### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

LATE CHRYSANTHEMUMS

Aero Theatre

BEYOND THE STREETS is proud to present its latest documentary, DEAD CITY PUNX. the movie follows a band - Dead City Punx - whose massive illegal outdoor shows full of fireworks, fistfights, bonfires, and graffiti pit them against the LAPD, LAFD, and the mayor, ultimately resuscitating LA's music scene while forcing the viewer to question what DIY and punk really mean when shit gets real. executively produced by Roger Gastman, Joseph Pattisall, and Zack de la Rocha.

Born from stolen equipment and street life connections, the band Dead City Punx — Meka, Grumpy, Mike, and Adrian — built stages for their shows from shoplifted wood, used social media as their "bat signal," and turned every performance into a crime scene complete with graffiti backdrops, bonfires, and police helicopters. Through fan-filmed concert footage and exclusive interviews

Four outcasts from society's margins ignited a pandemic-era music movement that challenged definitions of public space, rebellion, and the right to assemble. BEYOND THE STREETS presents the story of Dead City — raw, unfiltered, and as real as their shows. Each character reveals their humble beginnings on the margins of society between wild Dead City performances, demonstrating how they became a band that “makes shows a crime scene.”

BEYOND THE STREETS presents Dead City Punx Documentary Screening

Brain Dead Studios

A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.

Out of the Past

A hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.

Days of Heaven

Egyptian Theatre

Join us for an evening of chess and community at Heavy Manners Library. Play against friends and strangers, with all skill levels welcome. Free donuts will also be provided!

Echo Park Chess Club at Heavy Manners Library (4/30)

Heavy Manners Library

### **ABOUT THE FILM:**

*In Spanish with English subtitles.*

Pedro Almodóvar, Spain’s premiere writer-director, creates an off-kilter universe of madness, mayhem and pure fun. High atop one of Spain’s poshest penthouses, three women have come to the end of their mental ropes. Super-sexy Pepa (Carmen Maura) is forever teetering around atop her skyscraper spikes as she obsesses over Iván (Fernando Guillén), the lover who just jilted her over the answering machine! Her neurotic best friend Candela (María Barranco) is seeking refuge at Pepa’s place because she recently realized her lover is a terrorist. And Iván’s ex-wife Lucía (Julieta Serrano) was just released from a 20-year stint in a mental institution. They’re all mighty mad—in fact, they’re on the verge of a nervous breakdown—and one of them is about to commit murder unless the other half-crazed femmes fatales can stop her!

FORMAT: 35mm

DISTRIBUTOR: Sony Pictures Classics

COUNTRY: Spain

Program begins with a live recording of the Greg Proops Film Club podcast. Feature starts at 7:30pm ‘The Greg Proops Film Club’

The Greg Proops Film Club Presents WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN

### **ABOUT THE EPISODES:**

**Season 2, Episode 12, “The Black Widow****,” Dir. Caleb Deschanel, 46 Mins**

Audrey has photos that may save Cooper.

FORMAT: DCP

**Season 2, Episode 13, “Checkmate****,” Dir. ****Todd Holland****, 46 Mins**

Andy and Dick search Little Nicky’s files.

FORMAT: DCP

**Season 2, Episode 14, “Double Play****,” Dir. ****Uli Edel****, 46 Mins**

The rivalry between Cooper and Earle is revealed.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“The Black Widow,” “Checkmate” and “Double Play” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 12, 13 & 14

Los Feliz Theatre

Make Me a Star / Don’t Gamble with Strangers

New Beverly Cinema

*The Third Horizon: A Film Triptych* explores speculative futures through ritual, movement, and myth. Where the body, music, and ecology converge across time.

Bringing together Kordae Jatafa Henry&#8217;s *Makara*, *Earth Mother, Sky Father*, and *IF NOT NOW (excerpt)*, the program unfolds as a form of spiritual cinema, where animation, performance, and sound operate as systems of transmission.

Spanning past, present, and future temporalities, the works examine the body as a site of spirit, memory, and transformation. Through choreography, visual effects, and sound, each film reimagines relationships between the Anthropocene, infrastructure, and Black virtuosity.

The Third Horizon: A Film Triptych

Now Instant Image Hall

**Screenwriter**: Julia Ducournau

**Producers**: Éric Altmayer,  Nicolas Altmayer

Make room in your nightmares for Julia Ducournau&#8217;s brilliantly unsettling mix of body horror and familial trauma in the Cannes-winning director&#8217;s most human film to date with jaw-dropping visuals and a sinister tone of surreality and coming-of-age angst. Alpha, a troubled 13-year-old lives with her single mom. Their world collapses the day she returns from school with a tattoo on her arm. As a mysterious virus spreads to pandemic proportions (with mind-blowing special effects), and a mysterious junky uncle comes to stay with them, Alpha must learn to navigate the nightmares of school, home, and health as her family&#8217;s ghosts haunt her present and future. Ducournau continues to prove herself to be one of world cinema&#8217;s most exciting voices &#8211; effortlessly elevating genre filmmaking to a transcendent experience &#8211; a slow burn through a dark dreamscape of plagues, puberty, and addiction.

Alpha

**Screenwriter**: Jacques Demy

**Producers**: Mag Bodard,  Gilbert de Goldschmidt

Jacques Demy followed up *The Umbrellas of Cherbourg* with another musical about missed connections and second chances, this one a more effervescent confection. Twins Delphine and Solange, a dance instructor and a music teacher (played by real-life sisters Catherine Deneuve and Françoise Dorléac), long for big-city life; when a fair comes through their quiet port town, so does the possibility of escape. With its jazzy Michel Legrand score, pastel paradise of costumes, and divine supporting cast (George Chakiris, Grover Dale, Danielle Darrieux, Michel Piccoli, and Gene Kelly), *The Young Girls of Rochefort* is a tribute to Hollywood optimism from sixties French cinema’s preeminent dreamer.

**Picks from the Video Store******

Take home more Catherine Deneuve tonight on Blu-Ray and DVD!

*La Chamade, Donkey Skin, Un Flic***

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

The Young Girls of Rochefort

Vidiots

Normal

Lassie's Great Adventure/The Green Hornet

Vista Theatre

Marathon Man in 4K

Academy Museum

### **ABOUT THE FILM:**

MODERN WHORE is a hybrid documentary that reimagines popular depictions of sex work through the lived experiences of writer, performer and sex worker Andrea Werhun. Based on her book *Modern Whore: A Memoir*, Andrea grapples with social stigma and reclaims her narrative in a series of funny, heartbreaking, and surprising stories.

FORMAT: DCP

DISTRIBUTOR: Quiver Distribution

COUNTRY: Canada

Pre-recorded introduction by executive producer Sean Baker. Q&A with filmmaker Nicole Bazuin (in-person) and subject, screenwriter and producer Andrea Werhun (virtual). Moderated by Casey Calvert. L.A. Premiere

MODERN WHORE

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

**

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!

Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Writing Gets Lonely: Open Writing Studio (5/1)

Celebrate May Day & HR's 16th Birthday

With
Ajani Brannum
Cassia Streb & Jennifer Bewerse
Huntrezz
Jay Carlon
Maria Maea
Olivia Mole
Tzotzona

[Tickets](https://withfriends.events/t/mt2jr1wf/)

[Free for HR members](https://withfriends.events/o/human_resources_la/join/" data-type="link" data-id="https://withfriends.events/o/human_resources_la/join/)

		

	
		
	

	
		
			
				
					
						
	
	

						
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										Outlook Live

HRLA BirthDay / MayDay Extravaganza

Human Resources

### **ABOUT THE FILM:**

Amid civil war in 1930s China, passengers board an express train from Peking to Shanghai. During the trip, British captain Dr. Donald Harvey unexpectedly reunites with his former lover, Madeline, now the infamous adventuress Shanghai Lily. When rebels seize the train and take hostages, Lily risks everything to save the man she loves. Starring Marlene Dietrich, Clive Brook and Anna May Wong,.

FORMAT: 35mm

DISTRIBUTOR: Universal Pictures

COUNTRY: USA

Get your ticket for just $7.20 at the box office ‘Film by the Foot’

SHANGHAI EXPRESS

### **ABOUT THE FILM:**

*“THE JOURNEY was born directly out of a collapsed project in 1982, when I tried to organize another antinuclear war film, to be funded by Central TV in England, and working with a number of peace groups across the UK. I felt that THE WAR GAME was out-of-date, and I was concerned about the escalating nuclear arms race, that was allied to the US foreign policy of a nuclear war that would be limited to Europe. My idea was to create a series of scenes, again depicting the consequences of a nuclear attack on Britain, on a larger scale than THE WAR GAME, that would allow citizens across Britain to express their concerns via their involvement in the production of this project. However, Central TV withdrew its funding, on the grounds that the budget was becoming too large, and the project collapsed. After rethinking the scale of the project into a more global film dealing with the general silence on the burgeoning nuclear arms race, I appealed for funding to a number of international TV channels. Without exception, every TV channel that I contacted refused, even though I was only requesting support for filming an ultra low-cost segment in each country, where I would ask local people what they knew and felt about the world arms race. *

*“During the time while I had no funding from the professional sector, I happened to be showing THE WAR GAME to the world’s oldest peace movement association, the Swedish Peace and Arbitration Society (SPAS), in Stockholm. In May 1983, during its 100th anniversary congress, SPAS unanimously decided to support fund-raising for a new film about the nuclear threat. Based in Stockholm, and with initial funding from SPAS, I immediately began to involve the network of friends and acquaintances that I had acquired over many years of travelling and lecturing, to build an international fund-raising drive for the new film, and to start research in those parts of the world where I would organize local productions groups for the actual filming.*

*“The film’s core concept started to emerge: I would visit families or groups of people in various countries, and interview them to find out what they knew about the state and consequences of the world arms race, and the effects of nuclear weapons. The interviews would also focus on the role that mass media and educational systems played in shaping a world view, and on the knowledge that these people had – or did not have – vis-à-vis these subjects.” – Peter Watkins*

FORMAT: DCP

COUNTRY: New Zealand/Australia/Canada/Denmark/Finland/Italy/Japan/Sweden/UK/Germany

‘Peter Watkins: An American Cinematheque Retrospective’

THE JOURNEY Parts 5-8

### **ABOUT THE FILMS:**

**HARLAN COUNTY, USA, 1976, Dir. Barbara Kopple, 103 Mins, Janus Films, USA**

Barbara Kopple’s Academy Award–winning HARLAN COUNTY, USA unflinchingly documents a grueling coal miners’ strike in a small Kentucky town. With unprecedented access, Kopple and her crew captured the miners’ sometimes violent struggles with strikebreakers, local police and company thugs. Featuring a haunting soundtrack—with legendary country and bluegrass artists Hazel Dickens, Merle Travis, Sarah Gunning and Florence Reece—the film is a heartbreaking record of the thirteen-month struggle between a community fighting to survive and a corporation dedicated to the bottom line.

FORMAT: DCP

**AMERICAN DREAM, 1990, Dir. Barbara Kopple, 98 Mins, Janus Films, USA**

Winner of the 1991 Academy Award for Best Documentary Feature, Barbara Kopple’s AMERICAN DREAM unflinchingly details the explosive 1985–86 labor strike against Hormel Foods in Austin, Minnesota, a city ripped apart in the tumult. Fed up with dangerous plant conditions and drastic wage cuts, Austin’s Local P-9 went against the advice of the United Food and Commercial Workers International Union and, with the help of labor activist Ray Rogers’s campaign to damage the meatpacking giant’s public reputation, conducted a nearly yearlong walkout. But as the strike dragged on, some workers found themselves desperate to make ends meet and ready to cross the picket line, dividing a community already betrayed by a once progressive company and roiled by blockades, riots and the intervention of the National Guard. Following up her landmark documentary HARLAN COUNTY, USA with another engrossing report from the trenches of working-class America, Kopple poignantly captures the human and political costs of one of the most significant setbacks to organized labor amid the unchecked corporatism of the Reaganomics era.

FORMAT: DCP

May Day Screening 50th Anniversary of HARLAN COUNTY, USA

HARLAN COUNTY, USA / AMERICAN DREAM

Unstoppable / The Taking of Pelham 123

Django Unchained

Parajanov’s iconic masterwork—an intimate, near-wordless portrait of Armenian cultural memory, rendered in pure visual poetry.

Sergei Parajanov’s THE COLOR OF POMEGRANATES (1969)

Philosophical Research Society

**Screenwriters**: Ethan Coen, Joel Coen

**Producer**: Ethan Coen

The Dude abides in the Coen Brothers&#8217; quintessential Los Angeles stoner noir. Mistaken identity and a urine-covered rug drags aging hippie slacker The Dude (Jeff Bridges) into a surreal and menacing world of shady philanthropists, German nihilists, porn producers, bowling competitions, and a kidnapping plot that never was. Paying homage to Hollywood legends like Busby Berkeley and Robert Altman, the Coens bring us their best in a nod to the Los Angeles they love and a comedy nobody can deny.

**Picks from the Video Store**

The Coens have their own directors&#8217; shelf of masterpieces for you to take home, including these absolute bangers:

*The Hudsucker Proxy, Barton Fink, Burn Before Reading*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Big Lebowski

**Screenwriter**: François Ozon from the novel by Albert Camus

**Producer**: François Ozon

Nihilism has never looked so good as in François Ozon&#8217;s stunning and sensual adaptation of Albert Camus&#8217;s existential classic. Meursault (Benjamin Voisin) works as a clerk at an office in Algiers during the French colonial occupation. A modest man who keeps to himself, Meursault finds his routine upended by the sudden death of his mother. At her funeral, he faces scrutiny from all corners for his failure to perform his grief. This reputation for otherworldly detachment follows Meursault back toAlgiers, where his tentative romance with Marie (Rebecca Marder) and his indifference to professional advancement frustrate those around him. As Meursault gets swept up in a cycle of escalating reprisals among his neighbors, tensions come to a head when he murders an Arab man on the beach. A Frenchman may offer many defenses for shooting an Arab in Algeria, but Meursault’s refusal of excuse or remorse shakes colonial society to its core. Photographed in sterling, sensuous black-and-white, François Ozon’s new take on Albert Camus’s classic novel of existentialist ennui is a landmark of adaptation, simultaneously faithful to the text and dedicated to discovering fresh perspectives in the margins.

**Accessibility Options**: Open Captions

The Stranger

**Screenwriters**: Walter Hill, David Shaber, Sol Yurick

**Producer**: Lawrence Gordon

*Warriors, come out to Plaaaaaay!* Run for your life with the Warriors, a Coney Island gang falsely accused of the assassination of Cyrus &#8211; a gang leader with a plan to unify all the New York City gangs into an unstoppable force.  With the local radio station blasting their information along with the funkiest of tunes, every hyper-stylized gang in town is out the get the Warriors, including the Baseball Furies, the Orphans, and the Lizzies. Can they make it back to Coney Island safe? Can they clear their name and nail the real assassins? Will Michael Beck from *Xanadu* fall in love along the way? You&#8217;ll just have to throw on your leather vest and ride the subway down to Vidiots with your gang to find out in Walter Hill&#8217;s ultimate cult classic!

**Picks From the Video Store**

Bring home more Walter Hill bangers tonight!

*The Driver, Southern Comfort, Streets of Fire*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Warriors

**Screenwriters**: Rachel Wolther,  Alex Huston Fischer

**Producers**: Matt Day,  Anu Valia,  Jason Klorfein

Join us for a night of cinema, comedy, and dance when we bring you the absurd short film ***Snowy Bing Bongs Across the North Star Combat Zone** *preceded by live comedy sets from **Carmen Christopher**,** Aparna Nancherla**, and** Kyle Mooney** and followed by a conversation with the **filmmakers** and **Cocoon Central Dance Team** moderated by **The Daniels**!

This blissfully bonkers whatzit from unclassifiable dance-comedy trio Cocoon Central Dance Team &#8211; Sunita Mani (*GLOW*, *MR. Robot*), Tallie Medel (*Everything Everywhere All At Once*), and Eleanore Pienta (*A Different Man*) &#8211; is part psychotropic performance art spectacle, part absurdist sketch show. The three Bing Bongs lounge about, fight beachballs, and periodically break into wondrously strange dance routines, with outer space interludes, a serious consideration of doctor boners, and a 90s-style girl group meltdown along the way. It all plays like a live action cartoon piped in from a cotton-candy-colored alternate universe.

Produced by the Academy Award-winning Daniels (*Everything Everywhere All At Once*). Featuring Kate Berlant (*Would It Kill You To Laugh?*), Joe Pera (*Joe Pera Talks With You*), Keith Poulson (*I Blame Society*), and Reggie Watts (*Comedy Bang Bang*). Written and Directed by Rachel Wolther (*The French Italian*), and Alex H Fischer (*Save Yourselves!*) .

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Snowy Bing Bongs – Comedy, Dance, Cinema Spectacular!

**Screenwriter**: Taratoa Stappard

**Producers**: Sharlene George,  RickyLee Waipuka-Russell,  Rouzie Hassanova,  Paraone Gloyne

Join us in the microcinema for Taratoa Stappard&#8217;s stunning anti-colonial Māori gothic story of retribution, *Mārama*. 1859, North Yorkshire. When young Māori woman Mary arrives from New Zealand, she’ strapped as governess to a wealthy whaler’s granddaughter. Living among her ancestors’ stolen artefacts, she uncovers Sir Cole’s horrific crimes. Embracing her Matakite powers, Mary becomes Mārama and must save Anne and avenge her family by destroying him. With gorgeous set and costume design and a ferocious performance by Ariaana Osborne, *Mārama *is a breathtaking gothic feast as well as an important statement in feminism and decolonization.

Mārama

RZA’s One Spoon of Chocolate

The Beyond

Terms of Endearment in 35mm

### **ABOUT THE FILM:**

Three strong women — Roberta Martin (Rosie O’Donnell), Samantha Albertson (Demi Moore) and Tina “Teeny” Tercell (Melanie Griffith) — return home to reunite with their childhood friend Chrissy DeWitt Williams (Rita Wilson) and see her through the end of her first pregnancy. The four lifelong friends share their memories of the unforgettable summer of 1970, the summer their innocent younger selves (Christina Ricci, Gaby Hoffmann, Thora Birch, Ashleigh Aston Moore) grew up.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

NOW AND THEN

### **ABOUT THE FILMS:**

**FLOWING, 1956, Dir. Mikio Naruse, 116 Mins, Janus Films, Japan**

*In Japanese with English subtitles.*

Three super-stars lead a great cast: head-of-the-geisha-house Isuzu Yamada looks on the bright side, while daughter Hideko Takamine works that sewing machine. But quietly observing maid Kinuyo Tanaka is the only one who actually realizes the inevitable end of their world in a harsh post-war Tokyo.

FORMAT: 35mm

**MOTHER, 1952, Dir. Mikio Naruse, 98 Mins, Janus Films, Japan**

*In Japanese with English subtitles.*

Based on a children’s essay adapted by famed Japanese screenwriter Yoko Mizuki in her first work for Naruse, Mother stars the legendary actress-director Kinuyo Tanaka as a beleaguered working class matron, whose self-sacrificing efforts to maintain her family during Tokyo’s postwar reconstruction make her a paragon of maternal virtue in the eyes of her teenage daughter Toshiko (Kyoko Kagawa). Toshiko idealizes her mother and the value system she embodies, a naive perspective that pleasantly lifts what in fact unfurls as a bitterly sad, episodic tale of slow-burn economic emmiseration. Anticipating the films of Hou Hsiao-hsien in its ironically sentimental vision of Confucian dissolution, Naruse’s film is a melodramatic tearjerker for the ages.

FORMAT: 35mm

Mother’s Day Screening 35mm prints courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

FLOWING / MOTHER

Screening of Fuck My Son! with special Mother&#8217;s Day Q+A

Synopsis: An X-Rated descent into demented comedy and maniacal horror, as a desperate mother drags an innocent stranger into an absurd, filthy nightmare beyond comprehension. An unflinchingly loyal adaptation of transgressive artist Johnny Ryan&#8217;s joyfully disgusting comic book.

Current Q&A confirmed:

Todd Rohal (Writer/Director)

Johnny Ryan (Comic Book Writer)

Tipper Newton (Actress)

Robert Longstreet (Actor)

Steve Little (Actor)

Johnny Ryan&#8217;s Biological Mother

Tipper Newton&#8217;s Biological Mother

Fuck My Son!

Hollywood Entertainment is proud to present the LA premiere of Doris Wishman’s final movie: *Dildo Heaven*, unreleased and unseen since its festival debut in 2002. This special Mother’s Day tribute will feature a conversation with filmmakers and former Wishman crew members Rodney Ascher and Syd Garon and Elizabeth Pauker, director of the forthcoming documentary *AKA Doris Wishman*. The feature will be preceded by Ascher’s 2020 short film *Doris Wishman Directs A Music Video*.

Roommates Lisa, Beth, and Tess are three young women who each share the same goal of hooking up with their respective male bosses. While their attempts at seduction get off to a rough start, their peeping tom neighbor Billy spends his days spying through keyholes and trying to get a piece of the action. Will these roommates finally make it with their managers? And what about Billy?

Octogenarian filmmaker and “Queen of Sexploitation” Doris Wishman was working at a sex shop in Miami in the early 90s when she met experimental musician Tom Smith (To Live and Shave in L.A.), spurring a full-blown career revival that saw her honored at film festivals around the world and featured on HBO’s *Real Sex* and *Late Night with Conan O’Brien*. Intended to be her comeback movie, Dildo Heaven premiered at the New York Underground Film Festival just months before her passing in 2002 and then was never officially widely released until now. A charming shot-on-video sex comedy that defies all description–and surely the only movie by a senior citizen to feature an original rap theme song–*Dildo Heaven* (also known as *Desperate Desires*) is a fitting swan song for one of the most beloved cult filmmakers of all time.

Dildo Heaven

### **ABOUT THE FILM:**

In this four-time Oscar nominated film (including Best Picture), Jason Robards stars as a nonconformist who is forced to find a conventional job.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

Introduction by filmmaker Chandler Levack ‘Sunday Print Edition’

Chandler Levack Presents A THOUSAND CLOWNS

### **ABOUT THE EVENT:**

The American Cinematheque is pleased to present a selection of short films this Mother’s Day. Join us for an afternoon of themes surrounding motherhood, love and close relationships. The program will be followed by a Q&A with local filmmakers.

### **ABOUT THE FILMS:**

**“Cow Heavy and Floral,” 2024, Dir. Richa Rudola, 15 Mins, USA**

A split-screen film about a postpartum writer struggling to make a deadline as she experiences an identity crisis between her various personas.

FORMAT: DCP

**“Before You,” 2025, Lauren Melinda, 15 Mins, USA**

On the way to an abortion clinic with her husband, a woman finds herself pulled into the memories of everything that led them there, and everything that came after.

FORMAT: DCP

**“Potato Potato,” 2025, Dir. Josh Locy, 14 Mins, USA**

When Cynthia writes a letter to her unborn baby about her hopes for the future, the baby writes back.

FORMAT: DCP

**“In the Name of the Child,” 2025, Dir. Dejan Mrkic**

A distraught mother visits a local store hoping to mend a significant hole in her life.

FORMAT: DCP

Q&A with filmmakers Mother’s Day Screening

On Motherhood: A Short Film Program

### **ABOUT THE FILM:**

A 24-year-old music critic gets romantically involved with members of an indie band she decides to publicize, set against Montreal’s indie music scene in 2011. Based in part on Chandler Levack’s own young adulthood prior to becoming a professional music critic and filmmaker, the film stars Barbie Ferreira as Grace Pine, a young woman who moves to Montreal, Quebec, with the goal of writing a book about Alanis Morissette’s album Jagged Little Pill but instead becomes romantically involved with Archi (Devon Bostick) and Chevy (Stanley Simons), two members of the aspiring indie rock band Bone Patrol, and takes a job as the band’s publicist.

FORMAT: DCP

DISTRIBUTOR: Sumerian Pictures

COUNTRY: Canada

MILE END KICKS

The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.

Human Highway

The seriously spaced-out masterwork that's a psychedelic see-it-to-believe it experience! Plus a primo selection of sci-fi animated shorts!

Helmut Herbst's THE CATHEDRAL OF NEW EMOTIONS + Spaced-Out Shorts!

**Screenwriter**: Ernest Lehman

**Producer**: Robert Wise

The hills are alive with the sound of Julie Andrews in this much-beloved musical from Rodgers and Hammerstein and versatile film director Robert Wise. In the years before the Second World War, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home. The winner of 5 Academy Awards, this celebrated musical is ready to warm your heart all over again. So dress your family in matching lederhosen and get ready to get swept away in the magic, music, and warmth of *The Sound of Music*.

**Picks from the Video Store**

Take home more Robert Wise classics from his director&#8217;s section tonight!

*I Want to Live!, The Andromeda Strain, West Wide Story*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Sound of Music Sing Along

**Screenwriter**: Catherine Johnson

**Producers**: Judy Craymer, Gary Goetzman

Calling all Dancing Queens! Spend your Mother&#8217;s Day with Vidiots and the mother of all jukebox musicals! You&#8217;ll want to Gimme gimme gimme this joyous musical jam-packed with the rousing tunes of everyone&#8217;s favorite Swedish quartet &#8211; ABBA. National treasure Meryl Streep plays an independent, single mother an hotelier on a luscious and scenic Greek island. As her daughter (Amanda Seyfried) prepares for her wedding day, she sets about to find her biological father by reaching out to three of her mother&#8217;s former lovers. So get ready for an entertaining musical vacation you&#8217;ll want to sing along to from start to triumphant finish!

**Picks from the Video Store**

Want more Mother&#8217;s Day recommendations? Take home these entertaining heart-warmers to share with your family!

*Steel Magnolias, Akeelah and the Bee, Mermaids*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Mamma Mia! on 35mm

**Screenwriter**: Joel Alfonso Vargas

**Producer**: Paolo Maria Pedullà

In a tight-knit Dominican American community in The Bronx, Rico (Juan Collado) is hustling his way through the summer, selling bootleg &#8220;nutcracker&#8221; cocktails out of a beach cooler and chasing girls without a care in the world. But when his teenage girlfriend, Destiny (Destiny Checo), begins crashing at his place with his family, turning their small apartment into a stage for their messy, complicated young love, it&#8217;s only a matter of time before they’re hit with the sobering reality of growing up too fast in a city that waits for no one. Writer-director Joel Alfonso Vargas turns his hometown into the heartbeat of his debut feature, teaming up with discovery talent Collado and Checo, to deliver a raw and deeply authentic look at life in The Bronx. With humor and grit, Vargas paints a tender portrait of the chaos and charm of urban life, and the ups and downs of youthful abandon when things take an unexpected turn.

Mad Bills to Pay (or Destiny, dile que no soy malo)

Go West

The Wages of Fear in 4K

Rhapsody in August (Hachigatsu no kyoshikyoku) in 35mm

### **ABOUT THE EPISODES:**

**Episode 201, Dir. Jake Schreier, 42 Mins**

Country-club employees Ashley and Austin witness a vicious fight between their boss and his wife — and decide to leverage it to get ahead.

FORMAT: DCP

**Episode 202, Dir. Lee Sung Jin, 48 Mins**

While Josh tries to play off Ashley’s ascendance at the club, Lindsay seeks petty revenge. The Chairwoman proposes changes at the gym.

FORMAT: DCP

### **ABOUT THE SERIES:**

**BEEF, 2026, Netflix, USA**

BEEF returns with a new cast and a new “beef,” as a Gen-Z couple witnesses an alarming fight between their Millennial boss and his wife. Newly-engaged Ashley Miller (Cailee Spaeny) and Austin Davis (Charles Melton), both lower-level staff at a country club, become entangled in the unraveling marriage of their General Manager, Joshua Martín (Oscar Isaac), and his wife, Lindsay Crane-Martín (Carey Mulligan). Through favors and coercion, both couples vie for the approval of the elitist club’s billionaire owner, Chairwoman Park (Youn Yuh-jung), who struggles to manage her own scandal involving her second husband, Doctor Kim (Song Kang-ho).

Q&A with creator, writer, director, showrunner and executive producer Lee Sung Jin. Moderated by Inkoo Kang. Popcorn and soda courtesy of Netflix

BEEF

Advance Screening, Q&A, and Live Performance

Join Rostam for the Los Angeles premiere of American Stories: A Concert Film, featuring 8 songs from both the new album and Rostam’s catalog, in anticipation of his upcoming album American Stories (out May 15). The 34-minute screening will be followed by a Q&A with Rostam and director Antony Muse and an intimate live performance from Rostam.

American Stories: A Concert Film

### **ABOUT THE FILM:**

The original Ghostface Killer is on the loose!  A vicious villain with an unstoppable five element technique, Ghostface is killing off all his old rivals. Meanwhile, a young student tries to learn kung fu and is taken under the wing of an old chess master. The basics of chess prove to be the same as the basics of fighting, and eventually the heroes will have to fight Ghostface Killer, who verbally insults his opponents as he annihilates them.

FORMAT: DCP

COUNTRY: Hong Kong

Co-presented by 36 Cinema ‘Cinematic Void’

Cinematic Void Presents THE MYSTERY OF CHESS BOXING

This program presents a glimpse into the wild and varied work of the graduating class of CalArts’ MFA Creative Writing Program, featuring the incredible range of experimentation that characterizes the literary accomplishment of students in the program. Come celebrate the grit and imagination of the class of 2026!

Unknown Event

REDCAT

Los Angeles Filmforum presents *Watching the Way You Move: An Evening with Kevin Jerome Everson*. West Coast premieres! (+ a world premiere!). Kevin Jerome Everson in person!

Full film lineup and notes at: https://www.lafilmforum.org/schedule/spring-2026/watching-the-way-you-move-an-evening-with-kevin-jerome-everson/

∆

Filmforum welcomes back Kevin Jerome Everson with a compelling array of recent work (2023-2026) (+ a short from 2016), ranging from observations of state bird-watchers to a powerful examination of the now shuttered Ohio State Reformatory in his hometown of Mansfield Ohio, to a short tribute to Gail Fisher, the first Black woman to win an Emmy.

It’s difficult to encapsulate the range of Everson’s prolific and varied films. He creates a wide array of distilled interpretations of aspects of Black life in the USA, in part producing an archive of lived experiences that have been erased in dominant culture. An artist, not a documentarian, he erases the line between staging and verité, and, through his films, insists on and deliberately enacts the presence and importance of family, labor, athletics, art-making, politics, and community. He listens to the echoes of people in empty spaces, re-valorizes almost-forgotten historical figures, and arranges performances for the camera of actions that are regularly carried out without being recorded or appreciated. Every time we host Everson, we share in the beauty and energy of the ever-growing project of his film artistry. Please join us for some of his latest work. – Adam Hyman

~

**Kevin Jerome Everson** (b. 1965 Mansfield, OH, lives and works in Charlottesville, VA) is the Commonwealth and Ruffin Foundation Distinguished Professor of Studio Art, Director of Studio Arts, University of Virginia. Everson's art practice encompasses printmaking, sculpture, photography and film, including 13 features and over 300 solo & collaborative shorts. He is the recipient of the Guggenheim Fellowship, Berlin Prize, Heinz Award, Alpert Award, and Rome Prize, & grants and commissions from Ford Foundation/Just Films, Knight Foundation, The Brick & Creative Capital among others. He is currently in post production on his first fiction feature Lowndes County.

Special Thanks to Madeleine Molyneaux, Kate Lain, the Academy Museum.

Films appear courtesy the artist; trilobite-arts DAC; Picture Palace Pictures.

LA Filmforum: An Evening with Kevin Jerome Everson

2220 Arts + Archives

### **ABOUT THE EPISODES:**

**Season 2, Episode 17, “Wounds and Scars,” Dir. James Foley, 46 Mins**

Norma’s sister, Annie, arrives in Twin Peaks.

FORMAT: DCP

**Season 2, Episode 18, “On the Wings of Love,” Dir. Duwayne Dunham, 46 Mins**

Cooper is reinstated at the FBI.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Wounds and Scars” and “On the Wings of Love” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 17 and 18

**Producers**: Diane Ademu-John,  Carl Deal,  Tia Lessin,  Karen Ranucci,  Caren Spruch, Tony Tabatznik

Fiercely independent journalist Amy Goodman has spent three decades holding the powerful to account, reporting from war zones and the *Democracy Now!* newsroom. In *Steal This Story, Please!*, Oscar-nominated filmmakers Carl Deal and Tia Lessin craft a riveting portrait of journalism’s power – and peril – in an era of corporate control and political attacks on truth.

Undeterred by armed soldiers, evasive politicians, and riot police, Amy Goodman has reported some of the most consequential stories of our time. *Steal This Story, Please!* is a gripping account of the trailblazing journalist whose unwavering commitment to truth-telling spans three decades of turbulent history. From the frontlines of global conflicts to the organized chaos of her daily news show *Democracy Now!*, Goodman amplifies stories and voices too often silenced by commercial media.

Oscar-nominated filmmakers Carl Deal and Tia Lessin (*Trouble the Water, Citizen Koch, The Janes*) take us behind the scenes with the warm, wisecracking granddaughter of an Orthodox rabbi — raised in a tradition of asking hard questions – as she navigates a media landscape reshaped by technology, corporate consolidation, and political assaults on the press and on truth itself. Urgent, provocative and unexpectedly funny, *Steal This Story, Please!* is both a call to action and a celebration of resistance, posing the question: what happens to democracy when the press stops challenging power?

Steal This Story, Please!

**Screenwriters**: James Foley, Robert Redlin from the novel by Jim Thompson

**Producers**: Ric Kidney,  Robert Redlin

Vidiots is thrilled to welcome **Jason Patric** for a special 35mm screening of his sizzling hot neo-noir ***After Dark, My Sweet*** to celebrate the life and legacy of filmmaker **James Foley**, featuring a special video introduction from Vidiots Founding Member **Alex Winter** and a post-screening conversation with Patric moderated by writer/film critic **Travis Woods**!

Sex, crime, and mental illness collide in this steamy and nuanced neo-noir adapted from Jim Thompson&#8217;s scorching novel. Kid Collie (Jason Patric) is an ex-boxer on the run from a mental hospital when he runs into the seductive widow Fay (Rachel Ward) who takes him on to work at her estate and into her bed. When they are joined by the dangerous Uncle Bud (Bruce Dern), they concoct a kidnap and ransom plan that drags them all into misery and murder. Watch out and don&#8217;t get burned in this fiery car wreck of a romance as it singes the big screen from Jason Patric&#8217;s personal 35mm print!

**Picks from the Video Store**

Want to take home Jason Patric tonight? Don&#8217;t we all!?! Try out these treasures on glorious physical media!

*Keyhole, The Lost Boys, Narc, Your Friends and Neighbors*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

After Dark, My Sweet on 35mm

An Evening of Short Films from Asian American Filmmakers

### **ABOUT THE FILMS:**

**A SHORT FILM ABOUT LOVE, 1988, Dir. Krzysztof Kieślowski, 87 Mins, Janus Films, Poland**

*In Polish with English subtitles.*

An expanded version of episode VI in Kieślowski’s legendary DEKALOG, this film examines love, longing and sex through the story of a young postal worker who spies on a promiscuous woman in an adjacent housing project.

FORMAT: DCP

**A SHORT FILM ABOUT KILLING, 1988, Dir. Krzysztof Kieślowski, 85 Mins, Janus Films, Poland**

*In Polish with English subtitles.*

A shocking, powerful film expanded from episode V of Kieślowski’s legendary DEKALOG, A SHORT FILM ABOUT KILLING considers societal violence in its many forms through the story of an idealistic young lawyer and the brutal murderer he is called to defend.

FORMAT: DCP

Co-presented with the Polish Cultural Institute New York ‘Krzysztof Kieślowski: An American Cinematheque Retrospective’

A SHORT FILM ABOUT LOVE / A SHORT FILM ABOUT KILLING

Antenna Releasing and Pure Cinema Podcast present “Weird, Wild, and Wonderful Wednesdays” at Braindead Studios, a collaboration between the newest indie distributor on the block and the official podcast of Quentin Tarantino’s New Beverly Cinema &#8211; invading the coolest spot to see underground movies on the West Side. First up: Bruce Toscano’s 1984 underground classic, The Jar.

Join Pure Cinema hosts Elric Kane and Brian Saur as they present this newly restored oddity from the fine folks at Terror Vision. Synopsis: A motorist who comes upon an auto accident finds a bottle at the scene. The bottle contains a demon who proceeds to possess him. That’s all you need to know, and the less you know the better!

The Jar (aka Charon) was released by Magnum Entertainment in 1984 and was omnipresent in video rental stores. While the film was shot in scope, the distributor released it in a butchered cropped presentation cutting out about half of the intended frame in a murky VHS transfer. Terror Vision has restored Charon/The Jar using a partial camera negative along with a print to finally offer director Bruce Toscano’s unique vision in all its beautiful, color drenched glory. Accompanied by a stunning synth score.

The Jar

### **ABOUT THE FILM:**

In Miami, siblings Raymond and Coco Zhang’s art forgery ring flourishes when they encounter a disgraced millionaire in need of their expertise. Meanwhile, FBI Art Crimes agent Emily Lee moves to Miami to investigate a series of mysterious paintings.

FORMAT: DCP

DISTRIBUTOR: Utopia Distribution

COUNTRY: USA

Q&A with filmmaker Jing Ai Ng Co-presented by CAPE ‘Women Wednesday’

FORGE

**Screenwriter**: Shatara Michelle Ford

**Producers**: Pin-Chun Liu,  Shatara Michelle Ford,  Naima Abed,  Adam Wyatt Tate,  Josh Peters, Robina Riccitiello,  Ben Stillman,  Ana Leocha,  Tyler Bagley,  Chris Quintos Cathcart

Featuring a post-screening conversation with filmmaker **Shatara Michelle Ford **and star** Sasha Compère**!

Three black queer femmes in their mid 30s take a road trip across the Midwestern United States in search of their friend who has seemingly disappeared off the grid. With their sophomore feature, Shatara Michelle Ford (*Test Pattern*) puts their singular stamp on the American road movie. After an unceremonious layoff, Z (Denée Benton, *The Gilded Age*) embarks on a trip across the Midwestern United States in search of a friend that has seemingly disappeared off the grid. Traveling with her two closest friends, these three queer black femmes find their priorities tested as shapeshifting threats in each city expose (inter)personal and ideological fractures. Tender and expansive, Ford has created an ode to chosen family and the radical act of claiming space to dream —and exist— beyond the systems of an increasingly fraught country.

*Part of The Future of Film is Female&#8217;s [THREE FILMS, FIVE CITIES](https://www.futureoffilmisfemale.com/three-films-five-cities) project.*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Dreams in Nightmares

VEERANA follows Jasmin, a bloodsucking seductress who leads men to their doom after being possessed by the spirit of a witch. Unless Jasmin's family can find a way to break the curse, she'll be used in a Satanic ritual to raise the real witch from her tomb. A kaleidoscopic dream zone full of Bava-esque lightning, gloopy monsters, and a killer synth score, this is the most extravagant production from the Ramsay family—India's most popular and successful horror filmmakers.

‍

**dirs. Tulsi & Shyam Ramsay, 1988***India, digital projection*135 min

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## WEDNESDAY, 5/137:30 DOORS8:00 SCREENING

$8 general admission, $7 for members.

‍

*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*

VEERANA (1988)

WHAMMY!

Altered Innocence + Dirty Looks present *Something Must Break.*

Ester Martin Bergsmark, *Something Must Break* (*Nånting måste gå sönder*), Swedish (with English subtitles), 85min., 2014

Author Eli Levén in person.

~

Dirty Looks presents the long-overdue U.S. release of Swedish trans-punk modern classic, *Something Must Break* (*Nånting måste gå sönder*), 2014, distributed by Altered Innocence. A fraught romance traces the transition of androgynous teen Sebastian (Saga Becker) and her crust punk boyfriend Andreas (Iggy Malmborg). Shot in gritty relief against the industrial edges of Stockholm. Andreas grows volatile, as this love stresses his het identity and Sebastian slips deeper into gender play. Written by Eli Levén and directed by Ester Martin Bergsmark (*She Male Snails*), this Golden Tiger-winning film is a bold work of contemporary Scandinavian queer cinema and based off the 2010 novel, *You Are the Roots That Sleep at My Feet and Keep the Earth in Place*.

Dirty Looks: Something Must Break

Night and the City in 35mm nitrate

### **ABOUT THE FILM:**

Launched in 1974 in Los Angeles, Z Channel was one of the United States’ first pay cable stations. Z Channel’s prominence was solidified in 1980 when maverick programmer Jerry Harvey took over as head of programming. Z’s uniqueness was attributed to Harvey and his staff’s determination, diverse taste and encyclopedic knowledge of cinema. Harvey’s programming showcased a combination of classic, international, independent and Hollywood films. Z was the network first to develop programming innovations such as ‘director’s cuts’ and uniquely themed on-air festivals, while also airing many rare and never before seen exclusives and critically acclaimed films not in the mainstream.

FORMAT: DCP

DISTRIBUTOR: Soraya Releases LLC

COUNTRY: USA

Panel with filmmakers Xan Cassavetes, Stuart Cooper and Vera Anderson, producers Rick Ross and Marshall Persinger and Z programmer Tim Ryerson ‘Watch Local: Z Channel’

Z CHANNEL: A MAGNIFICENT OBSESSION

Echo Park Chess Club at Heavy Manners Library (5/14)

### **ABOUT THE EVENT:**

Sergei Eisenstein travelled to Mexico December 1930 to experience firsthand its “geographical, ethnological, cultural and historical diversity” and to make a feature film. After shooting tons of beautiful 35mm footage, drawing hundreds of sketches and writing volumes of critical texts, he departed April 1932 without a completed project. This digital edition explores his unfinished cinema work available in partially edited fragments realized by others. The content and quality of the different releases vary greatly due to many factors none of which reflect poorly on Eisenstein. Viewed together with newly created interviews and reflections, the short and long films form a magnificent magical testament dedicated to the spirit of unbound creativity.

*Film notes by Ian Christie and Bruce Posner*

### **ABOUT THE FILMS:**

**“Time in the Sun,” 1940, Dir. Sergei Eisenstein, Grigori Alexandrov and Eduard Tissé, 61 Mins, Kino Lorber**

After Sol Lesser’s early compilations carved from the Mexican footage, “Time in the Sun” was a first attempt to do justice to what its director, Marie Seton, believed was Eisenstein’s vision. Having spent time with him in Yalta in 1934 and heard his rapturously account of the group’s experiences in Mexico, she resolved in 1938 “to reconstruct the dream in order that it might not be entirely lost.” Seton and her collaborators effectively molded the material into a conventional ethnographic documentary that foregrounded the exotic customs and costumes which Eisenstein had Tissé and Alexandrov film copiously. “Time in the Sun” largely follows the sequence of “novellas” or episodes set in different regions and eras that he had sketched for the benefit of his sponsors and the Mexican Government. Seton’s commentary also draws heavily on one of his key inspirations, Anita Brenner’s “Idols Behind Altars,” emphasizing the “Indian spirit” that had survived Spanish invasion and dictatorship. But with its conventional music, and tentative dramatization in the marriage sequence set in Tehuantepec and the climactic revenge drama at Tetlapayac Hacienda, it hardly seems to fulfill Eisenstein’s aspirations. We know he was bitterly disappointed when he finally saw it in 1946, but we are no closer to knowing what he might have created from this spectacular material. Based on Anita Brenner’s “Idols Behind Altars” (1929), Franz Blom’s “The Conquest of Yucatan” (1936), and writings researched by Samuel A. Datlowe and Marie Seton.

FORMAT: DCP

**Mexican Symphony: “Zapotec Village” / “Idol Of Hope” / “The Conquering Cross,” 1941, Dir. Sergei Eisenstein, 45 Mins, Kino Lorber**

Three rare travelogues “Zapotec Village,” “The Conquering Cross” and “Idol of Hope” are presented in the projection order indicated by Bell & Howell Filmosound Library in 1941. Missing are “Mexican Marches,” “Spaniard and Indian” and “Land and Freedom.” The entire series of six short, one-reel and two-reel, nonfiction ethnographic films were edited with footage recycled from the earlier THUNDER OVER MEXICO, EISENSTEIN IN MEXICO, “Death Day” and “Time in the Sun.” The travelogues were shaped into dapper and informative educational compilations, heavy on voice-over narration, that report on Mexican Indian life, cultural and historic backgrounds, and exotic scenic locations. Equally apparent throughout, and incorporated to great effect, appears much footage shot by Eisenstein but not previously seen or currently possible to view elsewhere. The hybrids could be projected, grouped together one-after-the-other, to form a composite feature-length documentary “Mexican Symphony.” The newly minted Eisenstein films play benignly symphonic in form and presentation.

FORMAT: DCP

**“The Disaster in Oaxaca,” 1931, Dir. Sergei Eisenstein, 16 Mins, Kino Lorber**

A month after Eisenstein’s group had entered Mexico in December 1930, the southern province of Oaxaca was devastated by a magnitude 8 earthquake which destroyed its capital. The Russians hired a plane to fly to Oaxaca, to film the damage and its aftermath, apparently hoping to capture material ahead of newsreel companies. The footage of shattered buildings, displaced inhabitants and the funeral of a child eloquently documented the scale of the disaster that killed over one hundred people. Quickly edited by Eisenstein, it was shown in Mexican theaters, and a copy was sent to the USSR, no doubt to prove that the Russians were gainfully employed after their fruitless year in Hollywood. Tissé’s filming may be largely functional, but Eisenstein’s montage pointedly contrasts the ruined houses of the rich with those of the poor, and includes several sequences that anticipate the religious themes which would preoccupy him during his time in Mexico: notably life-size religious statues being rescued from a ruined church, as if emphasizing their powerlessness, and a silhouetted angel sculpture hanging over a jagged void captioned “the angel of death.”

FORMAT: DCP

Advance Screening of New Restorations Films courtesy of British Film Institute, Cineric, Inc., Indiana University Libraries Moving Image Archive and Gosfilmofond of Russia Photo courtesy of Kino Classics, Gosfilmofond, Filmmakers Showcase Restorations by Bruce Posner ‘Sergei Eisenstein Restorations’

¡SERGEI EISENSTEIN MÉXICO! Exotic Travelogues

**Screenwriter**: Ed Solomon

**Producers**: Iain Canning,  Jim Parks

Join us in the microcinema for Steven Soderbergh&#8217;s latest triumph, a brilliant artistic character study with phenomenal performances from Ian McKellen and Michaela Coel. A mainstay of the London art scene since his starry breakout in the creative explosion of the 1960’s, Julian Sklar (Ian McKellen) has drifted into a cluttered, self-imposed seclusion. His two estranged children (James Corden, Jessica Gunning) enlist Lori (Michaela Coel), a young painter and sometime-forger, to pose as a prospective assistant and gain access to a fabled series of unfinished canvases Julian has buried deep in his home studio, in a deceptive bid to secure an inheritance for themselves.

The Christophers

**Screenwriters**: Guillermo Ríos,  Leticia Lopez Margalli,  Eugenio Derbez

**Producers**: Eugenio Derbez,  Lorenzo O&#8217;Brien

Vidiots is thrilled to welcome Writer/Producer/Director and Star **Eugenio Derbez** for a special screening of his hilariously sweet comedy ***Instructions Not Included**!*

A hilarious and heartfelt mix of wacky comedy and tearjerker drama, *Instructions Not Included* has more than earned its success as Mexico’s biggest hit movie and the highest-grossing Spanish-language film at the U.S. box office. Talented multi-hyphenate Eugenio Derbez directs, produces, co-writes, and stars as Valentin, the biggest womanizer in Acapulco, whose life changes forever when a former lover drops off a baby at his doorstep. Soon, Valentin is working in Hollywood as a stuntman while doing his best to raise his precocious daughter, but challenges loom in the form of a custody battle with his ex and a mysterious medical ailment. You’ll laugh and cry along with Derbez as his character slowly but surely learns how to become a better man!

**Picks from the Video Store**

Take home more Eugenio Derbez tonight on glorious physical media!

*How to Be a Latin Lover, CODA, Overboard*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Instructions Not Included

I Know Where I’m Going!

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

American Psycho

Writing Gets Lonely: Open Writing Studio (5/15)

### **ABOUT THE FILMS:**

**“Pay Day,” 1922, Dir. Charlie Chaplin, 22 Mins, Janus Films, USA**

Charlie is a bricklayer who sets off to celebrate payday with his pals. But his wife is waiting with the rolling pin.

FORMAT: 35mm

**“Shoulder Arms,” 1918, Dir. Charlie Chaplin, 38 Mins, Janus Films, USA**

Enlisted during the First World War, Charlie discovers the hard life of the trenches and the dangers of combat.

FORMAT: 35mm

Get your ticket for just $5.40 at the box office! ‘Film by the Foot’

"Pay Day" / "Shoulder Arms"

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Based on a children’s essay adapted by famed Japanese screenwriter Yoko Mizuki in her first work for Naruse, Mother stars the legendary actress-director Kinuyo Tanaka as a beleaguered working class matron, whose self-sacrificing efforts to maintain her family during Tokyo’s postwar reconstruction make her a paragon of maternal virtue in the eyes of her teenage daughter Toshiko (Kyoko Kagawa). Toshiko idealizes her mother and the value system she embodies, a naive perspective that pleasantly lifts what in fact unfurls as a bitterly sad, episodic tale of slow-burn economic emmiseration. Anticipating the films of Hou Hsiao-hsien in its ironically sentimental vision of Confucian dissolution, Naruse’s film is a melodramatic tearjerker for the ages.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

MOTHER

### **ABOUT THE FILM:**

*In French with English subtitles.*

One evening Nelly meets Loulou, a down-and-out young man. After her husband kicks her out, she goes off to live with Loulou. She is soon with child, but Loulou doesn’t change his wayward life, spending time with his pals and pulling off small-time robberies. Deeply hurt by his attitude, Nelly decides not to keep the baby. 

FORMAT: DCP

DISTRIBUTOR: Cohen Media Group

COUNTRY: France

‘Maurice Pialat: An American Cinematheque Retrospective’

LOULOU

The electrifying Cuban/Soviet masterpiece—a monumental socio-political work and one of cinema's most visually revolutionary films

SOY CUBA  ("I AM CUBA," 1964)  co-presented by EL CINE UNDERGROUND PODCAST

This is an Elliott Smith tribute night produced by North Star Sessions featuring over 20 local songwriters.

$15

Advance tickets available  here !

Ballads of Big Nothing

Scribble

**Screenwriter**: Helen Childress

**Producers**: Danny DeVito,  Michael Shamberg

Dust off your flannels and Doc Martens and join us for the ultimate Gen X hang! Part post-collegiate ensemble dramedy, part love triangle romance, and all the epitome of mid-90s fashion and vibes, Ben Stiller&#8217;s *Reality Bites* is one of the defining films of a generation. Winona Ryder is a documentary filmmaker navigating jobs, life, and relationships alongside her best friends &#8211; played brilliantly by Janeane Garofalo and Steve Zahn. When she starts dating a yuppie who offers her a shot at broadcast television (AKA early reality TV), will she sell out or go for the disaffected hottie that&#8217;s been there the whole time? Somebody call the cinema police, because Janeane Garofolo truly *steals* the whole show as one of the coolest women characters in film of the decade!

**Picks from the Video Store**

Pocket more Winona Ryder on DVD and Blu-Ray tonight!

*Lucas, Heathers, Night on Earth*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Reality Bites

**Screenwriters**: James Dearden,  Nicholas Meyer

**Producers**: Stanley R. Jaffe,  Sherry Lansing

A blockbuster of lust and obsession that set the world on fire, Adrian Lyne&#8217;s *Fatal Attraction* is the ultimate scorned female revenge tale, or every unfaithful man&#8217;s worst nightmare; depending on how you look at this killer erotic thriller. When New York lawyer Dan Gallagher uses his wife&#8217;s absence to hook up with a scorching book publisher, he could never imagine the spiral of madness he would create. Now, his fling actually expects things from him, and trying to keep his family together, he leaves her to unravel, demanding to be seen as a human being and not an expendable fling. But when her justifiable frustration ratchets up to violence, now even Dan&#8217;s wife, child, and bunny rabbit are in danger. With an ending essentially rewritten by a focus group, this complicated thriller is still one hell of a watch!

**Picks from the Video Store**

Did you know we have a section for Erotic Thrillers? Take home more sizzling smoke-shows tonight!

*Poison Ivy, Single White Female, Disclosure*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Fatal Attraction

**Screenwriter**: Graham Yost

**Producers**: Mark Gordon,  Bill Badalato,  Terence Chang

John Woo&#8217;s underrated American follow-up to *Hard Target* is a thermonuclear blast! In Woo and John Travolta&#8217;s first collaboration, they plant the seeds for *Face/Off* as Travolta deploys his first scenery-chewing, gonzo villain, playing an eccentric US Air Force Major who steals a nuclear weapon. The only thing he didn&#8217;t count on was Christian Slater, the one Captain who knows how to stop him. Co-starring Samantha Mathis and a murderers&#8217; row of character actors, including Delroy Lindo, Frank Whaley, Bob Gunton, Vondie Curtis-Hall, and Kurtwood Smith, *Broken Arrow* is an outlandishly action-packed thrill ride, filled with the double-gunning fun Woo&#8217;s fans crave.

**Picks from the Video Store**

We&#8217;ve got all the 1980s Christian Slater classics you crave!

*The Legend of Billie Jean, Pump Up the Volume, The Wizard, Heathers*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Broken Arrow

Howl’s Moving Castle

Robin and Marian in 4K

Odd Man Out

“After the Revolution, who’s going to pick up the garbage on Monday morning?” asked artist Mierle Laderman Ukeles in 1977. With that provocation, she shattered the divide between art and everyday labor, becoming the first artist in residence at New York City’s Department of Sanitation. Her collaborations with municipal workers injected art directly into the city’s bloodstream and redefined what creative practice could be. Inspired by Marcel Duchamp, Ukuleles pioneered the radical idea that routine maintenance—from changing diapers to picking up city trash to caring for the earth—could be acts of performance art.

Join us for a screening of *MAINTENANCE ARTIST*, the first feature documentary to explore this revolutionary public artist’s career. Featuring never-before-seen archival footage, the film traces a half-century of social and artistic upheaval through the lens of essential labor and public art. *MAINTENANCE ARTIST* celebrates Ukeles’s call for a “Maintenance Revolution,” honoring the workers who keep our world running and the artist who insisted that their labor deserves to be seen.

The screening will be introduced by multimedia artist Debra Scacco, the first civic-appointed artist in residence in the City of Santa Monica’s Water and Waste divisions (2023–25). 

DIRECTED BY: Toby Perl Freilich; PRODUCED BY: Toby Perl Freilich & Judith Mizrachy; EDITED BY: Anne Alvergue. 95 minutes, 2025.

This program is part of the [Art on Screen][1] series, which celebrates moving-image media and its intersection with art and art histories. The event is inspired by the Getty Research Institute’s collections of [feminist performance artists’ archives][2].

The conversation will be available on the [Getty Research Institute YouTube channel][3] following the event.

Visit the Getty Research Institute's [Exhibitions and Events page][4] for more free programs.


  [1]: https://www.getty.edu/whats-on/art-on-screen/
  [2]: https://www.getty.edu/projects/study_of_performance_woman_artists_archives/
  [3]: https://www.youtube.com/c/gettyresearch
  [4]: https://www.getty.edu/research/exhibitions_events/

Screening: *MAINTENANCE ARTIST*

Getty Center

Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of more than 150,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.

Presented in conjunction with [*Realms of the Dharma: Buddhist Art Across Asia*](https://www.lacma.org/art/exhibition/realms-dharma-buddhist-art-across-asia), Tenzin Phuntsog’s *Next Life* tells the story of a a Tibetan family in exile searches for moments of temporary happiness after their father is given an irrevocable diagnosis from a Tibetan doctor’s pulse reading. Through tender acts of care, quiet moments of intimacy, and memories of Tibet, the question of homeland surfaces: a place they cannot return to. *Next Life* moves through these moments gently, centering the Tibetan concept of Tse Chema—reincarnation—as a way of holding the cycle of life: birth, death, and rebirth and their karmic traces.

The program will begin with Phuntsog's new short work *Auras. *After *Next Life*, hear from Phuntsog in conversation with special guests and celebrate Tibetan Buddhist culture with offerings of Tibetan ceremonial practices from local Tibetan cultural practitioners.

***Next Life***
2026, 73 minutes
United States, Mexico
Tibetan, English, Mandarin
Shot on 35mm, DCP Projection

***Auras***
2026, 7 minutes
Tibet, India, United States, Mexico
Shot on 35mm, DCP Projection

**Tenzin Phuntsog** is a San Francisco–based artist and filmmaker. His work has been recently featured at the Berlinale Forum Expanded, IFFR Rotterdam, Edith Russ Haus, Redcat Los Angeles, EMAF, Seoul Media City Biennale, Experimenta, and the Tang Museum.

Tenzin Phuntsog’s Next Life

LACMA

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Facing pressures to marry and having witnessed her two sisters’ own marital struggles, sightseeing bus guide Kiyoko (Hideko Takamine) strives for her own solitary independence, resisting suitors and openly expressing a disdain for men. Through a family of four siblings, each from different fathers, Naruse explores the suffocating family life of Kiyoko’s *shitamachi* household and its surroundings. LIGHTNING is a buildup of vignettes, events and occurrences, as Kiyo experiences the world around her—misfortune, family tragedy, interpersonal quarrels and the vulgarities of men—trying to make sense of a modern existence where the promise of happiness still comes second for women.

FORMAT: 35mm

DISTRIBUTOR: Kadokawa

COUNTRY: Japan

LIGHTNING

THE JOURNEY Parts 13-16

### **ABOUT THE FILM:**

Seamlessly interweaving archival war footage with a fictional narrative, this immersive account of one twenty-year-old’s journey from basic training to the front lines of D-day brings to life all the terrors and isolation of war with jolting authenticity. OVERLORD, directed by Stuart Cooper and impressionistically shot by Stanley Kubrick’s longtime cinematographer John Alcott, is both a document of World War II and a dreamlike meditation on human smallness in a large, incomprehensible machine.

FORMAT: Digital

DISTRIBUTOR: Janus Films

COUNTRY: UK

Q&A with filmmaker Stuart Cooper. Moderated by Rick Ross. ‘Watch Local: Z Channel’

OVERLORD

**Screenwriters**: Jerry Juhl, Kirk R. Thatcher, James V. Hart

**Producer**: Brian Henson

Join Captain Kermit on the poop deck as he and his seafaring puppet friends head out on the high seas to find a lost treasure of gold. Your friends the Muppets set sail for adventure with everyone&#8217;s favorite pirate &#8211; Tim Curry as Long John Silver &#8211; in this muppetty adaptation of the classic Robert Louis Stevenson novel.

**Picks from the Video Store**

Want more Jim Henson magic? We’ve got a section jam packed with every *Fraggle*, every *Muppet*, tons of *Sesame Street* and these deep cuts:

*The Storyteller, Mirrormask, Emmett Otter’s Jugband Christmas*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Muppet Treasure Island

**Producers**: George Zaloom,  Les Mayfield

The New 4K Restoration co-presented by **Women in Film **and **Lionsgate**!

One of the greatest documentaries about the passion, dedication, and insanity that goes into filmmaking, Eleanor Coppola&#8217;s *Hearts of Darkness* gives an intimate glimpse behind one camera and in front of another! In the late 1970s, as renegade filmmaker Francis Ford Coppola struggles to complete an epic allegory of the Vietnam War, *Apocalypse Now*, his wife, Eleanor, films his daily travails with a camera of her own. The documentary based on her footage details the difficulties of the large production &#8212; from weather-related delays in the Philippines to star Martin Sheen&#8217;s heart attack while filming &#8212; and it provides unprecedented behind-the-scenes clips of one of Hollywood&#8217;s most-acclaimed films.

**About the Restoration**:

“*In 1976, Eleanor Coppola shot behind-the-scenes footage of *Apocalypse Now* on 16mm. For the first time, we decided to return to all original sources and scan elements in 4K for this new release. What everyone has seen over the last 30 years has been three to four generations removed from the source elements. Additionally, we utilized the 2019 4K restoration of *Apocalypse Now* for this release, incorporating those elements into the documentary. For any clips pulled from *Apocalypse Now* and used in the documentary, we maintained the original aspect ratio of 2.40 instead of letterboxing it in a 4&#215;3 frame. Lastly, we remastered the soundtrack and created a new 5.1 mix. The film was restored at American Zoetrope and graded at Roundabout Entertainment in Burbank, California. The director, Fax Bahr, approved the grade.”*

– James T. Mockoski, Film Archivist/Restoration Supervisor for American Zoetrope

**Picks from the Video Store**

Looking for more cinema docs? We&#8217;ve got a whole section including these gems:

*My Best Fiend, Electric Boogaloo: The Wild, Untold Story of Cannon Films, From the Journals of Jean Seberg*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Hearts of Darkness: A Filmmaker’s Apocalypse

Join us in the microcinema for a special screening and discussion with director **Athina Rachel Tsangari** of her limited series ***Trigonometry***.

In crowded, expensive London, a cash-strapped couple open their small flat to a third person. Gemma is a chef who runs a café; her boyfriend Kieran is a paramedic – and Ray, who moves in with the young couple, is at a loss. Until recently, she was a world-class synchronised swimmer, but now she’s looking for a new direction, job and place in life. She discovers two people who love each other very much, but who don’t really know where they are going – in terms of the café, sex, or their lives. What commences is a modern-day love story that will change all of their lives forever.

Written and created by Duncan Macmillan and Effie Woods, *Trigonometry* is the first series project by Athina Rachel Tsangari (Attenberg, Chevalier). The Greek director and actress has directed five of the eight episodes, all of which will be screened at today&#8217;s event. While the rest of the world talks about identity politics, Trigonometry turns this into an intense, compelling, funny and intelligent drama about relationships and family. Can the three characters find a new way to love? And will the world let them?

5 Episodes, 235 minutes with 15 minute intermission and a conversation with director **Athina Rachel Tsangari**.

Part of &#8220;Worlds Apart: The Films of Athina Rachel Tsangari,&#8221; a retrospective of the Greek director&#8217;s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots, and the Los Feliz 3

Trigonometry

Secrets & Lies

Black Sunday in 35mm

Pool of London

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

A couple at the table by the window look happier than anybody else in the restaurant. Hiroshi Eda, who works at a governmental office, has got a promotion and his wife, Yumiko, has been pregnant. Their happiness seems to last forever, but actually it ends that afternoon with a traffic accident that kills the husband. Shiro Mishima, the young man who has caused the accident, is a promising salaried-man of the Pacific Trading Company. He happens to meet Yumiko in the restaurant where she has last seen her husband alive. Shiro promises to give her fifteen thousand yen every month for compensation.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Transcendental Appointments’ and ‘Mikio Naruse: An American Cinematheque Retrospective’

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