of the video store)!

This series was designed for audience members 12 and up, please note some films may contain more mature content than others. We encourage parents, caretakers, and guardians to explore the program and titles prior to ticket purchases. We will include MPAA ratings for all films in this series. Parental discretion is advised.

Dìdi (弟弟)

**Screenwriter**: Harry Lighton

**Producers**: Lee Groombridge,  Ed Guiney,  Andrew Lowe,  Emma Norton

Come for Alexander Skarsgård as a leather daddy, stay for the romance, laughter, and humanism of Harry Lighton&#8217;s sweet and kinky dom com! Colin, a timid man is swept off his feet when Ray, an enigmatic, impossibly handsome biker takes him on as his submissive. It&#8217;s got all the biker orgies and back alley b.j.s you would hope for, but it&#8217;s also truly a wonderfully universal triumph of warmth and humor for anyone &#8211; not just those in the kink community.

Pillion

**Screenwriters**: Ted Allan,  John Cassavetes

**Producers**: Yoram Globus,  Menahem Golan

The electric filmmaking genius John Cassavetes and his brilliant wife and collaborator Gena Rowlands give luminous, fragile performances as two closely bound, emotionally wounded souls who reunite after years apart. Exhilarating and risky, mixing sober realism with surreal flourishes, *Love Streams* is a remarkable film that comes at the viewer in a torrent of beautiful, erratic feeling. This inquiry into the nature of love in all its forms was Cassavetes’s last truly personal work.

**Picks from the Video Store**

Bring home more Gena Rowlands treasures tonight on DVD and Blu-ray!

*The Neon Bible, Columbo: Playback (S4 D3), Hysterical Blindness*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Love Streams

Ghosts on The Loose

### **ABOUT THE FILMS: **

**REPAST, 1951, Dir. Mikio Naruse, 93 Mins, Janus Films, Japan**

*In Japanese with English subtitles.*

Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.

FORMAT: 35mm

**LIGHTNING, 1952, Dir. Mikio Naruse, 87 Mins, Kadokawa, Japan**

*In Japanese with English subtitles.*

Facing pressures to marry and having witnessed her two sisters’ own marital struggles, sightseeing bus guide Kiyoko (Hideko Takamine) strives for her own solitary independence, resisting suitors and openly expressing a disdain for men. Through a family of four siblings, each from different fathers, Naruse explores the suffocating family life of Kiyoko’s *shitamachi* household and its surroundings. LIGHTNING is a buildup of vignettes, events and occurrences, as Kiyo experiences the world around her—misfortune, family tragedy, interpersonal quarrels and the vulgarities of men—trying to make sense of a modern existence where the promise of happiness still comes second for women.

FORMAT: 35mm

35mm prints courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

REPAST / LIGHTNING

PHANTASMAGORIA presents Sky Hopinka’s short experimental film FAINTING SPELLS (2018) alongside Colombian feature film EMBRACE OF THE SERPENT (2015).

Myth, knowledge, and sacred indigenous plants are at the center of these two films. In each film, the landscape and its flora is at once sublime and fragile. For his dreamlike abstract short FAINTING SPELLS, filmmaker Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians) creates an origin myth poem for the medicinal flowering plant Xąwįska, also known as the Indian pipe plant or the ghost flower, traditionally used to revive those who have fainted. In Ciro Guerra’s feature film EMBRACE OF THE SERPENT, Amazonian shaman Karamakate encounters two different Western scientists (at two different stages of his life), each seeking the sacred hallucinogenic Yakruna plant. Through poetic storytelling and hypnotic imagery, both films examine themes of cultural identity, loss, and reconnection to the spiritual world in the face of colonialism and destruction.

### EMBRACE OF THE SERPENT

At once blistering and poetic, the ravages of colonialism cast a dark shadow over the South American landscape in EMBRACE OF THE SERPENT, the third feature by Ciro Guerra. Filmed in stunning black-and-white, SERPENT centers on Karamakate, an Amazonian shaman and the last survivor of his people, and the two scientists who, over the course of 40 years, build a friendship with him. The film was inspired by the real-life journals of two explorers (Theodor Koch-Grünberg and Richard Evans Schultes) who traveled through the Colombian Amazon during the last century in search of the sacred and difficult-to-find psychedelic Yakruna plant.

### FAINTING SPELLS

*Director:* Sky Hopinka

*Run Time:* 11 mins

*Format:* DCP

*Release Year:* 2018

Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska, or the Indian Pipe Plant &#8211; used by the Ho-Chunk to revive those who have fainted.

EMBRACE OF THE SERPENT + FAINTING SPELLS

Brain Dead Studios


Meet Jack Foley, the most successful bank robber in the country. On the day he busts out of jail, he finds himself stealing something far more precious than money ... Karen Sisco's heart. She's smart. She's sexy, and unfortunately for Jack, she's a Federal Marshal. Now, they're willing to risk it all to find out if there's more between them than just the law.

Out of Sight

In this seven-time Oscar®-nominated film, things go terribly awry when small-time Minnesota car salesman Jerry Lundegaard (William H. Macy) hires two thugs (Steve Buscemi and Peter Stormare) to kidnap his wife so he can collect the ransom from his wealthy father-in-law. Once people start dying, the very chipper and very pregnant Police Chief Marge Gunderson (Frances McDormand, who won an Oscar® for her performance) takes the case. Is she up for this challenge? You betcha.

Fargo

### **ABOUT THE EPISODES:**

**Season 2, Episode 8, “****Drive With A Dead Girl,” Dir. Caleb Deschanel, 47 Mins**

The One-Armed Man escapes custody.

FORMAT: DCP

**Season 2, Episode 9, “Arbitrary Law,” Dir. Tim Hunter, 46 Mins**

Cooper tricks the killer into revealing himself.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Drive With A Dead Girl” and “Arbitrary Law” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 8 & 9

The Old Fashioned Way / Misbehaving Ladies

**Writer**: John Early

**Producers**: Harris Mayersohn, Luca Intili, John Early**
Los Angeles Premiere! Q+A with **Kate Berlant, Vanessa Bayer, Pat Regan, Claudia O&#8217;Doherty**, and more TBD

The prodigiously talented comedian and actor John Early deftly balances all-out satire and tender melodrama in his feature directorial debut, with an infectious love of film artifice that owes as much to Douglas Sirk as *But I’m A Cheerleader. *Early embodies Maddie, a bright-eyed dishwasher at a trendy culinary company who is unexpectedly promoted as one of their content creators. But the flashy new role comes at a cost, pulling her long suppressed eating disorder back to the center of her life. Moving with the spirit of a campy made-for-TV movie, the film pairs sharp parody with genuine feeling, allowing moments of real sincerity to emerge beneath its bold, stylized surface. -AB

**[Los Angeles Festival of Movies](https://lafestivalofmovies.org)**

Los Angeles Festival of Movies (LAFM) presented by **[Kino Film Collection](https://kinofilmcollection.com/)** and [**Mezzanine**](https://www.mezzaninefilm.com/) is a curated annual film festival in Los Angeles, showcasing new independent and restoration premieres to a local audience.

Now in its third year, the festival redefines Los Angeles as a destination for independent film. LAFM has curated a selection of high profile narrative and documentary film premieres; talks with local artists, luminaries, and thought leaders; and parties each night, across four east side LA venues.

LAFM Opening Night – Maddie’s Secret

**Screenwriters**: Aidan Zamiri, Bertie Brandes from an original idea by Charli xcx

**Producers**: David Hinojosa,  Charli xcx

The microcinema is getting pumped for a Brat Spring with Charli xcx&#8217;s self-parodying mockumentary *The Moment*. A rising pop sensation navigates fame and industry pressures while preparing for her arena tour debut, revealing the transformation of underground culture into mainstream success.

The Moment

The Drama

Mr. Washington Goes to Town/Lucky Ghost

LA Festival of Movies presents *With Hasan in Gaza*, by director Kamal Aljafari. 108 minutes, Palestine, 2025.

Three MiniDV tapes of life in Gaza from 2001 were recently rediscovered. This footage is now a testament to a place and time that no longer exists.

LA Festival of Movies: With Hasan in Gaza

LA Festival of Movies presents *After Dreaming*, by director Christine Haroutounian. 105 minutes, Armenia/USA/Mexico, 2025.

North American Premiere. Co-presented by the Armenian Film Society. Q&A with writer/director Christine Haroutounian.

∆

*Armenia, before peace yet after war. A soldier is asked to take a girl on a road trip to keep her father's death a secret from her.*

The debut feature by Armenian-American filmmaker Christine Haroutounian is a marvel of transcendental style, a trance-inducing portrait of contemporary Armenia that evokes the the elliptical and hallucinatory films of Claire Denis and Carlos Reygadas (an executive producer) while defiantly creating its own grammar. In the aftermath of an unnamed war, a soldier (Davit Beybutyan) is sent by a family to take their daughter (Veronika Poghosyan) under his wing, while withholding the news that her father has been mistakenly killed. Traveling on the road, the couple are intimately drawn to each other as they drift through the war-torn landscape. Never resorting to easy metaphors, Haroutounian's film feels both intuitive and ritualistic in the depiction of a culture, culminating in a mesmerizing extended wedding sequence that is a work of pure cinema. -MG

In Armenian with English subtitles.

Prior Screenings: 2025 Berlin International Film Festival (Forum)

LA Festival of Movies: After Dreaming

The LA Festival of Movies arrives in its third year, with many screenigns and events across three days at 2220 Arts. Full lineup, festival pass details and ticket prices to be announced in early 2026.

LA Festival of Movies 2026

LA Festival of Movies presents *In the Glow of Darkness*, by director Tucker Bennett. 80 minutes, USA, 2025.

West Coast Premiere.

Intersecting stories unfold in the cyberpunk city of San Zokyo, where a young hacker takes on the corporation behind Meme, a drug that mines users' psyches to deliver personalized psychedelic trips and hyper-targeted ads.

LA Festival of Movies: In the Glow of Darkness

2220 Arts + Archives

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Trio

7:00pm | Live musical performance by singer Elizabeth Bougerol

7:05pm | Introduction by Eddie Muller and Elizabeth Bougerol

7:15pm | **THE MAN I LOVE**

8:51pm | Intermission

9:01pm | Introduction by Alan K. Rode

9:11pm | **NORA PRENTISS**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**THE MAN I LOVE, 1947, Dir. Raoul Walsh, 96 Mins, Park Circus, USA**

Originally released January 11, 1947

As flinty chanteuse Petey Brown, Ida Lupino is at the apex of her big-screen glamour, offering a radiantly romantic vision of the post-WWII American woman—able to settle everyone’s hash but her own. A coast-to-coast road trip through a world of atmospheric nightclubs, tenements, and backlot streets, this majestic melodrama is part noir, part soap opera, and pure Hollywood magic. Reportedly, the film’s mix of music, romance, and noir inspired Martin Scorsese to make NEW YORK, NEW YORK. This was Lupino’s third film with director Walsh, and, despite the high heels and form-fitting lamé gowns, Ida is every bit as tough as she was in THEY DRIVE BY NIGHT and HIGH SIERRA, her first two films with Walsh. Featuring an array of classic songs, including “Why Was I Born?” and the Gershwin melody “The Man I Love,” Lupino’s singing voice for the film was dubbed by American contralto Peg La Centra, wife of actor Paul Stewart, a NOIR CITY favorite.

FORMAT: 35mm

**NORA PRENTISS, 1947, Dir. Vincent Sherman, 111 Mins, Warner Bros., USA**

Originally released February 21, 1947

San Francisco physician Richard Talbot (Kent Smith) falls hard for nightclub singer Nora Prentiss (Ann Sheridan), but she cuts off their budding romance when she learns the smitten sawbones is married. Not to be deterred, the doc devises an outlandishly noirish scheme to reunite with Nora under a new identity. Need we say that tragic consequences ensue? This pitch-black melodrama was tailored by Warner Bros. for oft-suspended star Sheridan, the studio’s “Oomph Girl,” who had turned down the lead role in 1945’s MILDRED PIERCE allowing Joan Crawford to snag an Oscar and a career comeback. Sold as a romantic “woman’s picture,” the film is really focused on the doctor’s terminal case of *amour fou*, which spirals into one of the darkest and most daring plot twists in the genre. Director Vincent Sherman elicits career-best performances from both Smith and Sheridan, while the quintessentially noir tone is supplied by legendary DP James Wong Howe. A neglected classic!

FORMAT: DCP

Live musical performance by singer Elizabeth Bougerol and the Nick Rossi Trio Introductions by Eddie Muller, Alan K. Rode and Elizabeth Bougerol ‘NOIR CITY: Hollywood 2026’

THE MAN I LOVE / NORA PRENTISS

Marking the 90th anniversary of the outbreak of the Spanish Civil War (1936–1939), Silvia Ribelles de la Vega, a scholar and historian at The Packard Humanities Institute, presents a program featuring seldom-seen views of the war, drawn from the Hearst Metrotone News collection.

The preservation of and access to the collection have been made possible only through the incredible efforts of The Packard Humanities Institute, in collaboration with the UCLA Film & Television Archive, to expand access to one of the most significant newsreel archives of the 20th century. This collection of 27 million feet of newsreels includes approximately 288 reels of film related to the Spanish Civil War.

At the time, newsreels — short-form, theatrically exhibited news stories — were often the only moving image records of unfolding events available to international audiences. Hearst cameramen covered the conflict extensively and, remarkably, filmed from both sides of the war. Ribelles’ presentation will move chronologically from 1936 to 1939 and feature not only edited newsreels but also selections from longer, previously unseen footage.

Describing the Hearst Metrotone News collection as “a gem for any researcher,” Ribelles highlights the opportunities this newly accessible material offers to scholars and history enthusiasts alike. Drawing on production records, maps and related archival documents, she will examine how the newsreels were filmed, edited and circulated, and how studying them today can surface overlooked histories and reshape our understanding of the Spanish Civil War.

90 years after a conflict that tore a nation apart, these newsreels stand as vital audiovisual evidence and as a testament to the enduring impact of making archival collections accessible to all.

The Archive is grateful to The Packard Humanities Institute (PHI) for its role as the driving force in the project to share the Hearst Metrotone News Collection for research, study and public access. To explore more than 20,000 news stories preserved and made accessible by PHI, including unedited materials featured in this program, [visit newsreels.net](https://newsreels.net/).

On Saturday, April 11, join our partners at the Instituto Cervantes Los Ángeles for an [afternoon of Spanish cinema](https://cultura.cervantes.es/losangeles/en-US/espagne-1936/188844), featuring *Espagne 1936 *(also known as *Espagne 1937* or *Loyal Spain Under Arms*), a seminal documentary about the Spanish Civil War, recently restored by Mexican film restorer and colorist Benjamín Fernández. Introduction by Spanish film historian Silvia Ribelles.

The Hearst Metrotone News Collection and the Spanish Civil War

Hammer Museum

GAG! returns to Heavy Manners for another iteration of their screening series. GAG! Presents... VIDEO3. As a way to highlight video artists and blur the line between video art and cinema, GAG! brings together a select group of artists and filmmakers to screen pieces that are intended for the exhibition space. Simultaneously, VIDEO3 reimagines films intended for theaters within the context of video art. This screening allows audiences to approach these practices in a new light. Fine art [+](https://www.eventbrite.com/e/gag-presents-video3-tickets-1985030046304?aff=oddtdtcreator&keep_tld=true) film = VIDEO3 ◡̈

*GAG! is an interdisciplinary art collective based in Los Angeles. GAG! (Gallery Attendants&#x27; Gallery) seeks to make us play, disrupt, react, and respond to the contemporary art world.*

GAG! presents VIDEO3

Heavy Manners Library

Reservoir Dogs

**Screenwriters**: Walter Tevis,  Richard Price

**Producers**: Irving Axelrod,  Barbara De Fina

Scorsese, Newman, and Cruise hit the pool hall for this sequel to *The Hustler &#8211; *25 years on &#8211; with incredible cinematography from the legendary Michael Ballhaus and a killer soundtrack from Robbie Robertson of *The Band*. &#8220;Fast Eddie&#8221; Felson (Paul Newman reprising his Oscar-winning role) is back on the beat &#8211; after years of laying low, he&#8217;s ready to get back in the pool hall and start hustling again, this time with a young protegé Vincent Lauria (Tom Cruise). When the two part ways over Lauria&#8217;s flashy, showboating ways, they are destined to come face to face in a game of winner take all! So grab your pool cues and get ready to win with *The Hustler* all over again!

**Picks from the Video Store**

Bring home more Paul Newman tonight with these classics on physical media!

*The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Rachel, Rachel, Sometimes a Great Notion*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Color of Money

**Screenwriter:** Norio Osada

**Producer:** Kikumaru Okuda

Gory revenge is raised to the level of visual poetry in Toshiya Fujita’s stunning *Lady Snowblood.* A major inspiration for Quentin Tarantino’s *Kill Bill* saga, this endlessly inventive film, set in late nineteenth-century Japan, charts the single-minded path of vengeance taken by a young woman (Meiko Kaji) whose parents were the unfortunate victims of a gang of brutal criminals. Fujita creates a wildly entertaining action film of remarkable craft, an effortless balancing act between beauty and violence.

**Picks from the Video Store**

Meiko Kaji is one of the most elegantly bad-ass ladies of cinema, check out her section in Martial Arts for more kick-ass gems!

*Delinquent Girl Boss, Female Prisoner 701: Scorpion, Blind Woman&#8217;s Curse*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Lady Snowblood

**Screenwriters**: Michael Almereyda,  Courtney Stephens

**Producers**: Taylor Hess,  Jesse Miller,  Michael Almereyda,  Courtney Stephens

Filmmaker **Courtney Stephens** in person Saturday &#8211; with a Q+A after the 4:30pm show and an introduction before the 7:30pm show!

The daring experimenter Dr. John C. Lilly dedicated his life to radical self-investigation and unlocking the mysteries of consciousness and communication. “My body is my laboratory” was the motto, and his research on the language of dolphins and whales – as well as psychedelics and sensory deprivation – assured his own cult status in 20th-century pop culture as the basis for Ken Russell’s *Altered States* and Mike Nichols’s *The Day of the Dolphin*. 

Directors Michael Almereyda and Courtney Stephens, along with narrator Chloë Sevigny, explore the life of a determined scientist and his experiments into the psychonautical unknown.

“An illuminating work of cultural archaeology”

&#8220;*Earth Coincidence* paints Lilly as a 20th-century polymath, a one-of-a-kind maverick&#8220;

—THE FILM STAGE

John Lilly and the Earth Coincidence Control Office

**Screenwriters**: Trey Parker, Matt Stone, Pam Brady

**Producers**: Trey Parker, Matt Stone

In this feature film based on the hit animated series, the third-graders of South Park sneak into an R-rated film by ultra-vulgar Canadian television personalities Terrance (Matt Stone) and Phillip (Trey Parker), and emerge with expanded vocabularies that leave their parents and teachers scandalized. When outraged Americans try to censor the film, the controversy becomes a call to war with Canada, and Terrance and Phillip end up on death row &#8212; with only the kids left to save them.

South Park: Bigger, Longer & Uncut

**Screenwriters**: Parker Bennett, Ed Solomon, Terry Runte

**Producers**: Jake Eberts,  Roland Joffé

Grab the controller for your Super Nintendo and get ready to get weird in this bizarro tale of two plumbers on a quest to save the world from projectile-throwing 8bit dinosaurs! It&#8217;s not a game anymore as Mario and Luigi, plumbers from Brooklyn, find themselves in an alternate universe where evolved dinosaurs live in hi-tech squalor. Now these mustached blue-collar heroes are the only hope to save our universe from invasion by the dino dictator, Koopa (Dennis m*therf$&ing Hopper!).

**Picks from the Video Store**

We&#8217;ve got a whole section devoted to video game adaptations! Take home these bangers tonight!

*Mortal Kombat, Street Fighter, Tekken*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Super Mario Bros.

Phantom Killer/Blonde Comet

Car Wash

LA Festival of Movies presents *Shades of Silk (Ombres de soie)*, by director Mary Stephen. 62 minutes, France/Canada, 1978. West Coast Premiere of the new 4K restoration.

Preceded by *Dreams of Passion* by Aarin Burch. 4 min. USA, 1989/2026.

∆

*Ombres de soie (Shades of Silk)* is a film of mood and memory; two Chinese women, who had been friends in school, are caught between a longing for social stability and something much more fulfilling but frightening and vague in their relationship. A large part of the action takes place in the Shanghai of 1935 although the film was shot entirely on location in Paris.

*Dreams of Passion* is a sensual exploration of the essence of self and of the intimacy of desire between two Black women as communicated through movement, dance, and imagination.

LA Festival of Movies: Shades of Silk (Ombres de soie)

LA Festival of Movies presents *Isaiah’s Phone*, by director Frédéric Da. 70 minutes, USA, 2025.

Los Angeles Premiere. Q&A with director Frédéric Da, moderated by filmmaker Tyler Taormina.

∆

*A socially awkward high school student films himself as he blunders through attempts to make friends, spiraling into a dark place where his only close relationship is with his phone.*

An utterly contemporary L.A. high school movie, Frédéric Da's defiantly handcrafted sophomore feature—shot entirely on an iPhone—is a disarmingly authentic, slippery and devastating portrait of teenage angst. Made with an impressive array of nonprofessional actors and shot on location at a campus in Los Angeles, the film follows Isaiah (Isaiah Brody) who films himself on an iPhone as he experiences the daily indignities of being in high school. With the feel of a raw found-footage documentary, the rigor of its conceptual gambit makes it a mesmerizing experience, and a marvel of resourceful filmmaking. -MG

*Please note: this film contains disturbing images of teen violence. Viewer discretion is advised.*

LA Festival of Movies: Isaiah’s Phone

LA Festival of Movies presents *Selegna sol*, by director Anouk Moyaux. 50 minutes, France, 2025.

West Coast Premiere. Co-presented by El Cine.

∆

After several years' absence, Gibran, a 37-year-old Mexican-American, returns to Los Angeles with the goal of saving up to purchase land in Tecate, the village where he was born in Mexico. As he organizes his departure, he rediscovers the emotional and historical ties that bind him to the United States.

LA Festival of Movies: Selegna sol

LA Festival of Movies presents *Drinking and Driving*, by directors Avalon Fast and Jillian Frank. 106 minutes, Canada, 2026.

World Premiere!

∆

Early twenties Iris (Jillian Frank) and Palmer (Avalon Fast) never left their hometown. They work at the same restaurant, share the same bed, and both have a habit of drinking and driving. They run into Levi (Ethan Hawksworth), a guy they used to know. They spend time with him and his cousin, Phoenix (Henri Gillespi), in cars, backyards, and other people's bedrooms. When Levi shares a dream he had with Iris things change between the four of them. The reality of the summer becomes faded, the parties die. The four end in a field of unified confusion.

LA Festival of Movies: Drinking and Driving

For LAFM's first-ever L.A.-based filmmaker narrative shorts program, we’ve invited the fearless local screening series Presidium Overactive to present a series of adventurous premieres: films that take a variety of cockeyed perspectives on shattered dreams, seductive cults, and the nagging sensation of self-doubt.

Six short films, all Los Angeles, West Coast or World premieres.

∆

*Code Rouge* (dir. Alex Pabaricus, China/France/USA | 26m)

A Chinese bodybuilder's spiritual crisis takes a surreal turn when his imaginary best friend, Arnold Schwarzenegger, takes him on a journey toward self-acceptance. West Coast premiere.

~

*Going Sane* (dir. Joey Izzo, USA | 15m)

A 1970s Los Angeles therapy collective rises with utopian promise before devolving into a business-minded cult built on control and abuse. Los Angeles premiere.

~

*Hollis* (dir. Conor Scheinberg, USA | 12m)

After leaving New York City behind, Hollis checks into a quiet roadside motel where she meets Adam, a young male escort she's hired. As the night unfolds, Hollis guides Adam through an unsettling, intimate experiment that blurs emotional and psychological boundaries. But just as she returns to her routine, a sudden, senseless act of violence shatters the illusion of control she tried to reclaim. World premiere.

~

*Potato Potato* (dir. Josh Locy, USA | 14m)

When Cynthia writes a letter to the baby growing inside her about her hopes for their future, the baby writes back.. Los Angeles premiere.

~

*Shadow Daddy* (dir. Andrew Theodore Balasia, USA | 8m)

When a mysterious dream sparks an unexpected conversation, a boyfriend and girlfriend spiral into revealing the insecurities lurking beneath their relationship. World premiere.

~

*A Stable Marriage* (dir. Josephine Decker, USA | 8m)

A woman's sexual fantasy is fulfilled -- with surprising ramifications. Comment end. West Coast premiere.

LA Festival of Movies: PRESIDIUM OVERACTIVE (shorts program)

### **ABOUT THE FILM:**

11:00am | Doors open & Live musical performance by pianist Chris Dawson

12:00pm | Introduction by actor Elliott Gould and Eddie Muller

12:10pm | **THE LONG GOODBYE**

2:02pm | Q&A with actor Elliott Gould. Moderated by Eddie Muller.

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released March 7, 1973

Philip Marlowe wakes up from a twenty-year nap to find that Los Angeles has only gotten screwier in his absence. The private detective gets a postmodern update with THE LONG GOODBYE, a rambling adaptation of Raymond Chandler’s 1953 novel. There are some crucial changes made by screenwriter Leigh Brackett, but to get hung up on the machinations of the plot is to miss the point entirely. Sure, Marlowe wants to solve the case, but there are stretches where he seems more interested in cat-food brands or making sure the goons tailing him don’t get lost. The film is so committed to its irreverent worldview that you become invested in these tangents, too. Elliott Gould redefines “cool” as Marlowe, and director Robert Altman has so much fun playing with noir clichés that he works in over a dozen versions of the hardboiled theme song.

FORMAT: DCP

DISTRIBUTOR: Park Circus

COUNTRY: USA

Q&A with actor Elliott Gould. Moderated by Eddie Muller. Live musical performance by pianist Chris Dawson ‘NOIR CITY: Hollywood 2026’

THE LONG GOODBYE

### **ABOUT THE EVENT:**

3:00pm | Doors open & Live musical performance by pianist Chris Dawson

4:00pm | Introduction by Alan K. Rode

4:10pm | **SWEET SMELL OF SUCCESS**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released June 27, 1957

A box-office disaster upon original release, SWEET SMELL OF SUCCESS is now considered one of best films of the 1950s—as well as the definitive cinematic statement on the dangers of media corruption. Burt Lancaster seethes through a thinly-veiled portrait of powerful New York gossip columnist Walter Winchell as J.J. Hunsecker, and Tony Curtis gives perhaps his finest performance as the two-faced, sycophantic press agent Sidney Falco. Some of the most dyspeptic dialogue in screen history is spewed courtesy of writers Lehman and Odets, all complemented by James Wong Howe’s *cinéma vérité* camerawork and a brassy, propulsive score by Elmer Bernstein. Keep your eyes and ears open as put-upon jazz cat Martin Milner sits in with the legendary Chico Hamilton Quintet (Paul Horn, flute; Fred Katz, cello; John Pisano, guitar; Carson Smith, bass; Chico Hamilton, drums). Co-starring Susan Harrison, Emile Meyer, and Barbara Nichols (“What am I, a bowl of fruit? A tangerine that peels in a minute?”) J. J. Hunsecker said it best, “I love this dirty town!”

FORMAT: DCP

DISTRIBUTOR: Park Circus

COUNTRY: USA

Live musical performance by pianist Chris Dawson Introduction by Alan K. Rode ‘NOIR CITY: Hollywood 2026’

SWEET SMELL OF SUCCESS

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Trio

7:00pm | Live musical performance by singer Elizabeth Bougerol

7:05pm | Introduction by Eddie Muller

7:15pm |** KING CREOLE**

9:11pm | Intermission

9:21pm | Introduction by Alan K. Rode

9:31pm |** YOUNG MAN WITH A HORN**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**KING CREOLE, 1958, Dir. Michael Curtiz, 116 Mins, Paramount Pictures, USA**

Originally released July 2, 1958

Elvis Presley is the headstrong teen who can sing. Walter Matthau is the crime boss who wants to own him. The dance between these two makes up the central conflict of KING CREOLE, Elvis’ last film before he joined the U.S. Army. Elvis gets plenty of opportunities to show his moves onscreen, but the real delight here comes from watching a seemingly generic Presley vehicle take all the wrong turns and wind up stranded in NOIR CITY. Management troubles would become all too real for Elvis by the 1960s, but even without this real-life parallel, the rock-and-roll star delivers the acting performance of his career. Featuring stylish direction by Michael Curtiz and a spirited turn by Carolyn Jones as the woman caught between the warring show-biz factions.

FORMAT: DCP

**YOUNG MAN WITH A HORN, 1950, Dir. Michael Curtiz, 112 Mins, Warner Bros., USA**

Originally released February 9, 1950

Dorothy Baker’s novel, inspired by the life of cornetist Bix Beiderbecke, gets a full-blown Hollywood treatment veering far from the truth while telling an engrossing musical tale. Star-crossed jazzman Rick Martin (Kirk Douglas) lives for his music, but his arrogance (and alcohol) threaten to ruin him. Doris Day is the loyal singer whose love is unrequited, and Lauren Bacall is the woman he craves but can’t comprehend. (For 1950s Hollywood, Bacall’s character is as “out” as a lesbian could be.) Carl Foreman’s script takes a few daring turns for a musical drama of the era, bolstered by Michael Curtiz’ dazzling direction, stunning camerawork by Ted McCord, and especially Rick’s horn solos provided by musical advisor Harry James. Adding depth and soul are the fantastic supporting performances by Hoagy Carmichael (an actual compadre of Beiderbecke) and Juano Hernandez as Rick’s mentor.

FORMAT: DCP

Live musical performance by singer Elizabeth Bougerol and the Nick Rossi Trio Introductions by Eddie Muller and Alan K. Rode ‘NOIR CITY: Hollywood 2026’

KING CREOLE / YOUNG MAN WITH A HORN

Movie theater chain established in 1938 showcasing the latest independent, foreign & art films.

G/Approved 
 
RICAHRD FLEISCHER DOUBLE FEATURE  5 hr. 13 min.
 
Richard Fleischer was a versatile American film director known for helming nearly 50 films across many genres, including the sci-fi classics, the film noir and epics. The son of animation pioneer Max Fleischer, he began his career at RKO in the 1940s, and his work spanned from low-budget thrillers to big-budget spectacles, making him a popular and prolific director throughout Hollywood's Golden Age and the New Wave era. Today’s event will be 20,000 LEGUES UNDER RTHE SEA and COMPULSION. In person is Ricahrd’s granddaughter Claire and a Q&A moderated by Tim Williams of TV Guide.
 
20,000 LEAGUES UNDER HE SEA, The oceans during the late 1800s are no longer safe; many ships have been lost. Sailors have returned to port with stories of a vicious narwhal (a giant whale with a long horn) which sinks their ships. A naturalist, Professor (Pierre) Aronnax, his assistant, Conseil, and a professional whaler, Ned Land, join a US expedition which attempts to unravel the mystery.
 
COMPULSION, In 1924 Chicago, Artie Strauss and Judd Steiner are friends and fellow law students who both come from wealthy backgrounds. They have few true friends as they believe all their contemporaries are intellectually inferior. Within their relationship, Artie is the dominant and Judd the submissive who says he will do whatever Artie tells him. Although Judd acts intellectually arrogant to others, he also shows signs of weakness and reticence most evident to Artie. Part of their goal in life is to experience how it feels to do everything. As such, they plot to commit what they consider the perfect crime - a kidnapping and murder - not only so that they can experience the sense of killing for killing's sake, but also taunt the law with the knowledge of it and their superiority after the fact. They believe their crime is above the law. Their murder of young Paulie Kessler is not so perfect, with evidence at the scene uncovered by one of their law school colleagues, Sid Brooks, who also works for the Globe newspaper. As Artie and Judd try to manipulate their way out of how the evidence may implicate them, their manipulation ultimately backfires and they are charged with the murder. The most famed trial lawyer in town, Jonathan Wilk, is hired to defend the pair despite his atheism being against the families' sensibilities. Jonathan, renowned for his ability to manipulate juries, has to decide how best to defend his clients in the overwhelming face of evidence against them. The testimony of Ruth Evans, Sid's girlfriend, may have some impact on the trial's outcome.

RICHARD FLEISCHER DOUBLE FEATUR

Fine Arts Theatre

This program is a continuation of *Toward a More Perfect Rebellion: Multiracial Student Activism at UCLA**,* which celebrates the radical filmmaking legacy of UCLA’s affirmative action initiative, the Ethno-Communications Program (1969–1973). This iteration honors Ethno-Communications alumnus Robert A. Nakamura (1936–2025), who taught film at UCLA for over 30 years and was widely known as the “godfather of Asian American media.” A co-founder of the pioneering media organization Visual Communications, Nakamura co-directed a milestone feature-length film made by and about Asian Pacific Americans, *Hito Hata: Raise the Banner* (1980). Shaped by his internment at age six in the prison camp Manzanar during World War II, he transformed personal history into landmark films that helped change how Asian Americans are seen on-screen. 

*Series programmed by Associate Professor Josslyn Luckett, NYU Cinema Studies, and Public Programmer Beandrea July. Notes written by Beandrea July.**
*

***Special thanks to our community partners**: [Platform UCLA](https://www.instagram.com/platformucla/), [UCLA Alumni Association](https://alumni.ucla.edu/), [UCLA Asian American Studies Department](https://asianam.ucla.edu/), [UCLA Department of History](https://history.ucla.edu/), [UCLA Japanese Student Association](https://www.instagram.com/ucla.jsa/), [UCLA School of Theater, Film and Television](https://www.tft.ucla.edu/)*

Shot with a three-person crew of fellow UCLA Ethno-Communications student filmmakers, including Betty Chen, *Manzanar* is a lyrical, intimate documentary in which Robert A. Nakamura, a Nisei, reflects on his internment at age six and its enduring impact. Returning to the desolate site of Manzanar — one of 10 camps where Japanese Americans were unjustly imprisoned during World War II — Nakamura grapples with fragmented recollections of family, community and loss. As the film meditates on the lasting psychological impacts of internment, it also explores what it takes to face the unhealed wounds of the past and reclaim one’s identity.

Director: Robert A. Nakamura.

This short traces how the former Manzanar WWII concentration camp has been reclaimed by subsequent generations of Japanese Americans as a site of remembrance, resistance and intergenerational solidarity. Blending never-before-seen archival footage with a contemporary sensibility, the film follows the annual Manzanar Pilgrimage as it takes on renewed meaning in a post-9/11 world. Though produced by his parents, Karen L. Ishizuka and Robert A. Nakamura, director Tadashi Nakamura steps confidently out of their shadow through a hip-hop–inflected score and music by Yellow Pearl, whose fusion of folk, blues, soul and jazz energized a new generation of Asian American youth.

Director/Editor: Tadashi Nakamura.

A landmark documentary of Japanese American community memory and resilience, Robert A. Nakamura’s Ethno-Communications M.F.A. thesis film (UCLA School of Theater, Film and Television ’75) recounts the stories of three intertwined Issei lives — a fisherman, a gardener and a pioneering farm family. Weaving personal memory and collective history, Nakamura includes his own father, a gardener, who recalls bicycling to work with a lawnmower tied to his back. The short is also a foundational work of Visual Communications, the trailblazing Asian American media collective Nakamura co-founded in 1970 with Duane Kubo, Alan Ohashi and Eddie Wong.

Director: Robert Nakamura.

“How do you repay someone who has given you everything? This film became my answer.”—Tadashi Nakamura

Inspired by *Wataridori: Birds of Passage*, Tadashi Nakamura documents his father’s life and legacy in a profound act of love. As Parkinson’s disease shapes the elder Nakamura’s titular third act, the film confronts the psychic costs of Japanese internment and assimilation, and the ways imagemaking and familial togetherness became forms of resistance. Shot over seven years, the documentary premiered in the U.S. Documentary Competition at the 2025 Sundance Film Festival.

Director: Tadashi Nakamura. With: Robert Nakamura, Karen L. Ishizuka.

Toward a More Perfect Rebellion: Celebrating the Legacy of Robert A. Nakamura

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Sundays for Ryotaro and Fumiko have become routine: he reads the paper, she knits; he complains that his stomach hurts, she readies his medicine; she suggests things to do, he decides to stay home; he yawns, she yawns. They have no children and live in a suburb outside of Tokyo, surrounded by gossipy neighbors. One particular afternoon, the community gains two new residents, Nenkichi and his nonconformist wife Hinako. As the two couples come to know each other, upcoming layoffs in Ryotaro’s company trigger what could very well be the end of his marriage to Fumiko. He wishes to return to the country. She wishes to stay near Tokyo and find employment of her own. He opposes the idea of his wife working. Despite being married for some time, they still do not understand each other. Pretty soon, it becomes clear the possibility of separation is looming over them…

FORMAT: 35mm

DISTRIBUTOR: Toho

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

SUDDEN RAIN

### **ABOUT THE FILM:**

After Barbara (Geena Davis) and Adam Maitland (Alec Baldwin) die in a car accident, they find themselves stuck haunting their country residence, unable to leave the house. When the unbearable Deetzes (Catherine O’Hara, Jeffrey Jones) and teen daughter Lydia (Winona Ryder) buy the home, the Maitlands attempt to scare them away without success. Their efforts attract Beetlejuice (Michael Keaton), a rambunctious spirit whose “help” quickly becomes dangerous for the Maitlands and innocent Lydia.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

BEETLEJUICE

### **ABOUT THE FILM:**

First, I guess you need to know something about them—the beautiful ones. The flawless four. Everyone wanted to be them. You know ’em. They went to your school, too. First, there’s Courtney “Satan-in-heels” Shayne (Rose McGowan) and her pawn, the dense but dangerous Marcie Fox (Julie Benz), a legend in her own little mind. Then there’s angelic Julie Freedman (Rebecca Gayheart), doomed to be popular because of her pretty face, and lastly, the teen dream herself, Elizabeth Purr. When an ordinary kidnapping prank leaves the future prom queen dead (accidentally gagged with a jaw-breaker), a deadly sweet prank leads to cover-up makeover in this edgy and unpredictable comedy. But there will be no mercy as prom night arrives, bringing this spirited tale to its cruel tiara-dropping conclusion.

FORMAT: DCP

DISTRIBUTOR: Sony Pictures

COUNTRY: USA

JAWBREAKER

Cartoon Club

Animal Crackers

Heart to Heart

Tenebrae

**Screenwriters**: Charles Brackett,  Billy Wilder,  Walter Reisch

**Producer**: Ernst Lubitsch

These comrades are ready to pawn the crown jewels and steal your heart in Ernst Lubitsch&#8217;s universally beloved comedy, featuring the legendary Greta Garbo&#8217;s only comedic role! The great Garbo plays a no-nonsense diplomat of the Soviet Union who arrives in Paris to ensure the sale of jewels seized during the Russian Revolution. Meanwhile, carefree bachelor Count Leon d&#8217;Algout (Melvyn Douglas) attempts to intercept the valuables on behalf of their former owner, the Grand Duchess Swana (Ina Claire). Despite their conflicting allegiances, the icy Ninotchka soon warms to Leon&#8217;s charms, reluctantly going against her better judgment. When diplomatic forces threaten to tear them apart, will the find a place in the world where their love can grow? An international charmer with the masterful hand of Ernst Lubitsch and the magnificent charisma of one of the greatest actresses of all time, it&#8217;s time to fall in love with this classic all over again!

**Picks from the Video Store**

Need more Garbo in your life? Take home these treasures on physical media tonight!

*Grand Hotel, The Saga of Gosta Berling, Mata Hari*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Ninotchka

**Screenwriters**: Avery Corman,  Robert Benton

**Producer**: Stanley R. Jaffe

This sensitive, heartrending drama is both one of the most popular films of the 1970s and arguably the definitive Hollywood movie about an era of skyrocketing divorce. Dustin Hoffman plays Ted Kramer, a workaholic ad man who’s shell-shocked when he comes home one day to find his wife Joanna (Meryl Streep) about to leave him and their seven-year-old son Billy (Justin Henry) in order to find herself. Ted slowly learns how to take care of household tasks and emotionally care for his son, but his world is turned upside down again when Joanna returns to claim custody of Billy, triggering a bitter court battle. Winner of five Oscars — including Best Picture, Best Actor for Hoffman, and Best Supporting Actress for Streep (the first wins for both performers) — *Kramer vs. Kramer* remains a deeply moving, achingly human look at divorce and its messy aftermath.

**Picks from the Video Store**

Looking for more movies about life after divorce? You won&#8217;t want to break up with these classics!

*War of the Roses, Irreconcilable Differences, An Unmarried Woman*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Kramer vs. Kramer

**Writer/Producer**: John Waters

Feeling down about the possibility that Santa won’t bring you Cha-Cha heels for Christmas this year? Never fear, delinquent Dawn Davenport (Divine) is here to live out the bizarre and beautiful life of crime you can only fantasize about. *Female Trouble* is yet another John Waters classic, a grotesque examination of the female condition and cycles of violence presented through the flashy and trashy lens of the Pope of Filth. There’s a reason Waters himself considers this his favorite of his early work, and why Mink Stole has named Taffy Davenport as her favorite role in Dreamland. *&#8220;Hey, spare me your morals!&#8221;* and give yourself over to violence and perversion.

Female Trouble

Pinocchio

Penrod and Sam/The Panther's Claw

LA Festival of Movies presents *Chronovisor*, by directors Jack Auen and Kevin Walker. 100 minutes, USA, 2026. West Coast Premiere.

The life of a reclusive academic collides with the story of a clandestine technology that can photograph the past.

LA Festival of Movies: Chronovisor

LA Festival of Movies presents *Animation Today*, presented by Cartuna, with an introduction by guest curator Sean Buckelew.

Six animated shorts. Many US premieres!

Full lineup at: https://lafestivalofmovies.org/animation-today

∆

Animation is a special medium within the spectrum of filmmaking, an artistic avenue where truly anything is possible. It can be made collaboratively with big teams, and can adhere to traditional narrative filmmaking principles, or it can be made by a single person and truly eschew any rules. It can make manifest the imaginary while also showing its own handmade analogue craft in every frame.

The independently produced animated short is a special format within the medium. The films in this program exist outside of the boundaries of the commercial industry, and genuinely function as art for art’s sake. They come from a diverse range of artists from all over the world (including the United States, where, without much support for the arts, it is incredibly difficult to create animated shorts), featuring a wide variety of techniques, from tactile stop motion made by veterans of the craft to cutting-edge 3D by young mavericks that are giving the big studios a run for their money. And beyond the medium, they are just unique, compelling films made by radical filmmakers.

I'm incredibly excited to present these films to an LA audience. In a time when organic creative processes feel constantly challenged, it’s inspiring to remember what’s still possible.

—Sean Buckelew, guest curator

LA Festival of Movies: Animation Today (shorts program)

LA Festival of Movies presents the newly restored *Macho Dancer*, co-presented by A Bunch of Savages. Directed by Lino Brocka. 133 min, Philippines, 1988.

West Coast Premiere of the new 4K restoration. In Tagalog with English subtitles.

∆

Upon losing a reliable American client, 18-year-old gigolo Pol (Allan Paule) leaves the provinces to try his luck in the soapy gay clubs of Metro Manila.

Long out-of-print and beautifully restored, the late Filipino master Lino Brocka delivers one of his most enthralling films with this queer coming-of-age story set in Manila's bustling gay clubs, which demonstrates Brocka's flair for socially conscious melodrama with pulp provocation. The film follows ingenuous teenage sex worker Pol (Allan Paule) as he leaves his small town to go to the city, where he gets hired as an erotic dancer—meeting new friends, lovers, and potential enemies. Featuring extended, seductive dance sequences that pulse with sweat and longing, the film is at once salacious and wonderfully sincere, ever sensitive to the fragile dreams of youth. With his sharp eye for class-based exploitation, Brocka doesn't shy away from tragedy in this bold, highly entertaining depiction of the realities of sex work. -BR

*Prior Screenings: 2026 MoMA To Save and Project*

LA Festival of Movies: Macho Dancer

### **ABOUT THE EVENT:**

11:00am | Doors open & Live piano performance

12:00pm | Introduction by Alan K. Rode

12:10pm | **THE MAN WITH THE GOLDEN ARM**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released December 15, 1955

Frank Sinatra is Frankie Machine, a hustler and recovering drug addict. Frankie decides to go straight and pursue his dream of becoming a musician, but the more time he spends on the outside the harder it becomes to resist the temptation of the needle. THE MAN WITH THE GOLDEN ARM is the darkest noir gets, bolstered by Otto Preminger’s unflinching direction and Sam Leavitt’s cinematography, which renders every moment of Frankie’s sobriety a claustrophobic nightmare. The real highlight of the film, however, is Sinatra’s Oscar-nominated performance. He’s remarkable as the weak-willed drummer, utilizing his slight physique and baby-blue eyes to haunting effect. Featuring Eleanor Parker and Kim Novak as the devil and angel, respectively, on Frankie’s shoulders.

FORMAT: 35mm

DISTRIBUTOR: Reel Media International

COUNTRY: USA

Live piano performance Introduction by Eddie Muller Print from the collection of the Library of Congress ‘NOIR CITY: Hollywood 2026’

THE MAN WITH THE GOLDEN ARM

### ABOUT THE EVENT:

3:00pm | Doors open & Live piano performance

4:00pm | Introduction by Eddie Muller

4:10pm | **ODDS AGAINST TOMORROW**

*Start times are approximate.*

### **ABOUT THE FILM:**

Originally released October 12, 1959

Disgraced ex-cop Dave Burke (Ed Begley) masterminds a piece-of-cake bank robbery in upstate New York, but to pull it off he requires the cooperation of two dangerously mismatched cohorts: hot-headed redneck war veteran Earle Slater (Robert Ryan) and gambling addict jazzman Johnny Ingram (Harry Belafonte); their racist antagonism threatens to thwart a seemingly fool-proof plan. Silent producer Belafonte hired blacklisted screenwriter Abraham Polonsky to adapt William P. McGivern’s novel, specifically to subvert the sanctimony of THE DEFIANT ONES (1958), a “feel good” movie about racism. Robert Wise’s direction is as fresh and expressive as anything being done by the French New Wave of the period, and the score by John Lewis’ Modern Jazz Quartet is innovative and exhilarating. With vivid supporting performances by Shelley Winters, Kim Hamilton and Gloria Grahame. An all-time classic heist thriller—and much more.

FORMAT: DCP

DISTRIBUTOR: Park Circus

COUNTRY: USA

Live piano performance Introduction by Alan K. Rode ‘NOIR CITY: Hollywood 2026’

ODDS AGAINST TOMORROW

### **ABOUT THE EVENT:**

6:00pm | Doors open & Live musical performance by the Nick Rossi Swing Four

7:00pm | Live musical performance by singer Elizabeth Bougerol

7:05pm | Introduction by Eddie Muller, Elizabeth Bougerol and Nick Rossi

7:15pm | **KANSAS CITY**

9:11pm | Intermission

9:21pm | Introduction by Eddie Muller, Alan K. Rode, Elizabeth Bougerol and Nick Rossi

9:31pm | **PETE KELLY’S BLUES**

*Start times are approximate.*

### **ABOUT THE FILMS:**

**KANSAS CITY, 1996, Dir. Robert Altman, 116 Mins, AGFA, USA**

Originally released August 16, 1996

Jennifer Jason Leigh is a Jean Harlow obsessed housewife trying to free her loser husband from the clutches of a local gangster. She kidnaps the wife of a politician as leverage, but things get complicated when the two women develop a friendship and discover just how crooked their city has become. All this on the day before the 1934 Democratic primary election, no less. Shot with painstaking attention to period detail, director Robert Altman enlists real musicians to play venerated jazz figures like Ben Webster, Lester Young and Mary Lou Williams. Their performances, captured by Altman in a concert-documentary style, give the film an intoxicating sense of excitement despite its bleak conclusion. Featuring a sensational late-period turn by Harry Belafonte as the incredibly named “Seldom Seen.”

FORMAT: DCP

**PETE KELLY’S BLUES****, 1955, Dir. Jack Webb, 95 Mins, Warner Bros., USA**

Originally released July 31, 1955

The lone Technicolor offering of the festival has Jack Webb as a Prohibition-era bandleader who refuses to bend the knee to a local bootlegger. The actor maintains the same ironclad will that made him a star on DRAGNET, but PETE KELLY’S BLUES, which he also directed, ventures further into the darkness than the procedural franchise ever could. The gangland violence and speakeasy musical numbers are skillfully recreated, especially when they collide in the astonishing final act. Webb also assembles a Murderers’ Row of supporting talent from noir stalwarts Edmond O’Brien and Lee Marvin to vocal powerhouses Peggy Lee and Ella Fitzgerald. Lee, in only her third onscreen appearance, scored a 1956 Best Supporting Actress Oscar nomination for her performance as a boozy torch singer.

FORMAT: DCP

Live musical performance by singer Elizabeth Bougerol and the Nick Rossi Swing Four Introductions by Eddie Muller, Alan K. Rode, Elizabeth Bougerol and Nick Rossi ‘NOIR CITY: Hollywood 2026’

KANSAS CITY / PETE KELLY'S BLUES

Co-presented by the UCLA Film & Television Archive

Recommended for ages 6+ 

Gene Kelly and Debbie Reynolds shine in perhaps the greatest Hollywood musical of all time. Propelled by a crackling script and exuberantly delightful song-and-dance routines, Kelly is a silent movie star making a trying transition to the talkies, and Reynolds is the chorus girl who complicates the affair. (1952, Dirs. Gene Kelly, Stanley Donen, 35mm, color, 103 min.)

Family Flicks: Singin' in the Rain

The Billy Wilder Theater opens 15 minutes before each *Family Flicks* program.

Gene Kelly and Debbie Reynolds shine in perhaps the greatest Hollywood musical of all time. Propelled by a crackling script and exuberant song-and-dance routines, Kelly plays a silent movie star trying to make the leap to talkies, while Reynolds’ struggling chorus girl finds her entry into Hollywood no less complicated. With Donald O’Connor delivering the delirious gags, this timeless classic will leave you with a glorious feeling.

Director: Gene Kelly, Stanley Donen. Screenwriter: Betty Comden, Adolph Green. With: Gene Kelly, Donald O’Connor, Debbie Reynolds.

*Recommended for ages 6+*

Singin’ in the Rain

Considered the first Chicano feature, Efraín Gutiérrez’s landmark independent film *Please, Don’t Bury Me Alive! *(*¡Por favor, no me entierren vivo!*) was believed lost for years until UCLA Distinguished Professor Chon Noriega tracked down the director and relocated elements to the UCLA Film & Television Archive, where collaborative restoration efforts brought the film back to life.

Incorporating Chicano forms of popular theater and music, the bilingual film offers a rhythmic, in-depth look at 1970s-era South Texas Chicano culture, as its central character questions his place in a society that undervalues Latinos, so many of whom had been killed in the Vietnam War. A historic, influential hit in regional theaters, the film’s tremendous impact on Chicano cinema was further cemented in 2014, when it was named to the National Film Registry for its historic, cultural, and artistic significance. Today, in a moment when visibility itself can feel precarious, the film’s call to live boldly in defiance of erasure resonates as powerfully as it did 50 years ago.

***Special thanks to our community partner: [Chicano Hollywood](https://chicanohollywood.com/)***

Director: Efraín Gutiérrez. Screenwriter: Sabino Garza. With: Efraín Gutiérrez, Josefina Paz, David Moss.

50th Anniversary Screening: Please, Don’t Bury Me Alive!

Little Annie Rooney  / Sparrows

LA Loft Movie Club returns to PRS for their 1st 2026 screening— a  festival of imaginative, rapidly produced  one minute films!

LA LOFT MOVIE CLUB: "Quick & Dirtily" — A One Minute Movie Festival!

Philosophical Research Society

**Screenwriter**: Anouk Moyaux

**Producer**: Helen Olive

Co-Presented by El Cine

*After several years&#8217; absence, Gibran, a 37-year-old Mexican-American, returns to Los Angeles with the goal of saving up to purchase land in Tecate, the village where he was born in Mexico. As he organizes his departure, he rediscovers the emotional and historical ties that bind him to the United States.*

Among the most beautiful recent films about Los Angeles, French director Anouk Moyaux deftly blends documentary and naturalism to paint a lilting, utopian city-symphony, a slacker portrait of urban sprawl as seen through the eyes of its Mexican residents. With plans to move back to his hometown of Tecate, Gibran spends his long goodbye hanging out with friends, earning extra cash and idling away in the city’s hills and valleys for the last time. With luminous 16mm photography of East L.A., Moyaux’s film is a vibrant outsider’s-view of the immigrant experience told without sentimentality or didacticism, and the rare L.A. movie to let the city speak for itself. -MG

**[Los Angeles Festival of Movies](https://lafestivalofmovies.org/)**

Los Angeles Festival of Movies (LAFM) presented by [Kino Film Collection](https://kinofilmcollection.com/) and [Mezzanine](https://www.mezzaninefilm.com/) is a curated annual film festival in Los Angeles, showcasing new independent and restoration premieres to a local audience.

Now in its third year, the festival redefines Los Angeles as a destination for independent film. LAFM has curated a selection of high profile narrative and documentary film premieres; talks with local artists, luminaries, and thought leaders; and parties each night, across four east side LA venues.

LAFM – Selegna sol

**Screenwriters:** Andrew Stanton, Bob Peterson, David Reynolds

**Producer:** Graham Walters

*Just keep swimming! *Whether you’re a fully grown fish or a little guppy, you’ll want to paddle on over to Vidiots for a screening of this hugely beloved Pixar classic that mixes big laughs, adventure, and heart. You probably know the plot, but just in case: neurotic clownfish Marlin (Albert Brooks) sets off on a wild journey across the ocean when his son Nemo is captured by divers, in the process encountering pacifist sharks, surfer-dude turtles, and a forgetful blue tang named Dory (a pitch-perfect Ellen DeGeneres) who becomes his loyal traveling companion. Meanwhile, Nemo ends up in a fish tank at a dentist’s office, full of other creatures planning their own jail break. It’s Pixar at their very best, serving up the sort of perfect popcorn entertainment that will mesmerize viewers of all ages.

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Finding Nemo

*A socially awkward high school student films himself as he blunders through attempts to make friends, spiraling into a dark place where his only close relationship is with his phone.*

An utterly contemporary L.A. high school movie, Frédéric Da&#8217;s defiantly handcrafted sophomore feature—shot entirely on an iPhone—is a disarmingly authentic, slippery and devastating portrait of teenage angst. Made with an impressive array of nonprofessional actors and shot on location at a campus in Los Angeles, the film follows Isaiah (Isaiah Brody) who films himself on an iPhone as he experiences the daily indignities of being in high school. With the feel of a raw found-footage documentary, the rigor of its conceptual gambit makes it a mesmerizing experience, and a marvel of resourceful filmmaking. -MG

*Please note: this film contains disturbing images of teen violence. Viewer discretion is advised.*

[**Los Angeles Festival of Movies******](https://lafestivalofmovies.org/)

Los Angeles Festival of Movies (LAFM) presented by [Kino Film Collection](https://kinofilmcollection.com/) and [Mezzanine](https://www.mezzaninefilm.com/) is a curated annual film festival in Los Angeles, showcasing new independent and restoration premieres to a local audience.

Now in its third year, the festival redefines Los Angeles as a destination for independent film. LAFM has curated a selection of high profile narrative and documentary film premieres; talks with local artists, luminaries, and thought leaders; and parties each night, across four east side LA venues.

LAFM – isaiah’s phone

**Screenwriter**: Ernest Lehman from the play by Edward Albee

**Producer**: Ernest Lehman

You&#8217;re invited to the messiest dinner party in theatre and film &#8211; Liz Taylor and Richard Burton in Mike Nichols&#8217; explosive directorial debut adaptation of Edward Albee&#8217;s Tony-winning absurdist masterpiece. A history professor and his wife entertain a young couple who are new to the university&#8217;s faculty. As the drinks flow, secrets come to light, and the acerbic middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage. Nominated for 13 Academy Awards and winner of 5 (Liz Taylor&#8217;s second win), this is precisely what they mean when they say a &#8220;tour de force&#8221;!

**Picks from the Video Store**

Love the theatre of the absurd? Want to watch more adaptations? Take home these absurdist gems tonight!

*Rhinoceros, Beyond Therapy, Beckett on Film, Rosencrantz and Guildenstern are Dead*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Who’s Afraid of Virginia Woolf?

**Screenwriter**: Sophy Romvari

**Producers**: Ryan Bobkin, Sara Wylie, Sophy Romvari, Gábor Osváth

US Premiere &#8211; Q+A with writer/director **Sophy Romvari**

*In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family&#8217;s oldest child.*

Sophy Romvari&#8217;s deeply intimate portrait of a family coping with a challenging situation evokes the specific curiosity and disorientation of being a kid with sophistication, soul, and playfulness. It&#8217;s transportative. Eylul Guven, the young actress at the center of this story, gives a performance so honest and relatable it could be mistaken for documentary—which is key to the film&#8217;s unexpected elliptical structure. Just when the film proves itself to be an impressive but straightforward coming-of-age tale, it suddenly transforms, exploding and expanding the personal into something unexpected, ambitious, and intellectual. -SW

[**Los Angeles Festival of Movies******](https://lafestivalofmovies.org/)

Los Angeles Festival of Movies (LAFM) presented by [Kino Film Collection](https://kinofilmcollection.com/) and [Mezzanine](https://www.mezzaninefilm.com/) is a curated annual film festival in Los Angeles, showcasing new independent and restoration premieres to a local audience.

Now in its third year, the festival redefines Los Angeles as a destination for independent film. LAFM has curated a selection of high profile narrative and documentary film premieres; talks with local artists, luminaries, and thought leaders; and parties each night, across four east side LA venues.

LAFM Closing Night – Blue Heron

\#### Save the date for April 13!  
  
College Night returns to the Getty Center. Join us for our annual after-hours celebration exclusively for college students—featuring art, food, music, behind-the-scenes experiences, artmaking, and more. All for free! #### ART EXHIBITIONS - \*Beginnings: The Story of Creation in the Middle Ages\*  
\- \*How to Be a Guerrilla Girl\*  
\- \*Photography and the Black Arts Movement, 1955–1985\*  
\- \*Virtue and Vice: Allegory in European Drawing\*  
\#### MUSIC and LIVE ART - DJ Hourglass spotlights the sounds of the African diaspora, uplifting queer Black voices - Performance artist, poet, and educator Gabrielle Civil presents "Black Weirdo School (Visiting Lectures)" at 6:30, 7:30 and 8:30pm - Graffiti artist Prime demonstrates the pioneering "LA Style"—a mix of bold, geometric block letters with calligraphic and monochromatic influences #### SCREENINGS - Watch short film and video works from Getty Research Institute archives #### ACTIVITIES - Customize a reusable tote bag with a silk screen designed by Nova Community Arts or DIY at Creation Stations - Make art with the Paranormal LA course from Otis College of Art and Design - Take a self-guided scent tour created by the Institute for Art and Olfaction - Send yourself or someone someone special a postcard from a collage postcard-making station. Stamps provided. - Personalize and upcycle materials with Collage Garage - Join drawing demonstrations and live figure drawing led by artist Peter Zokosky - Grab your friends and pose inside photo booths and play games on the Garden Terrace #### TOURS - Join a variety of tours to explore galleries, exhibitions, and behind-the-scenes areas. - Tours depart from the Museum Entrance Hall from 6:30–8:00 p.m. #### FOOD - Enjoy a free meal provided until 8:30 p.m. or while supplies last. - Additional snacks or beverages can be purchased at the Coffee Kiosk and Trellis Bar. #### SHOP - The Getty Museum Store will be open with a 20% discount for attendees #### SUSTAINIBILITY - Bring a refillable water bottle and get a sticker designed by LA graffiti legend Prime - Carpooling, rideshares, and public transit encouraged

College Night 2026

Getty Center

### **ABOUT THE FILM:**

Directed by 9th-degree black belt/philosopher/author/inspirational speaker Grandmaster Y.K. Kim, the one-of-a-kind MIAMI CONNECTION is one of the most entertaining martial arts films made in America that you will ever see. The year is 1987. Motorcycle ninjas tighten their grip on Florida’s narcotics trade, annihilating anyone who dares move in on their turf. Multi-national martial arts rock band Dragon Sound have had enough, and embark on a roundhouse wreck-wave of crime-crushing justice in the streets of Orlando. It’ll take every ounce of their blood and courage, but Dragon Sound can’t stop until they’ve completely destroyed the dealers, the drunk bikers, the kill-crazy ninjas, the middle-aged thugs, the “stupid cocaine” . . . and the entire MIAMI CONNECTION.

FORMAT: 35mm

DISTRIBUTOR: AGFA

COUNTRY: USA

Print courtesy of AGFA ‘Cinematic Void’

Cinematic Void Presents MIAMI CONNECTION

The Canadian

Los Angeles Filmforum presents *Stacey Steers: Alchemical Collages*. Stacey Steers in person!

Full film lineup and notes at: https://www.lafilmforum.org/schedule/

∆

Weaving together archetype, allegory, and wonder, Stacey Steers’ films create a mythos all their own. Her heroines, lifted from early 20th-century silent films, ebb toward eternity, inky waves alight in their swell. Their collaged effigies move through narratives of personal recollection, environmental anxiety, and science fiction convention. Ruminative and unfixed, Steers’ worlds are steeped in implication, yet unclaimed by certainty. The material becomes mercurial as exploratory dreamscapes reimagine these appropriated images, loosening them from their original contexts and allowing new meanings to surface. Working through an intuitive, labor-intensive process, Steers prints, hand-processes, and photographs each frame on 35mm film, imbuing the work with a tactile, almost alchemical presence that bridges cinema’s past with an unsettled, speculative present. – Sam Gurry

~

**Stacey Steers** is known for her process-driven, labor-intensive animated films composed of thousands of handmade works on paper. Her recent work employs images appropriated from early cinematic sources, from which she constructs original, lyrical narratives.

Steers’ films have screened widely at venues including the Sundance Film Festival, Telluride Film Festival, New Directors New Films (New York), IFFR Rotterdam, Locarno IFF, MoMA and the National Gallery of Art (Washington, DC). Recently she has expanded her work to include collaborative installations that join invented, three-dimensional production elements with film loops, creating a new context for experiencing her films. Stacey Steers is a recipient of major grants from the Guggenheim Foundation, Creative Capital and the American Film Institute. She is a member of the Academy of Motion Picture Arts and Sciences. She lives and works in Boulder, CO.

LA Filmforum: Stacey Steers – Alchemical Collages

The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family. With his rise through the organisation, however, comes the dangers of violence, double-crosses, drug addiction and the Federal Bureau of Investigation.

GoodFellas

Nikolai (Viggo Mortensen), who is both ruthless and mysterious, has ties to one of the most dangerous crime families in London. He crosses paths with Anna (Naomi Watts), a midwife who has come across potentially damaging evidence against the family, which forces him to set in motion a plan of deceit, death and retribution.

Eastern Promises

### **ABOUT THE EPISODES:**

**Season 2, Episode 10, “****Dispute Between Brothers,” Dir. Tina Rathborne, 47 Mins**

Cooper gets ready to leave Twin Peaks.

FORMAT: DCP

**Season 2, Episode 11, “****Masked Ball****,” Dir. Duwayne Dunham, 47 Mins**

Andrew Packard resurfaces.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Dispute Between Brothers” and “Masked Ball” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 10 & 11

The Crime of the Century / Her Bodyguard

We&#8217;re cranking up the Elmo 16CL projector for another round of obscure 16mm rarities, this time all from the late 1940s through the early 1960s with a slate of social engineering films designed to create model citizens and healthy adults. From strangers with candy to high school dropouts, to puberty&#8217;s pitfalls and civic responsibility, these largely forgotten gems are laughably out-of-date and teeming with an antiquated morality you can only find in yesteryear. Films include ***The Dangerous Stranger*** (1949) the stranger danger film that started it all from the king of the scare film Sid Davis, ***The Dropout** *(1962) for the ne&#8217;er-do-wells, ***Molly Grows Up*** (1953) menstrutainment at its finest, ***The Meaning of Adolescence*** (1953) to guide you through those awkward years, ***Responsibility*** (1953) from Herk Harvey &#8211; the director of *Carnival of Souls*, and the incredibly rare NFBC global responsibility primer ***Our Town is the World***  (1950s, Canada), plus more celluloid rarities and a surprise pre-show for the early birds! Everything screened on 16mm film.

Sweet 16mm: Mid-Century Social Guidance Classics

**Screenwriters**: George LaVoo,  Josefina Lopez

**Producers**: Effie Brown, George LaVoo

Vidiots is thrilled to welcome director **Patricia Cardoso** for a special screening of her essential East LA coming-of-age triumph*** Real Women Have Curves***.

A humorous and warmhearted look at a Chicano teenage girl coming of age in a boiling cauldron of cultural expectations, class constrictions, family duty, and her own personal aspirations. In Boyle Heights, an 18-year-old struggles between her ambitions of going to college and the desires of her domineering mother for her to get married, have children, and oversee the small, rundown family-owned textile factory. Winner of several Sundance Prizes, The Humanitas Award, and Independent Spirit Awards, this slice of relatable life is an influential and powerful classic of Latina and independent cinema.

**Picks from the Video Store**

Want more local coming-of-age films? We’ve got these gems from our own backyard!

*The Slums of Beverly Hills, Boyz in the Hood, Mi Vida Loca*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Real Women Have Curves

Mr. Muggs Steps Out/Follow the Leader

**Screenwriter**: Elena Oxman

**Producer**: Marc Smolowitz,  Elena Oxman,  Asia Kate Dillon,  Allison Estrin, Henry Russell Bergstein

Featuring a conversation with writer/director **Elena Oxman** after the Wednesday screening.

Join us in the microcinema for Elena Oxman&#8217;s festival darling, the beautifully touching triumph *Outerlands* starring Asia Kate Dillon in a stirring performance. Cass juggles jobs as a nanny, restaurant server, and party drug dealer to make ends meet and pay for their tiny San Francisco apartment. After a one night stand with Kalli, a co-worker they have a crush on, Cass agrees to watch her 11-year-old daughter, Ari, while she goes out of town. But as days pass without word from Kalli, Cass and Ari form a bond that spirals Cass back to their own difficult childhood and the pain they’ve been running from. With beautiful cinematography and an exploration of a San Francisco seldom celebrated, this little charmer is a warm and wonderful treat.

Monday, 3/30

Aero Theatre

YES,

POLICEMAN,

7:00 PM

⭐

Egyptian Theatre

The Wicker Man

1:00 PM, 7:00 PM

⭐

You're Next

4:00 PM, 9:30 PM

⭐