Moulin Rouge! in 35mm

Academy Museum

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

A boy seeks revenge for his father's murder but loses an arm rescuing the swordsmith's daughter and learns swordsmanship with a broken sword

THE BLADE (1995)(R)(Mon 2/23) 7:30pm by Big Bad Film Fest

Gardena Cinema

### **ABOUT THE FILM:**

Brewster McCloud lives deep within the cavernous underground of the Houston Astrodome, but his dreams rise much higher. He aims to fly. Not in a plane. But with strapped-on wings he’s designing—encouraged by a mysterious woman who may be his guardian angel.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

Cinematic Void Presents BREWSTER MCCLOUD

Los Feliz Theatre

The Girl From Starship Venus / Flesh Gordon

New Beverly Cinema

**Screenwriters**: Francis Ford Coppola, John Milius,  Michael Herr from the novel *Heart of Darkness* by Joseph Conrad

**Producer**: Kim Aubry

Vidiots celebrates the life and legacy of the remarkable **Robert Duvall** with a special screening of Francis Ford Coppola&#8217;s seminal war classic *Apocalypse Now*.

*The horror the horror!* Head into the jungle with Francis Ford Coppola&#8217;s definitive Vietnam War drama. Adapted from the Joseph Conrad novel *Heart of Darkness,* this somber and malingering journey into the darkness of war and humanity is widely considered one of the greatest films ever made.  At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, &#8220;does not exist, nor will it ever exist.&#8221; His goal is to locate &#8211; and eliminate &#8211; a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory. While the production was affected by a number of set-backs and difficulties, this masterpiece went on to win the Palme d&#8217;Or at Cannes and two Oscars, with a total of 8 nominations.

**Picks from the Video Store**

Want to celebrate Robert Duvall with a mini-marathon? You can take home these classics and so many more!

*Tender Mercies, Assassination Tango, Countdown, Tomorrow, The Great Santini*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Apocalypse Now: The Final Cut

Vidiots

Good Luck, Have Fun, Don't Die

Vista Theatre

Acropolis Cinema presents *Evidence* (Dir. Lee Anne Schmitt, 2025).

Screening to be followed by a Q&A with Schmitt and director Athina Rachel Tsangari (Attenberg, Harvest)

Poisoned water, damaged earth, and elevated cancer rates: environmental clean-up sites are one of the legacies left behind by the American chemical and munitions manufacturer “Olin Corporation”. Its other legacy was the John M. Olin Foundation, which donated millions to pushing a conservative agenda from the 1970s to the early 2000s. As a by-product or direct effort, the Olin Corporation and other conservative think tanks have had a deep and unsettling impact on American politics, family values, and women’s health.

Working again the field of the 16mm New Left essay film, Lee Anne Schmitt connects an array of topics, books, and objects to reflect on the rise of the new conservative movement and the effects of dark money on American politics and culture. In easily her most personal film to date—as her father worked for Olin —she considers these values and their implications after becoming a mother. In the face of appalling attacks on women’s biological rights and the current dominance of the Republican party, *Evidence* is a sobering primer on the state of America today. (Berlinale)

TRT: 71 min

In person: Lee Anne Schmitt and Athina Rachel Tsangari

Acropolis Cinema: Lee Anne Schmitt's Evidence

2220 Arts + Archives

Tuesday–Friday, Sunday 10am–6:30pmSaturday 10am–9pmMonday Closed

Screening: Horace Tapscott: Musical Griot with Barbara McCullough

The exhibition *Photography and the Black Arts Movement, 1955-1985* shows how an incredible range of artists and activists used photography as a tool for social change. Meet some of the featured artists and special guests in the gallery to hear about the work in their own words.

Afterwards at 6:30pm, attend a screening of the documentary *Horace Tapscott: Musical Griot* followed by a conversation with the director, Barbara McCullough, in the Harold M. Williams Auditorium. 

Learn more and register for free film tickets under the Related section below. 

Artist Open House: *Photography and the Black Arts Movement*

Los Angeles Rebellion pioneer and filmmaker Barbara McCullough’s documentary *Horace Tapscott: Musical Griot* is a poetic meditation on the life of Los Angeles jazz musician, composer and community activist, Horace Tapscott (1934–1999). Screened in conjunction with the Getty’s exhibition [Photography and the Black Arts Movement, 1955–85][1], the film—four decades in the making—is a loving portrait of Tapscott, Black Los Angeles, and musical history. After the screening, McCullough will be joined on stage in conversation with Kristin Juarez, senior research specialist for the [African American Art History Initiative][2] at the Getty Research Institute. 

This program is part of the [Art on Screen][3] series, which celebrates moving-image media and its intersection with art and art histories, as well as the series [Black Visions: Film as Archive][4]. In addition, Barbara McCullough is featured in the Getty Research Institute’s [oral histories collection][5] as related to the 2008 program [Modern Art in Los Angeles: African American Avant-Gardes, 1965–1990][6]. 

DIRECTED BY: Barbara McCullough. PRODUCED BY: Barbara McCullough and Chephren Rasika. EDITED BY: Scott Brock. CINEMATOGRAPHY: Johnny Simmons, Al Santana, Charles Burnett, Bernard Nicola. 16mm to HD, color, sound, 72 minutes, 2017.

The conversation will be available on the [Getty Research Institute YouTube channel][7] following the event.

Visit the Getty Research Institute's [Exhibitions and Events page][8] for more free programs.


  [1]: https://www.getty.edu/exhibitions/black-arts-movement/
  [2]: https://www.getty.edu/projects/african-american-art-history-initiative/
  [3]: https://www.getty.edu/research/exhibitions_events/event_series.html
  [4]: https://www.getty.edu/whats-on/black-visions-film-as-archive/
  [5]: https://www.getty.edu/research/special_collections/oral_histories/index.html#video
  [6]: https://www.getty.edu/research/exhibitions_events/events/african_am_avant_gardes/index.html
  [7]: https://www.youtube.com/c/gettyresearch
  [8]: https://www.getty.edu/research/exhibitions_events/

Screening: *Horace Tapscott: Musical Griot* with Barbara McCullough

Getty Center

### **ABOUT THE EPISODE:**

**Episode 7, “Realization Time,” Dir. Caleb Deschanel, 46 Mins**

Audrey cons her way into working at the perfume counter where Laura worked and discovers that it’s being used as a recruitment post for One Eyed Jack’s. James, Donna and Maddy plan to lure Jacoby away from his office.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Realization Time” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 1, Ep. 7

Paranoia / The Sweet Body of Deborah

Visionary Thai director Apichatpong Weerasethakul's gentle and hypnagogic meditation on sleep, memory, and the unseen world.

Apichatpong Weerasethakul's CEMETERY OF SPLENDOR (2015)

Philosophical Research Society

**Producers**: Jessica Hargrave,  Ryan White,  Tig Notaro,  Stef Willen

Join us in the microcinema for Ryan White&#8217;s poignant Academy Award nominated documentary *Come See Me in the Good Light.* An emotional and unexpectedly funny love story about poets Andrea Gibson and Megan Falley facing an incurable cancer diagnosis with joy, wit and an unshakable partnership. Through laughter and unwavering love, they transform pain into purpose and mortality into a moving celebration of resilience.

Come See Me in the Good Light

**Screenwriter**: Mike Leigh

**Producer**: Simon Channing Williams

Nominated for five Oscars — including Best Picture — this incisive and engaging comedy-drama from writer-director Mike Leigh explores the difficulties of human connection and the cost of burying painful truths. Marianne Jean-Baptiste plays Hortense, a black doctor working in London, who decides to seek out her biological mother and is stunned to learn that she’s a working-class white woman named Cynthia (Brenda Blethyn). Hortense tentatively reaches out to learn the truth about her parentage, but Cynthia’s own life is a disaster — she has a difficult relationship with her other daughter Roxanne (Claire Rushbrook), and is mostly estranged from her more successful brother (Timothy Spall) and his snobbish wife (Phyllis Logan). One of the great triumphs of ‘90s indie cinema, *Secrets & Lies* serves as a fascinating example of Leigh’s unique filmmaking style, in which characters and scenes are honed over a process of months of improvisation to capture something powerfully authentic.

**Picks from the Video Store**:

Want to do a Mike Leigh deep dive? His director&#8217;s section is stocked to the brim with delight &#8211; from the goofy to the profound!

*Naked, Life is Sweet, Nuts in May*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Secrets & Lies

Red River/To Have and Have Not

The Flux screening series brings the creative community together to celebrate outstanding short films and music videos from around the globe with wildly inventive filmmaker presentations and performances.

Flux, Spring 2026

Hammer Museum

“What a Wonderful World: An Audiovisual Poem,” edited by Udo Kittelmann, is a sweeping odyssey into the depths of human experience, unfolding through film and video. Marking the first major presentation of works from the Julia Stoschek Foundation in the U.S., this audiovisual poem experiments with time-based media by placing contemporary video works in dialogue with silent films and early cinema classics. For the first time, a large-scale exhibition bridges these two universes, creating an unprecedented encounter across more than a century of visual storytelling.

Bringing one of the world’s leading collections of time-based art to a city defined by moving images sparks a rare conversation across disciplines. It dissolves the boundaries between visual art and cinema, museum and theater, white cube and black box. In doing so, it traces the evolution of visual storytelling over the past century, highlighting both the universality of human concerns and the shifting perspectives that shape their representation.

“What a Wonderful World” presents a wide range of groundbreaking works by artists such as Marina Abramović, Cyprien Gaillard, Arthur Jafa, or Lu Yang, alongside cinematic milestones by Luis Buñuel, Walt Disney, Alice Guy-Blaché, Winsor McCay, and Georges Méliès. Together, these works form a panoramic and layered portrait of humanity and history across 120 years: altogether ironic, sincere, critical and compassionate.

“What a Wonderful World” will unfold as an explorative journey, a cinematic mystery tour, a soul-stirring experience. It invites visitors to confront the secrets and fragilities of humanity while holding up a mirror to the state of the world today.

What a Wonderful World: An Audiovisual Poem

Julia Stoschek Foundation at the Variety Arts Theater

**Screenwriter**: Frank Cottrell Boyce

**Producer**: Andrew Eaton

Be there for the first explosion of Punk Rock in Michael Winterbottom&#8217;s deliriously entertaining retelling of a musical revolution and the man that broadcast it across the world. The hilarious Steve Coogan plays Tony Wilson, a Manchester news reporter in the mid-1970s, looking to make his mark. After taking in a concert from the seminal punk band the Sex Pistols, he becomes a one-man crusade to televise and spread the anarchic sound of Manchester&#8217;s punk scene. While not entirely based on truth, this electric showcase of punk &#8220;history&#8221; is built on legends, myths, and a dose of reality, but brings an era of riotous rebellion into focus.

**Picks from the Video Store**

Need more Punk cinema? Embrace anarchy with these deep cuts!

*Breaking Glass, The Great Rock n&#8217; Roll Swindle, Suburbia*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

24 Hour Party People

### **ABOUT THE FILM:**

STITCHES is a glamorous romantic drama blending the sophisticated fashion world of THE DEVIL WEARS PRADA with the high-society opulence of CRAZY RICH ASIANS, set against the vibrant backdrop of Lagos, Nigeria. It follows the journey of a talented ghetto-raised fashion designer who finds unexpected love that is above her social status, navigating class divides and family expectations.

FORMAT: DCP

DISTRIBUTOR: Bluepictures Cinema

COUNTRY: Nigeria

Nollywood in Hollywood Opening Night! Co-presented by O2A Media and the USC School of Cinematic Arts

STITCHES

Aero Theatre

A mysterious orb capable of granting three wishes positions a struggling musical band within reach of their dreams at a terrifying cost.

SEE YOU WHEN I GET BACK (2026)(NR)(Fri 3/6) 8pm INNER WAVE BAND album drop

Adapted from Erich Maria Remarque’s novel and directed by Lewis Milestone who also co-wrote, *Arch of Triumph* finds the City of Lights shrouded in noirish fog and shadow. It’s 1938 and Paris has become the tenuous home for refugees on the run from the Nazis and French immigration to avoid deportation. Among them is Charles Boyer’s doctor who haunts the city’s cafes and recognizes a shared trauma in Ingrid Bergman’s desperate émigré. A tragic romance, Arch of Triumph does double duty dramatizing the cruelty of both facism and an immigration system that would render people stateless by denying them safe haven.

Director: Lewis Milestone. Screenwriters: Lewis Milestone, Harry Brown. With: Ingrid Bergman, Charles Boyer, Charles Laughton. 

*35mm restored print courtesy of the UCLA Film & Television Archive. Restored by the UCLA Film & Television Archive in cooperation with National Telefilm Associates, Inc., and Richard Rosenfeld; funding by AFI/NEA; special thanks to Richard Dayton for his significant contributions in restoring this film.*

In this ultra low-budget B-film produced by Czech émigré Rudolph Monter, Friedrich Torberg plays a Czech concert pianist jailed and tortured by the Nazis for playing “The Moldau,” a symbol of the Czech resistance to their occupation. Escaping his captors and surviving a harrowing journey, he ends up alone on a Caribbean island where his trauma overwhelms him as he longs for his missing wife — dying unbeknownst to him on another part of the island. Imbued with expressionist shadows and told through a series of interwoven flashbacks, *Voice in the Wind* powerfully expresses the disorientation and despair of European refugees in the wake of fascist violence.

DCP. Director: Arthur Ripley. Screenwriter: Friedrich Torberg. With: Francis Lederer, Sigrid Gurie, J. Edward Bromberg. 

*Restoration funded by the George Lucas Family Foundation.* Restored by the UCLA Film & Television Archive and The Film Foundation.

*—Senior Public Programmer Paul Malcolm*

Arch of Triumph / Voice in the Wind

**Screenwriters**: Eugene Levy, Christopher Guest

**Producer**: Karen Murphy

Join us in celebration of the life, laughs, and legacy of the incredible Catherine O&#8217;Hara with a special screening of one of the funniest movies of all time, *Waiting for Guffman*, with a special introduction by Founding Member and *Guffman* uberfan **Mary Elizabeth Ellis**!

*&#8220;I&#8217;m trying that less is more kind of acting.&#8221;* Take center stage with the Blaine community players as they prepare for the town&#8217;s sesquicentennial celebration and a stage musical that they&#8217;re all praying will take them to Broadway. Before *Schitt&#8217;s Creek*, before *Best in Show*, this beyond hilarious group of gifted improvers and comedians gathered to bring us one of the funniest movies ever made and ushered in the era of the mockumentary. Featuring brilliant improvised performances, endlessly quotable lines, ludicrous musical numbers, and more laughs per minute than 1,000 Tik-Toks, *Waiting for Guffman* is the kind of film that never gets old and only gets better when watched with a crowd. So, don&#8217;t be a bastard person, quit biting your pillow, and stop in to get a Coke and laugh your ass off, because it&#8217;s the day of the show y&#8217;all!

**Picks from the Video Store**:

Need more mockumentaries? Try out these deep cuts from our rental collection!

*Man Bites Dog, Fear of A Black Hat, Smile *(1975)**

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Waiting for Guffman

**Producer**: Darcy McKinnon

Join us in the microcinema for Suzannah Herbert&#8217;s brilliant documentary *Natchez, *an entertaining and eye-opening film about reckoning with the ghosts of the past. This beautifully composed and expertly balanced film captures an unsettling clash between history and memory in a small Mississippi town; a layered mosaic of people contending with the weight of the past in a place where it is always present. Join the eccentric residents of Natchez in their grand mansions where they present a glimpse into an idyllic whitewashed history, and the Black tour guides and homeowners that seek to bring to light the atrocities that plagued the exquisite town for centuries, and the covert and overt racism that persists today. Equal parts amusing and disturbing, we journey through an antebellum tourist destination at a crossroads as it grapples with a deeply troubled history that is so thoroughly ingrained in its present, we’re left to wonder if it’s actually past at all.

Natchez

**Screenwriters**: Weird Al Yankovic,  Jay Levey

**Producers**: John W. Hyde,  Gene Kirkwood

Grab the remote and turn the channel to *UHF*, the one film to properly showcase the idiotic brilliance of Weird Al, and one of the strangest comedies of the 1980s (which is saying a lot for the 80s!) When his uncle hands George Newman (Weird Al) the keys to his flailing UHF (look it up youngsters!) station, George starts to nix the reruns and start making ridiculous and subversive content that finally brings in an audience. But a rival TV executive isn&#8217;t taking the success well and vows to bring down Newman and all his new programming. It&#8217;s goofy, it&#8217;s stupid, it&#8217;s beyond hilarious, it&#8217;s everything you would expect from a Weird Al movie and so much more!

**Picks from the Video Store**:

1989 was a crazy year for film! Check out these 1989 bangers from our video rental collection!

*Teen Witch, Heathers, Weekend at Bernie&#8217;s*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Animated Short Film

*World restoration premiere! *

One of the boldest films of the postwar period to tackle homegrown facism, the independent production, *The Burning Cross*, was the first anti-Klan film to explicitly depict Black Americans as victims of KKK terror on screen. A newly discharged veteran disgruntled by the changes he finds in his small town gravitates to the brutes of a Klan front group, the American Only Association. The brutal realism of the film’s depiction of the rhetoric and tactics culminates in the murder of a Black family burned in their home. The film, however, is not without compromise as an opening prologue restored in this version suggests that the Klan was originally founded by “men of good intentions” who would be betrayed by a corrupt, greedy few. 

Director: Walter Colmes. Screenwriter: Aubrey Wisberg. With: Henry H. Daniels Jr., Virginia Patton, Dick Rich. 

*35mm restored print courtesy of the UCLA Film & Television Archive. Restored by the UCLA Film & Television Archive and The Film Foundation. Restoration funding provided by The Hobson/Lucas Family Foundation.*

Released the year after both *Gentleman's Agreement* (1947) and *Crossfire* (1947) made anti-semitism their explicit subject, this independently produced film noir takes a grittier approach to the social problem despite never mentioning the word, although the implications are clear. Directed by Austrian-born émigre John Reinhardt, *Open Secret* unfolds as a small town mystery with a newlywed couple investigating the disappearance of the friend they’ve come to visit. What they discover is a community so corrupted by hate even children join in victimizing anyone who isn’t “the right kind of people.” Ironically, a sweaty cabal stands behind it all with ambitions to take their violent campaign to the national political stage.

Director: John Reinhardt. Screenwriters: Henry Blankfort, Max Wilk. With: John Ireland, Jane Randolph, Sheldon Leonard. 

*35mm restored print courtesy of the UCLA Film & Television Archive.Preserved by the UCLA Film & Television Archive with funding provided by The Packard Humanities Institute.*

*—Senior Public Programmer Paul Malcolm*

The Burning Cross / Open Secret

**Screenwriter**: Charles M. Schultz

**Producers**: Bill Melendez,  Lee Mendelson

Hop in the raft Snoopy stans, we&#8217;re heading to summer camp with the Peanuts gang! Charlie Brown and his motley crew of dogs, birds, and amateur psychiatrists head to camp to soak up the wilderness and get back to nature. But now they&#8217;ve got to compete in a rafting race, and nothing is going to stop these Peanuts from heading downriver to the finish line &#8211; not bullies, not rapids, and certainly not Charlie&#8217;s hangdog attitude! Young or old, who can deny the nostalgic power of Charles Schultz&#8217;s animated legacy? Don&#8217;t miss the bus to camp and all the fun we&#8217;ll have with Snoopy and the gang!

**Picks from the Video Store**:

Need more Peanuts to bring home for your kiddos or yourself? You can spend every holiday with Charlie and Snoopy with our collection!

*It&#8217;s the Easter Beagle, Charlie Brown, Be My Valentine, Charlie Brown, It&#8217;s the Great Pumpkin, Charlie Brown*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Race for Your Life, Charlie Brown

**Screenwriters**: Isao Takahata, Nosaka Akiyuki

**Producer**: Toru Hara

Join us for Isao Takahata&#8217;s masterwork of animation, a stunning and enduring story of human resilience in the face of the cruelties and personal and universal tragedies of war. Beautifully depicting the real life accounts of survivor Nosaka Akiyuki, this touching film starts in the final days of World War II. After their mother is killed by an American air raid, a family of orphans is forced to survive in a bomb shelter, clinging to their fleeting moments of happiness in their bleak and brutal reality.

**Picks from the Video Store**

Want more Isao Takahata? Our Studio Ghibli section has tons of animated marvels, including these treasures!

*The Tale of Princess Kayuga, My Neighbors the Yamadas, Only Yesterday*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Grave of the Fireflies

**Screenwriter**: Ted Griffin

**Producers**: Adam Fields,  David Heyman

A brilliant-blend of history and horror, cannibalism and dark comedy, Antonia Bird&#8217;s tasty cult classic *Ravenous* will have you hungry for more! Loosely based on the story of the Colorado Cannibal &#8211; who devoured members of his wagon train as they crossed the Oregon trail &#8211; but adding in supernatural elements of Wendigos and vampirism, this is unlike any horror movie you&#8217;ve seen. With beautifully stark wilderness landscapes, a soundtrack from Gorillaz and Blur frontman Damon Albarn, and a stellar cast (including dreamboat Guy Pearce at his tastiest), with a touch of gallows humor, this is one delicious twist on an age-old genre.

**Picks from the Video Store**

Hungry for more period horror? Step back in time with these killer flicks!

*Alucarda, The Pit and the Pendulum, The Witch***

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Ravenous

Los Angeles Filmforum presents *Femme Grotesquerie!* In person: Jenny Nirgends and curator Sam Gurry.

Full film lineup and notes at: https://www.lafilmforum.org/schedule/

∆

*Desires that curdle. / Ambitions that molt. / Girlhood morphed into menace, myth, and power.*

*Femme Grotesquerie* is a collection of ten contemporary experimental animation short films showcasing femininity as something unruly, excessive, and emboldened. Featuring a variety of mediums including direct animation, stop motion, and digital 2D, these films depict worlds lived, imagined, subverted, or reclaimed. Here, femininity is not decorative or contained but pushed to its edges: raw, acute, tender, funny, and volatile. From the animated porcelain puppets of *On Weary Wings Go By* to the glitter-bombed 16mm of *Moon Cycle (2023-2024)*, these films stage feminine aesthetics and narratives as something to be wielded, distorted, reclaimed, and reimagined on the animators’ own terms.

Join us to delight in the animated image and that strange pleasure of watching light, rupture, and reform. Contemporary international animated films by Justine Lai, Alice Bloomfield, Anu-Laura Tuttelberg, Amy Lockhart, Victoria Vincent, Sofia Carillo, Sophie Koko Gate, Jenny Jokela, Louise Flaherty, and Jenny Nirgends.

Notes and Program by Sam Gurry.

LA Filmforum: Femme Grotesquerie

Documentary Short Film

When a machine that allows therapists to enter their patient&#8217;s dreams is stolen, all hell breaks loose. Only a young female therapist can stop it and recover it before damage is done: Paprika.

Paprika

**Conceiving Ada** (1997) is a sci-fi drama directed by artist and filmmaker **Lynn Hershman Leeson**. The film follows a computer scientist who attempts to communicate with 19th-century mathematician **Ada Lovelace** through experimental technology, drawing connections between early computing, memory, and authorship.

Starring **Tilda Swinton**, Francesca Faridany, and Karen Black.

The film will be introduced in person by Los Angeles writer and critic

Jori Finkel!

Conceiving Ada

Brain Dead Studios

Do you like to draw? Join us for this fun, drop-in drawing event where participants of all ages and skill levels discover the joy of drawing from live, costumed models. Guest artists offer guidance and materials are provided—just bring your curiosity and creativity. 

Getty Drawing Days

Join artist Peter Zokosky for live drawing demonstrations. Meet the artist, ask questions, and discover different materials and techniques for drawing people. 



Artist-at-Work: Figure Drawing

*Preserved by UCLA from original 2 in. video master! *

In a celebrated career spanning over four decades, Academy Award winner Gene Hackman (1930–2025) became recognized as one of the finest American actors of the New Hollywood era. A native Californian who relocated to New York to pursue acting in the late 1950s (with roommates Dustin Hoffman and Robert Duvall), Hackman toiled for over a decade off and on Broadway, and in dozens of small parts on film and television. By 1968, in between his star-making turns in the iconic features *Bonnie and Clyde* (1967) and *The French Connection* (1971), Hackman landed the lead role in the prestigious television anthology *CBS Playhouse*, in the installment, “My Father and My Mother.” 

Virtually unseen since its original broadcast, “My Father and My Mother” concerns a writer (Hackman) as he struggles to come to terms with decisions made in the care of his son with an intellectual disability. In seeking answers to his deep emotional crisis, the writer revisits his past, attempting to reconcile painful memories of his late parents (Ralph Bellamy, Jane Wyatt). An obscure footnote in Hackman’s oeuvre, the expressionistically staged drama (videotaped at CBS Television City) represents a creative high point in the actor’s television resume, revealing a performance of psychological depth uncommon to the small screen. In its review, the *Los Angeles Times* hailed Hackman as “outstanding,” noting the production was “... 90 minutes of thoughtful, well-played drama, of which there is much too little on TV these days.” 

*Programmed and notes written by John H. Mitchell Television Curator Mark Quigley.*

*With original commercials *

DCP. CBS. Production CBS. Executive Producer: Barbara Schultz. 

Producer: George Schaefer. Director: George Schaefer. Writer: Robert Crean. With: Gene Hackman, Ralph Bellamy, Jane Wyatt. 

*Preserved by the UCLA Film & Television Archive. Engineering services by CBS Media Exchange. **Episode from CBS Playhouse - Courtesy of CBS Broadcasting Inc.*

Tribute to Gene Hackman: CBS Playhouse: “My Father and My Mother”

Intro to Leatherworking

While making a small accessories pouch, learn the basics of working with leather. This will cover different types of leather, terms and tools for working with chrome tanned pieces. This is a hands class on with sharp tools and Sharpies and is intended for beginners 14 years and older. Leave the class with a new appreciation for leather and take home a small finished pouch and a pattern to make more if you fall in love with the craft!

For more work by C&J Goods visit...

[http://www.candjgoods.com](http://www.candjgoods.com/)

Intro to Leatherworking w/ C & J Goods (3/8)

Heavy Manners Library

**Screenwriter**: Walter Bullock

**Producer**: William LeBaron

One of the most eye-popping musicals of the golden era, this surreal dazzler is what you get when you mix Busby Berkeley, Carmen Miranda, and Technicolor &#8211; an absolute feast for the eyes replete with human kaleidoscopes, enormous bananas and tons of fun! A WWII era frivolity focusing on the joys that song and dance can see us through the worst of times, this stunner was Berkeley&#8217;s first foray into color and his magnum opus of jaw-dropping musical numbers, costumes and set-pieces. As a soldier departs to the Pacific for duty, he&#8217;s caught between two women, the one his family wants him to marry and the brassy showgirl he&#8217;s in love with. Throw in the iconic Carmen Miranda, the legendary Benny Goodman and his orchestra, and dozens of women decked out in fruit and you&#8217;ve got a musical that is equally for the kiddos, the cinephiles, and the drag queens!

**Picks from the Video Store**

Take home more Busby Berkeley tonight &#8211; your eyeballs will thank you!

*Dames, Gold Diggers of 1933, Footlight Parade*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Gang’s All Here

**Producer**: Frederick Wiseman

Vidiots remembers the vast legacy of **Frederick Wiseman** with a special screening of the captivating documentary classic *High School*.

What really happens inside the walls of an American high school? Famed documentarian Frederick Wiseman answers that question in this peek inside Philadelphia&#8217;s Northeast High School, where the students constantly clash with the teachers, and the teachers wage their own battle against the administration. Delving into the everyday struggle the teachers face to discipline their unruly charges, the documentary offers a glimpse into the highs and lows at an urban public school.

**Picks from the Video Store**

Take home six decades worth of Frederick Wiseman – including these treasures

*Titticut Follies, Model, Welfare, The Store, Meat*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

High School

**Screenwriters**: Fernando Trueba,  Ignacio Martinez de Pison

**Producers**: Cristina Huete,  Santi Errando,  Martin Pope

Head with us down to Cuba for some romance and music in this magnificently animated treasure. Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey &#8211; in the tradition of the Latin ballad, the bolero &#8211; brings heartache and torment.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Chico & Rita

Live Action Short Film

### **ABOUT THE FILM: **

The highly anticipated follow up to the smash hit GREASE, Michelle Pfeiffer dazzles in a role that helped launch her to stardom and Maxwell Caulfield shines in his feature film debut. The two star as high school students from very different backgrounds who find love despite the expectations of everyone around them. This upbeat and campy ode to teenage romance dances to its own beat, gaining fans and cult-movie status four decades later.

FORMAT: DCP

DISTRIBUTOR: Paramount

COUNTRY: USA

Introduction by actor and fitness instructor Angie Shriner ‘Cinematic Void’

Cinematic Void Presents GREASE 2

**Screenwriters**: George Lucas, Walter Murch

**Producer**: Larry Sturhahn

Vidiots remembers the life and legacy of the remarkable **Robert Duvall** with a special screening of the dystopian cult classic *THX 1138*.

Join us for George Lucas&#8217; dystopian debut feature film, the evocative and unnerving *THX 1138*. Adapted from Lucas&#8217; student film, this bleak science fiction cult classic imagines a world where free will and love are outlawed. In the future, mankind lives in vast underground cities and free will is outlawed by means of mandatory medication that controls human emotion. But when THX 1138 (Robert Duvall) and LUH 3417 (Maggie McOmie) stop taking their meds, they wake up to the bleak reality of their own existence and fall in love with each other in the process. But love is also illegal in this Orwellian dystopia, and the act of making love has made both of them outlaws on the run from an army of robotic police.

*Original Cut

**Picks from the Video Store**

Want to bring home more Robert Duvall on physical media? We&#8217;ve got 6 decades worth for you!

*The Great Santini, The Twilight Zone: Miniature, The Seven Percent Solution*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

THX 1138

Described as the “unacknowledged love child of Walerian Borowczyk, Kenneth Anger, and Jean Cocteau,” **Bertrand Mandico** is a prolific and singular filmmaker. He has directed over forty short films, medium-length works, TV commercials, musical films, and features, and co-created the *Incoherence Manifesto* with Icelandic filmmaker Katrín Ólafsdóttir.

Central to Mandico&#8217;s methodology is shooting on expired film stock (16mm, 35mm, or Super 8), relying exclusively on in-camera special effects, and filming without sound, with all sound constructed in post-production. *The Wild Boys* marks Mandico’s debut feature and sends audiences on a transgressive, gender-bending (and genre-bending) surreal voyage—what the filmmaker describes as a “Robinson Crusoe–style adventure à la Jules Verne and William Burroughs.”

*The Wild Boys* tells the story of five adolescent boys—each played by actresses—who are enamored with the arts yet irresistibly drawn toward crime and transgression. After committing a brutal act, aided by TREVOR, an uncontrollable deity of chaos, they are punished by being forced aboard a ship captained by a man determined to discipline their ferocious appetites.

Stranded on a lush and dangerous island where pleasure and peril coexist, the boys begin to undergo profound transformations of both mind and body. Shot in sumptuous 16mm and brimming with eroticism, gender fluidity, and dark humor, *The Wild Boys* is a hallucinatory coming-of-age odyssey that lingers long after the screen fades to black.

**Preceded by a short film by Bertrand Mandico.**

PHANTASMAGORIA presents THE WILD BOYS

**Producers**: Eli Timoner, Maggie Contreras

Vidiots welcomes filmmaker **Ondi Timoner** for a special free screening of her short documentary All the Walls Came Down about the impact and aftermath of the Eaton Fire.

When the L.A. fires destroyed filmmaker Ondi Timoner’s home, she returned from a shoot abroad to find her beloved town of Altadena in ruins and neighbors facing displacement. The first film of its kind about these fires, “All the Walls Came Down” follows activist Heavenly Hughes and the community as they rally in solidarity, revealing remarkable resilience amid climate catastrophe.

Please note that this screening is first-come-first-served, and your RSVP does not guarantee entry. As we are hoping to accommodate as many people as possible, all free screenings are overbooked to account for no-shows. We recommend an early to on-time arrival, we may not be able to accommodate late entries. 

**Accessibility Options**: Amplified Audio, please see the box office for devices.

All the Walls Came Down

**Screenwriter**: Ousmane Sembène

**Producer**: André Zwobada

Ousmane Sembène, one of the greatest and most groundbreaking filmmakers who ever lived and the most internationally renowned African director of the twentieth century, made his feature debut in 1966 with the brilliant and stirring *Black Girl (La noire de* . . .). Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plot—about a young Senegalese woman who moves to France to work for a wealthy white couple and finds that life in their small apartment becomes a figurative and literal prison—into a complex, layered critique on the lingering colonialist mindset of a supposedly postcolonial world. Featuring a moving central performance by Mbissine Thérèse Diop, *Black Girl* is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Black Girl

Ryōsuke Yoshii, an ordinary reseller, carelessly earns grudges by people and becomes entangled in a life-threatening struggle.

Cloud

Join us at the PRS for an intimate evening celebrating the release of the Spirit Guide Portal Oracle Deck.

Spirit Made Visible - The Spirit Guide Portal Oracle Release

**Screenwriter**: Jane Campion

**Producers**: Jan Chapman,  Caroline Hewitt

Swoon away with us in the gorgeous romance of Jane Campion&#8217;s subtle and sumptuous period piece about the thrall of love and its effect on great art. In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.

Bright Star

### **ABOUT THE FILM:**

Rose, an aspiring actress, checks into a remote California motel, seeking solace from the chaos of her life. But the walls of the motel pulse with the echoes of her past—each room a distorted reflection of her fears, desires and regrets. As reality warps and fractures, Rose must confront the haunting specters of her trauma, identity and the oppressive forces that have shaped her existence.

Julie Pacino’s feature debut is a visually arresting journey into the labyrinth of the female psyche. Shot on 35mm, I LIVE HERE NOW blends surrealist horror with psychological depth, drawing comparisons to Lynchian narratives and films like BLACK SWAN. With a standout performance by Lucy Fry, this film is a haunting exploration of self-worth, autonomy and the shadows that linger within.

FORMAT: 35mm

DISTRIBUTOR: Utopia

COUNTRY: USA

Q&A with filmmaker Julie Pacino and actor Sheryl Lee Advance Screening

I LIVE HERE NOW

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

**Writer/Producer**: Agnès Varda

Agnès Varda’s extraordinary late-career renaissance began with this wonderfully idiosyncratic, self-reflexive documentary in which the ever-curious French cinema icon explores the little-known world of modern-day gleaners: those living on the margins who survive by foraging for that which society throws away. Embracing the intimacy and freedom of digital filmmaking, Varda posits herself as a kind of gleaner of images and ideas, one whose generous, expansive vision makes room for ruminations on everything from aging to the birth of cinema to the beauty of heart-shaped potatoes. By turns playful, philosophical, and subtly political, *The Gleaners and I *is a warmly human reflection on the contradictions of our consumerist world from an artist who, like her subjects, finds unexpected richness where few think to look.

**Picks from the Video Store**:

Craving more fascinating documentaries? Try out these unsung gems!

*Sherman&#8217;s March, Off the Charts, The Dancing Outlaw*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

The Gleaners and I

*North American premiere of new director’s cut*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik With: Coss Marte, Syretta Wright, Derek Drescher.

As Conbody’s profile rises with increased media attention, Coss works to find investors and secure a permanent space.

DCP.

Conbody trainer Shane hits a setback and Coss and the team pitch in to help. 

DCP.

Syretta starts as a trainer at Conbody after her recent return home from prison. Coss supports his younger brother’s first run for City Council.

DCP.

*—Public Programmer Beandrea July*

Conbody vs Everybody: Episodes 1–3

**Screenwriter**: Michel Franco

**Producers**: Michel Franco,  Alexander Rodnyansky,  Eréndira Núñez Larios

Join us in the microcinema for Michel Franco&#8217;s shocking new tense and sensual provocation starring Jessica Chastain and Isaac Hernández. A powerful socialite and a promising ballet dancer begin a dangerous affair. When he crosses the US-Mexico border and lands a starring role in the local ballet company, she takes desperate measures to protect their future together as well as her comfortable and privileged existence. Sexy, timely, and sobering, this disquieting gem will take you on a ride of emotions from lust to disgust with an ending that will haunt you for days.

Dreams

**Screenwriter**: Hype Williams

**Producers**: Larry Meistrich,  Ron Rotholz,  Robert Salerno,  Hype Williams, Avram &#8220;Butch&#8221; Kaplan

Get ready for DMX and Nas to take over the streets in Hype Williams&#8217; visually stunning crime drama. The only feature film in Hype Williams&#8217; storied career of directing over 200 music videos, after literally making a name for himself through graffiti, *Belly* goes beyond the average street drama. Tommy Bundy and Sincere are best friends as well as infamous and ruthless criminals and shot-callers in the hood. Respected by many but feared by all. As the police are closing in on them and new players are looking for a come up, will their reign last?

**Picks from the Video Store**

Looking for more films with Hip Hop royalty? We&#8217;ve got these bangers and so many more!

*High Life* (André 3000), *Set it Off* (Queen Latifah), *How High?* (Method Man and Redman)

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Belly

Project Hail Mary - 70mm Early Access

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

Breathless

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic &#8220;games&#8221; with one another for their own amusement.

Funny Games

Selected Shorts: Virtue & Vice

*New director’s cut*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik With: Coss Marte, Syretta Wright, Derek Drescher.

As Conbody’s profile rises with increased media attention, Coss works to find investors and secure a permanent space.

DCP.

Conbody trainer Shane hits a setback and Coss and the team pitch in to help. 

DCP.

Syretta starts as a trainer at Conbody after her recent return home from prison. Coss supports his younger brother’s first run for City Council.

DCP.

*—Public Programmer Beandrea July*

*North American premiere of new director’s cut
*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik. With: Coss Marte, Syretta Wright, Derek Drescher.

Coss celebrates five years home from prison. The team changes locations and new trainers join the team. Coss grows increasingly frustrated with reluctant investors. Includes an appearance by late actor Michael K. Williams.

DCP.

Coss and the CONBODY team navigate the COVID-19 pandemic and the subsequent Black Lives Matter protests as they take hold in New York City. Coss’ brother takes another run at City Council. Coss and his girlfriend Roxie take a step forward together.

DCP.

*—Public Programmer Beandrea July*

Conbody vs Everybody: Episodes 4–5

**Screenwriters**: Robert Gordon,  Daniel Handler

**Producers**: Albie Hecht,  Laurie MacDonald,  Walter F. Parkes

After the three young Baudelaire siblings are left orphaned by a fire in their mansion, they are carted off to live with their distant relative, Count Olaf (Jim Carrey). Unfortunately, Olaf is a cruel, scheming man only after the inheritance that the eldest Baudelaire, Violet (Emily Browning), is set to receive. The children escape and find shelter with their quirky Uncle Monty (Billy Connolly) and, subsequently, their phobic Aunt Josephine (Meryl Streep), but Olaf is never far behind.

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Lemony Snicket’s A Series of Unfortunate Events

**Screenwriters**: Collier Young, Ida Lupino

**Producer**: Collier Young

A taut and unnerving classic from Ida Lupino. Roy and Gilbert&#8217;s fishing trip takes a terrifying turn when the hitchhiker they pick up turns out to be a sociopath on the run from the law. He&#8217;s killed before, and he lets the two know that as soon as they&#8217;re no longer useful, he&#8217;ll kill again. The two friends plot an escape, but the hitchhiker&#8217;s peculiar physical affliction, an eye that never closes even when he sleeps, makes it impossible for them to tell when they can make a break for it.

The Hitch-Hiker

**Screenwriter**: David Loughery

**Producer**: Will Packer

Are you ready to fight to the death with Beyoncé in the boots with the fur? The catfight&#8217;s just getting started in this slick and satisfying thriller of lust, loyalty, and pining after Idris Alba! Things couldn&#8217;t be better for Derek Charles. He&#8217;s just received a big promotion at work, and has a wonderful marriage with his beautiful wife, Sharon. However, into this idyllic world steps Lisa, a temporary worker at Derek&#8217;s office. Lisa begins to stalk Derek, jeopardizing all he holds dear. You&#8217;ve seen the plot before, but you have never seen it with the ultimate Ali Larter/Beyoncé duel that set the world on fire!

**Picks from the Video Store**

Remember when Beyoncé was everywhere in Hollywood? You can take home all her starring roles tonight on physical media!

*Austin Powers: Goldmember, Cadillac Records, Carmen: A Hip Hopera***

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Obsessed

Don't Look Back

When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance.

Atropia

Movie theater chain established in 1938 showcasing the latest independent, foreign & art films.

Widely regarded as the greatest motion picture ever made, Citizen Kane tops the American Film Institute's list of the 100 Greatest American Films of All Time. Orson Welles' groundbreaking 1941 debut remains a towering achievement in cinema – innovative, daring, and endlessly influential. STUDENTS FREE with valid ID.

This unique screening will be hosted by filmmaker Stanley Sheff, who worked closely with Welles as a collaborator, editor, and un-credited co-director on his unsold TV pilot The Orson Welles Show. Sheff will share stories from their professional collaboration and personal friendship, giving audiences a rare first-hand glimpse into the private world of Orson Welles.

    Conversations about Citizen Kane and its lasting impact
    Inside stories from the unsold TV pilot The Orson Welles Show
    Personal memories that reveal Welles' humor, charm, and presence

CITIZEN KANE

Fine Arts Theatre

An evening w/ filmmaker Hazel Hill McCarthy III & artist Alejandro García Contreras, featuring two fascinating & vibrant ethnographic docs!

BIGHT OF THE TWIN (2016) feat. Genesis P-Orridge + VIA CRUXIS (2024)

**Screenwriters**: Louise Peter,  Mascha Schilinski

**Producers**: Lucas Schmidt,  Lasse Scharpen

Join us in the microcinema for the utterly gorgeous bleak beauty of Mascha Schilinski’s meditative and transcendent *Sound of Falling*. Fragments from a hundred years in one farmhouse coalesce into a cinematic flood of memory with exquisite painterly cinematography and expertly disquieting sound design. 

This Cannes Jury Prize-winning masterpiece tracks the lives of four adolescent girls (Alma, Erika, Angelika, Lenka) across the last century – their desires and distress, their secrets and truths, their encounters with another’s gaze and defiant gaze in return. Though separated by time, far-reaching resonances emerge as echoes of experience linger.

Sensual and sensory, this awe-inducing Cannes prizewinner invites audiences to witness an eternal summer, a constant now, and ask: what is looking back at us from the past – or perhaps even from the future?

*“It knocks you off your feet and then sweeps you up again”* &#8211; The New Yorker

*“Mascha Schilinski’s superb feature is a masterclass in ethereal, unnerving brilliance”* &#8211; Deadline

*★★★★ “Marvelously tells a century’s worth of women’s stories by weaving together the psychological, the physical, and even the spiritual”* &#8211; Observer

Sound of Falling

**Screenwriters**: Clodualdo Del Mundo Jr., Raquel Villavicencio, Mike De Leon

**Producers**: Simon C. Ongpin, Charo Santos-Concio

Vidiots and community partners [A Bunch of Savages](https://www.abunchofsavages.com/about) remember the life and legacy of filmmaker **Mike de Leon** with an ultra-rare screening of his sinister masterpiece *Kisapmata*.

Considered one of the greatest Filipino films of all time, this psychological true-crime horror from Mike de Leon is an unnerving masterpiece from one of the greats of Filipino cinema. When Newlyweds Mila and Dadong are coerced into moving back in with her family, all the secrets that have been stifled for years begin to come to light, ending in an explosive climax. Eternally shocking, and increasingly rare, don&#8217;t miss your only chance to see this masterpiece on the big screen!

**A Bunch of Savages** is a creative collective in Los Angeles, California. We are unapologetically Filipino-American with a knack for premium multifaceted storytelling in the arts. Toss your KPIs out the window because we have one bonafide intention &#8211; To do cool sh*t that matters. If anyone asks, we’re a collective of dreamers, filmmakers, writers, and creatives with a commitment to empowering the next generation of artists. Our name comes from a phrase used to describe the Filipinos in 1899 by then Gov. Theodore Roosevelt.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Kisapmata (In the Wink of an Eye)

I, Madman

**Shadow Kitchen presents ‘Mixtape’ at Whammy!** - A program of short narrative, non-fiction, experimental and music video works by the collective of artists that make up the programming body of Shadow Kitchen. Featuring works by Anderson Matthew, Alex the Brown, Trevor Byrne, Sue Ding, Elenie Chung, Norbert Shieh, Maya E. Rudolph, Sean Huntley, and Tempe Hale. Filmmakers in attendance.

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These nine Los Angeles based filmmakers move across California to China, Norway and Argentina in an evening program that examines intimacy and spectacle, consciousness and catharsis, memory and dreams.

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Elenie Chung’s *Citric Acid* traces the slow fracture of an artistic bond under the pressure of competition, unfolding with quiet tension and striking subtlety. Tempe Hale’s *Pick Up the Stick* explores sibling intimacy through road trip footage and improvisation, while Maya E. Rudolph’s *ICEBERG* captures the emotional dissonance of youth caught between music, family obligation, and the ache of first love in a hazy Beijing summer.

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Several works interrogate how private lives are entangled with broader systems of power, history, and spectacle. Norbert Shieh’s essay film *Two Miles East* revisits a military jet crash to meditate on suburban life, militarization, and the myth of paradise. Alex the Brown’s *Apologia* reframes public apologies by powerful figures through analog video manipulation, exposing the hollow choreography of accountability, while Sue Ding’s *A Spectacle of Her Appetites* uses found footage to explore an emotional spectrum of appetite.

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Threaded throughout the program is an interest in how memory is recorded, distorted, and performed. Trevor Byrne’s *Indelible Laughter* excavates male camaraderie through humor as both bonding ritual and mask. Sean Huntley’s *Lapse* destabilizes perception through horror and photography, while Anderson Matthew and Satira’s *Madre de los Descalzos* reinterprets an Argentinian folkloric figure through a queer lens, in a fever-dream convergence of music video as experimental film.

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## WEDNESDAY, 2/257:30 DOORS8:00 SCREENING

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*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*

MIXTAPE, pres. by Shadow Kitchen

WHAMMY!

Lightstruck presents Ulrike Ottinger’s *TAIGA: A Journey to Northern Mongolia*. 501 minutes, English subtitles. 12 noon start time, with two breaks. The film will conclude at approximately 10pm.

Snacks, coffee and tea will be provided, as well as some dinner at the evening break, for a suggested donation.

Digital restoration courtesy of Arsenal with thanks to Carsten Zimmer, Reinhild Feldhaus, and especially Ulrike Ottinger.

∆

“Taiga is an experience that causes us to think about why we live as we do, what it is to be human, and what is important in life.” (Roger Ebert)

Lightstruck is extremely excited to present a truly epic cinematic experience, as we screen Ulrike Ottinger’s nearly 8.5-hour, immersive documentary *Taiga* (1992) in a special all-day screening.

Known for her meticulously crafted experimental narrative films infusing political radicalism with a rich, surrealist opulence, German artist Ulrike Ottinger has also produced a singular body of memorable nonfiction work, though perhaps none so monumental – and mesmerizingly beautiful – as *Taiga*.

During an extended period spent in Northern Mongolia through multiple seasons, Ottinger approached ethnography in a radically different way, rejecting authoritative narrativizing or presumptuous didacticism. The extended length of the film reflects Ottinger’s larger impulse and approach in this project: to spend time – unadulterated, attentive time – with the Northern Mongolians she had befriended, and to enable their own distinctive approach to time and space in everyday life dictate the scale and pace of the film.

Over ten parts and 38 chapters, we see a seance, two weddings, preparation of foods, wrestling contests, music performances, storytelling sessions, and countless other events large and small, yet all equally defining the overall year-to-year and day-to-day experiences of nomadic life in the Darkhad Valley of Northern Mongolia. The film succeeds so brilliantly in part because of the unapologetically and earnestly fascinated gaze with which Ottinger documents what she sees, and the clear love for and engagement with people that the filmmaking reflects.

“I tried to explain my wish, which was to record a way of life that no longer exists in the place where I’ve come from, in order to show the document to the people back home, who are very interested in the nomadic ways. At first this puzzled them, but then they thought, Yes, indeed, we too would be interested to know how your people live…” (Ulrike Ottinger)

Lightstruck: Ulrike Ottinger’s TAIGA (1991/92)

“Like Van Gogh, Fleischer Studios, Robert Crumb, YELLOW SUBMARINE and the abstract-thought section of Pixar’s INSIDE OUT smooshed into a great lysergic cake.” – The Guardian

A superlative animated musical discovery! Touching on a wide range of styles from 1920s Art Deco to 1960s Psychedelia and 1970s Roxy Music-style decadence, BUBBLE BATH is a hypercolored yet relatable Eastern European avant-garde opera about dating problems. This irresistible experience charts the romance between medical student Anikó (a more curvaceous post-modern Betty Boop) and shop window decorator / stoned hippie alleycat Zsolt: both unsure of their attraction to each other, the choices they’ve made and what life has in store for them.

Bubble Bath

&#8220;Rude in the way the truth is rude &#8212; only funnier. The movie seduces with its humor, all the while presenting a realized vision of a harsh, absurd world.&#8221;

— Mick LaSalle, SAN FRANCISCO CHRONICLE
Reese Witherspoon as potty-mouthed white trash Vanessa Lutz is among her most underrated roles. In this modern take on Little Red Riding Hood, Kiefer Sutherland plays the not subtly named Bob Wolverton, a serial killer who meets his match in Vanessa, a fifteen year old on her way to her grandmother’s after her parents are both arrested. Bob picks her up hitchhiking, gains her trust and then reveals himself &#8211; but Vanessa is sharp and quick, shooting him and leaving him for dead. Trouble is, he doesn’t die, and instead she finds herself on trial. Can this bad behaving juvenile delinquent win against a well-respected school counselor? You better believe she won’t go down without a fight! Written and directed by Matthew Bright, best known as the screenwriter for FORBIDDEN ZONE, FREEWAY is impressive and often hilarious with a great support cast including Brooke Shields, Amanda Plummer and Dan Hedaya. (Cristina Cacciopo)

Freeway

Vidiots invites you to don your red carpet best and join us for a big-screen viewing of Hollywood’s most glamorous and award-winning night. Behold the iconic fashion, see the musical acts, cry at the acceptance speeches, and cheer as your favorites win big. We’ll have fun raffles during commercial breaks, cheeky bingo, and lots of photo ops on our pink carpet, hosted by drag performer **Anya Body**. Join us for an unforgettable time and share the magic of movie-making’s biggest night with your fellow Vidiots. Black tie attire encouraged, not required.

Doors will open/ Pink Carpet will begin at **2:00pm** with the Televised Pre-Show on the big screen!

The awards show will begin at **4:00pm**

[Submit your ballots](https://docs.google.com/forms/d/e/1FAIpQLSe5QMMThpLRjfUwpqQsxxK2WRF136Qk8uUeyBSS68ZaM64Rhg/viewform) before **4:15pm** to be eligible for prizes!

This evening is a fundraiser for the Vidiots Foundation and ticket prices are suggested donations – no one will be turned away for lack of funds.

All paid tickets will come with reserved seating, free tickets will be first-come first-served.

###### This event is not sponsored by or affiliated with the Academy of Motion Picture Arts and Sciences.

Vidiots Presents: That Awards Show

### **ABOUT THE FILM:**

Set in 1994, a record producer, Boogalow (Vladek Sheybal) seduces young folksinger duo Bibi (Catherine Mary Stewart) and Alphie (George Gilmour) into becoming part of his stable of musical stars kept in line with sex and drugs.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA/West Germany

Cinematic Void Presents THE APPLE

Screenwriter: Lucrecia Martel

Producers: Vânia Catani,  Benjamín Doménech,  Santiago Gallelli

Join us for Lucrecia Martel&#8217;s brilliant and meditative examination of colonialism, a bleakly funny and oft surreal historical drama. Zama, an officer of the Spanish Crown born in South America, waits for a letter from the King granting him a transfer from the town in which he is stagnating, to a better place. His situation is delicate. He must ensure that nothing overshadows his transfer. He is forced to accept submissively every task entrusted to him by successive Governors who come and go as he stays behind. The years go by and the letter from the King never arrives. When Zama notices everything is lost, he joins a party of soldiers that go after a dangerous bandit.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Zama

**Screenwriter**: Lina Wertmüller

**Producer**: Arrigo Colombo, Lina Wertmüller

The first film to garner an Oscar nomination for a woman director, Lina Wertmüller&#8217;s masterful and provocative concentration camp sex comedy (yes, you read that right) is one of the director&#8217;s greatest works; magnificently weaving audaciousness and true human pathos into a masterpiece of world cinema. Wertmüller regular &#8211; the incredibly facile Giancarlo Giannini &#8211; plays Pasqualino Frafuso, known in Naples as &#8220;Pasqualino Seven Beauties,&#8221; a petty thief who lives off of the profits of his seven sisters while claiming to protect their honor at any cost. After a series of terrible choices and a stint in Mussolini&#8217;s army, he is eventually sent to a concentration camp where he plots to make his escape by seducing a German officer, played by Shirley Stoler (*The Honeymoon Killers*). Controversial from the jump, and funnier than any film about Nazis has a right to be &#8211; with absurdity at every corner along with staggering human truths &#8211; and stunning production design by Enrico Job, it&#8217;s the perfect time to rediscover this treasure of Italian cinema from one of the world&#8217;s greatest overlooked directors.

**Picks from the Video Store**:

Need more Lina? We&#8217;ve got a whole Lina Wertmüller director&#8217;s section with all of her most provocative films!

*The Seduction of Mimi, Love and Anarchy, Summer Night*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Seven Beauties

This unique series is hosted by filmmaker Stanley Sheff, who worked closely with Welles as a collaborator, editor, and un-credited co-director on his unsold TV pilot The Orson Welles Show. Sheff will share stories from their professional collaboration and personal friendship, giving audiences a rare first-hand glimpse into the private world of Orson Welles.Doors at 7pm, show at 7:30pm and film at 8pm.

Tonight's show: THE MAGNIFICNET AMBERSONS The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end.

MAGNIFICENT AMBERSONS

Monthly short film festival. Watch and vote. Audience award to the best short film each month. Annual championship in DECEMBER.

MOVIE SCREENERS CLUB (Thu. 2/19) 7:30pm

Bring a project you've been working on or try one of ours!

Presented by Sunday Scaries Art Club.

6-8pm

FREE! Some materials provided. First come, first serve.

Art Night at Scribble

Scribble

**Screenwriters**: Thomas Lee Wright,  Barry Michael Cooper

**Producers**: George Jackson,  David McHenry

Vidiots is thrilled to welcome the legendary multi-hyphenate **Mario Van Peebles** for a special screening of his directorial debut film *New Jack City* followed by a conversation with **Van Peebles** and **Santi Elijah Holley, **the author of *An Amerikan Family: The Shakurs and the Nation They Created, *and a forthcoming book on Melvin Van Peebles and independent Black cinema.

Mario Van Peebles remixes the blaxploitation genre for the 1990s in this gritty gangster flick. The Cash Money Brothers with kingpin Nino Brown (Wesley Snipes) at their helm run the steets and drug trade of New York City. Two hard-nosed NYPD officers (Ice-T and Judd Nelson) have got to go undercover to bring down the pushers and save the streets of Harlem from the crack epidemic. An electric debut that helped usher in the urban gangster wave of the 1990s, with a killer soundtrack, and tons of cameos from Fab Five Freddy, Flava Flav, Eek-a-Mouse, and Keith Sweat, to name a few, *New Jack City* is an intoxicating crime classic, best enjoyed big and loud!

**Accessibility Options**: Amplified Audio, please see the box office for devices.

New Jack City

“What do I get out of this?” asks Andy Griffith’s “Lonesome” Rhodes of Patricia Neil’s radio producer touring an Arkansas jail for local musical talent. In his rise to fame and influence, Rhodes’ narcissistic motivation remains the same throughout *A Face in the Crowd*, no matter what Everyman platitudes people project on him. Radio gets him started but television is the new medium that vaults him to the pinnacle of political power. With McCarthyism still in the air, director Elia Kazan and screenwriter Budd Schulberg pitch a darker take on populism than Frank Capra’s in Meet Doe Joe, but they still share a faith in the American public’s natural resistance to authoritarian appeals that, for all the film’s prophetic bone fides, feels naive in retrospect.*—Senior Public Programmer Paul Malcolm*

Director: Elia Kazan. Screenwriter: Budd Schulberg. With: Andy Griffith, Patricia Neal, Anthony Franciosa. 

*35mm preservation print courtesy of the UCLA Film & Television Archive. Preserved by the UCLA Film & Television Archive with funding provided by The Film Foundation and the Hollywood Foreign Press Association.*

A Face in the Crowd

Rio de Janeiro, 1964. After suffering the end of a love affair, G.H., a sculptress from Copacabana’s artistic elite, decides to clean her apartment by herself, starting with the maid’s room. The day before, the maid had quit. In the room, G.H. faces a huge cockroach that reveals her own horror of the world, a reflection of a society full of prejudice against beings it treats as subordinate. Facing the insect, G.H. descends into an existential Via Crucis. This experience leads to the loss of her identity and makes her question all conventions that imprison females to this day. Based on a novel by Clarice Lispector.

The Passion According to G.H.

Now Instant Image Hall

**Screenwriter**: David Lynch

**Producer**: Fred C. Caruso

David Lynch&#8217;s seductive suburban masterpiece still sizzles with surreal menace.  Kyle MacLachlan is Jeffrey &#8211; your everyday college boy back home for a summer with the folks in an idyllic enclave of upper middle-class America. A gruesome discovery in a field leads him into a nightmare world right behind the white picket fences. With signature Lynchian style and phenomenal performances from Dennis Hopper, Isabella Rossellini, and Laura Dern, it’s the kind of nightmare you won’t want to wake up from.

**Picks from the Video Store**

Check out our David Lynch director&#8217;s section for all of the maestro&#8217;s masterpieces including:

*Lost Highway, Wild at Heart, Eraserhead*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Blue Velvet

**Screenwriter + Producer**: John Boorman

Vidiots is amped to welcome **Kumail Nanjiani **and** Emily V. Gordon** for a screening of John Boorman&#8217;s speedo-clad sci-fi cult classic *Zardoz*!

Strap on your red speedo and your ammunition holster, comb your mustache AND your ponytail and get ready to head into the far future with John Boorman&#8217;s science fiction epic *Zardoz*! With giant stone heads that vomit rifles to penis-hating immortals that hold all the world&#8217;s knowledge, to one of the most iconic wardrobe choices in cinema history, *Zardoz* continues to deliver the goods, one God-Wizard at a time!

**Picks from the Video Store**

Craving more strange sci fi? Check out these bangers from our video rental collection!

*Looker, Liquid Sky, The Final Programme***

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Zardoz

98th Oscars Animated Feature Film Winner

98th Oscars Best Picture Winner

Infinite Space, a documentary feature film, traces the lifelong quest of visionary genius John Lautner to create “architecture that has no beginning and no end.” It is the story of brilliance and of a complicated life – and the most sensual architecture of the 20th century.

Infinite Space: The Architecture of John Lautner

After losing an acting role and his girlfriend, Jake Scully finally catches a break: he gets offered a gig house-sitting in the Hollywood Hills. While peering through the beautiful home&#8217;s telescope one night, he spies a gorgeous woman dancing in her window. But when he witnesses the girl&#8217;s murder, it leads Scully through the netherworld of the adult entertainment industry on a search for answers—with porn actress Holly Body as his guide.

Body Double

Special thanks to our community partners: *[UCLA AMIA Student Chapter](https://uclaamia.wordpress.com/)*, [UCLA Department of European Languages and Transcultural Studies](https://elts.ucla.edu/)

For over four decades, from 1944–1991, Albania was ruled by one of the most repressive dictatorships anywhere in the world. For most of that time, the Marxist-Leninist regime was led by Enver Hoxha, who ruthlessly suppressed any opposition and kept his fearful population isolated from the outside world. Throughout that period, Albanians could see images of themselves and their country only as represented in the fiction features and documentaries produced by the state-run New Albania Kinostudio. In 1993, two years after the end of the regime, Albanian American visual artist and photographer Elena Dorfman began regularly visiting her mother’s home country and in 2018 she was granted unprecedented access to the collection of the Albanian National Film Archive. The result of her archival research, Dorfman’s experimental feature documentary, *THE DREAM & THE LIE* brings scenes from the archive’s film holdings together in a widescreen triptych image that can feel both epic and intimate in scale all at once. A captivating exploration of how movies were used by the regime to construct a powerful national mythology that penetrated deep into daily life, *THE DREAM & THE LIE* is also a visually arresting example of how artists can creatively and productively engage with archival material. The UCLA Film & Television Archive is pleased to host Elena Dorfman at the Billy Wilder Theater for a screening of *THE DREAM & THE LIE* followed by an in person conversation with the Archive’s 2025 Artist-in-Residence Ariel West about the film and relationship between the artist and the archive.

DCP. Director: Elena Dorfman. 

*Programmed and note written by Senior Public Programmer Paul Malcolm.*

THE DREAM & THE LIE

Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of more than 150,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.

Drawing from Tavares Strachan’s immersive excursions into hidden histories and speculative futures in the exhibition [*The Day Tomorrow Began*](https://www.lacma.org/art/exhibition/tavares-strachan-day-tomorrow-began), mother and daughter design duo Aama Studio welcome us to a film salon where they will weave cinema, textiles, and personal memory to tell intergenerational stories. 

A tour of the exhibition, short films, and discussions will explore Black liberation, arcs of migration, and evolving identities, linking ancestral memory to possibilities of today and tomorrow.

**Program:**

3 pm: Short film screening
4 pm: *Tavares Strachan: The Day Tomorrow Began* exhibition walkthrough with House of Aama
5 pm: Short film screening
6 pm: Post-screening conversation with Jamal Ademola, director of *House of Aama: Threads of Legacy*; Akua Shabaka and Rebecca Henry, co-creators of House of Aama; and special guests

Aama Studio: Threads of Legacy Film Salon

LACMA

Based on the romance written by Raduan Nassar about a Lebanese family living in Brazil’s inland, the movie is a backwards version of the parable of the prodigal son. André is an unattached son, who left family and home due to severe paternal laws and suffocating maternal affection and love. Pedro, his older brother, received from his mother the mission to bring André back home.

The appearance of the brother causes André to remember moments he lived with his family since childhood and the reasons that led him to leave home: rigid and repressive morals of the father and the relationship with an excessive tendering mother. Against his father’s sermons, André celebrates life, sex and freedom. There is also an even dire motive: the incestuous relationship between André and his sister Ana. André agrees to go back home with his brother, but such decision will shake the very foundations of the family.

To the Left of the Father

**Screenwriters**: Jonathan Aibel,  Glenn Berger

**Producer**: Melissa Cobb

Po is finally living the dream as the Dragon Warrior—until a dark secret from his past comes roaring back. When the ruthless peacock lord Shen unleashes a terrifying new weapon to wipe out kung fu itself, Po and the Furious Five race across China to put an end to his plans. But if Po is to have any hope of stopping him, he must first unravel the mystery of where he came from and come to terms with his trauma.

**Picks from the Video Store**:

Craving more fun for the kiddos? Our All Ages section in the video store has tons of fun &#8211; including:

*Three Lives of Thomasina, Spirit: Stallion of the Cimarron, The Point*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Monday, 2/23

Academy Museum

Moulin Rouge! in 35mm

2:30 PM

⭐

Gardena Cinema

THE BLADE (1995)(R)(Mon 2/23) 7:30pm by Big Bad Film Fest

7:30 PM

⭐

Los Feliz Theatre

Cinematic Void Presents BREWSTER MCCLOUD

7:00 PM

⭐

New Beverly Cinema

The Girl From Starship Venus

Flesh Gordon

7:30 PM

⭐

Vidiots

Apocalypse Now: The Final Cut

7:30 PM

⭐

Vista Theatre

Good Luck, Have Fun, Don't Die

3:30 PM, 7:15 PM

⭐

Monday, 2/23