Get ready for a night of pure, unfiltered absurdity as Netflix Is a Joke Fest presents a special screening of the original The Naked Gun: From the Files of Police Squad!—the film that redefined the spoof comedy genre and cemented Lt. Frank Drebin as an all-time cult hero.

Get ready for a night of pure, unfiltered absurdity as Netflix Is a Joke Fest presents a special screening of the original The Naked Gun: From the Files of Police Squad!—the film that redefined the spoof comedy genre and cemented Lt. Frank Drebin as an all-time cult hero.


The Naked Gun: From The Files of Police Squad!

Egyptian Theatre

### **ABOUT THE EPISODES:**

**Season 2, Episode 15, “Slaves and Masters,” Dir. Diane Keaton, 46 Mins**

Earle sends a “message” to Cooper.

FORMAT: DCP

**Season 2, Episode 16, “The Condemned Woman,” Dir. Lesli Linka Glatter, 47 Mins**

Albert reveals that it was Josie who shot Cooper.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Slaves and Masters” and “The Condemned Woman” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 15 and 16

### **ABOUT THE FILM:**

*In French with English subtitles.*

The exuberant enchantments of the singing, dancing musical meet the feminist, formalist sensibility of cinematic visionary Chantal Akerman in this uniquely captivating vision of love and survival in the age of late capitalism. Amid the consumerist wonderland of a shopping mall, a cadre of store employees bounce in and out of one another’s arms in a cycle of breakups, makeups, misunderstandings and reunions, their romantic roundelay punctuated by imaginatively stylized production numbers. Working with frequent star Delphine Seyrig and a remarkable team of writers—who between them penned everything from JULES AND JIM to DESPERATELY SEEKING SUSAN—Akerman deftly balances the shiny pop pleasures of the genre with piercing variations on her signature themes, including a startlingly moving reflection on Jewish resilience and the legacy of the Holocaust.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: Belgium/France/Switzerland

40th Anniversary ‘Chantal Akerman: An American Cinematheque Retrospective’

GOLDEN EIGHTIES

Los Feliz Theatre

House of Cards  / From Hell to Victory

New Beverly Cinema

The Lost Weekend

RZA’s One Spoon of Chocolate

Vista Theatre

Seven in 4K

Academy Museum

### **ABOUT THE FILM:**

David Attenborough draws on a lifetime of experience to reveal Earth’s most spectacular underwater habitats, showing that we’re in the greatest age of Ocean discovery and highlighting its vital importance. While exposing the Ocean’s biggest challenges, Attenborough’s message is one of hope: the opportunity for marine life recovery on an unprecedented scale is within reach .

FORMAT: DCP

DISTRIBUTOR: National Geographic Documentary Films

COUNTRY: UK

Q&A with filmmaker Keith Scholey. Moderated by Robert Abele. Tote bag giveaway courtesy of National Geographic Official ‘This Is Not a Fiction 2026’ Selection Happy Birthday, David Attenborough!

OCEAN WITH DAVID ATTENBOROUGH

Aero Theatre

Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of double-crosses Hama gets embroiled in a gang war and a revenge plot between the two brothers

The Most Terrible Time in My Life

Brain Dead Studios

Join drawings curator Stephanie Schrader and Getty's sustainability director Camille Kirk for a behind-the-scenes experience in the private study room of Getty's drawings collection. Look closely and hear about works that depict nature and flowers in celebration of Mother Earth and Mother's Day. 

A Bouquet of Drawings

Getty Center

### **ABOUT THE FILM:**

*In Greek with English subtitles.*

In its irreverent use of (new) Nouvelle Vague, musical, melodrama and nature documentary, ATTENBERG symbolically visualizes a change in generation and perspective as a father and daughter gently negotiate their individual rites of passage. The film follows a visionary architect who has come home to die in the vanishing industrial town that is his legacy to his daughter. Meanwhile, his daughter (played by Ariane Labed, in a performance that won her the Best Actress award at the Venice Film Festival) is exploring the mysteries of kissing with her girlfriend, and the beyond with a visiting engineer. Tsangari’s film—with a soundtrack featuring Françoise Hardy and Suicide—is poised between sincerity and hilarity, tradition and experimentation.

DISTRIBUTOR: Strand Releasing

COUNTRY: Greece

Q&A with filmmaker Athina Rachel Tsangari. Moderated by Carson Lund. Part of “Worlds Apart: The Films of Athina Rachel Tsangari,” a retrospective of the Greek director’s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots and the Los Feliz 3

ATTENBERG

### **ABOUT THE FILM:**

*In Greek with English subtitles.*

Six men set out on the Aegean Sea aboard a yacht, and before long, male bonding and one-upmanship give way to a loosely defined yet hotly contested competition to determine which of them is “the best in general.” As the games and trials grow more elaborate and absurd—everything is up for judgment, from sleeping positions to cholesterol levels to furniture-assembly skills—insecurities emerge and power relations shift. As in her breakthrough ATTENBERG, Athina Rachel Tsangari balances anthropological precision with a wry and wholly original sense of humor. Impeccably staged, crisply photographed and buoyed by eclectic soundtrack choices (Petula Clark, Mark Lanegan), this maritime psychodrama becomes both funnier and richer in its implications as it progresses. What begins as a lampoon of bourgeois machismo and male anxiety develops into an incisive allegory for the state of contemporary Greece, and leaves a final impression as an empathetic, razor-sharp study of human nature itself.

FORMAT: DCP

DISTRIBUTOR: Strand Releasing

COUNTRY: Greece

Q&A with filmmaker Athina Rachel Tsangari Part of “Worlds Apart: The Films of Athina Rachel Tsangari,” a retrospective of the Greek director’s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots and the Los Feliz 3

CHEVALIER

We are here tonight! This is me!

I think I did it again.

Are you getting this?

It’s an honor to be drawn by you.

I think I might cry.

Do you ever get lonely in there?

I think you look really cute with your hair that short.

Makes me regret my haircut that I just got.

Good Modeling Picture!!

Now Instant Image Hall

**Screenwriter**: Anthony Weintraub from the manga by Taiyō Matsumoto

**Producers**: Masao Teshima, Ayao Ueda, Fumio Ueda, Eiichi Kamagata

An animated action adventure and manga-based marvel! Two penniless orphans, Black and White, struggle to survive on the mean streets of Treasure Town. When a megacorporation threatens to tear down the town to build an amusement park, Black and White engage in the fight of their life.

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

Tekkonkinkreet

We&#8217;re cranking up the Elmo 16CL projector for another round of obscure 16mm rarities, this time all from the late 1940s through the early 1960s with a slate of social engineering films designed to create model citizens and healthy adults. From strangers with candy to high school dropouts, to puberty&#8217;s pitfalls and civic responsibility, these largely forgotten gems are laughably out-of-date and teeming with an antiquated morality you can only find in yesteryear. Films include ***The Dangerous Stranger*** (1949) the stranger danger film that started it all from the king of the scare film Sid Davis, ***The Dropout** *(1962) for the ne&#8217;er-do-wells, ***Molly Grows Up*** (1953) menstrutainment at its finest, ***The Meaning of Adolescence*** (1953) to guide you through those awkward years, ***Responsibility*** (1953) from Herk Harvey &#8211; the director of *Carnival of Souls*, and the incredibly rare NFBC global responsibility primer ***Our Town is the World***  (1950s, Canada), plus more celluloid rarities and a surprise pre-show for the early birds! Everything screened on 16mm film.

Sweet 16mm: Mid-Century Social Guidance Classics

Vidiots

Hard Boiled Mahoney/Jail Busters

The Wages of Fear in 4K

I Know Where I’m Going!

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

American Psycho

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

**

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!

Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Writing Gets Lonely: Open Writing Studio (5/15)

Heavy Manners Library

### **ABOUT THE FILMS:**

**“Pay Day,” 1922, Dir. Charlie Chaplin, 22 Mins, Janus Films, USA**

Charlie is a bricklayer who sets off to celebrate payday with his pals. But his wife is waiting with the rolling pin.

FORMAT: 35mm

**“Shoulder Arms,” 1918, Dir. Charlie Chaplin, 38 Mins, Janus Films, USA**

Enlisted during the First World War, Charlie discovers the hard life of the trenches and the dangers of combat.

FORMAT: 35mm

Get your ticket for just $5.40 at the box office! ‘Film by the Foot’

"Pay Day" / "Shoulder Arms"

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Based on a children’s essay adapted by famed Japanese screenwriter Yoko Mizuki in her first work for Naruse, Mother stars the legendary actress-director Kinuyo Tanaka as a beleaguered working class matron, whose self-sacrificing efforts to maintain her family during Tokyo’s postwar reconstruction make her a paragon of maternal virtue in the eyes of her teenage daughter Toshiko (Kyoko Kagawa). Toshiko idealizes her mother and the value system she embodies, a naive perspective that pleasantly lifts what in fact unfurls as a bitterly sad, episodic tale of slow-burn economic emmiseration. Anticipating the films of Hou Hsiao-hsien in its ironically sentimental vision of Confucian dissolution, Naruse’s film is a melodramatic tearjerker for the ages.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Mikio Naruse: An American Cinematheque Retrospective’

MOTHER

### **ABOUT THE FILM:**

*In French with English subtitles.*

One evening Nelly meets Loulou, a down-and-out young man. After her husband kicks her out, she goes off to live with Loulou. She is soon with child, but Loulou doesn’t change his wayward life, spending time with his pals and pulling off small-time robberies. Deeply hurt by his attitude, Nelly decides not to keep the baby. 

FORMAT: DCP

DISTRIBUTOR: Cohen Media Group

COUNTRY: France

‘Maurice Pialat: An American Cinematheque Retrospective’

LOULOU

A Woman of Affairs / The Single Standard

Django Unchained

The electrifying Cuban/Soviet masterpiece—a monumental socio-political work and one of cinema's most visually revolutionary films

SOY CUBA  ("I AM CUBA," 1964)  co-presented by EL CINE UNDERGROUND PODCAST

Philosophical Research Society

This is an Elliott Smith tribute night produced by North Star Sessions featuring over 20 local songwriters.

$15

Advance tickets available  here !

Ballads of Big Nothing

Scribble

**Screenwriter**: Helen Childress

**Producers**: Danny DeVito,  Michael Shamberg

Dust off your flannels and Doc Martens and join us for the ultimate Gen X hang! Part post-collegiate ensemble dramedy, part love triangle romance, and all the epitome of mid-90s fashion and vibes, Ben Stiller&#8217;s *Reality Bites* is one of the defining films of a generation. Winona Ryder is a documentary filmmaker navigating jobs, life, and relationships alongside her best friends &#8211; played brilliantly by Janeane Garofalo and Steve Zahn. When she starts dating a yuppie who offers her a shot at broadcast television (AKA early reality TV), will she sell out or go for the disaffected hottie that&#8217;s been there the whole time? Somebody call the cinema police, because Janeane Garofolo truly *steals* the whole show as one of the coolest women characters in film of the decade!

**Picks from the Video Store**

Pocket more Winona Ryder on DVD and Blu-Ray tonight!

*Lucas, Heathers, Night on Earth*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Reality Bites

**Screenwriter**: Ed Solomon

**Producers**: Iain Canning,  Jim Parks

Join us in the microcinema for Steven Soderbergh&#8217;s latest triumph, a brilliant artistic character study with phenomenal performances from Ian McKellen and Michaela Coel. A mainstay of the London art scene since his starry breakout in the creative explosion of the 1960’s, Julian Sklar (Ian McKellen) has drifted into a cluttered, self-imposed seclusion. His two estranged children (James Corden, Jessica Gunning) enlist Lori (Michaela Coel), a young painter and sometime-forger, to pose as a prospective assistant and gain access to a fabled series of unfinished canvases Julian has buried deep in his home studio, in a deceptive bid to secure an inheritance for themselves.

The Christophers

**Screenwriters**: James Dearden,  Nicholas Meyer

**Producers**: Stanley R. Jaffe,  Sherry Lansing

A blockbuster of lust and obsession that set the world on fire, Adrian Lyne&#8217;s *Fatal Attraction* is the ultimate scorned female revenge tale, or every unfaithful man&#8217;s worst nightmare; depending on how you look at this killer erotic thriller. When New York lawyer Dan Gallagher uses his wife&#8217;s absence to hook up with a scorching book publisher, he could never imagine the spiral of madness he would create. Now, his fling actually expects things from him, and trying to keep his family together, he leaves her to unravel, demanding to be seen as a human being and not an expendable fling. But when her justifiable frustration ratchets up to violence, now even Dan&#8217;s wife, child, and bunny rabbit are in danger. With an ending essentially rewritten by a focus group, this complicated thriller is still one hell of a watch!

**Picks from the Video Store**

Did you know we have a section for Erotic Thrillers? Take home more sizzling smoke-shows tonight!

*Poison Ivy, Single White Female, Disclosure*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Fatal Attraction

**Screenwriter**: Graham Yost

**Producers**: Mark Gordon,  Bill Badalato,  Terence Chang

John Woo&#8217;s underrated American follow-up to *Hard Target* is a thermonuclear blast! In Woo and John Travolta&#8217;s first collaboration, they plant the seeds for *Face/Off* as Travolta deploys his first scenery-chewing, gonzo villain, playing an eccentric US Air Force Major who steals a nuclear weapon. The only thing he didn&#8217;t count on was Christian Slater, the one Captain who knows how to stop him. Co-starring Samantha Mathis and a murderers&#8217; row of character actors, including Delroy Lindo, Frank Whaley, Bob Gunton, Vondie Curtis-Hall, and Kurtwood Smith, *Broken Arrow* is an outlandishly action-packed thrill ride, filled with the double-gunning fun Woo&#8217;s fans crave.

**Picks from the Video Store**

We&#8217;ve got all the 1980s Christian Slater classics you crave!

*The Legend of Billie Jean, Pump Up the Volume, The Wizard, Heathers*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Broken Arrow

How To Get Ahead in Advertising

Harold & Kumar Go to White Castle

Howl’s Moving Castle

Robin and Marian in 4K

Odd Man Out

### **ABOUT THE FILM:**

*In French and English with English subtitles.*

Small-time crook Michel (Jean-Paul Belmondo) steals a car and murders a policeman. While on the run, he reconnects with Patricia (Jean Seberg), a journalism student living in Paris, and tries to convince her to go on the lam with him.

FORMAT: 35mm

DISTRIBUTOR: Rialto Pictures

COUNTRY: France

BREATHLESS

### **ABOUT THE FILM:**

From the true story about a Brooklyn bank robbery gone haywire one hot August day comes a gripping, funny Oscar-winning movie capturing star Al Pacino and director Sidney Lumet at the top of their game. A desperate and crazed man, with the help of an accomplice (John Cazale), takes a local Brooklyn bank hostage with plans to rob it in order to pay for his lover’s sex-change operation.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

DOG DAY AFTERNOON

“After the Revolution, who’s going to pick up the garbage on Monday morning?” asked artist Mierle Laderman Ukeles in 1977. With that provocation, she shattered the divide between art and everyday labor, becoming the first artist in residence at New York City’s Department of Sanitation. Her collaborations with municipal workers injected art directly into the city’s bloodstream and redefined what creative practice could be. Inspired by Marcel Duchamp, Ukuleles pioneered the radical idea that routine maintenance—from changing diapers to picking up city trash to caring for the earth—could be acts of performance art.

Join us for a screening of *MAINTENANCE ARTIST*, the first feature documentary to explore this revolutionary public artist’s career. Featuring never-before-seen archival footage, the film traces a half-century of social and artistic upheaval through the lens of essential labor and public art. *MAINTENANCE ARTIST* celebrates Ukeles’s call for a “Maintenance Revolution,” honoring the workers who keep our world running and the artist who insisted that their labor deserves to be seen.

The screening will be introduced by multimedia artist Debra Scacco, the first civic-appointed artist in residence in the City of Santa Monica’s Water and Waste divisions (2023–25). 

DIRECTED BY: Toby Perl Freilich; PRODUCED BY: Toby Perl Freilich & Judith Mizrachy; EDITED BY: Anne Alvergue. 95 minutes, 2025.

This program is part of the [Art on Screen][1] series, which celebrates moving-image media and its intersection with art and art histories. The event is inspired by the Getty Research Institute’s collections of [feminist performance artists’ archives][2].

The conversation will be available on the [Getty Research Institute YouTube channel][3] following the event.

Visit the Getty Research Institute's [Exhibitions and Events page][4] for more free programs.


  [1]: https://www.getty.edu/whats-on/art-on-screen/
  [2]: https://www.getty.edu/projects/study_of_performance_woman_artists_archives/
  [3]: https://www.youtube.com/c/gettyresearch
  [4]: https://www.getty.edu/research/exhibitions_events/

Screening: *MAINTENANCE ARTIST*

Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of more than 150,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.

Presented in conjunction with [*Realms of the Dharma: Buddhist Art Across Asia*](https://www.lacma.org/art/exhibition/realms-dharma-buddhist-art-across-asia), Tenzin Phuntsog’s *Next Life* tells the story of a a Tibetan family in exile searches for moments of temporary happiness after their father is given an irrevocable diagnosis from a Tibetan doctor’s pulse reading. Through tender acts of care, quiet moments of intimacy, and memories of Tibet, the question of homeland surfaces: a place they cannot return to. *Next Life* moves through these moments gently, centering the Tibetan concept of Tse Chema—reincarnation—as a way of holding the cycle of life: birth, death, and rebirth and their karmic traces.

The program will begin with Phuntsog's new short work *Auras. *After *Next Life*, hear from Phuntsog in conversation with special guests and celebrate Tibetan Buddhist culture with offerings of Tibetan ceremonial practices from local Tibetan cultural practitioners.

***Next Life***
2026, 73 minutes
United States, Mexico
Tibetan, English, Mandarin
Shot on 35mm, DCP Projection

***Auras***
2026, 7 minutes
Tibet, India, United States, Mexico
Shot on 35mm, DCP Projection

**Tenzin Phuntsog** is a San Francisco–based artist and filmmaker. His work has been recently featured at the Berlinale Forum Expanded, IFFR Rotterdam, Edith Russ Haus, Redcat Los Angeles, EMAF, Seoul Media City Biennale, Experimenta, and the Tang Museum.

Tenzin Phuntsog’s Next Life

LACMA

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

Facing pressures to marry and having witnessed her two sisters’ own marital struggles, sightseeing bus guide Kiyoko (Hideko Takamine) strives for her own solitary independence, resisting suitors and openly expressing a disdain for men. Through a family of four siblings, each from different fathers, Naruse explores the suffocating family life of Kiyoko’s *shitamachi* household and its surroundings. LIGHTNING is a buildup of vignettes, events and occurrences, as Kiyo experiences the world around her—misfortune, family tragedy, interpersonal quarrels and the vulgarities of men—trying to make sense of a modern existence where the promise of happiness still comes second for women.

FORMAT: 35mm

DISTRIBUTOR: Kadokawa

COUNTRY: Japan

LIGHTNING

### **ABOUT THE FILM:**

*“THE JOURNEY was born directly out of a collapsed project in 1982, when I tried to organize another antinuclear war film, to be funded by Central TV in England, and working with a number of peace groups across the UK. I felt that THE WAR GAME was out-of-date, and I was concerned about the escalating nuclear arms race, that was allied to the US foreign policy of a nuclear war that would be limited to Europe. My idea was to create a series of scenes, again depicting the consequences of a nuclear attack on Britain, on a larger scale than THE WAR GAME, that would allow citizens across Britain to express their concerns via their involvement in the production of this project. However, Central TV withdrew its funding, on the grounds that the budget was becoming too large, and the project collapsed. After rethinking the scale of the project into a more global film dealing with the general silence on the burgeoning nuclear arms race, I appealed for funding to a number of international TV channels. Without exception, every TV channel that I contacted refused, even though I was only requesting support for filming an ultra low-cost segment in each country, where I would ask local people what they knew and felt about the world arms race. *

*“During the time while I had no funding from the professional sector, I happened to be showing THE WAR GAME to the world’s oldest peace movement association, the Swedish Peace and Arbitration Society (SPAS), in Stockholm. In May 1983, during its 100th anniversary congress, SPAS unanimously decided to support fund-raising for a new film about the nuclear threat. Based in Stockholm, and with initial funding from SPAS, I immediately began to involve the network of friends and acquaintances that I had acquired over many years of travelling and lecturing, to build an international fund-raising drive for the new film, and to start research in those parts of the world where I would organize local productions groups for the actual filming.*

*“The film’s core concept started to emerge: I would visit families or groups of people in various countries, and interview them to find out what they knew about the state and consequences of the world arms race, and the effects of nuclear weapons. The interviews would also focus on the role that mass media and educational systems played in shaping a world view, and on the knowledge that these people had – or did not have – vis-à-vis these subjects.” – Peter Watkins*

FORMAT: DCP

COUNTRY: New Zealand/Australia/Canada/Denmark/Finland/Italy/Japan/Sweden/UK/Germany

‘Peter Watkins: An American Cinematheque Retrospective’

THE JOURNEY Parts 13-16

### **ABOUT THE FILM:**

Seamlessly interweaving archival war footage with a fictional narrative, this immersive account of one twenty-year-old’s journey from basic training to the front lines of D-day brings to life all the terrors and isolation of war with jolting authenticity. OVERLORD, directed by Stuart Cooper and impressionistically shot by Stanley Kubrick’s longtime cinematographer John Alcott, is both a document of World War II and a dreamlike meditation on human smallness in a large, incomprehensible machine.

FORMAT: Digital

DISTRIBUTOR: Janus Films

COUNTRY: UK

Q&A with filmmaker Stuart Cooper. Moderated by Rick Ross. ‘Watch Local: Z Channel’

OVERLORD

Frankenstein

Man on Fire

The Perks of Being a Wallflower

**Screenwriters**: Jerry Juhl, Kirk R. Thatcher, James V. Hart

**Producer**: Brian Henson

Join Captain Kermit on the poop deck as he and his seafaring puppet friends head out on the high seas to find a lost treasure of gold. Your friends the Muppets set sail for adventure with everyone&#8217;s favorite pirate &#8211; Tim Curry as Long John Silver &#8211; in this muppetty adaptation of the classic Robert Louis Stevenson novel.

**Picks from the Video Store**

Want more Jim Henson magic? We’ve got a section jam packed with every *Fraggle*, every *Muppet*, tons of *Sesame Street* and these deep cuts:

*The Storyteller, Mirrormask, Emmett Otter’s Jugband Christmas*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Muppet Treasure Island

**Producers**: George Zaloom,  Les Mayfield

The New 4K Restoration co-presented by **Women in Film **and **Lionsgate **with a special introduction from **Gia Coppola**!

One of the greatest documentaries about the passion, dedication, and insanity that goes into filmmaking, Eleanor Coppola&#8217;s *Hearts of Darkness* gives an intimate glimpse behind one camera and in front of another! In the late 1970s, as renegade filmmaker Francis Ford Coppola struggles to complete an epic allegory of the Vietnam War, *Apocalypse Now*, his wife, Eleanor, films his daily travails with a camera of her own. The documentary based on her footage details the difficulties of the large production &#8212; from weather-related delays in the Philippines to star Martin Sheen&#8217;s heart attack while filming &#8212; and it provides unprecedented behind-the-scenes clips of one of Hollywood&#8217;s most-acclaimed films.

**About the Restoration**:

“*In 1976, Eleanor Coppola shot behind-the-scenes footage of *Apocalypse Now* on 16mm. For the first time, we decided to return to all original sources and scan elements in 4K for this new release. What everyone has seen over the last 30 years has been three to four generations removed from the source elements. Additionally, we utilized the 2019 4K restoration of *Apocalypse Now* for this release, incorporating those elements into the documentary. For any clips pulled from *Apocalypse Now* and used in the documentary, we maintained the original aspect ratio of 2.40 instead of letterboxing it in a 4&#215;3 frame. Lastly, we remastered the soundtrack and created a new 5.1 mix. The film was restored at American Zoetrope and graded at Roundabout Entertainment in Burbank, California. The director, Fax Bahr, approved the grade.”*

– James T. Mockoski, Film Archivist/Restoration Supervisor for American Zoetrope

**Picks from the Video Store**

Looking for more cinema docs? We&#8217;ve got a whole section including these gems:

*My Best Fiend, Electric Boogaloo: The Wild, Untold Story of Cannon Films, From the Journals of Jean Seberg*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Hearts of Darkness: A Filmmaker’s Apocalypse

Join us in the microcinema for a special screening and discussion with director **Athina Rachel Tsangari** of her limited series ***Trigonometry***.

In crowded, expensive London, a cash-strapped couple open their small flat to a third person. Gemma is a chef who runs a café; her boyfriend Kieran is a paramedic – and Ray, who moves in with the young couple, is at a loss. Until recently, she was a world-class synchronised swimmer, but now she’s looking for a new direction, job and place in life. She discovers two people who love each other very much, but who don’t really know where they are going – in terms of the café, sex, or their lives. What commences is a modern-day love story that will change all of their lives forever.

Written and created by Duncan Macmillan and Effie Woods, *Trigonometry* is the first series project by Athina Rachel Tsangari (Attenberg, Chevalier). The Greek director and actress has directed five of the eight episodes, all of which will be screened at today&#8217;s event. While the rest of the world talks about identity politics, Trigonometry turns this into an intense, compelling, funny and intelligent drama about relationships and family. Can the three characters find a new way to love? And will the world let them?

5 Episodes, 235 minutes with 15 minute intermission and a conversation with director **Athina Rachel Tsangari**.

Part of &#8220;Worlds Apart: The Films of Athina Rachel Tsangari,&#8221; a retrospective of the Greek director&#8217;s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots, and the Los Feliz 3

Trigonometry

Having a Wild Weekend

Seems Like Old Times

Los Angeles Filmforum presents *Cosmic Rage: A Fundraiser for the LA Tenants Union (LATU) & Community Self-Defense Coalition Los Angeles (CSDCLA)*.

In person: Jazmin Jazzy Romero, gh0sttaste

Full info: https://www.lafilmforum.org/schedule/spring-2026/cosmic-rage/

~

**COSMIC RAGE** is a program that presents formally subversive explorations of migration, empire, ritual and revolt. Curated in response to recent attacks against immigrant communities, the program asks us to honor the grief and rage within as a creative force that propels oppressed people towards action. These documentary, narrative and experimental works represent various perspectives by Latin-American, Black and immigrant filmmakers, all bursting with visions of rebellion and transformation. Food vendors will be present as well. Curated by Helen Peña.

The films will be followed by a live performance with Jazmin Romero and a DJ set by gh0sttaste.

All proceeds will go towards supporting immigrant tenants and organizing efforts at LA Tenants Union (LATU) & Community Self-Defense Coalition Los Angeles (CSDCLA).

LA Tenants Union (LATU) is an autonomous tenant union organizing tenants fighting gentrification and displacement across LA neighborhoods, and is currently running a mutual aid fund for struggling immigrant members in crisis. https://latenantsunion.org/

Community Self-Defense Coalition Los Angeles (CSDCLA) has been a pillar across LA in organizing defense to support immigrant communities across LA county, and are raising money to support separated families with access to food, medical supplies, legal assistance, housing security and a means to contact their loved ones. @communityselfdefensecoalition

Jazmin Jazzy Romero is an artist and musician from Los Angeles, California. Playing with a mix of sound, movement, and material, she develops performance-based worlds where musical thinking becomes a method for story-telling. She engages with musical gesture and physical form to produce scores and compositions that materialize as performances, video, and sculptural assemblages. Her artworks are activated through liveness and collaboration, viewer interpretation, repetition, and variation where meaning is generated through encounter and exchange. She draws from both her formal musical training and embodied, intuitive processes, using composition as a way to translate personal and collective histories into spatial and sonic experiences. She is also a member of various performance and music production collectives, such as COQUETA. https://www.jazminromero.com/

Cosmic Rage: A Fundraiser for the LATU + CSDCLA

2220 Arts + Archives

Secrets & Lies

Black Sunday in 35mm

Pool of London

### **ABOUT THE FILM:**

*In Japanese with English subtitles.*

A couple at the table by the window look happier than anybody else in the restaurant. Hiroshi Eda, who works at a governmental office, has got a promotion and his wife, Yumiko, has been pregnant. Their happiness seems to last forever, but actually it ends that afternoon with a traffic accident that kills the husband. Shiro Mishima, the young man who has caused the accident, is a promising salaried-man of the Pacific Trading Company. He happens to meet Yumiko in the restaurant where she has last seen her husband alive. Shiro promises to give her fifteen thousand yen every month for compensation.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: Japan

35mm print courtesy of The Japan Foundation, Los Angeles Series co-presented by The Japan Foundation, Los Angeles and The Yanai Initiative for Globalizing Japanese Humanities ‘Transcendental Appointments’ and ‘Mikio Naruse: An American Cinematheque Retrospective’

SCATTERED CLOUDS

### **ABOUT THE EVENT:**

*“Between 2016-17, composer Michael Nyman and I collaborated on a massive multi-screen installation for The State Hermitage Museum, Saint Petersburg, and Dartmouth College, New Hampshire. The idea was to produce a mash-up of the raw unedited Mexican footage with Michael’s music. The experimental digital restoration of the combined sounds and images would extend alongside José Clemente Orozco’s *The Epic of American Civilization* (1932-34), a large, multi-panel horizontal mural at Dartmouth College, and also inhabit a rather small area by Hermitage standards, the Jordan “Kerensky” Staircase Eisenstein had filmed for October (1928). The weight of the enterprise was its undoing. The one “object” realized was the 2-screen IDOLS BEHIND ALTARS composed of footage used by Jay Leyda for his marvelous EISENSTEIN’S MEXICAN FILM, EPISODES FOR STUDY (1955-57). The music and films evoked a new language of non-editing, that is each spoke back and forth to one another revitalizing the enchantments captured by Eisenstein. The overall effect conveys the vivid curiosity and sense of wonder witnessed by the filmmakers as they sculpted moving images into a portrait of Mexico between 1930 and 1932. The new music composed and performed in 2026 by Paul D. Miller aka DJ Spooky is just that, a joyous new reunion invigorating the authentic sights and sounds witnessed by Eisenstein.” — Bruce Posner*

*“If 500 years from now the name ‘Bruce Posner’ is forgotten, future historians you will name you the Master of Moving Diptychs. Eisenstein spoke of ‘vertical montage.’ When he sees your brand-new Idols Behind Altars, he will theorize ‘lateral montage.’ The panel pairs talk to each other with precision — now conjuring phantom eyeline matches, now forming geometrical shapes. The whole is very convincing, and I am sure Eisen+Tissé would not be against experimenting with parallel paneling, reminds me of Eisen’s ‘dynamic square’ theory.” — Yuri Tsivian*

*“It’s all about perspective. What is film but a collision of angles? What is a film soundtrack but an invisible mirror to the cinematic imaginary? When I approached Eisenstein’s fractured Mexican masterpiece, I found myself drawn back to my conviction that cinema is not merely a medium of observation, but a revolutionary engine of thought. In the digital age, our relationship to the image is more ‘dialectical’ than ever. It’s all a mix. We live in a world of constant juxtaposition, a perpetual ‘overtonal montage’ of data and desire. My score is a reflection of that friction. The rest, as we say in DJ culture, is ‘a remix.'” — Paul D. Miller aka DJ Spooky*

FORMAT: DCP

DISTRIBUTOR: Kino Lorber

Advance Screening of New Restorations Films courtesy of British Film Institute, Cineric, Inc., Det Danske Filminstitut, Filmmakers Showcase, Gosfilmofond of Russia, Indiana University Libraries Moving Image Archive, Indiana University, Bloomington and Turner Classic Movies Photo courtesy of Kino Classics, Gosfilmofond and Filmmakers Showcase Restorations by Bruce Posner ‘Sergei Eisenstein Restorations’

¡SERGEI EISENSTEIN MÉXICO! IDOLS BEHIND ALTARS

### **ABOUT THE FILM:**

Jack Nicholson and Shelley Duvall star in director Stanley Kubrick’s disturbing adaptation of Stephen King’s blockbuster horror novel. When writer Jack Torrance (Nicholson)–who has a history of alcoholism and child abuse–takes a job as winter caretaker for a hotel high in the Rocky Mountains, he, his wife (Duvall) and their psychic young son will be isolated until spring. But once the first blizzard closes the road out, the accumulated power of evil deeds committed at the hotel begins to drive Jack mad. Now there may be no escape for his wife and son in this haunting madness, memory and family violence.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA/UK

THE SHINING

Picasso forger, fake author and magic tricks in a wild ride of a &#8220;factual&#8221; tale from Orson Welles. I&#8217;ll take the steak au poivre too!

F for Fake

The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.

Godzilla vs. Mechagodzilla II

LPS is a local poetry society dedicated to keeping poetry vibrant and accessible. Each 75-minute event features up to 21 randomly drawn readers sharing one poem each, creating a lively, democratic celebration of language and community. Join us & share a poem!

One poem per person (yours or one of your favorites!).

In-person signups open 1/2 hour prior to the event (limited to 21).

No sign-ups after the event begins.

Spirits of a future world unite!

LPS @ HML Poetry Open Mic (5/17)

As we count down to the upcoming World Cup, this outdoor screening invites audiences to revisit iconic moments from soccer history. Bring friends, family, and a picnic and experience the beautiful game on the big screen in a communal, joyful setting. Presented in conjunction with the exhibition [*Fútbol Is Life*](https://www.lacma.org/art/exhibition/futbol-life-animated-sportraits-lyndon-j-barrois-sr), this series highlights how transcendent moments on the pitch become lasting cultural memories that connect people across generations and borders.  

**Diego Maradona's "Hand of God" Match (1986 World Cup)**
Match: Argentina vs. England (Quarter-final)
Date: June 22, 1986

“A little with the head of Maradona, and a little with the hand of God.”

Diego Maradona’s enigmatic explanation about his infamous opener in Argentina’s 1986 FIFA World Cup Mexico™ quarter-final clash with England holds a place in football history alongside the goal itself and his mesmeric second, which followed just four minutes later. The meeting at Mexico City’s Estadio Azteca on June 22, 1986, will forever be remembered for Maradona’s moment of gamesmanship and then the flash of pure genius which provided a snapshot into the career and life of one of the greatest players of all time in under 300 seconds.

Fútbol on Film: Diego Maradona's "Hand of God" Match

### **ABOUT THE FILM:**

In a small New Hampshire town during the 1930s and ’40s, an African-American doctor and his family pass for white. Although successful and accepted in their community, they live a lie…in constant fear of being discovered in this riveting drama about racism in the United States before the Civil Rights Movement.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

LOST BOUNDARIES

### **ABOUT THE FILM:**

*In French with English subtitles.*

With his raw style of filmmaking, Maurice Pialat has been called the John Cassavetes of French cinema, and the scorching À NOS AMOURS is one of his greatest achievements. In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father (played with astonishing magnetism by Pialat himself), ineffectual mother and brutish brother. A tender character study that can erupt in startling violence, À NOS AMOURS is one of the high-water marks of eighties French cinema.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: France

À NOS AMOURS

### **ABOUT THE EVENT:**

Silverlake Scream Show is a 501(c)(3) nonprofit dedicated to championing bold new voices in horror and cultivating a passionate, engaged fan community. First Bite is a screening series focused on debut horror features, pairing each film with a candid Q&A about what it actually takes to get a first feature made. The series is designed to demystify the process, creating a filmmaker-first conversation around everything from financing and production to festivals and distribution.

### **ABOUT THE FILM:**

Traveling to Detroit for a job interview, a young woman books a rental home. But when she arrives late at night, she discovers that the house is double booked and a strange man is already staying there. Against her better judgement, she decides to spend the evening, but soon discovers that there’s a lot more to fear than just an unexpected house guest.

FORMAT: DCP

DISTRIBUTOR: Disney

COUNTRY: USA

Silverlake Scream Show Presents BARBARIAN

### **ABOUT THE FILM:**

A producer monkey pitches a fairytale extravaganza to a skeptical financier. A psychedelic meta-comedy that mixes animation with excerpts from a Soviet science-fiction fantasy spectacle. A group of monkeys, including a director loosely inspired by Dennis Hopper’s EASY RIDER persona, struggle through various trials and tribulations while making an epic adventure film in this psychedelic and satirical look at the Hollywood counterculture of the early ’70s. An unlikely hybrid of analogue animation and live action Soviet fantasy film, TIKI TIKI repurposes extended passages from Rolan Bykov’s eye-popping 1967 phantasmagoria AYBOLIT-66 as the film within the film, adding irreverent comic dubbing and cutting to subvert the original intent. An unapologetically eccentric experience that has earned comparisons to H.C. Potter’s HELLZAPOPPIN’, TIKI TIKI remains one of the most sought-after animated enigmas of its era. New 4K restoration from the original a/b negatives by Canadian International Pictures with funding from Telefilm Canada.

FORMAT: DCP

DISTRIBUTOR: Canadian International Pictures

COUNTRY: Canada

TIKI TIKI

Acclaimed documentarian Raoul Peck's vital & unnervingly prescient documentary about the "1984" author & his lessons for our troubled times

Raoul Peck's ORWELL: 2+2=5 (2025)

**Screenwriter**: Thomas Schumacher

**Producers**: Jim Cox,  Karey Kirkpatrick,  Joe Ranft

The cutest secret agent mice are back to save yet another kiddo in distress in this massively fun and adorable Disney adventure all about saving endangered wildlife with all-star voice talent from Bob Newhart, Eva Gabor, John Candy and even George C. Scott. A lawless poacher wants to capture a majestic and rare golden eagle, so he kidnaps the boy who knows where to find the bird. Not to worry &#8212; the Rescue Aid Society&#8217;s top agents, heroic mice Miss Bianca and Bernard, fly to Australia to save the day. Accompanying the fearless duo are bumbling albatross Wilbur and local field operative Jake the Kangaroo Rat. Throw another shrimp on the barbie and head with us on an animated Australian adventure!

**Picks from the Video Store**

Take home more adorable animated mice!

*The Secret of NIMH, Ratatouille, Ralph S. Mouse*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Rescuers Down Under

Filmmaker **Athina Rachel Tsangari** in conversation with filmmaker/animator **Flóra Anna Buda **(*27*, Short Film Palme d&#8217;Or)!

Part of *Worlds Apart: The Films of Athina Rachel Tsangari,* a retrospective of the Greek director&#8217;s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots, and the Los Feliz 3.**

Featuring:

***FIT ***(Dir. Athina Rachel Tsangari, 1994, 8 min)

Lizzie discovers her inability to (and obsession with) fitting things inside of other things.

***Reflections*** (Dir. Athina Rachel Tsangari, 2009, 8 min)

Mapping projections of analogue and digital animations at Acropolis Museum Opening Ceremony, 2009.

***The Capsule*** (Dir. Athina Rachel Tsangari, 2012, 35 min)

Seven young women. A mansion perched on a Cycladic rock. A series of lessons on discipline, desire, discovery, and disappearance. A melancholy, inescapable cycle on the brink of womanhood &#8211; infinitely.

***24 Frames Per Century*** (Dir. Athina Rachel Tsangari, 2013, 2 min)

A pair of film projectors discuss their impending obsolescence.

**Plus! A Bonus Secret Film** (Dir. Athina Rachel Tsangari, ???)

Short Films by Athina Rachel Tsangari

**Screenwriter**: Becky Johnston

**Producers**: Robert Cavallo,  Joseph Ruffalo,  Steven Fargnoli

Icon of icons &#8211; the one and only Prince &#8211; directed and starred in this black and white cult classic musical gigolo fantasy. After the resounding success of *Purple Rain*, Prince cashed in his passion project chips on this fun and frivolous romp through the French Riviera. Prince and Jerome Benton play scammers and gigolos, out to con rich women out of their diamonds and pearls, but when he runs into a stunning heiress played by Kristin Scott Thomas, he&#8217;s got to choose between love and money. While not structured like the standard musical with diegetic musical numbers, you&#8217;ll be vibing to a fully Prince soundtrack as you watch the icon seduce, swindle, and goof around like a silent slapstick comedian. You won&#8217;t want to miss your chance to see it on the big screen and especially *hear* it through our killer speaker system!

**Picks from the Video Store**

Take home more Prince bangers from our video rental collection!

*Purple Rain, Graffiti Bridge, Prince: The Hits Collection*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Under the Cherry Moon

**Screenwriters**: Athina Rachel Tsangari,  Joslyn Barnes

**Producers**: Joslyn Barnes,  Viola Fügen,  Rebecca O&#8217;Brien,  Athina Rachel Tsangari, Michael Weber

With Writer/Director/Producer **Athina Rachel Tsangari** in conversation with filmmaker **Josephine Decker** after the screening!

Part of *Worlds Apart: The Films of Athina Rachel Tsangari,* a retrospective of the Greek director’s films presented by Acropolis Cinema and MUBI and running from April 17 through mid-May at 2220 Arts + Archives, Vidiots, and the Los Feliz 3.

Greek filmmaker Athina Rachel Tsangari, who deconstructed human behavior within bounded communities in *Attenberg* and *Chevalier*, sets her sights on entirely new environs in *Harvest*, which takes place in a remote village in medieval England. Adapted from the acclaimed novel by British writer Jim Crace, Tsangari’s film stars Caleb Landry Jones as Walter Thirsk, the former childhood friend and manservant of the village’s weak-willed landowner, Master Kent (Harry Melling). Marked by superstition and the scapegoating of outsiders, the town’s denizens fall under new threat after Kent’s iron-fisted city cousin comes into possession of the land, with new plans for agricultural profit. Shot in the sun-dappled Scottish countryside with natural light by cinematographer Sean Price Williams, Tsangari’s most ambitious work to date is both carnal and cerebral, a multifaceted reflection on man’s relationship to the land, rich in atmospherics and thematic resonance. (NYFF)

*&#8220;An audacious, savage carnival of a film.&#8221;* —Jonathan Romney, *The Financial Times*

*&#8220;[A] vigorous, yeasty period piece&#8230; transfixes as a whole-sackcloth immersion into another time and place.&#8221;* —Guy Lodge, *Variety*

*&#8220;Dreamy, hazy and phantasmic, vacillating between extreme beauty and something approaching folk horror.&#8221;* —Alissa Wilkinson, *The New York Times*

*&#8220;Stands strong and tall, a work solid as an oak. Full of a sensual love of nature and a distinctive vibe, it’s tangy like a home-brewed ale.&#8221;* —Leslie Felperin,* The Hollywood Reporter*

*&#8220;Fundamentally a work of political cinema, a social archeology of the emergence of capitalism—of the depravities of modern economics and the inherent injustices of its legal premises.&#8221;* —Richard Brody, *The New Yorker*

Harvest

Barton Fink in 35mm

The Passionate Friends

### **ABOUT THE FILM:**

A widow who works at a local aquarium finds joy again when she forms an unlikely bond with a Giant Pacific Octopus and a wayward young man who comes to town in search of family. Together, they will uncover a mystery that will lead them to a life-changing discovery and restore their sense of wonder. Based on the best-selling book.

FORMAT: DCP

DISTRIBUTOR: Netflix

COUNTRY: USA

Q&A with filmmaker Olivia Newman and editor Tamara Meem Popcorn and soda courtesy of Netflix

REMARKABLY BRIGHT CREATURES

### **ABOUT THE FILM:**

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist’s supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elijah Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

50th Anniversary Co-presented by 36 Cinema ‘Cinematic Void’

Cinematic Void Presents J.D.'S REVENGE

I Love Maria / Aces Go Places IV

**Producers**: David Zeiger,  Evangeline Griego,  Aaron Zarrow

Vidiots is overwhelmed to welcome actor, activist, and eternal icon **Jane Fonda** for a special 20th Anniversary screening of the documentary *Sir! No Sir!* followed by a conversation with Fonda, director **David Zeiger**, and **Viet Thanh Nguyen** (*The Sympathizer*).

Easily the most timely and resonant film about the soldiers on the front lines of antiwar resistance, the award-winning breakout theatrical hit *Sir! No Sir!*  Tells an almost entirely forgotten story of the military men and women who helped force the U.S. government to end the Vietnam War. Contrary to the popular image of long-haired hippies spitting on returning soldiers, *Sir! No Sir!* vividly demonstrates that GIs were the heart and soul of the anti-war movement. Poignantly narrated by a diverse cast of veteran GI resisters who recall the ferocious days of peace marches and stiff jail sentences, SIR! NO SIR! pulls no punches in its raw depiction of the power of people, especially those in uniform. Directed by David Zeiger, *Sir! No Sir!* is *&#8220;powerful stuff, offering us not only a new look at the past, but to the unavoidably relevant insights into the present&#8221;* (New York Daily News).

**Picks from the Video Store**

Take home tons of Jane Fonda deep cuts from our video rental collection, including:

*They Shoot Horses, Don&#8217;t They? In the Cool of the Day, Joy House*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Sir! No Sir!

### **ABOUT THE EPISODES:**

**Season 2, Episode 19, “Variations on Relations,” Dir. Jonathan Sanger, 47 Mins**

Pete and Catherine open the first puzzle box.

FORMAT: DCP

**Season 2, Episode 20, “The Path to the Black Lodge,” Dir. Stephen Gyllenhaal, 46 Mins**

Cooper convinces Annie to enter the Miss Twin Peaks contest.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Variations on Relations” and “The Path to the Black Lodge” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 2, Ep. 19 and 20

### **ABOUT THE FILMS:**

**“Le Déménagement,” 1992, Dir. Chantal Akerman, 39 Mins, Chantal Akerman Foundation, France**

*In French with English subtitles.*

Surrounded by unpacked boxes, a man delivers an extended monologue on indecision and regret.

FORMAT: DCP

**L’HOMME À LA VALISE, 1984, Dir. Chantal Akerman, 61 Mins, INA, France**

*In French with English subtitles.*

A woman returns to her apartment after a two-month absence. She finds a distant acquaintance settled in as if he owned the place and seemingly unwilling to leave. Disheartened, she retreats to a bedroom. A game of cat and mouse ensues between the invader and the captive.

FORMAT: DCP

Photo courtesy of Collections CINEMATEK © Chantal Akerman Foundation ‘Chantal Akerman: An American Cinematheque Retrospective’

“Le Déménagement” / L'HOMME À LA VALISE

Tobruk / Rough Night in Jericho

**Producers**: Danielle Varga,  Sasha Wortzel

Artist and Filmmaker **Sasha Wortzel** joins us in the microcinema for a screening of her dreamy and poetic documentary *River of Grass*.

*River of Grass* is a present-day reimagining of environmentalist Marjory Stoneman Douglas’s celebrated book, “*The Everglades: River of Grass*,” (1947), which transformed the public’s understanding of the area from worthless swamps to an essential source of freshwater, enabling the ecosystem to endure, just barely, today.

Interweaving Douglas&#8217;s writing, present-day verité, and archival glimpses, *River of Grass* reveals how this country’s origin story haunts and inextricably shapes contemporary American life, while asking how we might weather coming storms better together.

“*Wortzel’s film is a clarion call to protect Florida’s greatest resource.*” &#8211; RogerEbert.com

&#8220;*A variety of perspectives add up to something as exquisitely crystalline, allowing you to get lost in its beauty without losing sight of how easily broken it can be*.&#8221; -The Moveable Feast

&#8220;*A rare environmental film to succeed both in expressing collective grief about climate change and inspiring activism to adapt and resist further depredations.*&#8220;- Filmmaker Magazine

Sasha Wortzel is a celebrated artist, with work is in the permanent collections of the Brooklyn Museum, Studio Museum of Harlem, Leslie Lohman Museum of Art, and Miami-Dade County Art in Public Places.

River of Grass

The Scarlet Empress

Mezzanine presents PHANTOM BEIRUT (أشباح بيروت), a film by Ghassan Salhab. 1998, France/Lebanon, 117m, DCP.

U.S. premiere of a brand-new 2K restoration

~

"An intelligent thriller of deception, loyalty and betrayal.” -The New York Times

“\[Salhab\] weaves the familiar Lebanese themes of exile, destruction, memory, hope and illusions into a poem to a beloved city and its people, as scarred as its buildings." -Variety

Among the most beautiful cinematic evocations of the Lebanese Civil War, director Ghassan Salhab’s remarkable feature debut captures the everyday rhythms of Beirut in the late ‘80s, where citizens live a potent mixture of nostalgia and fear amid a seemingly endless conflict. After faking his own death during battle, Khalil (Aouni Kawas) returns to Beirut under a new identity, forced to confront the old friends and comrades he left behind a decade earlier. Interspersed with onscreen interviews with cast members, Salhab’s offbeat thriller is a time capsule of a city and a people continuing to live with the ghosts of their past.

In Arabic with English subtitles. A Several Futures release. Special thanks to Graham Carter.

Mezzanine: Ghassan Salhab's Phantom Beirut

Being There in 35mm

A night in the life of two best friends. Is this the greatest, truest depiction of the teenage feeling? Shoulda been handing out the Oscars here, that&#8217;s for damn sure.

Superbad

Movie theater chain established in 1938 showcasing the latest independent, foreign & art films.

This unique series is hosted by filmmaker Stanley Sheff, who worked closely with Welles as a collaborator, editor, and un-credited co-director on his unsold TV pilot The Orson Welles Show. Sheff will share stories from their professional collaboration and personal friendship, giving audiences a rare first-hand glimpse into the private world of Orson Welles.Doors at 7pm, show at 7:30pm and film at 8pm.

Tonight's show:THE STRANGER Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler's former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson's only clue is Kindler's fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in.

THE STRANGER

Fine Arts Theatre

### **ABOUT THE FILM:**

*In Polish with English subtitles.*

Before he stunned the cinematic world with the epic DEKALOG series and the Three Colors trilogy, the great Polish filmmaker Krzysztof Kieślowski made his first work of metaphysical genius, BLIND CHANCE, a compelling drama about the difficulty of reconciling political ideals with personal happiness. This unforgettable film follows Witek (the magnetic Bogusław Linda), a medical student with an uncertain future in Communist Poland; Kieślowski dramatizes Witek’s journey as a series of different possibilities, suggesting that chance rules our lives as much as choice does. First suppressed and then censored by the Polish government, BLIND CHANCE is here presented in its complete original form.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: Poland

Co-presented with the Polish Cultural Institute New York ‘Krzysztof Kieślowski: An American Cinematheque Retrospective’

BLIND CHANCE

### **ABOUT THE FILM:**

*In French with English subtitles.*

Monique (Monique Melinand) is dying of cancer, lying in bed in the apartment above the store her family owns. Her philandering husband, Roger (Hubert Deschamps), carries on with life, groping the female customers. Her son, Philippe (Philippe Léotard), remains aloof and impatient. Her daughter-in-law, Nathalie (Nathalie Baye), wonders if she is witnessing her own future decline. The four individuals struggle to express, or even feel, their love for one another, as they await the inevitable. 

FORMAT: DCP

DISTRIBUTOR: Cohen Media Group

COUNTRY: France

THE MOUTH AGAPE

A portrait of Pritzker award winning architect BV Doshi—a meditative exploration of his deeply philosophical design mission

THE PROMISE: ARCHITECT BV DOSHI (2023) — Philosophy of Design screening

Blonde Dynamite/No Holds Barred

The Hidden Room (aka Obsession)

### **ABOUT THE FILMS:**

**A SHORT FILM ABOUT LOVE, 1988, Dir. Krzysztof Kieślowski, 87 Mins, Janus Films, Poland**

*In Polish with English subtitles.*

An expanded version of episode VI in Kieślowski’s legendary DEKALOG, this film examines love, longing and sex through the story of a young postal worker who spies on a promiscuous woman in an adjacent housing project.

FORMAT: DCP

**A SHORT FILM ABOUT KILLING, 1988, Dir. Krzysztof Kieślowski, 85 Mins, Janus Films, Poland**

*In Polish with English subtitles.*

A shocking, powerful film expanded from episode V of Kieślowski’s legendary DEKALOG, A SHORT FILM ABOUT KILLING considers societal violence in its many forms through the story of an idealistic young lawyer and the brutal murderer he is called to defend.

FORMAT: DCP

A SHORT FILM ABOUT LOVE / A SHORT FILM ABOUT KILLING

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

Monthly short film festival. Watch and vote. Audience award to the best short film each month. Annual championship in DECEMBER.

MOVIE SCREENERS CLUB (Thu. 5/21) 7:30pm

Gardena Cinema

Join us for after-hours walk-throughs of *Several Eternities in a Day: Form in the Age of Living Materials* and *SPACE IS THE PLACE: Selections from the Hammer Contemporary Collection* led by curators **Pablo José Ramírez** and **Erin Christovale**, respectively, accompanied by drinks and appetizers on the Annenberg terrace. 

Swing by **LULU **or the **Hammer Store** before the tours for 10% off your purchases. 

This event is exclusive to Hammer members at the Immerse level ($250) and higher. 

[Become a member today](https://hammer.ucla.edu/support/membership). 

If you would like to upgrade your membership, contact us at [membership@hammer.ucla.edu](mailto:membership@hammer.ucla.edu) or 310-443-7050.
 
RSVP required; capacity is limited. Kindly reply by Friday, May 15 to 310-443-7050 or [membership@hammer.ucla.edu](mailto:membership@hammer.ucla.edu).

Cocktails with a Curator

Post-screening conversation with UCLA English Professor **Elizabeth DeLoughrey**, UCLA Design Media Arts Professor **Rebeca Méndez**, and the film’s co-director, investigative journalist **Rosanna Xia**

Co-presented with the UCLA Department of Media Arts and the UCLA Institute of the Environment and Sustainability

From the *Los Angeles Times* and Pulitzer Prize-finalist **Rosanna Xia**, *Out of Plain Sight* is a cinematic exposé of an environmental disaster lurking just off the coast of Southern California. 

Not far from Catalina Island, aboard one of the most-advanced research ships in the world, David Valentine discovers a corroded barrel on the seafloor that gave him chills. The full environmental horror sharpens into greater clarity once he calls Xia, who pieces together a shocking revelation: In the years after World War II, as many as half a million barrels of toxic waste had been quietly dumped into the ocean—and the consequences continue to haunt the world today.

2024, Dir. Daniel Straub, Rosanna Xia, DCP, color, 94 min.

Out of Plain Sight

Hammer Museum

### **ABOUT THE FILM:**

*In French with English subtitles.*

Donissan, a mediocre seminarist, haunted by Evil and the failure of his divine mission, mortifies his body and is unable to establish any rapport with his parishioners…until the day the abbot meets young Mouchette, who has just committed a mortal sin. 

FORMAT: DCP

DISTRIBUTOR: Cohen Media Group

COUNTRY: France

Tuesday, 5/5

Egyptian Theatre

The Naked Gun: From The Files of Police Squad!

7:00 PM

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Los Feliz Theatre

TWIN PEAKS: Season 2, Ep. 15 and 16

7:00 PM

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GOLDEN EIGHTIES

10:00 PM

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New Beverly Cinema

House of Cards

From Hell to Victory

7:30 PM

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Vista Theatre

The Lost Weekend

2:00 PM

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RZA’s One Spoon of Chocolate

4:00 PM, 7:30 PM

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Tuesday, 5/5