Sweeney Todd: The Demon Barber of Fleet Street in 4K

Sunshine in 35mm

Academy Museum

Teens camping in a northern California retreat are terrorized by mutant insects created by evil, polluting pot farmers.

Ticks

**Screening will be followed by an in-person Q&A with director Alex Phillips, producer Hal Baum, and actress Ginger Lynn!**

An avant-gutter psychedelic dream, ***ANYTHING THAT MOVES ***is an erotically charged, blood-soaked thriller set in the sticky corridors of Chicago. Shot on fleshy Super 16mm, director **Alex Phillips**&#8216; rust belt giallo continues his trajectory of taboo-shattering horror cinema with this tense, funny, and absolutely twisted murder mystery.

The film follows nubile sex worker Liam who bikes with his girlfriend — his partner in both business and pleasure — through the city delivering snacks and divine satisfaction to his love-hungry clients. Meanwhile, a serial killer’s gory murders are piling up, and all the evidence seems to point back to the lovers’ bed.

Produced in collaboration with cult home video outfit **Vinegar Syndrome**, the film features standout supporting performances from erotic film legends **Ginger Lynn** (*The Devil’s Rejects*) and **Nina Hartley** (*Boogie Nights*).

With an original instrumental score by Chicago-based artists **Cue Shop**, calling to mind the lush orchestrations of Bruno Nicolai, and lurid visuals by acclaimed cinematographer **Hunter Zimny **(*The Scary of Sixty-First*, *Funny Pages*), *Anything That Moves* provides an immersive throwback to ’70s exploitation flicks.

Anything That Moves

Brain Dead Studios

### **ABOUT THE FILM:**

“Ben Hecht has been squinting at ‘The Front Page’ again and, with one eye crinkled shut and the other sardonically glinting, he has written an impiously impish comedy about that recurrent journalistic marvel, the seven-day wonder. NOTHING SACRED, which is the title of the eminent professor’s thesis, and which is now being read at the Music Hall, has given the Fourth Estate the once-over (not so lightly) and has left it applying collodion to its wounds. . . . Only a journalistic renegade, teetering on a critical perch, would dare grant it the distinction of being one of the merrier jests of the cinema year. Mr. Hecht, having served his apprenticeship in the toughest Chicago school, is in a position to bat a skeptical eyebrow over the antics of the wayward press.”

*—Frank S. Nugent, The New York Times, November 26, 1937*

FORMAT: Nitrate

COUNTRY: USA

Presented in partnership with Eastman Museum, L.A. Print courtesy of the George Eastman Museum, gift of Selznick Properties, Ltd. ‘American Cinematheque’s Nitrate Film Festival 2026’

NOTHING SACRED on Nitrate

Egyptian Theatre

Recounting the circumstances of his son Nando’s suicide, José seems both comforted by and unaware of filmmaker Juan Pablo González’s camera as he retells the events of that final day. The short unfolds in three chapters: each repetition feels like an excavation, grief both fresh and buried. Set against the vast farmlands he once worked on with his son, the film’s haunting soundscape and a capella cantos transform mourning into landscape, revealing how memory reshapes what remains and how loss echoes through time and place.

DCP. Director/Screenwriter: Juan Pablo González.

Chloé Zhao’s quietly devastating debut unfolds on South Dakota’s Pine Ridge Reservation, where high school senior Johnny prepares to leave home until a sudden family death makes him reluctant to abandon his 13-year-old sister. Blending fiction and documentary, Zhao casts local community members without professional acting experience, grounding the film in authenticity. The result is a work of lyrical realism and emotional restraint that captures the beauty, hardship and resilience of reservation life.

DCP. Director/Screenwriter: Chloé Zhao. With: John Reddy, Jashaun St. John, Irene Bedard, Eléonore Hendricks.

*—Public Programmer Beandrea July*

The Solitude of Memory / Songs My Brothers Taught Me

Hammer Museum

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!**

Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Writing Gets Lonely: Open Writing Studio (2/20)

Heavy Manners Library

“What a Wonderful World: An Audiovisual Poem,” edited by Udo Kittelmann, is a sweeping odyssey into the depths of human experience, unfolding through film and video. Marking the first major presentation of works from the Julia Stoschek Foundation in the U.S., this audiovisual poem experiments with time-based media by placing contemporary video works in dialogue with silent films and early cinema classics. For the first time, a large-scale exhibition bridges these two universes, creating an unprecedented encounter across more than a century of visual storytelling.

Bringing one of the world’s leading collections of time-based art to a city defined by moving images sparks a rare conversation across disciplines. It dissolves the boundaries between visual art and cinema, museum and theater, white cube and black box. In doing so, it traces the evolution of visual storytelling over the past century, highlighting both the universality of human concerns and the shifting perspectives that shape their representation.

“What a Wonderful World” presents a wide range of groundbreaking works by artists such as Marina Abramović, Cyprien Gaillard, Arthur Jafa, or Lu Yang, alongside cinematic milestones by Luis Buñuel, Walt Disney, Alice Guy-Blaché, Winsor McCay, and Georges Méliès. Together, these works form a panoramic and layered portrait of humanity and history across 120 years: altogether ironic, sincere, critical and compassionate.

“What a Wonderful World” will unfold as an explorative journey, a cinematic mystery tour, a soul-stirring experience. It invites visitors to confront the secrets and fragilities of humanity while holding up a mirror to the state of the world today.

What a Wonderful World: An Audiovisual Poem

Julia Stoschek Foundation at the Variety Arts Theater

### **ABOUT THE FILM:**

Iconic director David Lean (LAWRENCE OF ARABIA, DOCTOR ZHIVAGO) deftly explores the thrill, pain and tenderness of an illicit romance in dour, gray post-war Britain. After a chance meeting on a train platform, a married doctor (Trevor Howard, MUTINY ON THE BOUNTY) and a suburban housewife (Celia Johnson, THIS HAPPY BREED) enter into a muted, passionate but ultimately unconsummated situationship. This depiction of powerful feelings kept under wraps is a definitive example of a particularly English style of emotional restraint. BRIEF ENCOUNTER is also a potent beacon for queer subtext, as its subject of forbidden love holds special resonance.

FORMAT: 35mm

DISTRIBUTOR: AGFA

COUNTRY: UK

Get your ticket for just $7.74 at the box office! Print provided courtesy of the American Genre Film Archive ‘Film by the Foot’

BRIEF ENCOUNTER

Los Feliz Theatre

Arabian Nights

Once Upon A Time In… Hollywood

New Beverly Cinema

A beautiful new restoration of Grigori Kromanov's bizarre & haunting, Estonian sci-fi mystery, based on a novel by the authors of "Stalker"!

DEAD MOUNTAINEER'S HOTEL (1979) – New 4K Restoration!

Philosophical Research Society

**Screenwriters**: Christopher Guest, Eugene Levy

**Producer**: Karen Murphy

Vidiots remembers the remarkable warmth, talent, and gifts of the legendary **Catherine O&#8217;Hara** with a special screening of the howlingly hilarious mockumentary *Best in Show*.

Christopher Guest and an incredible ensemble of the funniest people on earth are ready to improv their way to a blue ribbon in this furry comedy phenomenon. From start to finish, you&#8217;ll bark with laughter as an eccentric blend of dog owners from across the country gear up to compete at the Mayflower Dog Show.

**Remembering Catherine O&#8217;Hara**

Catherine O’Hara, our scene stealing, impossibly funny, impeccably comically timed, deeply human, perfectly wigged icon, we will miss you so. Thank you for making us laugh til we cried and lighting up generations of artists to seize art and life with a vigor only you could inspire. We’ll be celebrating you in our video store and on our big screen always.

**Picks from the Video Store**

Need to bring more Catherine O&#8217;Hara brilliance home? Check out some of these delights on physical media:

*After Hours, SCTV, Waiting for Guffman*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Best in Show

**Screenwriters**: Louise Peter,  Mascha Schilinski

**Producers**: Lucas Schmidt,  Lasse Scharpen

Join us in the microcinema for the utterly gorgeous bleak beauty of Mascha Schilinski’s meditative and transcendent *Sound of Falling*. Fragments from a hundred years in one farmhouse coalesce into a cinematic flood of memory with exquisite painterly cinematography and expertly disquieting sound design. 

This Cannes Jury Prize-winning masterpiece tracks the lives of four adolescent girls (Alma, Erika, Angelika, Lenka) across the last century – their desires and distress, their secrets and truths, their encounters with another’s gaze and defiant gaze in return. Though separated by time, far-reaching resonances emerge as echoes of experience linger.

Sensual and sensory, this awe-inducing Cannes prizewinner invites audiences to witness an eternal summer, a constant now, and ask: what is looking back at us from the past – or perhaps even from the future?

*“It knocks you off your feet and then sweeps you up again”* &#8211; The New Yorker

*“Mascha Schilinski’s superb feature is a masterclass in ethereal, unnerving brilliance”* &#8211; Deadline

*★★★★ “Marvelously tells a century’s worth of women’s stories by weaving together the psychological, the physical, and even the spiritual”* &#8211; Observer

Sound of Falling

**Screenwriter**: Danny Rubin, Harold Ramis

**Producer**: Trevor Albert, Harold Ramis

Get caught in a time warp with Bill Murray and his fuzzy friend in Harold Ramis&#8217; beloved comedy. When a narcissistic TV weatherman is sent to the small town of Punxsutawney to cover the annual emergence of Punxsutawney Phil, he finds himself stuck repeating the same day over and over. Outrageously funny with a sweet gooey middle, this is a comedy classic that deserves watching and rewatching and rewatching!

**Picks from the Video Store**

Ready to do the time warp again? Check out these other time-bending treasures

*Time Cop, Happy Death Day, Time Crimes*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Groundhog Day

**Screenwriter**: Jack Hill

**Producer**: Robert Papazian

Get ready to watch the baddest ass bitch to ever grace the silver screen &#8211; the one and only Pam Grier &#8211; go undercover as a sex worker to avenge her smack-addicted sister in Jack Hill&#8217;s explosive Blaxploitation classic *Coffy*. Grier plays Coffy, a nurse who has had enough of the pimps and pushers that have taken over her neighborhood and gotten her sister addicted to heroin. Posing as a sex worker, Coffy&#8217;s a one-woman crusade to rid the world of the baddest of the bad. Stylish, violent, and oh so satisfying, this is one bad-ass flick you need to watch on the big screen with a crowd!

**Picks from the Video Store**

Can&#8217;t get enough Pam Grier? We&#8217;ve got dozens from her incredible 5 decade career.

*Foxy Brown, Holy Smoke, Jackie Brown*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Coffy

Vidiots

Good Luck, Have Fun, Don't Die

Melody Time/The Sword in the Stone

The Bride of Frankenstein

Vista Theatre

*Los Angeles premiere w/ director Josh Heaps in person!*

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Sam, a young film student, discovers a USB detailing the life and career of forgotten Italian horror director Saturnino Barresi. As she begins to investigate his mysterious disappearance, Sam finds herself pulled into a violent conspiracy eerily similar to those of the films she adores.

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City Wide Fever runs the well-worn tropes of 1970s horror - sex, violence, and endless style - through our fraught and fragmented 21 century. Shot throughout 2023 and ‘24 on an SD camera, the film acknowledges its predecessors while also looking towards new methods of storytelling.

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Produced by Guy Maddin, made with a tiny budget & shot unpermitted in and around NYC with a cast featuring Larry Fessenden, Ian Fidance, Michael M. Bilandic, and Carolyn Farina.

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**dir. Josh Heaps, 2025***United States, digital projection*74 min

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## Friday, 2/207:30 DOORS8:00 SCREENING

Followed by a Q&A with director Josh Heaps, led by filmmaker Devon Green.

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*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*

CITY WIDE FEVER (2025), dir. Josh Heaps in person!

WHAMMY!

More information at: https://slamdance.com/festival/

Slamdance 2026

2220 Arts + Archives

Star Wars: Episode VIII – The Last Jedi in Dolby Vision

Apollo 13 in 4K

### NUMBSKULL REVOLUTION (2025)

*Run Time:* 95 minutes

Nine years in the making, *Numbskull Revolution* is Moritsugu at his most

epic, abrasive, and fully realized. A savage sci-fi satire set in a near-future

art-world dystopia, the film follows rival conceptual artists (Amy Davis and

James Duval) locked in a spiral of ambition, addiction, and ideological collapse.
Brutalist, hilarious, and unexpectedly raw — a maximalist cinematic overload.

### MY DEGENERATION (1989)

*Run Time:* 61 minutes

One of Moritsugu’s earliest features, *My Degeneration* is pure no-wave

cinema: feral, funny, and aggressively anti-polite. Shot on a shoestring and

fueled by punk nihilism, the film skewers youth culture, authority, and identity

with lo-fi fury and total disregard for good taste.
A foundational entry in Moritsugu’s anarchic filmography.

**Plus: an exclusive pre-recorded Q&A with Jon Moritsugu moderated by Alex Gootter of Hollywood Entertainment!**

Numbskull Revolution & My Degeneration

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.

FORMAT: Nitrate

DISTRIBUTOR: Toho

COUNTRY: Japan

Presented in partnership with Eastman Museum, L.A. Print courtesy of the George Eastman Museum, lent by Wesley Greene. ‘American Cinematheque’s Nitrate Film Festival 2026’

WIFE! BE LIKE A ROSE!

### **ABOUT THE FILM:**

One of David Lean’s rare leanings into comedy, BLITHE SPIRIT is the classic adaptation of Noel Coward’s smash-hit theater piece starring Rex Harrison (MY FAIR LADY) as a novelist who cheekily invites spirit medium Margaret Rutherford (THE IMPORTANCE OF BEING EARNEST) to his house for a séance, hoping the experience will help inspire his current book project. Things go haywire, though, when she summons the spirit of Harrison’s deceased first wife…a severe inconvenience for his current second wife! With Technicolor panache and effective Forties special effects, BLITHE SPIRIT will thaw the cold heart of any cinema cynic.

FORMAT: Nitrate

DISTRIBUTOR: AGFA

COUNTRY: UK

Print courtesy of The Museum of Modern Art, New York ‘American Cinematheque’s Nitrate Film Festival 2026’

BLITHE SPIRIT on Nitrate

Loose Frames presents an evening of various funny, experimental, and evocative animated shorts. There will be a short Q&A with the filmmakers before the screening begins.

Loose Frames Community Shots Screening

Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of more than 150,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.

Dive into a powerful educational series bridging generations through film, dialogue, and lessons on critical media literacy. Curated and facilitated by legendary KAOS Network founder Ben Caldwell, L.A. Rebellion filmmaker Alile Sharon Larkin, and LACMA assistant curator of film Matazi Weathers, this series spotlights bold works by local filmmakers, featuring surprise guest appearances and unfiltered conversations on the role of storytelling in shaping cultural consciousness, both locally and globally. 

Co-presented by KAOS Network and LACMA’s Aspect Ratio.

KAOS/LACMA Cultural Literacy Collider

LACMA

### **ABOUT THE FILM:**

*In Portuguese with English subtitles.*

Clémenti’s penultimate screen role, for Portuguese iconoclast João César Monteiro, is a catalyst within a narrative hall of mirrors with a theatrical company fanatically rehearsing August Strindberg’s Inferno at its center. Featuring multiple timelines, a battle of wills between God and Lucifer, an obsession with John Wayne’s swaggering pelvis, and a dedication to Jean-Marie Straub and Danièle Huillet, the film is equal parts majestic and perverse, as Monteiro teeters to the edge of theatrical abstraction. For Clémenti, who fully retreated from the film industry in the 1980s—pouring his energy into theater, his own films, radio programs, and even acting in student projects at La Fémis—Le Bassin ’s auteurist rigors were a return to an earlier time. “You have to know how to disappear to be reborn,” he told Les Inrocks in 1998, “My encounter with Monteiro was magnificent […], with him, it was like with [Luis] Buñuel: we understand each other instinctively, without even speaking.” This renaissance was, tragically, also a swan song. That year, Clémenti was diagnosed with liver cancer, from which he passed away in 1999 at age 57.

FORMAT: DCP

DISTRIBUTOR: The Cinema Guild

COUNTRY: Portugal/France

L.A. Premiere of New 4K Restoration ‘João César Monteiro: An American Cinematheque Retrospective’

THE HIPS OF J.W.

### **ABOUT THE FILM:**

An ex-cop discovers that his brother’s recent death is intertwined with both the Los Angeles underworld and the city’s porno movie scene.

FORMAT: DCP

DISTRIBUTOR: Warner Bros.

COUNTRY: USA

‘Watch Local: Hollywood Center Motel’

HIT MAN

Sodom and Gomorrah: The Last Seven Days  / The Autobiography of a Flea

The Fireworks Woman

Menelik Shabazz & D. Elmina Davis' 1988 documentaries, part of Black Revivalist and Cushy Collective's day of Caribbean films fundraiser!

TIME & JUDGEMENT: DIARY OF A 400 YEAR EXILE + OMEGA RISING —Double Feature!

Menelik Shabazz & Horace Ové’s debut feature films, part of Black Revivalist and Cushy Collective's day of Caribbean films fundraiser!

BURNING AN ILLUSION (1981) + PRESSURE (1976) — Double Feature!

**Producers**: Jessica Hargrave,  Ryan White,  Tig Notaro,  Stef Willen

Join us in the microcinema for Ryan White&#8217;s poignant Academy Award nominated documentary *Come See Me in the Good Light.* An emotional and unexpectedly funny love story about poets Andrea Gibson and Megan Falley facing an incurable cancer diagnosis with joy, wit and an unshakable partnership. Through laughter and unwavering love, they transform pain into purpose and mortality into a moving celebration of resilience.

Come See Me in the Good Light

**Screenwriters**: Pete Docter, Mike Jones, Kemp Powers

**Producer**: Dana Leigh Murray

*Life is full of possibilities. You just need to know where to look. Don&#8217;t miss out on the joys of life*. Jamie Foxx leads an all-star voice cast &#8211; including Tina Fey, Richard Ayoade, Angela Bassett, and Questlove &#8211; as Joe, a middle-school band teacher whose life hasn&#8217;t quite gone the way he expected. With his beloved piano, his true passion is Jazz. But when he travels to another realm to help someone find their passion, he soon discovers what it means to have soul. A beautiful and poignant film to remind everyone to seek out their spark and find the joy in the little things in life. 

Plus! The short film ***Burrow*** (2020, 6 min)

**Director**: Madeline Sharafian

In *Burrow*, a young rabbit embarks on a journey to dig the burrow of her dreams, despite not having a clue what she’s doing. Rather than reveal to her neighbors her imperfections, she digs herself deeper and deeper into trouble. After hitting (bed)rock bottom, she learns there is no shame in asking for help.

**Picks from the Video Store**:

Got little music lovers in your house?

*School of Rock, Make Mine Music, Fantasia*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Soul

**Screenwriter**: A.V. Rockwell

**Producers**: Eddie Vaisman,  Julia Lebedev,  Lena Waithe,  Rishi Rajani,  Brad Weston

Behold the force of nature that is Teyana Taylor in her breakthrough performance in A.V. Rockwell&#8217;s gripping and tender story of Black motherhood. Taylor plays Inez, a single mother playing by her own rules in 1990s New York. Forced to kidnap her own child from foster care after a stint in Rikers, the ground beneath their very feet threatens to collapse at every turn, even as her son and family grows. Moving, powerful, and touching, this portrait of family life in an unjust society comes alive with dynamic performances, evocative cinematography, and the perfect Quincy-Jonesesque soundtrack.

**Picks from the Video Store**

Love Vintage NYC? Take home a slice of the Big Apple tonight!

*Variety, The Last Days of Disco, Crooklyn*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

A Thousand and One

**Screenwriter**: Jessica Bendinger

**Producers**: Marc Abraham,  Thomas A. Bliss

*That&#8217;s all right. That&#8217;s OK! You&#8217;re gonna pump our gas someday! *The rivalry is on for two San Diego high school cheer teams and the battle is going to be petty! You know you can&#8217;t resist this trash-talking, high-flying, cat-fighting classic of Millennial cinema, so bring your squad to Vidiots to watch the cheer championships of the century and root for your favorite shady moment, bitchy dig, and high-kicking routine!

**Picks from the Video Store**

Love a girly teen flick? Check out these slumber party classics tonight!

*Girls Just Want to Have Fun, The Legend of Billie Jean, Slums of Beverly Hills*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Bring It On

**Screenwriter**: Michael Almereyda

**Producers**: Mary Sweeney,  Amy Hobby

With a special introduction from writer/director **Michael Almereyda** before Saturday&#8217;s screening!

Join us in the microcinema for the new restoration of Michael Almereyda&#8217;s gorgeous vampiric slow burn *Nadja*. Merging elements from *Dracula&#8217;s Daughter* (1936) with André Breton’s surrealist novel *Nadja* (1928), and fusing shimmering black-and-white 35mm with hallucinatory Pixelvision video, Michael Almereyda’s acclaimed cult film centers on New York-based vampire Nadja (Elina Löwensohn) as she draws close to her twin brother Edgar (Jared Harris) following their father’s death at the hands of Dr. Van Helsing (Peter Fonda). Edgar’s private nurse (Suzy Amis), Van Helsing’s nephew Jim (Martin Donovan), and Jim&#8217;s wife (Galaxy Craze) are entangled in the story as the vampire killer pursues “the fiend” from Manhattan to Transylvania. Executive produced by David Lynch. Breathtaking, ethereal, and magnificently ponderous, this undead indie treasure is a timeless unsung genre triumph.

**Restoration Info ******

The original Director’s Cut of NADJA was digitally restored by Arbelos and Grasshopper Film from the only extant element, the 35mm answer print—the version of the film that premiered at the Toronto International Film Festival in 1994, three minutes longer than the commercial release. Laboratory services by OCN Labs, Five Seventy Films, Ben Gilbert Films, David Ferron and Blackhawk Films. Special thanks to Michael Almereyda and Absurda.

Nadja

**Screenwriter**: Terri Tatchell

**Producers**: Peter Jackson,  Carolynne Cunningham

Science fiction and social satire blend in this brilliant commentary on xenophobia and Apartheid, cloaked in the guise of a highly entertaining extraterrestrial action film. Thirty years after a group of malnourished aliens arrive on Earth as a last refuge, they are all segregated away from humans in a South African internment camp while the government runs inhumane tests on them and tries to steal their technology. When a company field agent contracts a mysterious virus that begins to alter his DNA, there is only one place he can hide: District 9. Now part-man, part alien, he is out to expose the government&#8217;s treatment of the aliens and fight for beings from all planets.

**Picks from the Video Store**

Want more science fiction that resonates with the times?

*Fahrenheit 451, Starship Troopers, The Handmaid&#8217;s Tale*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

District 9

Fast Company

Salesman/Glengarry Glen Ross

### **ABOUT THE FILM:**

The preternaturally gifted director and choreographer Bob Fosse turned the camera on his own life for this madly imaginative, self-excoriating musical masterpiece. Roy Scheider gives the performance of his career as Joe Gideon, whose exhausting work schedule—mounting a Broadway production by day and editing his latest movie by night—and routine of amphetamines, booze and sex are putting his health at serious risk. Fosse burrows into Gideon’s (and his own) mind, rendering his interior world as phantasmagoric spectacle. Assembled with visionary editing that makes dance come alive on-screen as never before, and overflowing with sublime footwork by the likes of Ann Reinking, Leland Palmer and Ben Vereen, ALL THAT JAZZ pushes the musical genre to personal depths and virtuosic aesthetic heights.

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: USA

Introduction by actor and fitness instructor Angie Shriner ‘Cinematic Void’

Cinematic Void Presents ALL THAT JAZZ

**Screenwriter**: Chantal Akerman

**Producers**: Corinne Jenart, Evelyn Paul

Fall into a cinematic trance with Chantal Akerman&#8217;s meditative masterpiece *Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles.* Screen icon Delphine Seyrig plays the eponymous Jeanne, a middle-aged widow going through her daily routine in real-time. Scrubbing potatoes and turning tricks in equal measures of disinterest, the ordinary becomes both sublime and menacing as impending doom lingers on the horizon. At once a multi-faceted and nuanced character study and a mesmerizing examination of space, time, and ritual, Akerman&#8217;s film was recently named the &#8220;Greatest film of all time&#8221; by Sight and Sound magazine and demands to be seen on the big screen.

**Picks from the Video Store**:

Are you in love with Delphine Seyrig as much as we are? Take home some unsung gems tonight!

*Daughters of Darkness, Mr. Freedom, Last Year at Marienbad*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

**25th anniversary screening**, followed by a **Q&A with actress Saffron Burrows**.

**Doors:** 7:00 PM • **Film:** 7:30 PM

One of the boldest experiments ever released by a major film studio, maverick filmmaker **Mike Figgis** turned heads with this split-screen thriller, starring an incredible cast of A-list actors and taking place entirely in real time as four continuous 98-minute DV takes unfold on screen.

On Sunset Blvd., on the stretch between Book Soup and Dialog Café, Figgis follows a group of Hollywood executives, actors, and spouses (Salma Hayek, Stellan Skarsgård, Saffron Burrows, Holly Hunter, Kyle MacLachlan, and many others) ahead of a major pitch meeting, as adulteries and other overlapping dramas ensue in each of their personal lives.

With its improvised dialogue and elaborate structural gambit, *Timecode* is a relic of the turn-of-the-millennium digital boom—at the height of the crossover between the American independent and commercial film industries—and an emblem of an era when anything felt possible.

*“What is the purpose of the experiment? Above all, to show it can be done… Mike Figgis is a man who lives and breathes the cinema.”* — Roger Ebert

*“An impressive stunt… surprisingly breezy to watch.”* — Dave Kehr

Mezzanine Presents: Timecode in 35mm

### **ABOUT THE EPISODE:**

**Episode 8, “The Last Evening,” Dir. Mark Frost, 46 Mins**

Audrey is hired at One Eyed Jack’s, but is caught in a trap when her father arrives. Cooper gets Jacques Renault to reveal the details of Laura’s last night in the cabin. Deputy Andy saves Truman’s life and apprehends Renault.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“The Last Evening” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 1, Ep. 8

**Producers**: Danielle Varga,  Brittany Shyne,  Sabrina Schmidt Gordon

Join us in the microcinema for Brittany Shyne&#8217;s breathtaking and poetic documentary portrait of centennial farmers in the geographical south. Using lyrical black and white imagery, this meditative film examines the decline of generational black farmers and the significance of owning land.

Interweaving the stories of three Black generational farmers to create a collective and intimate portrait of farming today, *Seeds* is a moving and powerful exploration of their lives, joys and struggles as well as the fragility of legacy and owning land. 

With remarkable intimacy, the film documents their everyday lives &#8211; cotton harvesting, chasing cows, dealing with broken machinery and financial precarities. The camera relishes simple moments &#8211; conversations through car windows, candy from grandma’s purse as it captures moments of warmth, joy and fulfillment &#8211; turning them into striking vignettes that honor the families’ connection to the land and each other. 

But the sobering reality underscores the urgency of their story. Black farmers owned 16 million acres of land in 1910 but today, that number has dwindled to a fraction. The farmers in the community struggle to access funding that white farmers nearby seem to secure with ease. 

Through these inter-generational stories, we see the cycles of inequity and embedded racism that persist to this present day, and the signs of hope and renewal with younger generations of farmers. *Seeds* emphasizes how human beings are innately tied to our foundational roots, roots which carry our ancestral memories &#8211; somber, bitter, and sweet.

Seeds

**Screenwriter**: Pedro Almodóvar

**Producer**: Agustín Almodóvar

The queer erotic thriller of your dreams, don&#8217;t miss Pedro Almodóvar&#8217;s self-reflexive and sinister chiller *Law of Desire*. When adult film director Pablo ditches his young boyfriend and heads to the beach, he doesn&#8217;t realize that another young lover (lil&#8217; Antonio Banderas) is on the horizon, waiting with obsessive tenacity to worm his way into Pablo&#8217;s life, and keep his ex out of it. Starring a very young Antonio Banderas as the obsessive sicko, with Almodóvar muse Carmen Maura as Pablo&#8217;s transgender sister and stirs the pot on this steamy sinister cinematic treasure.

**Picks from the Video Store**:

Can&#8217;t get enough Almodóvar? Check out his director&#8217;s section for his whole catalog of dark, funny, and melodramatic masterpieces!

*Matador, The Skin I Live In, Volver***

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Law of Desire

The Flux screening series brings the creative community together to celebrate outstanding short films and music videos from around the globe with wildly inventive filmmaker presentations and performances.

Flux, Spring 2026

**Screenwriter**: Frank Cottrell Boyce

**Producer**: Andrew Eaton

Be there for the first explosion of Punk Rock in Michael Winterbottom&#8217;s deliriously entertaining retelling of a musical revolution and the man that broadcast it across the world. The hilarious Steve Coogan plays Tony Wilson, a Manchester news reporter in the mid-1970s, looking to make his mark. After taking in a concert from the seminal punk band the Sex Pistols, he becomes a one-man crusade to televise and spread the anarchic sound of Manchester&#8217;s punk scene. While not entirely based on truth, this electric showcase of punk &#8220;history&#8221; is built on legends, myths, and a dose of reality, but brings an era of riotous rebellion into focus.

**Picks from the Video Store**

Need more Punk cinema? Embrace anarchy with these deep cuts!

*Breaking Glass, The Great Rock n&#8217; Roll Swindle, Suburbia*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

24 Hour Party People

### **ABOUT THE FILM:**

STITCHES is a glamorous romantic drama blending the sophisticated fashion world of THE DEVIL WEARS PRADA with the high-society opulence of CRAZY RICH ASIANS, set against the vibrant backdrop of Lagos, Nigeria. It follows the journey of a talented ghetto-raised fashion designer who finds unexpected love that is above her social status, navigating class divides and family expectations.

FORMAT: DCP

DISTRIBUTOR: Bluepictures Cinema

COUNTRY: Nigeria

Nollywood in Hollywood Opening Night! Co-presented by O2A Media and the USC School of Cinematic Arts

STITCHES

Aero Theatre

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

A mysterious orb capable of granting three wishes positions a struggling musical band within reach of their dreams at a terrifying cost.

SEE YOU WHEN I GET BACK (2026)(NR)(Fri 3/6) 8pm INNER WAVE BAND album drop

Gardena Cinema

Adapted from Erich Maria Remarque’s novel and directed by Lewis Milestone who also co-wrote, *Arch of Triumph* finds the City of Lights shrouded in noirish fog and shadow. It’s 1938 and Paris has become the tenuous home for refugees on the run from the Nazis and French immigration to avoid deportation. Among them is Charles Boyer’s doctor who haunts the city’s cafes and recognizes a shared trauma in Ingrid Bergman’s desperate émigré. A tragic romance, Arch of Triumph does double duty dramatizing the cruelty of both facism and an immigration system that would render people stateless by denying them safe haven.

Director: Lewis Milestone. Screenwriters: Lewis Milestone, Harry Brown. With: Ingrid Bergman, Charles Boyer, Charles Laughton. 

*35mm restored print courtesy of the UCLA Film & Television Archive. Restored by the UCLA Film & Television Archive in cooperation with National Telefilm Associates, Inc., and Richard Rosenfeld; funding by AFI/NEA; special thanks to Richard Dayton for his significant contributions in restoring this film.*

In this ultra low-budget B-film produced by Czech émigré Rudolph Monter, Friedrich Torberg plays a Czech concert pianist jailed and tortured by the Nazis for playing “The Moldau,” a symbol of the Czech resistance to their occupation. Escaping his captors and surviving a harrowing journey, he ends up alone on a Caribbean island where his trauma overwhelms him as he longs for his missing wife — dying unbeknownst to him on another part of the island. Imbued with expressionist shadows and told through a series of interwoven flashbacks, *Voice in the Wind* powerfully expresses the disorientation and despair of European refugees in the wake of fascist violence.

DCP. Director: Arthur Ripley. Screenwriter: Friedrich Torberg. With: Francis Lederer, Sigrid Gurie, J. Edward Bromberg. 

*Restoration funded by the George Lucas Family Foundation.* Restored by the UCLA Film & Television Archive and The Film Foundation.

*—Senior Public Programmer Paul Malcolm*

Arch of Triumph / Voice in the Wind

**Screenwriters**: Eugene Levy, Christopher Guest

**Producer**: Karen Murphy

Join us in celebration of the life, laughs, and legacy of the incredible Catherine O&#8217;Hara with a special screening of one of the funniest movies of all time, *Waiting for Guffman*, with a special introduction by Founding Member and *Guffman* uberfan **Mary Elizabeth Ellis**!

*&#8220;I&#8217;m trying that less is more kind of acting.&#8221;* Take center stage with the Blaine community players as they prepare for the town&#8217;s sesquicentennial celebration and a stage musical that they&#8217;re all praying will take them to Broadway. Before *Schitt&#8217;s Creek*, before *Best in Show*, this beyond hilarious group of gifted improvers and comedians gathered to bring us one of the funniest movies ever made and ushered in the era of the mockumentary. Featuring brilliant improvised performances, endlessly quotable lines, ludicrous musical numbers, and more laughs per minute than 1,000 Tik-Toks, *Waiting for Guffman* is the kind of film that never gets old and only gets better when watched with a crowd. So, don&#8217;t be a bastard person, quit biting your pillow, and stop in to get a Coke and laugh your ass off, because it&#8217;s the day of the show y&#8217;all!

**Picks from the Video Store**:

Need more mockumentaries? Try out these deep cuts from our rental collection!

*Man Bites Dog, Fear of A Black Hat, Smile *(1975)**

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Waiting for Guffman

**Screenwriters**: Weird Al Yankovic,  Jay Levey

**Producers**: John W. Hyde,  Gene Kirkwood

Grab the remote and turn the channel to *UHF*, the one film to properly showcase the idiotic brilliance of Weird Al, and one of the strangest comedies of the 1980s (which is saying a lot for the 80s!) When his uncle hands George Newman (Weird Al) the keys to his flailing UHF (look it up youngsters!) station, George starts to nix the reruns and start making ridiculous and subversive content that finally brings in an audience. But a rival TV executive isn&#8217;t taking the success well and vows to bring down Newman and all his new programming. It&#8217;s goofy, it&#8217;s stupid, it&#8217;s beyond hilarious, it&#8217;s everything you would expect from a Weird Al movie and so much more!

**Picks from the Video Store**:

1989 was a crazy year for film! Check out these 1989 bangers from our video rental collection!

*Teen Witch, Heathers, Weekend at Bernie&#8217;s*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Animated Short Film

*World restoration premiere! *

One of the boldest films of the postwar period to tackle homegrown facism, the independent production, *The Burning Cross*, was the first anti-Klan film to explicitly depict Black Americans as victims of KKK terror on screen. A newly discharged veteran disgruntled by the changes he finds in his small town gravitates to the brutes of a Klan front group, the American Only Association. The brutal realism of the film’s depiction of the rhetoric and tactics culminates in the murder of a Black family burned in their home. The film, however, is not without compromise as an opening prologue restored in this version suggests that the Klan was originally founded by “men of good intentions” who would be betrayed by a corrupt, greedy few. 

Director: Walter Colmes. Screenwriter: Aubrey Wisberg. With: Henry H. Daniels Jr., Virginia Patton, Dick Rich. 

*35mm restored print courtesy of the UCLA Film & Television Archive. Restored by the UCLA Film & Television Archive and The Film Foundation. Restoration funding provided by The Hobson/Lucas Family Foundation.*

Released the year after both *Gentleman's Agreement* (1947) and *Crossfire* (1947) made anti-semitism their explicit subject, this independently produced film noir takes a grittier approach to the social problem despite never mentioning the word, although the implications are clear. Directed by Austrian-born émigre John Reinhardt, *Open Secret* unfolds as a small town mystery with a newlywed couple investigating the disappearance of the friend they’ve come to visit. What they discover is a community so corrupted by hate even children join in victimizing anyone who isn’t “the right kind of people.” Ironically, a sweaty cabal stands behind it all with ambitions to take their violent campaign to the national political stage.

Director: John Reinhardt. Screenwriters: Henry Blankfort, Max Wilk. With: John Ireland, Jane Randolph, Sheldon Leonard. 

*35mm restored print courtesy of the UCLA Film & Television Archive.Preserved by the UCLA Film & Television Archive with funding provided by The Packard Humanities Institute.*

*—Senior Public Programmer Paul Malcolm*

The Burning Cross / Open Secret

Los Angeles Filmforum presents *Femme Grotesquerie!* In person: Jenny Nirgends and curator Sam Gurry.

Full film lineup and notes at: https://www.lafilmforum.org/schedule/

∆

*Desires that curdle. / Ambitions that molt. / Girlhood morphed into menace, myth, and power.*

*Femme Grotesquerie* is a collection of ten contemporary experimental animation short films showcasing femininity as something unruly, excessive, and emboldened. Featuring a variety of mediums including direct animation, stop motion, and digital 2D, these films depict worlds lived, imagined, subverted, or reclaimed. Here, femininity is not decorative or contained but pushed to its edges: raw, acute, tender, funny, and volatile. From the animated porcelain puppets of *On Weary Wings Go By* to the glitter-bombed 16mm of *Moon Cycle (2023-2024)*, these films stage feminine aesthetics and narratives as something to be wielded, distorted, reclaimed, and reimagined on the animators’ own terms.

Join us to delight in the animated image and that strange pleasure of watching light, rupture, and reform. Contemporary international animated films by Justine Lai, Alice Bloomfield, Anu-Laura Tuttelberg, Amy Lockhart, Victoria Vincent, Sofia Carillo, Sophie Koko Gate, Jenny Jokela, Louise Flaherty, and Jenny Nirgends.

Notes and Program by Sam Gurry.

LA Filmforum: Femme Grotesquerie

Documentary Short Film

**Conceiving Ada** (1997) is a sci-fi drama directed by artist and filmmaker **Lynn Hershman Leeson**. The film follows a computer scientist who attempts to communicate with 19th-century mathematician **Ada Lovelace** through experimental technology, drawing connections between early computing, memory, and authorship.

Starring **Tilda Swinton**, Francesca Faridany, and Karen Black.

The film will be introduced in person by Los Angeles writer and critic

Jori Finkel!

Conceiving Ada

Do you like to draw? Join us for this fun, drop-in drawing event where participants of all ages and skill levels discover the joy of drawing from live, costumed models. Guest artists offer guidance and materials are provided—just bring your curiosity and creativity. 

Getty Drawing Days

Join artist Peter Zokosky for live drawing demonstrations. Meet the artist, ask questions, and discover different materials and techniques for drawing people. 



Artist-at-Work: Figure Drawing

Getty Center

*Preserved by UCLA from original 2 in. video master! *

In a celebrated career spanning over four decades, Academy Award winner Gene Hackman (1930–2025) became recognized as one of the finest American actors of the New Hollywood era. A native Californian who relocated to New York to pursue acting in the late 1950s (with roommates Dustin Hoffman and Robert Duvall), Hackman toiled for over a decade off and on Broadway, and in dozens of small parts on film and television. By 1968, in between his star-making turns in the iconic features *Bonnie and Clyde* (1967) and *The French Connection* (1971), Hackman landed the lead role in the prestigious television anthology *CBS Playhouse*, in the installment, “My Father and My Mother.” 

Virtually unseen since its original broadcast, “My Father and My Mother” concerns a writer (Hackman) as he struggles to come to terms with decisions made in the care of his son with an intellectual disability. In seeking answers to his deep emotional crisis, the writer revisits his past, attempting to reconcile painful memories of his late parents (Ralph Bellamy, Jane Wyatt). An obscure footnote in Hackman’s oeuvre, the expressionistically staged drama (videotaped at CBS Television City) represents a creative high point in the actor’s television resume, revealing a performance of psychological depth uncommon to the small screen. In its review, the *Los Angeles Times* hailed Hackman as “outstanding,” noting the production was “... 90 minutes of thoughtful, well-played drama, of which there is much too little on TV these days.” 

*Programmed and notes written by John H. Mitchell Television Curator Mark Quigley.*

*With original commercials *

DCP. CBS. Production CBS. Executive Producer: Barbara Schultz. 

Producer: George Schaefer. Director: George Schaefer. Writer: Robert Crean. With: Gene Hackman, Ralph Bellamy, Jane Wyatt. 

*Preserved by the UCLA Film & Television Archive. Engineering services by CBS Media Exchange. **Episode from CBS Playhouse - Courtesy of CBS Broadcasting Inc.*

Tribute to Gene Hackman: CBS Playhouse: “My Father and My Mother”

Intro to Leatherworking

While making a small accessories pouch, learn the basics of working with leather. This will cover different types of leather, terms and tools for working with chrome tanned pieces. This is a hands class on with sharp tools and Sharpies and is intended for beginners 14 years and older. Leave the class with a new appreciation for leather and take home a small finished pouch and a pattern to make more if you fall in love with the craft!

For more work by C&J Goods visit...

[http://www.candjgoods.com](http://www.candjgoods.com/)

Intro to Leatherworking w/ C & J Goods (3/8)

Live Action Short Film

### **ABOUT THE FILM: **

The highly anticipated follow up to the smash hit GREASE, Michelle Pfeiffer dazzles in a role that helped launch her to stardom and Maxwell Caulfield shines in his feature film debut. The two star as high school students from very different backgrounds who find love despite the expectations of everyone around them. This upbeat and campy ode to teenage romance dances to its own beat, gaining fans and cult-movie status four decades later.

FORMAT: DCP

DISTRIBUTOR: Paramount

COUNTRY: USA

Cinematic Void Presents GREASE 2

Described as the “unacknowledged love child of Walerian Borowczyk, Kenneth Anger, and Jean Cocteau,” **Bertrand Mandico** is a prolific and singular filmmaker. He has directed over forty short films, medium-length works, TV commercials, musical films, and features, and co-created the *Incoherence Manifesto* with Icelandic filmmaker Katrín Ólafsdóttir.

Central to Mandico&#8217;s methodology is shooting on expired film stock (16mm, 35mm, or Super 8), relying exclusively on in-camera special effects, and filming without sound, with all sound constructed in post-production. *The Wild Boys* marks Mandico’s debut feature and sends audiences on a transgressive, gender-bending (and genre-bending) surreal voyage—what the filmmaker describes as a “Robinson Crusoe–style adventure à la Jules Verne and William Burroughs.”

*The Wild Boys* tells the story of five adolescent boys—each played by actresses—who are enamored with the arts yet irresistibly drawn toward crime and transgression. After committing a brutal act, aided by TREVOR, an uncontrollable deity of chaos, they are punished by being forced aboard a ship captained by a man determined to discipline their ferocious appetites.

Stranded on a lush and dangerous island where pleasure and peril coexist, the boys begin to undergo profound transformations of both mind and body. Shot in sumptuous 16mm and brimming with eroticism, gender fluidity, and dark humor, *The Wild Boys* is a hallucinatory coming-of-age odyssey that lingers long after the screen fades to black.

**Preceded by a short film by Bertrand Mandico.**

PHANTASMAGORIA presents THE WILD BOYS

Join us at the PRS for an intimate evening celebrating the release of the Spirit Guide Portal Oracle Deck.

Spirit Made Visible - The Spirit Guide Portal Oracle Release

Sound of Metal

Contact in 35mm

Amores Perros in 4K with Alejandro G. Iñárritu

Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.

Daisies

A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.

Solaris

### **ABOUT THE FILM:**

The glorious epic style of Cecil B. DeMille is exemplified in this story of the Bible’s legendary strongman and the woman who seduces, then betrays him. Victor Mature is the classic Samson, muscular and fearless in his barehanded battle with a lion, his single-handed assault on a thousand Philistine soldiers, his struggle with a giant, and the spectacular Old Testament climax where he pulls down the pagan temple. The enormous cast and the splendor of the production adds to the spectacle. And Delilah, the irresistible lady with the scissors, is brought to seductive life by lovely Hedy Lamarr.

FORMAT: Nitrate

DISTRIBUTOR: Paramount

COUNTRY: USA

Print from the collection of the Library of Congress ‘American Cinematheque’s Nitrate Film Festival 2026’

SAMSON AND DELILAH on Nitrate

Movie theater chain established in 1938 showcasing the latest independent, foreign & art films.

IN PERSON Cinematographer Kees Van Oostrum, Writer/Director Ron Maxwell and other guests to be announced.                                                                          The four and 1/4 hour depiction of the historical and personal events surrounding and including the decisive American civil war battle features thousands of civil war re-enactors marching over the exact ground that the federal army and the army of North Virginia fought on. The defense of the Little Round Top and Pickett's Charge are highlighted in the actual three day battle which is surrounded by the speeches of the commanding officers and the personal reflections of the fighting men. Based upon the novel 'The Killer Angels

GETTYSBURG

Fine Arts Theatre

During the Greek Civil War fought between 1946-1949, childhood itself became a frontline in the clash between government and rebel forces. Under the guise of offering protection and education, the Greek government enticed parents to surrender their children to a system of Childcare Cities that served as indoctrination mills that oftentimes alienated their wards from their own families. In her riveting, visually striking adaptation of the memoir of Greek writer Giannis Atzakas, writer-director Eleni Alexandrakis tells the searing story of Atzakas and his experience growing up in these harsh institutions all the while unable to shake the memory of his rebel father and his longing for — and aversion to — a reunion.

DCP. Director: Eleni Alexandrakis. Screenwriters: Eleni Alexandrakis, Panagiotis Evangelidis. With: Philippos Milikas , Marios-Konstantinos Gatetzas, Konstantinos Athanassakis, Aineias Tsamatis, Agni Stroubouli, Evi Saoulidou. 

*Programmed and note written by Senior Public Programmer Paul Malcolm.*

Giannis in the Cities

To celebrate the opening of LACMA’s exhibition [*SUEÑO PERRO: A Film Installation by Alejandro G. Iñárritu*](https://www.lacma.org/art/exhibition/sueno-perro-film-installation-alejandro-g-inarritu), marking the 25th anniversary of *Amores Perros* (2000), Iñárritu’s landmark Academy Award–nominated film, please join us for a screening and conversation with Iñárritu and LACMA director Michael Govan.

Iñárritu's feature directorial debut, *Amores Perros* tells three unsettling tales linked by a car accident, involving dog fighting, an injured model, and a hired killer. Experience the anniversary celebration with a new meticulous 4K restoration, supervised by Criterion Collection, Estudio Mexico Films, and Altavista Films.

**This event is currently sold out. Additional tickets may be released on this page at 9 am on the day of the event. Standby tickets also will be available on a first-come, first-served basis.**

Amores Perros Screening and Conversation with Alejandro G. Iñárritu and Michael Govan

Through the Looking Glass  / Bacchanale  / Bonus SECRET Third Movie

*Off-Platform* brings together Alice Scope, Alice Bucknell, and Lou Fauroux for a focused screening and conversation on life inside god-mode infrastructures and the queer refusals that move through them.

Fauroux’s post-internet mythologies meet Scope’s work on affective AI environments and Bucknell’s planetary simulations, framing a moment in which the platform era and the fantasy of total control—over the planet, over death, over love—are visibly cracking. The evening centers on two works: Fauroux’s *WhatRemains, Genesis*, a 2048 fiction of digital immortality and power, and Bucknell’s *Ground Truthing* (2026 premiere), a simulation film examining how satellites, GPS, digital Earth twins, and long-range climate models shape our understanding of the planet’s future.

***Please note: seating is limited. Doors open thirty minutes prior to the listed showtime. Your RSVP does not guarantee you a seat. Seating is first-come, first-served.***

Off-Platform

Now Instant Image Hall

**Producer**: Walt Disney

**Writers**: Carlo Collodi, Ted Sears, Otto Englander

For anyone who ever dreamed their toys could come to life! Join us for a wonderfully wired screening of the puppety Disney classic replete with magical crickets, bad boy donkeys, hungry whales, and wooden humanism. With his faithful friend Jiminy Cricket by his side, the puppet Pinocchio embarks on fantastic adventures that test his bravery, loyalty, and honesty until he triumphs in his quest for his heart’s desire: to become a real boy.

**Picks from the Video Store**

Looking for more cinematic renditions of this classic tale? We&#8217;ve got you covered!

*Roberto Benigni&#8217;s Pinocchio, Guillermo Del Toro&#8217;s Pinocchio, Shelley Duvall&#8217;s Faerie Tale Theatre*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Pinocchio

**Screenwriter**: James Baldwin

**Producers**: Rémi Grellety,  Raoul Peck,  Hébert Peck

One of the most important documentaries of the century, Raoul Peck&#8217;s fiery and provocative portrait of not only trailblazing author and activist James Baldwin, but America&#8217;s history of race relations is even more vital and prescient today. In 1979, James Baldwin wrote a letter to his literary agent describing his next project, &#8220;Remember This House.&#8221; The book was to be a revolutionary, personal account of the lives and assassinations of three of his close friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin&#8217;s death in 1987, he left behind only 30 completed pages of this manuscript. Filmmaker Raoul Peck envisions the book James Baldwin never finished, drawing on footage of Baldwin as well as archival snapshots of America through the Black lens. A powerful and essential watch at anytime, don&#8217;t miss your chance feel the resonance in community!

**Picks from the Video Store**

Looking for more essential Black documentaries? Take home these and so many more!

*Portrait of Jason, Eyes on the Prize, What We Want, What We Believe: The Black Panther Party Library*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

I Am Not Your Negro

### **ABOUT THE FILM:**

Rose, an aspiring actress, checks into a remote California motel, seeking solace from the chaos of her life. But the walls of the motel pulse with the echoes of her past—each room a distorted reflection of her fears, desires and regrets. As reality warps and fractures, Rose must confront the haunting specters of her trauma, identity and the oppressive forces that have shaped her existence.

Julie Pacino’s feature debut is a visually arresting journey into the labyrinth of the female psyche. Shot on 35mm, I LIVE HERE NOW blends surrealist horror with psychological depth, drawing comparisons to Lynchian narratives and films like BLACK SWAN. With a standout performance by Lucy Fry, this film is a haunting exploration of self-worth, autonomy and the shadows that linger within.

FORMAT: 35mm

DISTRIBUTOR: Utopia

COUNTRY: USA

Q&A with filmmaker Julie Pacino and actor Sheryl Lee Advance Screening

I LIVE HERE NOW

**Writer/Producer**: Agnès Varda

Agnès Varda’s extraordinary late-career renaissance began with this wonderfully idiosyncratic, self-reflexive documentary in which the ever-curious French cinema icon explores the little-known world of modern-day gleaners: those living on the margins who survive by foraging for that which society throws away. Embracing the intimacy and freedom of digital filmmaking, Varda posits herself as a kind of gleaner of images and ideas, one whose generous, expansive vision makes room for ruminations on everything from aging to the birth of cinema to the beauty of heart-shaped potatoes. By turns playful, philosophical, and subtly political, *The Gleaners and I *is a warmly human reflection on the contradictions of our consumerist world from an artist who, like her subjects, finds unexpected richness where few think to look.

**Picks from the Video Store**:

Craving more fascinating documentaries? Try out these unsung gems!

*Sherman&#8217;s March, Off the Charts, The Dancing Outlaw*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

The Gleaners and I

*North American premiere of new director’s cut*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik With: Coss Marte, Syretta Wright, Derek Drescher.

As Conbody’s profile rises with increased media attention, Coss works to find investors and secure a permanent space.

DCP.

Conbody trainer Shane hits a setback and Coss and the team pitch in to help. 

DCP.

Syretta starts as a trainer at Conbody after her recent return home from prison. Coss supports his younger brother’s first run for City Council.

DCP.

*—Public Programmer Beandrea July*

Conbody vs Everybody: Episodes 1–3

**Screenwriter**: Hype Williams

**Producers**: Larry Meistrich,  Ron Rotholz,  Robert Salerno,  Hype Williams, Avram &#8220;Butch&#8221; Kaplan

Get ready for DMX and Nas to take over the streets in Hype Williams&#8217; visually stunning crime drama. The only feature film in Hype Williams&#8217; storied career of directing over 200 music videos, after literally making a name for himself through graffiti, *Belly* goes beyond the average street drama. Tommy Bundy and Sincere are best friends as well as infamous and ruthless criminals and shot-callers in the hood. Respected by many but feared by all. As the police are closing in on them and new players are looking for a come up, will their reign last?

**Picks from the Video Store**

Looking for more films with Hip Hop royalty? We&#8217;ve got these bangers and so many more!

*High Life* (André 3000), *Set it Off* (Queen Latifah), *How High?* (Method Man and Redman)

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Belly

Project Hail Mary - 70mm Early Access

Tuesday–Friday, Sunday 10am–6:30pmSaturday 10am–9pmMonday Closed

Selected Shorts: Virtue & Vice

*New director’s cut*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik With: Coss Marte, Syretta Wright, Derek Drescher.

As Conbody’s profile rises with increased media attention, Coss works to find investors and secure a permanent space.

DCP.

Conbody trainer Shane hits a setback and Coss and the team pitch in to help. 

DCP.

Syretta starts as a trainer at Conbody after her recent return home from prison. Coss supports his younger brother’s first run for City Council.

DCP.

*—Public Programmer Beandrea July*

*North American premiere of new director’s cut
*

Each year, 650,000 people are released from prison in the U.S., only to confront stigma and systemic exclusion. Directed by Debra Granik (*Winter’s Bone*), *Conbody vs Everybody* follows Coss Marte, a former drug dealer turned fitness entrepreneur, and his community of formerly incarcerated New Yorkers as they build a gym — and a life — on their own terms. Spanning eight years, the five-part docuseries captures their humor, grit and moral clarity amid gentrification and the pandemic, asking one of the most urgent moral questions of our time: after someone serves their sentence, why do we keep them imprisoned?

Director: Debra Granik. With: Coss Marte, Syretta Wright, Derek Drescher.

Coss celebrates five years home from prison. The team changes locations and new trainers join the team. Coss grows increasingly frustrated with reluctant investors. Includes an appearance by late actor Michael K. Williams.

DCP.

Coss and the CONBODY team navigate the COVID-19 pandemic and the subsequent Black Lives Matter protests as they take hold in New York City. Coss’ brother takes another run at City Council. Coss and his girlfriend Roxie take a step forward together.

DCP.

*—Public Programmer Beandrea July*

Conbody vs Everybody: Episodes 4–5

Lightstruck presents Ulrike Ottinger’s *TAIGA: A Journey to Northern Mongolia*. 501 minutes, English subtitles. 12 noon start time, with two breaks. The film will conclude at approximately 10pm.

Snacks, coffee and tea will be provided, as well as some dinner at the evening break, for a suggested donation.

Digital restoration courtesy of Arsenal with thanks to Carsten Zimmer, Reinhild Feldhaus, and especially Ulrike Ottinger.

∆

“Taiga is an experience that causes us to think about why we live as we do, what it is to be human, and what is important in life.” (Roger Ebert)

Lightstruck is extremely excited to present a truly epic cinematic experience, as we screen Ulrike Ottinger’s nearly 8.5-hour, immersive documentary *Taiga* (1992) in a special all-day screening.

Known for her meticulously crafted experimental narrative films infusing political radicalism with a rich, surrealist opulence, German artist Ulrike Ottinger has also produced a singular body of memorable nonfiction work, though perhaps none so monumental – and mesmerizingly beautiful – as *Taiga*.

During an extended period spent in Northern Mongolia through multiple seasons, Ottinger approached ethnography in a radically different way, rejecting authoritative narrativizing or presumptuous didacticism. The extended length of the film reflects Ottinger’s larger impulse and approach in this project: to spend time – unadulterated, attentive time – with the Northern Mongolians she had befriended, and to enable their own distinctive approach to time and space in everyday life dictate the scale and pace of the film.

Over ten parts and 38 chapters, we see a seance, two weddings, preparation of foods, wrestling contests, music performances, storytelling sessions, and countless other events large and small, yet all equally defining the overall year-to-year and day-to-day experiences of nomadic life in the Darkhad Valley of Northern Mongolia. The film succeeds so brilliantly in part because of the unapologetically and earnestly fascinated gaze with which Ottinger documents what she sees, and the clear love for and engagement with people that the filmmaking reflects.

“I tried to explain my wish, which was to record a way of life that no longer exists in the place where I’ve come from, in order to show the document to the people back home, who are very interested in the nomadic ways. At first this puzzled them, but then they thought, Yes, indeed, we too would be interested to know how your people live…” (Ulrike Ottinger)

Lightstruck: Ulrike Ottinger’s TAIGA (1991/92)

### **ABOUT THE FILM:**

Set in 1994, a record producer, Boogalow (Vladek Sheybal) seduces young folksinger duo Bibi (Catherine Mary Stewart) and Alphie (George Gilmour) into becoming part of his stable of musical stars kept in line with sex and drugs.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA/West Germany

Cinematic Void Presents THE APPLE

**Screenwriter**: Lina Wertmüller

**Producer**: Arrigo Colombo, Lina Wertmüller

The first film to garner an Oscar nomination for a woman director, Lina Wertmüller&#8217;s masterful and provocative concentration camp sex comedy (yes, you read that right) is one of the director&#8217;s greatest works; magnificently weaving audaciousness and true human pathos into a masterpiece of world cinema. Wertmüller regular &#8211; the incredibly facile Giancarlo Giannini &#8211; plays Pasqualino Frafuso, known in Naples as &#8220;Pasqualino Seven Beauties,&#8221; a petty thief who lives off of the profits of his seven sisters while claiming to protect their honor at any cost. After a series of terrible choices and a stint in Mussolini&#8217;s army, he is eventually sent to a concentration camp where he plots to make his escape by seducing a German officer, played by Shirley Stoler (*The Honeymoon Killers*). Controversial from the jump, and funnier than any film about Nazis has a right to be &#8211; with absurdity at every corner along with staggering human truths &#8211; and stunning production design by Enrico Job, it&#8217;s the perfect time to rediscover this treasure of Italian cinema from one of the world&#8217;s greatest overlooked directors.

**Picks from the Video Store**:

Need more Lina? We&#8217;ve got a whole Lina Wertmüller director&#8217;s section with all of her most provocative films!

*The Seduction of Mimi, Love and Anarchy, Summer Night*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Seven Beauties

This unique series is hosted by filmmaker Stanley Sheff, who worked closely with Welles as a collaborator, editor, and un-credited co-director on his unsold TV pilot The Orson Welles Show. Sheff will share stories from their professional collaboration and personal friendship, giving audiences a rare first-hand glimpse into the private world of Orson Welles.Doors at 7pm, show at 7:30pm and film at 8pm.

Tonight's show: THE MAGNIFICNET AMBERSONS The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end.

MAGNIFICENT AMBERSONS

Monthly short film festival. Watch and vote. Audience award to the best short film each month. Annual championship in DECEMBER.

MOVIE SCREENERS CLUB (Thu. 2/19) 7:30pm

Bring a project you've been working on or try one of ours!

Presented by Sunday Scaries Art Club.

6-8pm

FREE! Some materials provided. First come, first serve.

Sweeney Todd: The Demon Barber of Fleet Street in 4K

2:30 PM

Sunshine in 35mm

7:30 PM

Ticks

7:00 PM

Anything That Moves

9:00 PM

NOTHING SACRED on Nitrate

7:00 PM

The Solitude of Memory ¿Por Qué El Recuerdo?

Songs My Brothers Taught Me

7:30 PM

Writing Gets Lonely: Open Writing Studio (2/20)

1:00 PM

What a Wonderful World: An Audiovisual Poem

5:00 PM

BRIEF ENCOUNTER

1:00 PM

Arabian Nights

7:30 PM

Once Upon A Time In… Hollywood

11:59 PM

DEAD MOUNTAINEER'S HOTEL (1979) – New 4K Restoration!

7:30 PM

Best in Show

4:00 PM

Sound of Falling

Groundhog Day

7:00 PM

Coffy

9:45 PM

Good Luck, Have Fun, Don't Die

Melody Time/The Sword in the Stone

7:30 PM

The Bride of Frankenstein

11:59 PM

CITY WIDE FEVER (2025), dir. Josh Heaps in person!

8:00 PM