Hedwig and the Angry Inch in 4K

The Right Stuff in 35mm

Academy Museum

The Eastwood offers two versatile spaces for theatrical productions, film screenings, dance performances, and more: the 99-seat Eastwood Mainstage and the intimate, 40 seat Oxford Underground blackbox. Both spaces come equipped for various productions, catering to artists and audiences of all levels.

Two strangers find themselves trapped in a liminal space with no idea how they got there, where they came from or what lies ahead.

Written by Hope Lauren Starring Samuel Garnett & Hope Lauren

Directed by Claire Berger

#### About the Show

Clown Sh*t!

Eastwood Performing Arts Center

A brilliant but egotistical scientist brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation

Frankenstein

Robert Grainer, an average man living in extraordinary times, worked as a day laborer in the American West at the beginning of the 20th century. Battered by the death of his family, he struggles to adjust to this new environment.

Train Dreams

Egyptian Theatre

### **ABOUT THE FILM:**

Written, directed, scored, and edited by John Carpenter two years prior to HALLOWEEN, ASSAULT ON PRECINCT 13 combines the template of NIGHT OF THE LIVING DEAD with the spirit of RIO BRAVO to forge a movie like no other. The story follows a group of police offers (including the mighty Austin Stoker) and convicts as they join forces inside a soon-to-be-closed L.A. police station. The reason? They must defend themselves against Street Thunder, a vicious gang who have taken a blood oath to kill someone trapped inside the precinct. Combining gritty action with arthouse style, ASSAULT ON PRECINCT 13 features powerful Cinemascope compositions, a pulsing synth score, and an immersive mood that only Carpenter can deliver.

FORMAT: 35mm

DISTRIBUTOR: AGFA

COUNTRY: USA

Cinematic Void Presents ASSAULT ON PRECINCT 13

Los Feliz Theatre

The Student Nurses / Private Duty Nurses / The Young Nurses

New Beverly Cinema

**Screenwriters**: László Krasznahorkai, Béla Tarr

**Producers**: Martin Hagemann, Juliette Lepoutre, Marie-Pierre Macia, Gábor Téni, Ruth Waldburger

Join us in celebrating the visionary life and work of Béla Tarr with a screening of his hypnotic masterpiece *The Turin Horse*.

A haunting poetic parable, Hungarian master Béla Tarr&#8217;s final film is a bleakly beautiful meditation on Earthly elements and the human soul. Tarr plays on the existentialism of Friedrich Nietzche by drawing him into this slow moving and beautifully shot story of a poor cab driver, his daughter, and a horse that has given up the will to work. As a windstorm rages, all four characters are thrown into a grim reality that sweeps them into a spiral of despair. Immaculately photographed in Tarr&#8217;s renowned long takes, *The Turin Horse* is the final statement from a master filmmaker.

**Picks from the Video Store**

Need more Béla Tarr to watch at home? Check out his director&#8217;s section for these and more.

*Damnation, Werckmeister Harmonies, The Prefab People*

**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.

The Turin Horse

Vidiots

or

#### About the Show

### Seven performers, two easels, one stage. THIS or THAT: a rambunctious choose-your-own sketch adventure where the audience decides what they see! Pick between two sketches at a time by yelling “This” or “That” and enjoy the fast-paced chaos of performers heeding to your choice. Once a sketch is performed, two new sketches are up for selection, and the fun continues to be decided by you, the all-powerful audience! 30 sketches enter. Only 15 survive… You decide.

### There is a parking garage located at:

### 1110 N Western Ave, Los Angeles, CA 90029

### 5301 Sierra Vista Ave, Los Angeles, CA 90029

THIS OR THAT

### **ABOUT THE EPISODE:**

**Episode 4, “Rest in Pain,” Dir. Tina Rathborne, 47 Mins**

Cooper meets with Audrey, who confesses to leaving him the note about One Eyed Jack’s. Cooper tells Truman he can’t remember who the killer was in his dream, but insists the dream is a code to solving the crime.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Rest in Pain” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 1, Ep. 4

Wifemistress / The Divine Nymph

**Screenwriter**: Ryan Coogler

**Producers**: Ryan Coogler,  Sev Ohanian,  Zinzi Coogler

*“You keep dancing with the devil, one day he’s gonna follow you home.”*  It&#8217;s a night from hell at the new juke joint in town and Ryan Coogler serves up a gorgeous feast of bloodlust in his brilliant genre-bending triumph with not one, but two Michael B. Jordans. Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. Smoky, sexy, and exhilarating with gorgeous blood-soaked period detail, you can&#8217;t ever get enough *Sinners* in the theater!

Sinners

Mezzanine presents REMOVAL OF THE EYE, directed by Prashanth Kamalakanthan and Artemis Shaw.

2025, U.S., 92m.

L.A. premiere screening, followed by a Q&A with actor-writer-directors Artemis Shaw and Prashanth Kamalakanthan.

"Funny and personal... a manic mix of post-millennial humor and urban-romantic anxiety." -Film Comment

∆

The brilliant husband-and-wife-duo of Artemis Shaw and Prashanth Kamalakanthan (of LAFM 2024 selection NEW STRAINS) bring new dimensions to the home-movie with their hilarious sophomore feature, a punch-drunk exploration of the anxieties and rituals of new parenthood.

Set in a high-rise apartment, Ph.D student Kallia and fledgling-rapper Ram (Shaw and Kamalakanthan) endure sleepless nights with their newborn baby, while Kallia’s mother (who lives one floor below) looks to end their problems with a Greek rite of passage: to exorcise their family from the evil eye. With a Cassavetes-like inclination to turn the camera on themselves and their loved ones—including their actual baby and parents—Shaw and Kamalakanthan’s fearless, intimate comedy establishes them among the freshest and most inventive young American filmmakers working today.

Official Selection: 2024 Rotterdam International Film Festival, New/Next Film Festival

Special thanks to Andrew Adair (Cinema Conservancy).

Mezzanine: Removal of the Eye (2025)

2220 Arts + Archives

The Wizard of Oz in 4K

Bramayugam

Pretty Maids All In A Row / High School Girl

Just in time for Valentine's Day, a rare theatrical screening of selections from 5 decades of Wendy Clarke's monumental video project!

Wendy Clarke's LOVE TAPES – Rare Screening of the Monumental Video Project!

Philosophical Research Society

**Screenwriter**: Alexi Wasser

**Producers**: Alexi Wasser,  Rebekah Sherman-Myntti,  KJ Rothweiler

The Vidiots microcinema is about to get a little filthy and absolutely absurd when we welcome writer/director/producer/star **Alexi Wasser** for two special screenings of her ridiculous sex comedy *Messy*.

Burned out on the rom com onslaught of Valentine&#8217;s? We&#8217;ve got the raunchy antidote for you &#8211; Alexi Wasser&#8217;s nympho-manic romp of sex, love, and delusion in the city! Brutally self-aware, promiscuous love addict Stella Fox moves to New York after a devastating break-up and pursues disappointing romantic dalliances over the course of a summer. Laugh out loud funny, *Messy* made John Waters&#8217; list of favorite films of the year (2024). Ditch your date and bring all your besties for Wasser&#8217;s debut cult classic in the making!

Conversation with **Alexi Wasser** to follow the screening, moderated by **Cazzie David** on Thursday and **Karley Sciorentino** on Friday!

Messy

**Screenwriters**: Christopher Landon,  Phillip Murphy,  Michael Kennedy

**Producers**: Christopher Landon,  Greg Gilreath,  Adam Hendricks

Vidiots is terrified to welcome Director and Founding Member **Josh Ruben** for a special screening of the bloodiest rom com ever &#8211; *Heart Eyes, *followed by a conversation with Ruben and Writer **Michael Kennedy,** Actors **Jordana Brewster** (Detective Jeanine Shaw) and **Gigi Zumbado** (Monica), and Mask Designer **Tony Gardner.**

If you&#8217;re looking for a romantic date movie that soaked in buckets of blood, have we got the screening for your Valentine&#8217;s Day countdown! When the &#8220;Heart Eyes Killer&#8221; strikes Seattle, a pair of co-workers pulling overtime on Valentine&#8217;s Day are mistaken for a couple by the elusive couple-hunting killer. Now, they must spend the most romantic night of the year running for their lives. A deliriously fun mash up of rom coms and slashers, this gorerrific love story has got something for everyone!

**Picks from the Video Store**:

Craving more Valentine&#8217;s horror? Check out these bangers from our video rental collection!

*My Bloody Valentine, Cupid, Trouble Every Day*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Heart Eyes

Sinners (70mm)

The Umbrellas of Cherbourg

Vista Theatre

A stranger arrives in a little village and soon after a mysterious sickness starts spreading. A policeman is drawn into the incident and is forced to solve the mystery in order to save his daughter.

The Wailing

A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.

Possession

Brain Dead Studios

### **ABOUT THE FILM:**

Academy Award winner Humphrey Bogart is at his best as a hardboiled sleuth in this ’40s film noir classic. In one of his most exciting roles, the inimitable Bogie plays Rip Murdock, an ex-G.I. trying to find out who framed his pal Johnny for murder—and then rubbed him out! Tracing his war buddy’s shadowy past leads Rip to Coral Chandler (Lizabeth Scott), who was once Johnny’s sweetheart. Now she’s a chanteuse in a nightclub run by a brutal gangster, Martinelli (Morris Carnovsky). Rip gets a taste of the beautiful blonde’s seductive charms and soon finds himself ensnared in a twisted web of deceit and danger. Is Coral an innocent thrush—or is she a predatory siren leading Bogie to the DEAD RECKONING?

FORMAT: Nitrate

DISTRIBUTOR: Sony Pictures

COUNTRY: USA

Introduction by Alan K. Rode Print from the collection of the Library of Congress ‘American Cinematheque’s Nitrate Film Festival 2026’

DEAD RECKONING on Nitrate

A man watches as his neighborhood in Santiago, Chile, changes around him. Houses are sold and torn down, neighbors move away. Refusing to change with it, he invites documentarian Ignacio Agüero into his home, sharing his hobbies and personal history with the camera. Meanwhile, life continues, bringing changes within his own family — the passage of time never ceasing. Ignacio Agüero, one of Chile’s most acclaimed documentarians, made his early films during the Pinochet dictatorship. *Under Construction* captures a post-Pinochet Chile at the turn of the century, as the people of Santiago reflect on their country’s history through architecture, anecdotes and visions of the future.

DCP. Director: Ignacio Agüero.

Before his feature film debut Rebels of the Neon God (1992), Tsai Ming-liang had a brief career directing made-for-television films. Give Me a Home is one of these early works, offering glimpses of Tsai’s distinctive, lingering cinematic style soon to emerge in full definition. His television work often centered on the struggles of Taipei’s working class, as seen here. Set in 1990s Taipei, the film follows a young unhoused family whose breadwinner builds houses for others. Filming in both public and private spaces, Tsai reveals the lives of those living in the shadows, without a shelter of their own.

DCP. Director: Tsai Ming-liang. Screenwriters: Tsai Ming-liang, Li Zongyu. With: Lung Chang, Ling-Ling Hsia.

*—Associate Programmer Nicole Ucedo*

Under Construction (or the place where I was born no longer exists) / Give Me a Home

Hammer Museum

### **ABOUT THE FILM:**

*In French with English subtitles.*

Nothing else has ever looked or felt like director René Laloux’s animated marvel FANTASTIC PLANET, a politically minded and visually inventive work of science fiction. The film is set on a distant planet called Ygam, where enslaved humans (Oms) are the playthings of giant blue native inhabitants (Draags). After Terr, kept as a pet since infancy, escapes from his gigantic child captor, he is swept up by a band of radical fellow Oms who are resisting the Draags’ oppression and violence. With its eerie, coolly surreal cutout animation by Roland Topor; brilliant psychedelic jazz score by Alain Goraguer; and wondrous creatures and landscapes, this Cannes-awarded 1973 counterculture classic is a perennially compelling statement against conformity and violence.

FORMAT: 35mm

DISTRIBUTOR: Janus Films

COUNTRY: France/Czechoslovakia

Get your ticket for just $6.48 at the box office! ‘Film by the Foot’

FANTASTIC PLANET

### **ABOUT THE FILMS:**

**“He Who Awaits Dead Men’s Shoes Dies Barefoot,” 1970, Dir. João César Monteiro, 35 Mins, The Cinema Guild, Portugal**

*In Portuguese with English subtitles.*

Monteiro’s first fiction film — and masterpiece — “He Who Awaits Dead Men’s Shoes Dies Barefoot” shows an auteur inspired by the French New Wave (specifically Jean-Luc Godard) and introduces an alter-ego who would reappear in Monteiro’s João de Deus trilogy: Lívio, a young, broken-hearted aspiring artist (and beggar) whose dreams and innocence are violated by a country “that is a bottomless pit, an asshole one can’t escape from.” This poetic yet pessimistic letter to a nation suffocated by a decades-old fascist regime was banned, and remained unseen until Portugal’s 1974 Carnation Revolution.

FORMAT: DCP

**WHAT SHALL I DO WITH THIS SWORD?, 1975, Dir. João César Monteiro, 65 Mins, The Cinema Guild, Portugal**

*In Portuguese with English subtitles.*

In WHAT SHALL I DO WITH THIS SWORD?, Monteiro shows NATO forces and US aircraft carriers in Lisbon and compares them to the awakening of Nosferatu, a new villain hungry for fresh blood, while intertwining footage of US Navy sailors cruising Lisbon’s decadent nightlife (one of its prostitutes offers Monteiro an account of her routine), workers protesting pro-capitalist maneuvers, and statements from anticolonial African activists with a satirical restaging of a medieval Lusitanian hero (director Margarida Gil) who defended the country’s soul against foreign invaders.

FORMAT: DCP

L.A. Premiere of New 4K Restorations ‘João César Monteiro: An American Cinematheque Retrospective’

"He Who Awaits Dead Men's Shoes Dies Barefoot" / WHAT SHALL I DO WITH THIS SWORD?

Once Upon A Time In… Hollywood

Actor and filmmaker Frank Mosley joins Now Instant to present a program of his directorial work from from 2011-2023.

The screening will be followed by a Q&A with Mosley, moderated by Sarah Fensom.

An Evening with Frank Mosley

Now Instant Image Hall

A screening of Jacques Demy's fantasy musical classic DONKEY SKIN (1970) & fairytale themed, French Pop soundtracked costume dance party!

LA FÊTE D'AMOUR!: DONKEY SKIN (1970) + Fairytale French Pop Dance Party!

**Screenwriter**: Hayao Miyazaki

**Producer**: Toshio Suzuki

Hayao Miyazaki weaves his enchanted spell over this exceptionally beautiful dream of an animated film. When a young milliner Sophie is transformed into an old crone by an evil and jealous witch, she must team up with a wizard named Howl to put an end to the devastating torment of the Witch of Waste. An astonishing feat of imagination, craftsmanship, fantasy, and beauty, it&#8217;s a magical experience you can share with the whole family, or all your witchy friends.

**Picks from the Video Store**:

Can’t get enough Studio Ghibli? We’ve got you and your little ones covered with these gems and more!

*My Neighbors the Yamadas, Porco Rosso, Whisper of the Heart*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Howl’s Moving Castle (Japanese with English Subtitles)

**Screenwriter**: Yuichiro Kido from the the light novel byHiroshi Sakurazaka

**Producers**: Yukinori Nakamura,  Eiko Tanaka

Calling all anime-heads! Join us in the microcinema for the new explosive animated science fiction mind-bender *All You Need is Kill!* Set in the year 20XX, this eye-popping anime follows the story of Rita, a resourceful but isolated young woman volunteering to help rebuild Japan after the mysterious appearance of a massive alien flower known as “Darol.” When Darol unexpectedly erupts in a deadly event, unleashing monstrous creatures that decimate the population, Rita is caught in the destruction—and killed. But then she wakes up again. And again. Caught in an endless time loop, Rita must navigate the trauma and repetition of death until she crosses paths with Keiji, a shy young man trapped in the same cycle. Together, they fight to break free from the loop and find meaning in the chaos around them.

**Accessibility Options**: Open Captions

All You Need is Kill

**Screenwriters**: Nora Ephron,  David S. Ward,  Jeff Arch

**Producer**: Gary Foster

We&#8217;re continuing the Rob Reiner lovefest with one of his most lovable acting roles in Nora Ephron&#8217;s essential rom com *Sleepless in Seattle, *just in time for Valentine&#8217;s Day!

What if your happily ever after was someone you never met? Nora Ephron sets the stage for star-crossed romance in one of the most successful romance films of all time. Still grieving the death of his mother, but worried for his father, a young boy calls in to a radio talk show to find his dad a date. Now, half a country away, reporter Annie Reed finds herself falling for a man she&#8217;s never met. Bring your boo or your besties and meet us on the top of the Empire State Building (AKA the Eagle Theatre) on Valentine&#8217;s Eve for this feel good helping of cinematic comfort food!

**Picks from the Video Store**

Want more Rob Reiner acting roles? Take home more Rob tonight!

*The Wolf of Wall Street, This is Spinal Tap, Postcards from the Edge, Throw Momma from the Train*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Sleepless in Seattle

**Screenwriter**: Todd Solondz

**Producers**: Ted Hope,  Christine Vachon

One of the darkest entries into one of America&#8217;s bleakest and funniest auteur Todd Solondz&#8217;s twisted body of work, *Happiness* is a subversive masterpiece of feel-bad filmmaking. A remarkable and controversial ensemble piece centering on a family of three adult sisters &#8211; the soccer mom, the successful poet, and the aimless dreamer &#8211; all with their own orbits of longing and depravity. Containing some of the most envelope-pushing subject matter committed to celluloid, this is not easy viewing, but Solondz&#8217;s deadpan dark humor keeps you laughing and cringing throughout, up to its absolutely unforgettable ending. Definitely disturbing, but masterfully acted and sardonically crafted, this is dark comedy at its darkest and funniest.

**Picks from the Video Store**:

Looking for more dark comedy? Try out these twisted triumphs tonight!

*Pretty Poison, Where&#8217;s Poppa?, Little Murders, Sightseers*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Happiness

Friday The 13th

Play It Again, Sam

Star Wars: Episode VII – The Force Awakens in Dolby Vision

Ponyo in 35mm

Retro Romantics: An Academy Film Archive Trailer Show in 35mm

### **ABOUT THE FILM:**

Harris K. Telemacher (Steve Martin), a TV weatherman based in Los Angeles, is bored to death in his relentlessly sunny town and in his relationship. When he receives cryptic messages from a billboard in his neighborhood, Telemacher seeks out romance with a visiting British journalist (Victoria Tennant) and a bubbly, young model (Sarah Jessica Parker).

FORMAT: 35mm

DISTRIBUTOR: Rialto Pictures

COUNTRY: USA

35th Anniversary Valentine’s Day Screening

L.A. STORY

### **ABOUT THE FILM:**

World War II, Morocco – a viper’s nest of corrupt French police, spies, fleeing émigrés, gamblers and drinkers. It’s the perfect place for weary American expatriate nightclub owner Rick Blaine to hide out. Rick’s Cafe is the gathering place for the good, the bad and the ugly, but he doesn’t care, as long as they spend their money. One day, of all the bars in all the world, Rick’s long-lost love, Ilsa walks in with her resistance leader husband, Victor, and Rick is pulled into both a love triangle and a web of political intrigue. Ilsa and Victor need to escape from Casablanca, and Rick may be the only one who can help them.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

CASABLANCA

Aero Theatre

Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.

Stealing Beauty

In the summer of 1983, a 17-year-old Elio spends his days in his family&#8217;s villa in Italy. One day Oliver, a graduate student, arrives to assist Elio&#8217;s father, a professor of Greco-Roman culture. Soon, Elio and Oliver discover a summer that will alter their lives forever.

Call Me by Your Name

### **ABOUT THE FILM:**

In 1930s Budapest, naïve orphan Luisa Ginglebuscher (Margaret Sullavan) becomes an usherette at the local movie house, determined to succeed in her first job by doing good deeds for others and maintaining her purity. Luisa’s well-meaning lies get her caught between a lecherous businessman, Konrad (Frank Morgan), and a decent but confused doctor, Max Sporum (Herbert Marshall). When Luisa convinces Konrad that she’s married to Max, Konrad tries everything he can to get rid of the baffled doctor.

FORMAT: Nitrate

DISTRIBUTOR: Universal

COUNTRY: USA

Valentine’s Day Screening 35mm Nitrate collection print courtesy of the UCLA Film & Television Archive. Special thanks to the William Wyler Estate. ‘American Cinematheque’s Nitrate Film Festival 2026’

THE GOOD FAIRY

### **ABOUT THE FILM:**

When ditzy debutante Irene Bullock stumbles upon a “forgotten man” at the city dump, she offers him work in her household and he soon becomes the perfect butler for her eccentric family. As the family’s antics grow increasingly more absurd, it is only a matter of time before Godfrey’s secret past is revealed.

FORMAT: Nitrate

DISTRIBUTOR: Universal

COUNTRY: USA

Valentine’s Day Screening Presented in partnership with Eastman Museum, L.A. Print courtesy of Filmarchiv Austria. ‘American Cinematheque’s Nitrate Film Festival 2026’

MY MAN GODFREY on Nitrate

Tuesday–Friday, Sunday 10am–6:30pmSaturday 10am–9pmMonday Closed

XOXO, The Guerrilla Girls: Valentines for a Feminist Future

Getty Center

Sylvia Chang directs, writes and co-stars in this story of best friends Wendy (Chang) and Ming (Cora Miao), who fall in love with the same man, John (George Lam). Chang — described by The New York Times as “Taiwan’s answer to Barbra Streisand” — is also an accomplished singer, and she demonstrates her deft skill behind the camera in this D&B Films production, her second directorial effort. Melodrama shapes the film’s emotional terrain, as tensions unfold over decades and the characters face moral dilemmas that pit fidelity and friendship against the reckless pull of passion.

Director/Screenwriter: Sylvia Chang. With: Sylvia Chang, Cora Miao, George Lam, Chung King Fai.

Prolific filmmaker Ann Hui plays with narrative structure as a means of exploring character interiority in this intergenerational love story between Chui Mei (Brigitte Lin) and her lovers, Dr. Zhang (George Lam) and Tian-An (David Ng). Lin delivers a tender performance as an ordinary woman confronting her past affairs while contemplating future entanglements. (She would later gain further acclaim in the wuxia genre of martial arts epics.) Lam once again co-stars as a tormented love interest whose brooding sex appeal makes him irresistible yet ill-equipped to navigate the temptations of human nature. A Shaw Brothers and Tomson Films production.

Director: Ann Hui. Screenwriter: Leung Suk-Wah. With: Brigitte Lin, George Lam, Derek Yee Tung-Sing, David Wu, Rebecca Pan, Yip San.

*—Archive Research and Study Center Officer Maya Montañez Smukler*

Passion / Starry Is the Night

### **ABOUT THE FILM: **

Manager Dick Harper and his attractive young wife Jane are used to a comfortable lifestyle. They’ve just build a swimming-pool when Dick is fired very unexpectedly—leaving him with $70,000 debt on the house. They try to hide this from the neighbors and just cut down their expenses, but soon it’s obvious: living from unemployment bonus drives them crazy, and it’s uncertain if they can keep the house. Dick decides that robbing drug stores is their only way out—but this takes more skill than expected! Only as a team can Dick and Jane succeed.

FORMAT: DCP

DISTRIBUTOR: Sony Pictures

COUNTRY: USA

‘Watch Local: Hollywood Center Motel’

FUN WITH DICK AND JANE

### **ABOUT THE FILM:**

*In French with English subtitles.*

When widow Anne (Anouk Aimée) and widower Jean-Louis (Jean-Louis Trintignant) meet at their respective children’s boarding school, a budding romance blossoms in the shadow of their former relationships.

FORMAT: DCP

DISTRBUTOR: Rialto Pictures

COUNTRY: France

New 4K Restoration 60th Anniversary Valentine’s Day Screening

A MAN AND A WOMAN

### **ABOUT THE EVENT:**

The American Cinematheque is thrilled to present a screening of Rainer Werner Fassbinder’s surreal, erotic drama QUERELLE with legendary actor Franco Nero in-person, in honor of his Hollywood Walk of Fame ceremony.

Set against glowing orange skies in the port city of Brest, Fassbinder’s dreamscape in QUERELLE unfolds a story of identity, desire and betrayal. Clad in a mid-20th century sailor uniform, Franco Nero gives a dazzling performance as Lieutenant Seblon, the naval officer deeply in love with Querelle and finding himself torn between authority and longing.

### **ABOUT THE FILM:**

Director Rainer Werner Fassbinder’s final film is a deliriously stylized tale of hothouse lust and simmering violence. Set amid an expressionistic soundstage vision of a French sea port, this daring adaptation of a novel by Jean Genet recounts the tragedy of a handsome sailor (Brad Davis) as he is drawn into a vortex of sibling rivalry, murder and explosive sexuality. Completed just before Fassbinder’s sudden death at age thirty-seven, QUERELLE finds the director pushing his embrace of artifice and taboo-shattering depiction of queer desire to new extremes.

FORMAT: DCP

DISTRIBUTOR: Janus Films

COUNTRY: France/West Germany

Q&A with actor Franco Nero. Moderated by Variety’s Matt Donnelly. Valentine’s Day Screening Co-presented by Filming Italy Los Angeles

QUERELLE

Vixen!  / Up!

The Opening of Misty Beethoven

**Screenwriter**: Steven Brill

**Producers**: Jon Avnet,  Jordan Kerner

Hockey fever is in the air, so grab your puck and your skates and join us at the rink for this kiddo underdog classic. Gordon Bombay&#8217;s got a lot on his plate, but after the young lawyer is arrested for drunk driving &#8211; now he&#8217;s got a team of hockey-playing outcasts looking to him for guidance &#8211; and to teach them to get goals. Can he turn this motley crew around and create champions? Will he learn even more lessons than his young charges? You bet he will, but we are so here for every goal, gaff, and feel-good moment along the way!

**Picks from the Video Store**

Feeling icy? These classics take the ice and make all the goals!

*Ice Princess, Slap Shot, Miracle*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Mighty Ducks

**Screenwriter**: Sooni Taraporevala

**Producers**: Michael Nozik, Mira Nair

Get swept away in the romance, beauty, humor, and humanism of Mira Nair&#8217;s magnificent *Mississippi Masala*. The vibrant cultures of India, Uganda, and the American South are blended and simmered into a rich and fragrant fusion feast in Mira Nair&#8217;s luminous look at the complexities of love in the modern melting pot. Years, after her Indian family was forced to flee their home in Uganda by the dictatorship of Idi Amin, twentysomething Mina (Sarita Choudhury), finds herself helping to run a motel in the faraway land of Mississippi. It&#8217;s there that a passionate romance with the charming Black carpet cleaner Demetrius (Denzel Washington) challenges the prejudices of their conservative families and exposes the rifts between the region&#8217;s Indian and African American communities. Tackling thorny issues of racism, colorism, culture clash, and displacement with big-hearted humor and keen insight, Nair serves up a sweet, sexy, and radical celebration of love&#8217;s power to break down the barriers between us.

**Picks from the Video Store**

Love Mira Nair? She&#8217;s got her own director&#8217;s section!

*Hysterical Blindness, Salaam Bombay, Queen of Katwe*, and more!

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Mississippi Masala

**Screenwriters**: Sheba Anyanwu,  Kristen Adele Calhoun,  Madebo Fatunde,  Kahlil Joseph, Saidiya Hartman,  Irvin Hunt

**Producers**: Onye Anyanwu,  Kahlil Joseph,  Amy Greenleaf,  Nic Gonda

Get ready for Kahlil Joseph’s visionary cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph’s family, and even Twitter chats, in a vision for black consciousness.

Adapted from Joseph&#8217;s renowned video art installation, the film draws inspiration from a range of cultural and artistic touchstones: *BLKNWS* itself, the improvisational brilliance of *Kind of Blue*, the late works of Jean-Luc Godard, and the critical fabulations of Saidiya Hartman. It is shaped by conversations with Fred Moten, David Hammons, and Malik Sayeed, as well as the grounding influence of Cristina Sharpe, Dionne Brand, and the spiritual traditions of Ifá and West African cosmologies.

*BLKNWS: Terms & Conditions* brings together every format of the moving image —cinema, video art, music video, social media, and documentary. It is a layered, multi-dimensional exploration of what the moving image can achieve, both as an artistic medium and as a tool for cultural critique.

BLKNWS: Terms & Conditions

**Screenwriters**: Baz Luhrmann, Craig Pearce

**Producers**: Baz Luhrmann, Fred Baron, Martin Brown

Join us for a **Valentine’s Day Party** you won’t forget! We’ve got themed drinks, a costume contest, and some very special surprises for this epic shindig! So get all dolled up and bring your boo or your besties and get ready to celebrate Valentine&#8217;s Vidiots-style!

The climax in Baz Luhrmann’s spectacular and gaudy (complimentary) Red Curtain Trilogy, *Moulin Rouge!* is a jukebox musical almost single-handedly responsible for re-sparking public interest in the movie musical in the 21st century. Ewan McGregor and Nicole Kidman’s chemistry and charm steal this extravagant show as his bleeding heart poet tries to court a career woman of the world’s oldest profession and star performer at The Moulin Rouge. Steeped in the drama and romance of classic musicals with numerous modern references and flourishes, Luhrmann’s work is crafted to be viewed in a theater, like few truly are.

When Nicole Kidman said “*heartbreak feels good in a place like this*” she was probably talking about this movie but we cannot confirm.

Doors will open at **6:30pm**

Screening will start at **8:00pm** with even more partying to follow!

**Picks from the Video Store**:

Looking for more musical romance? We&#8217;ve got what your heart desires from every era!

*Sweet Charity, Swing Time, Teen Witch*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Moulin Rouge! + Vidiots Valentine’s Day Party

All That Heaven Allows

Bell Book and Candle

In memory of Béla Tarr, recently passed on January 6th, the Philosophical Research Society's 7th House series and 2220 Arts co-present his year 2000 masterpiece, *Werckmeister Harmonies*.

Béla Tarr and Ágnes Hranitzky, Hungary, 2000. 146 min TRT. B&W, digital.

∆

One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai, Werckmeister Harmonies unfolds in an unknown era in an unnamed village, where, one day, a mysterious circus—complete with an enormous stuffed whale and a shadowy, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens, which builds inexorably toward violence and destruction. In thirty-nine of his signature long takes, engraved in ghostly black and white, Tarr conjures an apocalyptic vision of dreamlike dread and fathomless beauty.

7th House: Béla Tarr's Werckmeister Harmonies

Los Angeles Filmforum presents *Filmforum 50, program 9: An Evening with Morgan Fisher*. The program includes five of Fisher's key works, projected in 16mm.

∆

A crucial participant and creator of experimental film in Los Angeles for close to sixty years, Morgan Fisher’s precise and beautiful films each address aspects of the processes of filmmaking with humor and conceptual rigor. As a member of the Los Angeles Independent Film Oasis (along with other key figures such as Pat and Beverly O’Neill, David and Diana Wilson, and Amy Halpern), he helped Los Angeles audiences have the opportunity to see essential films works in the late 1970s and early 1980s. His painting practice, which evolves from his same concerns with essential processes, color, and elements of personal history, has been featured in multiple exhibitions. Filmforum last hosted a one-person program with Fisher in 2004, and we’re delighted to honor him with some of the highlights of his cinematic oeuvre as part of our 50th anniversary celebration.

Full program notes and film lineup:

https://www.lafilmforum.org/schedule/winter-2026/filmforum-50-program-9-an-evening-with-morgan-fisher/

LA Filmforum: An Evening with Morgan Fisher

The Hunt for Red October in 4K

Love & Friendship: Hollywood Home Movies from the Academy Film Archive

Ominous organ music resounds and the scope camera tracks through the seemingly endless halls of a baroque grand hotel as X (Giorgio Albertazzi) tries to persuade an initially disbelieving A (Delphine Seyrig) that they had met the year before. With dizzying time shifts and flashbacks, *Last Year at Marienbad* is the ultimate puzzle film.

Last Year at Marienbad

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

Funeral Parade of Roses

*Archive Talks *pairs leading historians and scholars with screenings of the moving image media that is the focus of their writing and research. Each program will begin with a special talk by the invited scholar that will introduce audiences to new insights, interpretations and contexts for the films and media being screened.

Between 1955 and 1964, filmmaker Alfred Hitchcock and composer Bernard Herrmann collaborated on eight films, including Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963), that reshaped American cinema. As the Cold War set in, censorship regimes loosened and television took its toll on the box office, Hitchcock responded to the times with stories and images that pushed Hollywood’s boundaries to attract new, younger audiences to the big screen. In Herrmann, Hitchcock found an erudite composer willing to take chances with him. Indeed, Hitchcock so trusted Herrmann's insights into the medium and music's role in it that he would adjust editing and even dialogue in key sequences to accommodate Herrmann’s scoring. In background and temperament they were unlikely partners but their work together produced some of the most enduring, visionary and influential cinema of the last century. Award-winning filmmaker and film historian Steven C. Smith dives deep into their creative relationship and the forces that shaped it in his latest book, Hitchcock and Herrmann: The Friendship and Film Scores That Changed Cinema. As part of this program, Smith will deliver an illustrated talk about these visionary collaborators before a screening of their iconic work on Psycho (1960) and a post-screening Q&A.

Paramount was so unnerved by the concept for Psycho — loosely based on a magazine article about serial killer Ed Gein — that Alfred Hitchcock agreed to front the cost of production himself to get it made. By the time Hitchcock brought a rough cut to Bernard Herrmann, however, even the director had lost faith in the project. “He was crazy,” Herrmann later recalled. “He didn’t know what he had.” But the composer had “some ideas.” Herrmann’s groundbreaking minimalist score of stabbing, sweeping strings elevates the stripped down dread of Hitchcock’s images in a visionary fusion like no other. Herrmann’s score made Psycho work and then Psycho changed cinema history.

DCP. Director: Alfred Hitchcock. Screenwriter: Joseph Stefano. With: Anthony Perkins, Janet Leigh, Vera Miles.

*Programmed and notes written by Paul Malcolm.*

Archive Talks: Hitchcock and Herrmann With Steven C. Smith

### **ABOUT THE FILMS: **

**“Sophia de Mello Breyner Andresen,” 1969, Dir. João César Monteiro, 19 Mins, The Cinema Guild, Portugal**

*In Portuguese with English subtitles.*

In “Sophia de Mello Breyner Andresen,” his inaugural work, Monteiro films the renowned Portuguese poet at work, with her family, at sea, and at home, creating a tender, delicate portrait that, in his own words, “represents above all the proof to those who want to understand and accept it, that poetry can’t be filmed…and this uncompromising shame makes it, I believe, poetic, in spite of it.”

FORMAT: DCP

** SNOW WHITE, 2000, Dir. João César Monteiro, 75 Mins, The Cinema Guild, Portugal**

*In Portuguese with English subtitles. *

Monteiro’s sardonicism and provocations were a constant throughout his career, often when the director appeared in his own films via his subversive alter-egos. Yet his biggest provocation was to shoot an adaptation of Robert Walser’s anti–fairy tale SNOW WHITE with, according to legend, his overcoat covering the camera lens. The result is both a humble acceptance of the artist’s limits in his attempt to fully materialize the scope of his artistic vision and, at the same time, an invitation to the audience to fill the blackness of this radical experiment with hope, light, and the fear that emanates from hearing a voice telling a tale in the intimacy of a dark room.

FORMAT: DCP

"Sophia de Mello Breyner Andresen" / SNOW WHITE

Vixen! / Up!

**Screenwriters**: Alain Gagnol,  Jacques-Rémy Girerd

**Producer**: Jacques-Rémy Girerd

Bring your little cat lovers for a magical animated adventure through the streets of Paris in this Academy Award nominated treasure from directors *Jean-Loup Felicioli* and *Alain Gagnol &#8211;* a beautifully hand-drawn kitty caper for cat ladies and kiddos alike.

Dino is a cat that leads a double life. By day he lives with Zoe, a little girl whose mother is a detective in the Parisian police force. But at night Dino sneaks out the window to work with Nico – a slinky cat burglar with a big heart, whose fluid movements are poetry in motion as he evades captors and slips and swishes from rooftop to rooftop across the Paris skyline. Rife with film references (from *Reservoir Dogs* to *Goodfellas* to *The Night of the Hunter*), *A Cat in Paris* is a warm and richly humorous love letter to classic noir and American gangster films, with a jazz soundtrack featuring Billie Holiday.

**Picks from the Video Store**

Love Kitties? Take home more feline friends tonight!

*The Standard of Perfection: Show Cats, The Three Lives of Thomasina, Gay Purree*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

A Cat in Paris

**Writer/Producer**: Orson Welles

Set sail for intrigue, romance, murder, and Rita Hayworth at her most breathtakingly luminous in Orson Welles noir on the high seas. A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife. Watch out that you don&#8217;t get sea sick from all the twists and turns in this exquisitely composed masterpiece with one of the most iconic and influential climaxes in cinema history.

**Picks from the Video Store**

Want to go home with Rita Hayworth tonight? Rent these gems and more from our collection!

*Gilda, Only Angels Have Wings, Separate Tables*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

The Lady from Shanghai

**Screenwriters**: Vinicius de Moraes, Marcel Camus, Jacques Viot

**Producer**: Sacha Gordine

With an introduction from Founding Member **Jerrika Hinton!**

A stunningly beautiful bossa nova interpretation of the Greek myth of Orpheus set in vibrant and intoxicating Brazil during Carnaval. Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu&#8217;s vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim. Winner of the Palme d&#8217;Or at the Cannes Film Festival as well as Best Foreign Language Film at both the Golden Globes and the Academy Awards, *Black Orpheus* remains a treasured classic and a big screen essential!

**Picks from the Video Store**

Looking for more Brazilian film? Check out these and more!

*Bye Bye Brazil, Dona Flor and her Two Husbands, How Tasty Was My Little Frenchman*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Black Orpheus

Sweeney Todd: The Demon Barber of Fleet Street in 4K

High Life

### **ABOUT THE FILM:**

Charles Bronson stars as an ex-con and Vietnam vet whose efforts to run a straight business soon have him locking horns with both the law and the mafia in this explosive tale of backwoods revenge.

FORMAT: 35mm

DISTRIBUTOR: Park Circus

COUNTRY: USA

Cinematic Void Presents MR. MAJESTYK

The Defilers / A Smell of Honey, a Swallow of Brine

**This is a free screening, with seating available on a first come, first served basis.**

From **Hideaki Anno** (*Neon Genesis Evangelion*, *Shin Godzilla*),

*Shin Ultraman* is a modern, lovingly obsessive take on one of Japan’s most

iconic screen heroes. It keeps the DNA of the original series intact while

updating it with clean, powerful VFX, unexpected humor, and that very Anno mix of spectacle, sadness, and big cosmic questions.

**Plot synopsis:**

As mysterious giant creatures begin appearing across Japan, the government

forms a special task force to combat the escalating threat. When a towering

silver humanoid known as *Ultraman* starts appearing during each attack,

the team must uncover who — or what — this alien protector truly is, and what his presence means for humanity’s future.

Shin Ultraman

### **ABOUT THE EPISODE:**

**Episode 6, “Cooper’s Dreams,” Dir. Lesli Linka Glatter, 47 Mins**

Cooper and company have tea with the Log Lady, who tells them there was a third man following after Leo and Jacques the night Laura died. At Jacques Renault’s cabin, Cooper, Hawk and Truman find Waldo the bird.

FORMAT: DCP

### **ABOUT THE SERIES:**

**TWIN PEAKS, 1990, Paramount, USA**

A crime drama mixed with healthy doses of the surreal, this series is about FBI Agent Dale Cooper, who travels to the small logging town of Twin Peaks to solve the murder of seemingly innocent high schooler Laura Palmer. Almost nothing is as it seems, however, and the show’s sometimes eerie visuals, oddball characters and wild dream sequences drive the point home.

“Cooper’s Dreams” ‘TWIN PEAKS: The Complete Series’

TWIN PEAKS: Season 1, Ep. 6

Summer with Monika / Inga

Giant

Mezzanine presents three recent short films by filmmaker Dwayne LeBlanc, including *Civic*, *Now, Hear Me Good*, and the Los Angeles premiere of *You Do Not Exist*. A conversation will follow the screening with Dwayne and writer/archivist Harmony Holiday.

∆

Among the most exciting Los Angeles-based independent filmmakers to emerge this decade, Dwayne LeBlanc’s rigorous and hypnotic films are tactile snapshots of a life in transition, each following the travels of a single character (portrayed by Barrington Darius) between L.A. and Europe. Set in intimate spaces – driving a car, at a crowded party, or alone in the backyard — and imbuing them with a deeply felt lyricism and texture, LeBlanc’s filmmaking is filled with inspired and intuitive choices, taking a polyphonic approach to depicting community life on screen.

Widely acclaimed after screening at international film festivals, these three short films will be screening together for the first time with the filmmaker in person, including the L.A. premiere of his new short *You Do Not Exist* — followed by a conversation with writer Harmony Holiday.

Mezzanine: Three Films by Dwayne LeBlanc

Daughters of the Dust in 35mm

SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.

Neon Genesis Evangelion: The End of Evangelion

Movie theater chain established in 1938 showcasing the latest independent, foreign & art films.

Widely regarded as the greatest motion picture ever made, Citizen Kane tops the American Film Institute's list of the 100 Greatest American Films of All Time. Orson Welles' groundbreaking 1941 debut remains a towering achievement in cinema – innovative, daring, and endlessly influential.

This unique screening will be hosted by filmmaker Stanley Sheff, who worked closely with Welles as a collaborator, editor, and un-credited co-director on his unsold TV pilot The Orson Welles Show. Sheff will share stories from their professional collaboration and personal friendship, giving audiences a rare first-hand glimpse into the private world of Orson Welles.

    Conversations about Citizen Kane and its lasting impact
    Inside stories from the unsold TV pilot The Orson Welles Show
    Personal memories that reveal Welles' humor, charm, and presence

WEDNESDAY WITH WELLES

Fine Arts Theatre

### **ABOUT THE FILM: **

*In Portuguese with English subtitles.*

In one of his richest works, João César Monteiro films young couples fleeing their authoritarian parents in the Portuguese countryside, capturing forgotten people and landscapes while infusing them with tales of mystery and imagination inspired by ancient, traditional legends. Beautifully filmed by cinematographer Acácio de Almeida, Veredas reconfigures a nation’s cultural identity and aesthetic traditions, replacing politically fabricated imagery dictated by decades of fascism with a vibrant, inventive mise-en-scène that paved the way for a renowned docufiction tradition in contemporary Portuguese cinema.

FORMAT: DCP

DISTRIBUTOR: The Cinema Guild

COUNTRY: Portugal

L.A. Premiere of New 4K Restoration ‘João César Monteiro: An American Cinematheque Retrospective’

TRAILS

Active Cultures and Now Instant present **Seeds**, a three-part cinematic meditation on new beginnings, hidden power, and pivotal transformation.

Seeds are more than sources of nourishment. They hold ancestral memory: essential for preserving biodiversity, food sovereignty, and cultural heritage, resisting colonial displacement and destruction. These tiny vessels are also powerful symbols. Moving beyond the botanical, this artist-led film series delves into life&#8217;s eternal cycles, the strength of resilience, the wonder of germination, and the quiet wisdom found in dormancy.

The second film in the series, *Tending the Wild*, is selected by Andrea Jimenez of Herb Club LA. The screening will be followed by a conversation with Andrea and Joel Garcia, Director of Meztli Projects. Together, they will discuss the film’s themes in relation to their work with people and plants in the local community, as well as reflections on the past ten years since the film was made.

***Please note: seating is limited. Doors open thirty minutes prior to the listed showtime. Your RSVP does not guarantee you a seat. Seating is first-come, first-served.***

Seeds: Tending the Wild

Airport/Airport 1975

Lightstruck presents *Tacita Dean & Robert Nelson: Acting on Film* with Tacita Dean in person!

Lightstruck is honored to welcome artist Tacita Dean for a rare cinematic projection of her riveting 2015 film *Event for a Stage*, paired with Robert Nelson’s seldom seen 1982 short film *Hamlet Act*, both screening in their original 16mm format. These two remarkable films each explore the endlessly complex interplay between live performance and cinematic construction, as the camera, editing, and even the director’s presence complicate the illusion of narrative continuity, not to mention the presumptive reality that appears to hover at the margins.

Nelson’s film is a brilliant and unusual deconstruction of Hamlet’s play-within-a-play, activated into multiple, recursive layers of artifice through its employment of film and video to extend the original text’s nested complexity. Outtakes, retakes, and the typically unseen ragged edges of live performance carry as much meaning here as Shakespeare’s precise words and stage directions, giving us an exploded view of the highly constructed nature of cinematic performance.

Also invoking Shakespeare is actor Stephen Dillane in Dean’s breathtaking film, in which the volleying interactions between actor and director frame an almost molecular exploration of live performance and its resistance and acquiescence to being captured. Dean filmed the absolutely magnetic Dillane over four disparate performances, recomposing them into an explicitly filmic thread of continuity as he navigates between themes of memory, forgetting, family, artifice, and above all, the slippery power balance between actor and filmmaker at the heart of every cinematic performance.

Program and notes by Mark Toscano. Very special thanks to Tacita Dean, with additional thanks to Marine Pariente and Marian Goodman Gallery. 16mm print of Event for a Stage courtesy of Tacita Dean and Marian Goodman Gallery. 16mm print of Hamlet Act courtesy of the estate of Robert Nelson and Canyon Cinema.

Lightstruck: Tacita Dean & Robert Nelson (Acting on Film)

Short Films Honoring the Day of Remembrance: Executive Order 9066

The Revenant in 4K

SPEED KILLS

A short film by Ally Evenson

Directed by Antony Muse

A one-night premiere event at Brain Dead Studios, featuring the debut screening of SPEED KILLS, followed by a live Q&A with Evenson and Muse moderated by Mikael Wood from the LA Times, two intimate acoustic performances, and more.

Doors at 7:00pm. Screening and performances begin at 7:30 PM sharp.

Album out February 20.

Synopsis: When a mysterious car crash leaves her stranded in the middle of nowhere, a wannabe race car driver takes shelter with a traveling theater troupe seeking safety, only to find herself in a twisted romance she couldn’t have imagined.

Includes Q&A with Director Antony Muse and Singer/Songwriter Ally Evenson and 2 live acoustic performances from the SPEED KILLS album.

Ally Evenson - Speed Kills Premiere at Brain Dead Studios

Gardena Cinema is the oldest and only vintage single-screen stand-alone movie cinema in Southwest Los Angeles.

Monthly short film festival. Watch and vote. Audience award to the best short film each month. Annual championship in DECEMBER.

MOVIE SCREENERS CLUB (Thu. 2/19) 7:30pm

Gardena Cinema

Join us for an evening of chess and community at Heavy Manners Library. Play against friends and strangers, with all skill levels welcome. Free donuts will also be provided!

Echo Park Chess Club at Heavy Manners Library (2/19)

Heavy Manners Library

Arabian Nights

**Screenwriters**: Louise Peter,  Mascha Schilinski

**Producers**: Lucas Schmidt,  Lasse Scharpen

Join us in the microcinema for the utterly gorgeous bleak beauty of Mascha Schilinski’s meditative and transcendent *Sound of Falling*. Fragments from a hundred years in one farmhouse coalesce into a cinematic flood of memory with exquisite painterly cinematography and expertly disquieting sound design. 

This Cannes Jury Prize-winning masterpiece tracks the lives of four adolescent girls (Alma, Erika, Angelika, Lenka) across the last century – their desires and distress, their secrets and truths, their encounters with another’s gaze and defiant gaze in return. Though separated by time, far-reaching resonances emerge as echoes of experience linger.

Sensual and sensory, this awe-inducing Cannes prizewinner invites audiences to witness an eternal summer, a constant now, and ask: what is looking back at us from the past – or perhaps even from the future?

*“It knocks you off your feet and then sweeps you up again”* &#8211; The New Yorker

*“Mascha Schilinski’s superb feature is a masterclass in ethereal, unnerving brilliance”* &#8211; Deadline

*★★★★ “Marvelously tells a century’s worth of women’s stories by weaving together the psychological, the physical, and even the spiritual”* &#8211; Observer

Sound of Falling

**Screenwriters**: Ernest Dickerson, Gerard Brown

**Producers**: David Heyman, Neal Moritz, Peter Frankfurt

Vidiots is thrilled to welcome co-writer and director **Ernest Dickerson** for a special screening of his 90s coming-of-age classic *Juice* followed by a conversation with the legendary filmmaker! And come early for an all vinyl DJ set, spinning Hip Hop bangers from the 1990s!

Ernest Dickerson&#8217;s directorial debut, *Juice* is an entertaining gritty crime drama featuring the first on-screen role for Tupac Shakur as the increasingly psychopathic Bishop. Four young friends in Harlem dig deeper into the world of crime when they decide to go from petty crime to planning a high-stakes robbery. While not everyone&#8217;s heart is in the heist, Bishop, the de facto leader pushes them to follow through with the ill-fated operation, putting their friendships and lives on the line. A gripping coming-of-age story against the backdrop of 1990s Harlem with phenomenal performances and deft direction from Dickerson. *So pop two quarters in, pop tart, and let&#8217;s get this game on!*

**Picks from the Video Store**

Take home more Ernest Dickerson classics tonight!

*For One Night, Bones, Tales from the Crypt Presents:Demon Knight*

**Accessibility Options**: Amplified Audio, please see the box office for devices.

Juice

Gaslight/Laura

Sunshine in 35mm

Teens camping in a northern California retreat are terrorized by mutant insects created by evil, polluting pot farmers.

Ticks

An avant-gutter psychedelic dream, ***ANYTHING THAT MOVES***

is an erotically charged, blood-soaked thriller set in the sticky corridors of

Chicago. Shot on fleshy Super 16mm, director **Alex Phillips**&#8216; rust

belt giallo continues his trajectory of taboo-shattering horror cinema with this

tense, funny, and absolutely twisted murder mystery.
The film follows nubile sex worker Liam who bikes with his girlfriend — his

partner in both business and pleasure — through the city delivering snacks and

divine satisfaction to his love-hungry clients. Meanwhile, a serial killer&#8217;s

gory murders are piling up, and all the evidence seems to point back to the

lovers’ bed.

Produced in collaboration with cult home video outfit **Vinegar Syndrome**,

the film features standout supporting performances from erotic film legends

**Ginger Lynn** (*The Devil’s Rejects*) and

**Nina Hartley** (*Boogie Nights*).
With an original instrumental score by Chicago-based artists **Cue Shop**,

calling to mind the lush orchestrations of Bruno Nicolai, and lurid visuals by

acclaimed cinematographer **Hunter Zimny**

(*The Scary of Sixty-First*, *Funny Pages*),

*Anything That Moves* provides an immersive throwback to ’70s exploitation flicks.

Anything That Moves

### **ABOUT THE FILM:**

“Ben Hecht has been squinting at ‘The Front Page’ again and, with one eye crinkled shut and the other sardonically glinting, he has written an impiously impish comedy about that recurrent journalistic marvel, the seven-day wonder. NOTHING SACRED, which is the title of the eminent professor’s thesis, and which is now being read at the Music Hall, has given the Fourth Estate the once-over (not so lightly) and has left it applying collodion to its wounds. . . . Only a journalistic renegade, teetering on a critical perch, would dare grant it the distinction of being one of the merrier jests of the cinema year. Mr. Hecht, having served his apprenticeship in the toughest Chicago school, is in a position to bat a skeptical eyebrow over the antics of the wayward press.”

*—Frank S. Nugent, The New York Times, November 26, 1937*

FORMAT: Nitrate

COUNTRY: USA

Presented in partnership with Eastman Museum, L.A. Print courtesy of the George Eastman Museum, gift of Selznick Properties, Ltd. ‘American Cinematheque’s Nitrate Film Festival 2026’

NOTHING SACRED on Nitrate

Recounting the circumstances of his son Nando’s suicide, José seems both comforted by and unaware of filmmaker Juan Pablo González’s camera as he retells the events of that final day. The short unfolds in three chapters: each repetition feels like an excavation, grief both fresh and buried. Set against the vast farmlands he once worked on with his son, the film’s haunting soundscape and a capella cantos transform mourning into landscape, revealing how memory reshapes what remains and how loss echoes through time and place.

DCP. Director/Screenwriter: Juan Pablo González.

Chloé Zhao’s quietly devastating debut unfolds on South Dakota’s Pine Ridge Reservation, where high school senior Johnny prepares to leave home until a sudden family death makes him reluctant to abandon his 13-year-old sister. Blending fiction and documentary, Zhao casts local community members without professional acting experience, grounding the film in authenticity. The result is a work of lyrical realism and emotional restraint that captures the beauty, hardship and resilience of reservation life.

DCP. Director/Screenwriter: Chloé Zhao. With: John Reddy, Jashaun St. John, Irene Bedard, Eléonore Hendricks.

*—Public Programmer Beandrea July*

The Solitude of Memory / Songs My Brothers Taught Me

Join host Katja Bartholmess for an open writing studio at Heavy Manners Library from 1-3! No frills, no prompts, just write!

Manuscripts, Screenplays, Articles … whatever you’re working on, let’s do it in each other’s company!**

Afternoon Writing Session**

1:00pm to 3:00pm

Drop in and stay a while!

Monday, 2/2

Academy Museum

Hedwig and the Angry Inch in 4K

2:30 PM

⭐

The Right Stuff in 35mm

7:00 PM

⭐

Eastwood Performing Arts Center

Clown Sh*t!

7:00 PM

⭐

Egyptian Theatre

Frankenstein

12:00 PM, 7:00 PM

⭐

Train Dreams

3:30 PM, 10:30 PM

⭐

Los Feliz Theatre

Cinematic Void Presents ASSAULT ON PRECINCT 13

7:00 PM

⭐

New Beverly Cinema

The Student Nurses

Private Duty Nurses

The Young Nurses

7:30 PM

⭐

Vidiots

The Turin Horse

7:30 PM

⭐

Monday, 2/2